Flood was designed by Joachim M�ller-Lanc� and is not just another handwritten face. At smaller point sizes it exhibits the natural, dynamic, and spontaneous flow of felt tip marker writing. At larger sizes Flood is immediate, urgent, and provocative in its stylized detailing, without being overly dramatic. Flood�s energetic rhythm is well suited for informal menus, logos, and brief ad copy, as well as personal correspondence.

Blacker Sans Pro is a complete redesign and development of the original family designed by Francesco Canovaro in 2019 as a sans-serif variant of the successful Blacker created by Cosimo Lorenzo Pancini and Andrea Tartarelli. The original idea of Blacker Sans was to create a versatile pairing for Blacker, parting with its spiky wedge serifs but keeping its dark, elegant character and extending its weight range to 20 weights including italics. This Blacker Sans Pro family did also differ in contrast from the original Blacker family, choosing a more even and monolinear, almost grotesque approach. This choice that favored versatility over elegance left some of the original uses of Blacker not covered by its sans counterpart, and so two subfamilies were added, applying to the same skeleton varying degrees of contrast, from the readability-optimized medium contrast of Blacker Sans Text to the extreme variations of Blacker Sans Display, with its elegant juxtapositions of thin curves and thick black slabs. The original signature details of Blacker, like the hook shape of lowercase "f", have been complemented by new alternate forms, ligatures and swashes, with stylistic sets providing options to easily make logos and headings stand out. The wide range of OpenType features (that includes also small caps, positional numbers, and alternate punctuation) is applied to all the 60 weights of the family, each with over 1600 characters offering language support for 220+ languages using Latin, Cyrillic and Greek alphabets. Ready to make your text look gorgeous? Ditch your usual sans-serifs and try Blacker Sans Pro!

Dynasty is an extensive and versatile family that exploration and modernisation of the typographic quirks associated with the 'American Gothic' type school (in much the same way as English Grotesque was an exploration of Gill/Johnston idea-space) and adds chamfered elements to dots and tails to emphasise and extend the early machine-made aesthetic. Elegantly clean and readable at headline and small text settings, where (as with all fonts in small sizes) the introduction of tracking will improve legibility.

Designed for a wide range of applications, Gentona was intended to support the goals of contemporary design paired with a mostly swiss oriented demand on typography – neutrality. The result is a nine-weight neo-grotesque family ranging from sharp and fine thin cuts to muscle-bound and strong heavy weights. Gentona’s confident and open shapes support legibility especially in small sizes while its alternative shapes and letterforms create flexibility. A wide range of typographic features round up the whole family.

ABC Idea is a contemporary geometric sans full of opentype features in Regular, Bold and very "fast" Italic. The design is an experimental fusion or mix between Humanist, Geometric and Grotesque models. The fine drawing in all letters and signs has precise ink traps to highlight contrast jus like lettering and calligraphy does, then ABC Idea re-creates this exquisite graphic details into the digital world. Designed by Miguel H. Montoya Fonts in Use Images by letargo.cl Magazine. Art Direction by studioprado.cl

Solaris is a sans serif or a grotesque as we still call it where I come from. (it is an old term which means strange compared with Roman which was the normal font) The face is an open sans, which means that the round signs take the air into the form, minuscule d is drawn kind of backwards like in Gill Sans, which sets off on minuskel a. Here is the Regular version, with a slightly difference between stems and hairlines.

Mr Palker Dad — has appeared in a natural evolution of the Palker-Palkerson family. Its closest relative - grotesque Mr Palker Dadson. This generation is more stout than the previous one. One may even be brave enough to use them for composing small texts. Notably Mr Parker Dad has become one of the frequently sold typefaces on the «Peterburg. The city speaks» map as it is highly readable while remaining extremely tight. Mr Parker Dad has all the features of P&P’s family.

-OC Revolt is a variable display font made for the protest graphics of the NYC based T*#@p Brexit era Non-Complicit project who initially made guerrilla type with masking tape applied directly in situ or to silk screens. An uppercase only font there are alternate versions of each character on the lowercase keyboard. Double letter ligatures are used to prevent direct mechanical repetition of letters in the static styles and the Shift axis can be used to make each letter variably unique.

