Morison is an original but versatile serif family. With just about the right amount of personality and character, it can stand out when needed, but works equally well in everyday tasks where legibility is the key. The Morison family consists of separate stylistic ranges for display and text use. Each range comes in eight weights with corresponding italics. The display versions are sophisticated enough for tasks where a certain amount of extra elegance and flair are required, without compromising much on legibility. The text versions, however, are true workhorses, suitable for continuous texts in small sizes. All Morison fonts are equipped with handy Open Type features, such as built-in small capitals and multiple numeral styles.

Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua, an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle.

Celebrate good times with Zega Grot family! This font is the companion of Zega Text but less “serious” than its predecessor. The Grot version has old vertical proportions, with higher capitals and asc-descenders, height difference between capitals and ascenders, beyond the redesign of various glyphs, giving a less formal tone, more rounded and cheerful. The family consists of 14 styles, 7 weights plus their respective italic versions. The fonts are available in OpenType PS and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Zega downloading the free trial font in Extrabold version (TT only).

Rundfunk-Antiqua was originally designed as a font for small point size and shorter texts. It was presented 1933/35 by Linotype Designstudio but unfortunately never developed as a font family, including only Antiqua roman and sans-serif bold. Such an unusual combination resulted from the font combinations common during that time. The font’s basic forms tend toward the Transitional style but its details come from the influence of Jugendstil.

The Ghino family of "modern geometric sans" consists of 20 fonts. All the family's fonts contain 370 glyphs and are equipped with many typographic features. Ghino Text is designed for those who prefer to use single-coded fonts not only in coding but also in many different environments of graphic design. The idea came from creating a font with single-spaced aesthetics, without breaking the single-spaced fonts. Ghino is a geometric sans single-spaced font with all typographic features except spacing and character spacing.

Anlinear is part of a series of constructed typographic experiments from the young Swiss designer Michael Parson. In the Anlinear family, which contains three separate weights, Parson has successfully created a fabulous display of alphabets out of the sole arrangement of lines at right angles to each other. The letters in this face virtually groove with the beat as you set them in text. Like a musical score, they provide a fantastic look just right for your next flyer. This family of fonts looks best when set in larger point sizes, in headlines or other display settings.

JY Pinnacle is a distinctive text family, with at least 3,100 kerning pairs (for text fonts) and collections of alternative characters for roman, italic and cap and small cap. Pinnacle has an awareness of tradition, but is individual and fresh. Its oblique axis for lowercase letters such as the o and e is meant to aid legibility.

Orgon, a new linear typeface family, fresh and easy but with a warm touch. It appears uncomplicated, unpretentious, but still distinctive. Its quiet text flow allows smooth reading even for longer texts. The Orgon family comprises 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, small caps, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Brooklyn Samuels is a sans-serif family of fonts designed by Hans Samuelson. Based on geometrical shapes it is primarily intended for headline use but also offers excellent legibility in small sizes. Stylistic sets offer a more text-friendly alternative for some letters.

Progressiva is a sans serif type family for text and display usage. With some unique playful forms and a little bit condensed structure, the family is ideal for texts that require some personality and titles with great visual presence. Progressiva family is composed by 11 roman styles, from Thin to UltraBlack, giving a lot of space for visual variance. Each font includes some standard and discretionary ligatures as well as some alternative letterforms included in stylistic alternates and stylistic sets OpenType features. It’s suitable for magazines, posters, packaging, advertising, signage systems, corporate material and so on.

This font family can be used as Display as well as text font. The font family includes Armenian, Cyrillic and Latin alphabets.

The Occidental family is a geometric, sans-serif text face marked by its angular construction. Occidental is suitable and economical enough to set large blocks of copy, but at display sizes Occidental's inherent character takes over making it useful for headline setting as well. The family includes four weights, each with corresponding italics (excepting Display) for a total of seven fonts.

Spike was designed as a Latin type family, with the characteristic triangular serifs, but with more character and range of weights than the more common latin faces available. Designed as a display face, it could be used as a flavorful text face in special situations. The complete family consists of four fonts: light, regular, bold and an all-caps incised version.

