Sumply is a multi-layered type family based on geometric forms. A monospace display typeface which comes as a family of four. It is equipped with OpenType features and contextual alternatives to create a versatile and fresh output. Sumply initially was designed to be used in personalization processes in digital printing. By choosing the basic geometric cut (FOUR), patterns and various graphic elements can be created just by importing text variables into the indesign data merge. If combined with the other cuts the possibilities are sheer endless. Sumply was selected to be in the 2016 edition of Typodarium.

Loubag is a combination of modern sans serif and serif with a retro touch which makes Loubag unique. This family has 9 weights from thin to black, also includes a Variable style as well as multilingual support, numbers, and currency symbols. This versatile font is suitable for use in many design forms, for example magazines, postcards, logos, DIY Projects, invitation card, quotes, vintage look design, old classic ,60s, 70s, 80s era, wedding projects and much more. We recommend using Adobe Illustrator or Photoshop. how to access alternate? Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs

Gart Serif is a serif font that combines traditional Antiques from the 18th century with modern solutions. Compared to other Antiques, Gart Serif stands out with its "display" metrics that enhance its character without compromising readability. With a variety of weights, Gart Serif can have an elegant demeanor seen in its thin weight or a more robust and sturdy presence in its bold rendition. It serves well for setting large amounts of text as well as for short headlines. Gart Serif comprises 5 weights, 642 glyphs, basic Cyrillic and extended Latin, several stylistic sets, ligatures, numeral sets, and a variable font.

Liak is a sans serif family. Design with various width and weight that you can explore and combine creating rhythm and texture for comfortable reading. This font supports more than 100 Latin-based languages and has extensive Cyrillic and Greek support for languages like Russian, Bulgarian, Ukrainian, and many more.In variable version, it allows multiple options when designing, adapting to different composition solutions. Feature Uppercase & Lowercase Number & Symbol International Glyphs (Cyrillic & Greek) Multilingual support Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: Suandana_Ipandemade@hotmail.com Hope you enjoy it.

Caleb Mono Font Family It is originally inherited from Caleb Grotesk. And, It is a reinterpretation of the proportional and grotesque sensibility of Glphs with a more modern and rarity feeling. Monospace fonts are a great choice for any designer who wants to create a retro, and minimalist feel. The disadvantages of ambiguous readability due to its wide width and mechanical placement are clearly present, but still attractive and elegant. To overcome these shortcomings, this font family gave variable side bearing values to each glyph and adjusted the width of the glyphs themselves. It is designed with a more human sensibility.

Lupa Slim 1 – a warm and handsome family, giving texts a harmonic and pure, human atmosphere. Lupa's kind manners deliver clear and female qualities in Sans Serif environment. The family has a tiny handwritten touch. It can be used in any application, where feeling good and pleasant is necessity. This can be in daily business life, but also in kids surroundings, health, mood, spa, mothers, dads … Do spread some soft qualities! The 10 weights plus true Italics allow a fine tuning and include smallcaps, variable numbers, fractions, fleurons plus some other extras. Lupa Slim 1 is highly legible.

Jessie Neue in a new Serif typeface inspired by popular '70s fonts mixed with grotesque touches. It has ligatures that make it more elegant and grotesque elements that give it a modern look and make it more versatile. Jessi Neue has a great performance in large body texts and also in high impact headlines. The family has four weights and also a variable version to give more creative freedom. It has 667 characters that covers the following languages: Basic Latin, Western European, Central European, South Eastern European, Vietnamese, Pinyin and Basic Greek. The italic version will arrive soon.

Prettywise - Modern Retro Family Unique and beauty Modern serif family including 30+ ligatures and 100+ alternates to mix and match for a stunning display or header. This versatile family consists of 10 weights, variable styles as well as multilingual support, numbers, and currency symbols. Suitable for use in many design forms, for example, magazines, logos, web design, DIY projects, quotes, packaging, postcards, vintage or retro look badges, old classic music, the 60s, 70s, 80s era, stickers, label, wedding theme and many more. We recommend using Adobe Programs. to access alternate Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs

Blacken is a contemporary blackletter with some fraktur flavour and a deep dark spirit. With its 420 characters covering 219 Latin-based languages, this font is ideal for your posters, book covers, logos, tattoos, and to play with its strong and thick characters. Among its inspirations are the gothic-cholo style, Mexican sign painting (the one in tacos and tortas, of course) and some delicious Belgian beer! Besides the Regular width, Blacken comes with Condensed and Expanded versions and Mix, which combines the three widths as OpenType features. You can also get Blacken Variable to create your own ideal width!

