Morfeta Gealmord is a classy and modern looking serif font. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. This font is PUA encoded which means you can access all glyphs and swashes with ease!

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

Sheet music for the song "My Ideal" (from the 1930 Paramount picture "Playboy of Paris" starring Maurice Chevalier) had the name of the movie hand lettered in an Art Deco, Broadway-influenced type design. This became the inspiration for Parisian Playboy JNL, which is available in both regular and oblique versions.

Circus stars is Vladislav Ivanov font with a retro touch, inspired by the look of old circus and movie posters. It works well with normal size text, but it works even better for large displays, short words, or even just to incorporate a few or single characters in a design.

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

While watching a movie filmed on location in New York, one scene stood out with a classic neon sign for a neighborhood restaurant. Ridgewood JNL is based on the lettering from that sign, and emulates many of the Art Deco elements that was so unique to sign work of the day.

The movie poster for the 1936 film “Dodsworth” had its title hand lettered in a thin Art Deco sans serif with a mix of both stylized and squared characters. Expanding on this unusual lettering combination, the final results became Drama Deco JNL, which is available in both regular and oblique versions.

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

The cover of vintage sheet music for "With Plenty of Money and You (The Gold Diggers' Lullaby)" from the Warner Brothers musical "Gold Diggers of 1937" had the movie title hand-lettered in a classic Art Deco style. Bold, brash and totally fun, this became the model for Golden Opportunity JNL.

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

Blammingst is a clean script font modern casual and smooth moonlike stroke font includes opentype features Ligatures and Alternate lowercase. It support multilingual more than 100+ language. This font is suitable for logo design, Movie Titles , Books Titles and any awesome project you create. Make stunning work with Blammingst. Cheers, MaulanaCreative

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

Black Rider is a supercharged street brush font full of energy. With extra attention to quick strokes and sharp detail, Black Rider is guaranteed to deliver a very loud & fast message; ideal for logos, clothing, quotes, product packaging, movie titles, book covers or anything else that needs a typography turbo-boost.

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

This is a supercharged font, with natural brush, quick strokes and sharp details. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

Introducing retro sci-fi label font duo named Space Journey. This display font is inspired by movie posters from the 60s and 70s. Font family has two styles: Regular and Rough. This font will look good on any retro sci-fi styled designs like a poster, T-shirt, label, logo, etc.

German type designer Felix Braden created this sans FontFont in 2012. The family has 16 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, wayfinding and signage as well as web and screen design. FF Scuba provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.In 2013, FF Scuba received the CommArts award and was also selected as one of Typographica’s favorite typefaces of 2012.

German type designer Verena Gerlach created this display and sans FontFont between 1999 and 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Karbid Display provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid, FF Karbid Slab, and FF Karbid Text.

German type designer Yanone created this sans FontFont in 2010. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as poster and billboards. FF Amman Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Serif.

Halifax represents a new interpretation of classic English Sans types such as Gill and Johnston. The main focus in this approach is on a more open appearance and balanced proportions, which results in an even line flow. Although Halifax adds some of the rationality of the central-European sans tradition, it still preserves a distinctly English flavor. The Halifax family consists of 16 styles and comes in OpenType format with extended language support. Halifax is very well suited for ambitious typography. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

Clavo was picked for the EXHIBITION CALL FOR TYPE - NEW TYPEFACES and is presented in the Gutenberg Museum in Mainz, Germany. Clavo is a multipurpose font family. Its warmth comes from subtle details, classical proportions and traditional forms, while harmonious structure prevents distraction while reading. This makes Clavo a universal typeface. In all sizes, from caption to display. The family consists of ten weights. They were not created in a linear way. The steps between the weights were adjusted carefully to avoid a mechanical graduation, in favor of optical harmony. Clavo covers all latin languages. It contains a wide set of numerals, small capitals, fractions and other OpenType goodies. And of course every weight comes with matching italics.

Transat is a geometric sans serif typeface, with caps inspired by Art Deco signage — found inside the “Gare Maritime” (literally “sea station”) ocean liner terminals in both Le Havre and Cherbourg, France, in the early 1930s. The name “Transat” is the common shortening of “Compagnie Générale Transatlantique,” the company that operated majestic ocean liners like the SS Normandie out of Le Havre from 1862–1974. (Transat also has a more rational text-friendly companion font, " Transat Text ") Transat includes many OpenType features, such as ligatures (ff/ft/fft), small capitals, case sensitive forms, stylistic alternates, arbitrary fractions, and a full complement of proportional, tabular, and oldstyle figures. Transat is released in 5 weights plus including optically-corrected obliques.

This font family is based on the alphabet designed by Frank Lloyd Wright for the "Eaglerock" project in 1922. The Eaglefeather Pro family features expanded OpenType font options. It contains 15 pro styles and 20 basic styles in 5 weights- Hairline, Light, Regular, Bold, and Black. In addition to small caps, italics, and a unique "informal" version (an upright italic.) There is coverage for Cyrllic, Greek and European Latin languages. Opentype features include automatic fractions, optimized kerning, and localized language features. Alternate forms of capitals A,H,N, & S are also included for added flexibility. The full range of weights and styles allows for expanded typographic possibilities in a wide variety of uses.