Mohn is a sans serif font that draws inspiration from the Bauhaus movement, characterized by its geometric shapes and neo-grotesque elements. With its clear and legible forms, Mohn works as a body copy font, or blow it up larger for headlines to really see its gently rounded corner details which bring a personal and contemporary touch to any design project. Available in 7 weights with italics for each, a variety of accented glyphs, ligatures, and extra stylistic alts on select letters.

Voyager Mono is a geometric monospaced grotesque family. It has two width styles - Voyager Mono (630em) and Voyager Mono Cond (580em). Available in 7 weights plus matching italics and alternate styles without slope with italic letters "a" and "g". Particular attention was paid to the problematic letters for monospaced fonts - "m" and "w". The optimal solution was found so that all signs looked good even in black style. Voyager Mono is perfect for the brand design, advertising, logo, gaming and packaging.

Accidental grotesque with a fiery character. Three font styles: Regular, Italic, Retalic. For each typeface an additional ornament was developed. The «Ogonyok» works well in larger sizes. Looks cool on titles, logos, music album covers, posters, packaging and in short texts. Special gorgeous ornaments will complement and enhance any design. Just try to type the text at the bottom of this page and you will see for yourself. Multilingual. Support: Cyrillic, Latin, extended Latin (Western European, Central European, South-East).

Nora Slab blends a geometric inspiration with warm humanist elements, making it the perfect choice for when you need a fresh, contemporary slab serif typeface. The companion Nora Grotesque makes the Nora family a real workhorse for any use, including web, digital, print, branding and signage. Nora Slab has a large x-height and open counterforms, making it easily readable. It supports multiple languages: Central and Eastern European as well as Western European languages. It has eight weights with related obliques.

The Poster Sans display fonts have the enduring functionality of vintage condensed grotesques. They are loosely based on Ludlow 6-EC, and perfect for signs and posters. The Basic Package includes the Regular and Bold weights, and also a useful Outline version. Poster Sans Extreme may hold the record for the slimmest usable font available. The latest versions of the Regular, Bold and Extreme weights offer improved outlines and now include a full compliment of Latin Extended-A European accented characters.

Bloery is a neo grotesque font modified with extended proportion. Comes with a modern look, this font suitable for display and body text. Bloery is a good choice for editorial design, branding, app design and web design. Comes with 7 weights from Thin to Bold with each matching Italic. Contain several OpenType features: Stylistic Alternates and Figures Variation (fraction, tabular lining, numerator, denominator). Each style includes 540+ glyphs supporting all western, eastern and central european languages (over 200 languages supported).

Danos is a flexible family of modern sans serif and characterized by some humanistic. It has his own unique style in expressed perfect condensed forms, inspired by the classic industrial grotesque and geometric typefaces. Danos is an ideal font family for display, text, print, user interfaces, mobile devices, branding, signage, and especially web design creation, with a set of minimal ligatures and alternative characters for your design in any layout. The family has 18 weights ranging from Thin to Black and their italic.

Interlaken™ is a modern display & branding typeface allowing to design creative logotypes, posters and headlines with ease. It is an uppercase family of six OpenType fonts and one 2-axis variable font, packed with features such as stylistic alternates and tons of original ligatures. The family’s purpose is to make the creative process of designing logotype a blast. It has a wide set of OpenType features crafted especially to make your life easier, allowing you to accomplish your projects in less time. Interlaken has a powerful and very modern character, it comes in three width variants, making it a good fit in various design scenarios. Its cutout details make it look unique and create an impression of inner shadows when set on a dark background. Interlaken is a great typographic tool for such industries as sports, fitness, modern technology, fashion and gaming. It works perfect as a pairing typeface with Rothorn, Conthey and Conthey Inline and Axalp Grotesk.