Mahardika is a Retro Sport sans Serif family with variable font technology, and its axis weight range spreads from Light to black forms. Flexible and adaptable, it is 100% Latin Plus, Supporting 219 Latin-based languages, which are spoken in different 212 countries. This font is suitable for any project. Great for graphic design and any display use. It can easily work for web, signage, corporate as well as editorial designs. Jantur Type has 9 weights with a total of 9 styles. and legibility makes it suitable for any kind of text application, from brand design to extensive text layouts.

Umberland Slab is an attractive family available in 3 different weights with italics. There’s a particular emphasis on simple geometric shapes and the way they interact with tall vertical strokes. Smooth curves and sharp angles blend together in a pleasing symmetry. Stroke widths are given variable degrees of contrast but serifs are consistent and heavy handed. Spacing is on the tight side with some lowercase pairs quite snug against each other. Umberland Slab would work well in small blocks of text, corporate logos, menus, or signage. This family is equipped with European accents/diacritics for international support, fractions, alternates, and ligatures.

Lupio comes as 102nd family in our catalogue. It is geometric sans serif family with humanistic elements. Lupio family contains variable and classic versions, so you can pick which one suits better for you and your project. Classic version is additionally fine tunned to get overall character look more equalised and uniform. When it comes to distinction – in sea of dozen other sans serif famlies, we made Lupio decently recognizable. You won't mistaken him with others. Lupio is designed as working horse family, to be used in all possible situations – from websites to packages, editorial design and applications.

Sundash versatile typeface with wide allternate allcaps. This bold modern font explores the style of Allcaps, we add a wide character to make it look more flexible. based on forms inspired by free urban culture, Sundash has a modern and vibrant spirit. Sundash explores how the shapes and curves of letters change their Focus. This font has a variable weight of 5 Light, regular, medium, bold, extrabold to make the sundash more solid. Sundash has 247 glypghs with a unique and bold character perfectly suited for a wide variety of applications from editorial design to branding, advertising, publications and digital.

CONCEPT/ CHARACTERISTICS A display font that allows you to »Kleckern und Klotzen« (modified German proverb »to not take half-measures«) The fat and square character to the font, a bold and loud statement. The motto is square, practical, fat. The font styles ranging from high-contrast line difference "beanpole" over mediocrity "slim" to the fattest and blackest "okay" style. A font with humor ^^ APPLICATION AREA The modern, square lightweight »Fat Wear Shirt« would be happy as a display typeface in headline size on the following areas and would find this very real bold: Edi­to­rial Design (Maga­zine or Fan­zine) or Web­de­sign (Head­line Web­font for your web­site), party flyer, movie pos­ter, music pos­ter, clothing, fashion, t-shirts, music covers or web­ban­ner. And and and… TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Fat Techno Font »Wear Fat Shirt« Open­Type Font (Mac + Win) with 3 styles (okay, slim, beanpole) & 268 gly­phs. Alter­na­tive let­ters and liga­tures (with accents & €) Desk­top Font (.otf) + Web Font (.svg, .eot, .woff) KONZEPT/BESONDERHEITEN Eine Display-Schrift bei der Kleckern und Klotzen erlaubt ist! (Verändertes deutsches Sprichwort »nicht kleckern sondern klotzen«) Der fette und eckige Charakter verleihen der Schrift eine plakative und laute Aussage. Das Motto lautet quadratisch, praktisch, fett. Die Schriftschnitte reichen von kontrastreichen Linienunterschied »beanpole«, über mittelmaß »slim« bis zum fettesten und schwärzesten »okay« Style. Eine Schrift mit Humor ^^ EINSATZGEBIETE Das moderne, quadratische Leichtgewicht »Wear Fat Shirt«, würde sich als Aus­zeich­nungs­schrift in Head­line­größe über fol­gende Ein­satz­ge­biete sehr freuen und fände dies echt fett: Logos/Wortmarken aller Art, Flyer für fast jede Party, Plat­ten ­Co­ver, CD-Cover und Icon Design, Pla­kat­ De­sign, Kleidung, T-Shirts, Comics und Gra­phic­no­vels, Game– und Video­spiel Design aller Gen­res, als Head­line­schrift für print und digi­tale Maga­zine, Bücher und Web­sei­ten u.v.m. TECHNISCHE INFORMATIONEN Head­line Font | Dis­play Font | Fat Techno Font »Wear Fat Shirt« Open­Type Font (Mac + Win) mit 3 Schrift­schnit­ten (okay, slim, beanpole) & 268 Gly­phen. Inkl. dia­kri­ti­sches Zei­chen, alter­na­tive Buch­sta­ben, Liga­tu­ren & €. Desk­top Font (.otf) + Web Font (.svg, .eot, .woff)