German type designer Jörg Hemker created this sans FontFont in 2011. The family has 16 weights, ranging from Extra Thin to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding, wayfinding and signage as well as web and screen design. FF Sero provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. In 2011, FF Sero received the CommArts award.

Italian type designer Albert Pinggera created this sans FontFont between 1996 and 1998. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, software and gaming as well as sports. FF Letter Gothic Text provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Letter Gothic super family, which also includes FF Letter Gothic Mono and FF Letter Gothic Slang.

Rikkia is synonymous with glamour and innovation and has an immediate high-end look that is both timeless and universally appealing. The font family is distinguished by modern ovals and subtle architectural angles. Stylish and versatile, Rikkia comes in wide and standard widths – from hair to bold. The font also has an alt character set for key glyphs like "a" and "R." You'll find a professional set of ligatures, multilingual options, fractions, and a the estimated symbol. Cosmetics, AI, engineering, healthcare, sports, editorial – and all points in between, Rikkia has you covered for a variety of layout needs. Clean, distinctive, memorable, and easily readable — an ideal choice for both print and screens.

German type designer Erik Spiekermann created this sans FontFont between 1997 and 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo, branding and creative industries. FF Meta Correspondence provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Meta super family, which also includes FF Meta, FF Meta Headline, and FF Meta Serif.

German type designer Erik Spiekermann and American type designer Christian Schwartz created this display and sans FontFont in 2008. The family has 6 weights, ranging from Light to Ultra and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as wayfinding and signage. FF Unit Rounded provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Unit super family, which also includes FF Unit and FF Unit Slab.

Polish type designer Lukasz Dziedzic created this serif FontFont in 2010. The family has 30 weights, ranging from Light to Black in Condensed, Normal and Wide (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries as well as small text. FF More provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. In 2011, FF More received the CommArts award.

American type designer Michael Abbink created this sans FontFont between 2006 and 2008. The family has 9 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising, packaging, book text, editorial, publishing, logo, branding, small text as well as wayfinding and signage. FF Milo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters.It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Milo received the Letter.2 award. This FontFont is a member of the FF Milo super family, which also includes FF Milo Serif.

German type designer Yanone created this serif FontFont in 2010. The family has 8 weights, ranging from Regular to Extra Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Amman Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Sans.

Variable version of 'Glimp' font family Glimp Variable supports 3 axis flexibility across width, weight and italic in a single font. It also comes with the static styles available as options in the font style selection menu. It features rich set of opentype features such as stylistic sets, contextual alternates, case sensitive forms, superscripts, subscripts, fractions, and more. Glimp Variable is made to be your go-to choice for a wide range of projects, whether you're working on branding, web design, print materials, or presentations. It elevates your designs or brand effortlessly, embracing your creative vision. Variable Axis Ranges: Width - wdth - 75 to 100 Weight - wght - 100 to 900 Italic - ital - 0 to 1

Danish type designer Ole Søndergaard created this serif FontFont in 2005. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, film and tv, editorial and publishing as well as logo, branding and creative industries. FF Signa Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Correspondence, FF Signa Serif Stencil, and FF Signa Stencil.

Brass Stencil JNL takes its place amongst the many retro stencil fonts designed by Jeff Levine, and was inspired by a set of vintage brass stencils spotted for sale in an online auction.

I designed “Mirror Font” with the idea that it could function as standard font but it also can function as a creative tool to create interesting letter form logos and titles. It is readable even at small sizes and would make an interesting addition to your library of “Futurist” font styles. See more graphic examples of Mirror Font in Action! on YouTube .

Who doesn't want or need an expansive contemporary extended sans that has a sense of style and swagger… what if it had a lowercase, small caps and various numeral options… how could you say no? This was the foundational argument I made for myself when I drew the initial alphabet on my birthday last year (something I do each year, draw a new font, kind of a fun OCD thing). I wanted to see a wide, utilitarian sans that had more to it than just a basic character set and didn't resemble standard geometric models. As I continued sketching, the letterforms were being influenced more by my 'lettering tendencies' than the normal mechanical trappings of drawing flat, wide letters. The letters have retained aspects of letters created by hand — stresses, modulation, naturally ending terminals. Truncation and quick clipping of strokes became antithetical to the letterforms I drew, so I continued this once I brought the design into the computer. I kept it precise and dependable, but made every attempt to keep a conscientiously crafted typeface and not let it devolve into a grid-based drone. As such, it works just as well looking back in time as much as it does assuming a lead role in a sci-fi movie. Halogen does deliver and opts not to take a short cut and provide an anemic offering of glyphs — a modern typeface offered today must provide more than just the basics and this one does — lowercase, smallcaps, old style numerals, tabular forms, stylistic and titling alternates, fractions, case-sensitive features, and even an alternate uppercase ordinal set is included. So go make cool print and digital things with it, now.