The font package Helen Bg Family is in 5 weights and two widths, 18 styles: Thin, Thin Italic, Light, Light Italic, Regular, Italic, Bold, Bold Italic, Black, Black Italic, Light Condensed, Light Condensed Italic, Condensed, Condensed Italic, Bold Condensed, Bold Condensed Italic, Black Condensed and Black Condensed Italic. Helen Bg is made with Bulgarian Design of Cyrillic and is recommended for the publications for Bulgaria. Other version with standard Cyrillic is available from HermesSoft Limited. Typeface design: Vassil Nikolov. Release date: 1991 - 96, HermesSOFT Design notes and Technical data Helen belongs to the typefaces from the humanistic sanserif grotesk fonts. The font is for wide use – from the classical typesetting to the display typography. In the Bulgarian Code Page are included all vowels with accents that are really necessary for the typesetting in Bulgarian language, and are not included in the Cyrillic Code Page: Helen Is available in OpenType PostScript and WEB font formats.

Helvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas’sche Schriftgiesserei (Haas Type Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an adaptation of Helvetia, the Latin name for Switzerland). Over the years, the original Helvetica™ family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been. At the beginning of the 21st Century, Linotype released an updated design of Helvetica, the Helvetica World typeface family. This family is much smaller in terms of its number of fonts, but each font makes up for this in terms of language support. Helvetica World supports a number of languages and writing systems from all over the globe.

Typeface Laborat™, designed by Kristína Jandová, is a Grotesk typeface that combines the geometry of a circle and a square. The visual message of geometry is applied to stylistic sets and modified by special characters, including abstract forms or symbols, that turn the typeface into a visual “graphic” language. The basic character of the typeface lies in the default set based on the circle-like shapes of letters. The stylistic sets 01 to 03 are characterized by different geometrical modifications of the growing character and the idea “from circle to square” applied on the letters a, f, g, l, r, t, u, y. By using these different alterations of consistent letterforms, it offers a playful space for everyone. The first inspiration of the typeface origins in Paul Renner’s Futura sketches, that were a celebration of geometrical playfulness of modernism meeting constructivism. It is modified into a new contemporary “wave” of typography as a graphical method. Laborat comes in six weights, from Hairline to Heavy.

Marcione is the real deal, a contemporary and dynamic condensed display font family that blends the classic Deco and Grotesk styles in a playful and modern way. This font family got personality, you can see it right away in the lowercase letters, with a diagonal stem in characters like “a”, “h”, “m”, and “n” that gives it that extra kick. You can use Marcione to create some killer designs in editorial, branding, or advertising. This font family packs a punch with six distinct styles, ranging from Light to ExtraBold, and it’s got you covered with broad Latin language support. That means no matter where you’re from, Marcione can help you make a statement. This font is highly versatile and visually engaging, a true boss. With its condensed design, it takes up minimal space while still commanding attention and conveying a sense of sophistication. Trust me, you won’t regret having Marcione in your font library, it’s the real deal.

Alliance Update to version 2.0 Alliance™ 28 weights, 14 uprights and matching italics. Each typeface contains over 592 glyphs with extensive Western, Central and Eastern European language support. ALLIANCE NO.1 Inspired by Industrial-era types from the end of the 19th century. Attempts to follow the best traditions of Grotesk typefaces. Features monolinear strokes and a good amount of contrast between the stroke thickness of each weight. With its distinctive inktraps, subtle in light versions and more visible in the black ones, Alliance No.1 was developed with unique glyphs to offer maximum flexibility. An airy metric aids good legibility in short texts. ALLIANCE NO.2 Alliance No.2 is a Display typeface. Developed from the original font family for use in large sizes. Based on the combination of contrasting shapes. This is a set useful for branding and advertising. Symbols for public areas, environment, transportation, digital and urban life. OPENTYPE FEATURES Including tabular figures, alternate characters, ligatures, fractions, case-sensitive forms, superscripts, subscripts etc.