The classic modernist FS Alvar grew out of a library of pure modular shapes gathered by Fontsmith’s master of the abstract starting point, Mr Phil Garnham. “It was a collection that just had to be explored and brought to life in a typographic voice. “We debated long and hard about this. It was big decision to make a shift away from the typefaces that people knew us for. And we didn’t want to compromise our reputation of well crafted typographic quality”. Modular forms A headline font that’s both graphic and functional, in the modernist tradition, FS Alvar focused Fontsmith’s eyes on the bigger issue of what makes a font show its age. “Looking at those fonts from the 1980s that were supposed to represent the ‘future’,” says Phil, “they looked so dated now. With Alvar, we weren’t concerned with creating future-thinking typography but with exploring form for form’s sake, and how that can evolve to create letterforms. Modular forms with a typographic eye.” Stencilled The concept for Alvar first materialised back in 2001 with some sketches Phil made while still at Middlesex University. Eight years later, something made him dig them out again. “There was something really nice about the proportions of that first design. Working on it again, I thought about it properly, but it still needed something to give it that edge. “Jason stood up in the studio and supplied the missing link: ‘Why don’t we make it stencilled?’ He didn’t mean in an obvious way, but by building a kind of architectural stencil into the form. It worked and the idea of using an architect’s name (Alvar Aalto) to describe the font felt perfect.” Featured in... The three weights of FS Alvar are made for standout headlines in advertising campaigns and magazines. Alvar has had a starring role in campaigns for brands from Nike to Amnesty International, as well as on CD covers, record labels and packaging.

Skunkling was born out of a contest, where its initial design won first place. It was inspired by a real-life encounter between a spraying skunk and a defenseless designer. Skunkling is carefully designed to be playful and even awkward. Unique letter forms and ligatures allow the letters to fit snugly together. The two "weights" can be used individually or they have the unique capability to be overlaid to create a two-color font.

Decima Round – one more addition to the Decima fonts family. It is a new version of recently released Decima Pro fonts with new content and styles. The main difference in the new version is a visual softer impressions of letter shapes made by the rounding of all glyphs’ corners and terminals. Decima Round is released in OpenType format with some OpenType features and support of most Latin languages as well as Cyrillic.

Cadence was designed for a computer consulting company called Shamrock Solutions. The logo needed a Celtic font for the word "shamrock" that complimented the tech font used for the word "solutions." Most Celtic fonts didn't hold up well next to the tech font, which led to the creation of Cadence. Although inspired by Irish designs, Cadence is a sharp departure from traditional Celtic typefaces and in most contexts the inspiration isn't immediately obvious.

fj Meduza is a new typographical system designed by Franco Jonas Hernández, born as an exploring process from the classic model from —modern or didones style— typhography from XIX century. fj Meduza also explores the posibilities of Optical Adjustments —from 8 or 10 to 72 pts— offering a version to compose preferent reduced sizes —newspapers— and another version to titles with long-standing. Ideally for Branding, Headlines and especially complex editiorial contexts.

A personal calligraphic series commissioned by Bitstream from Gudrun Zapf von Hesse. Although Carmina BT is a neutral design, optimized for use in digital publishing, Zapf von Hesse’s unique calligraphic spirit is still quite visible in the family’s letterforms. This is not surprising, as all of Zapf von Hesse’s typefaces are calligraphic in nature. Yet Carmina BT is suitable for almost any conceivable digital text application, from book design up through signage use.

Buco Nero is a modern sensation brush font. Featuring bold in the dark, it offers All Caps font support and multilingual support, Buco Nero is perfect for Movie titles, thrilling titles, distro shirts, spooky content, media socials, and spooky graphic design. Compatible with such as Photoshop, Affinity Design, Adobe Illustrator or Silhouette design studios. Its makes it great for creative projects, whether it’s an inspiring wall poster or for communicating your brand.

Vulnerable is an elegant script typeface inspired by a vintage type specimen I found some time ago at an art fair. Thin to thick contrasting lines and elegant curves make Beginta the perfect font for this type of logo and display purposes. Hope you enjoy it Feel free to contact me if you have any questions or concerns you may have and I will get back to you as soon as I can.

Introducing "Froza" - a dynamic and powerful display font that captures the essence of speed, intensity, and adrenaline in the world of racing. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

BuckOne is A Retro Display typeface. Reverse-Contrast letterform kinds unique shape,Retro vibe and psychedelic atmosphere. The Typeface comes with Stylistic Set and Ligature Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Stylistic Set (ss01, ss02) - Ligature - PUA encoded inumoccatype

The DF Dudok is a minimal bitmap typeface which works very well in small sizes both on your screen and on paper. I am connected in a culinary way with the architects’ name W.M. Dudok. It was the first restaurant where I cooked under the critical eye of my chef Gerhard Braun. (Now La Stanza in Rotterdam) Well, it is incidently getting into my typeface work, the cook, the architect, his wife and...who knows

Morris Fuller Benton’s drawings at the Smithsonian show a creative concern for effects of scale on typeface design. Tobias Frere-Jones began with 4pt ATF Franklin Gothic drawings, modifying proportions to mix with Poynter Oldstyle and Benton Gothic, and adjusting ends of the curved strokes of C G S a c e r s to suit news printing conditions. Poynter Gothic Text excels as subheads used with Poynter Oldstyle Text; FB 1997–99

WTF Strange Crispy - is a playful bounced display font that inspired by retro typeface, I make it with 100% hand drawn to get the artistic look. Perfectly suited for quotes, branding, logos, and social media posts, “WTF Strange Crispy” has a unique touch to every design, ensuring it stands out and makes a lasting impact. Illuminate your content with the enchanting allure of “WTF Strange Crispy” font, and let your creativity shine in every project.