Those who have grown tired of text typefaces insensitively blown up to the size of a poster or a building facade should from time to time try out extreme display styles, which are designed precisely for this purpose. They look best in dimensions from around 32 point out to infinity, and they rise to the occasion when a strong impression is necessary. This is especially true for the extreme weights Hair and Black, which don’t allow for any compromise. The sharp hairline and brutal contrast of the strokes test the most extreme possibilities, without having readability suffer in continuous text, as is characteristic for all the typefaces of the Tabac superfamily. Tabac Big Sans has the distinction of having most of its styles hold up not only in giant sizes, but also in smaller texts, where it’s an obedient little doggie. It actually works like a narrowed linear grotesk with an increased x-height. There’s no limit to fantasy.

Envisage is a distinctive new grotesk design by Alex Kaczun. Characterized by distinct details throughout as particularly visable in the capitals A, H and N. There is a more organic and natural feel to the overall design as in the sutle curves introduced in many of the lower case letter forms, specifically the a, h, m and n. And, especially evident in the warm overall curves within the l‘case g. In addition, incorporating flexibility in form and function, Alex has also included alternate letter forms in this OpenType font; allowing the graphic designer a choice in the overall look and feel. Envisage has impact and zeal. It's a wonderful choice for a distinctively unique headline treatment, and works equally well in text in a large range of point sizes. Use this friendlier sans serif as an alternate to Futura and Gill Sans. We think you will like what you see. The large Pro font character set supports most Central European and many Eastern European languages.

Secca is a fresh and versatile typeface series. With its workhorse qualities, Secca is perfectly suited for a wide range of applications - especially where legibility and economy are important factors. Secca is rooted in the tradition of early German Grotesk typefaces, but is tailored for the needs of today, with a wide language support and many typographic features and extras. » pdf specimen « The core family comes in nine weights from Thin to Ultra Black plus another three Hairline weights - each with italics, small caps and italic small caps. While the weights from Light to Bold perform well in text sizes, the more extreme styles give extra freedom for Headlines & Signage. For setting tables and charts, Secca offers tabular figures, fractions, currency signs and mathematic operators which share the same fixed width throughout the entire range of weights. This special feature is called “weight duplexing” and is a time saver for designers of annual reports and other figure-heavy texts.

In a design landscape dominated by modern advancements, ZT Ravigsfen emerges as a stunning turning point. A work of sans-serif grotesque font that celebrates the style and audacity of classic sci-fi, this font takes users on a journey through time. With Nine Weights spanning from delicate thin to commanding black, ZT Ravigsfen offers boundless flexibility to embrace any design project. Its unique alternative style, featuring a central split, creates characters shrouded in mystery and wonder. This is more than just a font; ZT Ravigsfen is a narrative. Each letter is a blank canvas waiting to be filled with stories and adventures. Both uppercase and lowercase letters, while sharing similar forms, exude distinct auras, framing each word with a signature touch. ZT Ravigsfen Key Features: 9 Remarkable Weights 3 Styles (Grotesque, Oblique, & Alternate) Captivating Alternative Style Distinct Aura in Every Thickness Rich with 525 Glyph Free Updates Download now, discover unforgettable retro aesthetics, and embrace boundless creativity with ZT Ravigsfen. This font is the gateway to a new dimension of design waiting to be explored. I hope you have fun using ZT Ravigsfen. Thanks for using this font ~ Zelowtype

Kfontz is a display font that simulates the appearance of typewritten text. Each letter in Kfontz has been carefully designed to resemble the effect you get with a typewriter. This effect adds a sense of nostalgia to the text, as if it were from a bygone era, adding an authentic charm to the designs. Kfontz retains its varied and extravagant style, giving the text a lightness and a certain nonchalance. Remastered in 2023.

Luckily, I am not allergic to waffles - but a guy named Ethan Tremblay is...and if you know the story about that guy, you know the name of this font is from! What can I say? A handmade font full of quirkiness and a rough outline. Comes in both Regular (outline) and Solid. Use both versions as they are, or combine them. I've added 4 different versions of each lowercase letter and multilingual support!

Bermula is a Contemporary, Classy, and Warm Serif typeface. Bermula has a Clean and Smooth details. The design was intended to improve upon the Legibility. Bermula included 16 Fonts. Regular and matching Italic, from Light to Black weight. Also included Variable Font support. OpenType features allow for the implementation of typographic such as Ligatures. and added Latin Language support. It’s a perfect choice for Branding, Magazines, Posters, Advertising, Print, Packaging, Headlines, Logos, Web Design etc.

Embrace the timeless charm of the "Young Fighter" Font Family, a carefully crafted vintage display typeface that brings a touch of nostalgia to your designs. This versatile font family features 6 unique styles, each designed to capture the essence of classic typography while adding a modern twist. With a seamless blend of serif, display, sans serif, and dingbat ornament options, the "Young Fighter" Font Family offers unparalleled versatility for your creative projects.

Hounslow is closely related to Acton in structure, and takes the latter’s simple block construction into the third dimension. Three variants – open, solid and shadow – can be freely mixed in one setting for effect. Originally designed solely in the italic variant, an upright was added by request. A further unreleased set with a range of line weights was later commissioned by the New York Times magazine, and used extensively in their television supplement.

Introducing Megatrans: A font from the future, where innovation and design meet. With its sleek lines and visionary style, Megatrans embodies a sense of futuristic aesthetics. Transform your projects with Megatrans' cutting-edge presence, adding a touch of tomorrow to your creative endeavors. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Now here's a font that won't spoil anything! It's my ALL CAPS brush font with slightly uneven and quirky lines. Just enough to make font look lively and fresh, but not overdoing it. Every letter has 7 different versions, which automatically cycles as you type - and I have added an extra SMALL CAPS for each letter. Exchange every letter here and there with SMALL CAPS, and you will get an even more authentic result!

Afroboy Display Font is an obese font with a simple, and modern look. Afroboy Display Font created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Afroboy is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else.

Sports Wave is a specialty font that can be used for sports-themed projects. Previously available as a free version with only the pictograms, Sports Wave has been a popular download. Now we offer you the added usability of a full and extended character set. Some glyphs have been provided to extend the height of the shorter “banner” glyphs. These glyphs are negatively kerned and appear near the end of the set.

MAVERICKS ORIGINAL – A smooth and sturdy, handcrafted font, inspired by California surf culture and all things midcentury modern. Designed by Lauren Kilbane (on the other coast!) in sunny South Florida, USA. Use this font for: ads, album covers, apparel, cards, flyers, invitations, logos, menus, merchandise, packaging, signage, web, and more. 257 Glyphs Total: Uppercase, Lowercase, Numbers, Symbols, Punctuation, & Language Support. Language Support: Danish, English, French, German, Irish, Italian, Portuguese, Spanish, Swedish, & Swiss German.

Albe Sans is a font family that began life when I was struck by a full-color back page ad in a 1935 copy of Better Homes & Gardens. I loved the readability and general cleanliness of the design. This font is drawn from memory after that experience. It is loosely based on Palton for proportion, but heaviily modified (not to mention, Palton is serif): Lower case numbers, Euro, ballot box in the section slot.

Mavblis fonts have playful and fancy look, which may recall that seen in fifties ads. The look, which is quite bold may well allow for using this font in titles, packaging, or catchphrases. There are also some ligatures and alternates encoded, so you are not stuck with one look in case you require to add some variety to your text. There are over 900 characters in each font, and many languages are served.

A modern, high impact, display font - Northern Mount is the first in the four part collection of fonts designed by Chike Newman-Greaves. Starting life as a side project on his creative bucket list, and now with over 550+ glyphs, Northern Mount is the perfect font for a bold ad campaign, key artwork or comic book cover. Its high bars and long stems take inspiration from an Art Deco era, its lowercase letters - clean, minimal.

Decima – condensed geometric Sans Serif typeface, released back in 2009 and quite successful ever since (MyFonts Rising Star, February 2009). Decima Pro – an upgraded version of Decima, with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages as well as support of Cyrillic. Six more alternate styles have been added to the original six styles. Typeface is released in OpenType format with some OpenType features.