Middle Ages is a hand-drawn medieval type, designed by Måns Grebäck during 2019. With its blackletter style it works great in many historical context typesettings, as well as for traditional Christmas projects. It has a Gothic style that also works well for rock music genres, or for tattoos and other rough graphics. The font is multilingual and supports all Latin-based European languages, contains numbers and all symbols you'll ever need.

Estricta font family has been designed for Graviton Font Foundry by Pablo Balcells in 2017. It is a sans serif typeface with a geometrical and mechanic appearence, its sharp, angular edges provide a strong and solid design. It has been conceived to be most suitable for short and middle length text blocks, as well as on all sized headlines. Estricta consists of 12 styles. Each containing small caps and glyph coverage for several languages.

Verilet is elegant and vintage display typeface that looks stunning in just about every context. Very suitable as to make a design choice such as logos, branding, magazines, headlines, websites, packaging, wedding cards and more creative project! All-caps characters, with over 400 glyphs VERILET’s also has a lot of alternative characters. It looks really cool when elegant meet vintage to any piece. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Nauplia is an organic script font, specially designed for use in logotypes, advertising and packaging. It is interesting to note the use of free-flowing lettering to perform its own eye-catching, connected and unconnected. Nauplia contain 450 glyphs with full OpenType features: swashes, ligatures, stylistics alternates and much more. Nauplia is a Greek city, its name according to Strabo, derives from the mythological character Nauplio, the son of Poseidon and Amimone.

Let Me Call You Sweetheart was one of the most popular songs of the early 20th Century, and a piece of vintage sheet music for this tune had its title hand lettered in a square, narrow block lettering style. With a few adjustments and adaptations, this led to the creation of Tall and Narrow JNL, a digital version of the type design which is a perfect alternate to the more conventional condensed faces.

Dread Script is a connecting script with a dancing baseline, which is designed to convey scareness and style. This font works perfectly for logos, magazines, menus, books for children, invitations, wedding / greeting cards, packaging, labels, t-shirt etc. All designs will have a wonderful handmade touch. It offers a variety of features such as ligatures, swashes, endings, and many early forms alternately. To unleash your creativity, this font also supports multiple languages.

The font was developed because of my pure interest in handwritten type. Handwritten type is more personal and works wonders to connect with people. Travel Diary is a handwritten display typeface with its bold graphic presence making it ideal for usage in informal postcards, invitations, travel and lifestyle magazines, wedding and informal event graphic work, display signages, packaging for various kinds of food, menus and leaflets for coffee shops and restaurants etc.

Mensura font family has been designed for Graviton Font Foundry by Pablo Balcells in 2012. It is a modular, geometric typeface with subtle rounded angles that provides a soft, pleasent appearence. It has been conceived to be primarily a display typeface, but given its clarity it can also be used for composing short and intermediate length texts. Mensura consists of 8 styles and 4 weights plus italics. Each containing small caps and several alternate characters.

Amstir is a timeless classic among serif typefaces, perfectly tailored for editorial use. With its elegant lines and refined presence, Amstir brings an air of sophistication to your content. Elevate your editorial projects with the grace and tradition of Amstir's distinguished design. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

The Woodgrit family could originally be found on broadsides (posters, playbills) throughout the midwest on any public announcements. All original letterforms available were incorporated into the set with little modification. Typographic convention was limited to creating three weight to serve the needs of the design community. Woodgrit Heavy is a perfect headline weight; Woodgrit Medium fits nicely in subheads, and Woodgrit Thin enables this chunky font to even work well as body copy.

Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks. Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.

Monley is a groovy retro font in a bold design, so it fits any retro design project. There's a few connected letters and also alternate characters suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, photography, quotes, etc. This font has multilingual support, and besides uppercase A-Z and lowercase a-z, it contains alternate characters, numbers 0-9, and punctuation. If you need help, just write me!

Binaria font family has been designed for Graviton Font Foundry by Pablo Balcells in 2018. It is a sans serif typeface with a mechanic appearence. Its squared, angular shapes provide a futuristic and robust design. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks. Binaria consists of 12 styles, each containing small caps and glyph coverage for several languages.