TWT Prospero is the kind of typeface you seldom find in blocks of continuous text these days. Similar fonts based on late-18th-century work by Bodoni, the Didots, and others tend to be reserved for display type: their exaggerated contrast and vanishing hairlines can make you squint and strain at small sizes. But TWT Prospero, with its moderate contrast and fairly robust hairlines, is impressively legible in book text while remaining ideal for use in display situations. The full family has seven styles: roman, italic, bold, bold italic, condensed roman, condensed italic, and condensed bold.

Aptifer Sans and Aptifer Slab are two 21st century typeface families created by Mårten Thavenius. Each family has seven weights, in roman and italic respectively, making 28 font styles in total. A heritage from two design traditions can be seen in Aptifer. One is the robust American gothic typefaces, like M. F. Benton’s, from around 1900. This is combined with the openness and legibility that comes from the humanist tradition. The sans serif part of the family, Aptifer Sans, is designed without excessive details disturbing the reading. Its sibling, Aptifer Slab, with its wedge slab serifs is more eye-catching but still suited for text settings. The italics fit well into the text flow of the roman. They are a bit narrower than the roman and have cursive characteristics. Both Aptifer Sans and Aptifer Slab are highly legible typefaces and can be used both in print and on screen.

The Yasmine Mutlaq type family follows the guidelines of the Mutamathil Mutlaq type style. It has one glyph per basic Arabic Unicode character or letter. Each glyph is completely symmetrical around its vertical axis to facilitate bi-directional ordering. This family does not include any required ligatures and does not use glyph substitutions or forming but it does use marks positioning. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Yasmine Mutlaq employs four x-height values, two above and two below the x-axis. Its design uses curves with equally distributed weight. This family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, in addition to all standard English keyboard punctuations and major currency symbols. It is available in regular styles. Also included is an additional font, Yasmine Mutlaq bidi that encodes same glyphs as symbols to facilitate user input from left to right using a Latin keyboard. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

Roklin is an elegant serif family for use as both formal text and headers. Has quite a lot of character alternatives and also enhanced ligatures. It's perfect for casual typography as well as official documents, really. All characters are PUA Encoded, you can use this font easily in many common editor software easily.

Aptifer Sans and Aptifer Slab are two 21st century typeface families created by Mårten Thavenius. Each family has seven weights, in roman and italic respectively, making 28 font styles in total. A heritage from two design traditions can be seen in Aptifer. One is the robust American gothic typefaces, like M. F. Benton’s, from around 1900. This is combined with the openness and legibility that comes from the humanist tradition. The sans serif part of the family, Aptifer Sans, is designed without excessive details disturbing the reading. Its sibling Aptifer Slab with its wedge slab serifs is more eye-catching but still suited for text settings. The italics fit well into the text flow of the roman. They are a bit narrower than the roman and have cursive characteristics. Both Aptifer Sans and Aptifer Slab are highly legible typefaces and can be used both in print and on screen. Featured in: Best Fonts for PowerPoints

Calton is a utilitarian workhorse sans serif family. It’s designed to work in as many environments as possible, from small text to big headlines. The roman and italic styles work well for any typographical situation while the stencil really packs a punch and shines as a display family. The design has a hint of familiarity from classical humanist sans serifs, but the proportions are much more economical and the detailing is distinctly modern. All styles come in eight weights, from Thin to Black and the family is well suited for film and TV, advertising, editorial design, packaging, branding, logo, sports, web and screen design. The family is available in multiple bundle options so check out the different choices. The family package is available with a bargain price.

This Typeface family include 6 Uprights and 6 Italics. This font family can be used as Display as well as text font. The font family includes Armenian, Cyrillic and Latin alphabet systems.

Whitenights is a contemporary text family, which was developed by the prolific Swedish typographer Lars Bergquist in 2002. Containing five weights (11 different fonts total), this family contains every tool you need to set splendid text. The base font of the family is Whitenights Regular, a reliable face designed in the old style manner. It ships in OpenType format, with old style figures. Whitenights Ligatures Regular is a supplementary font, which contains many extra ligatures (e.g., ffb, ffk, tt, and fj) whose use will improve the color" of a page of text set in Whitenights Regular. Whitenights Regular may be accented by combination with Whitenights Small Caps, Whitenights Italic, Whitenights Bold, and/or Whitenights Bold Italic. The Whitenights Italic, Bold and Bold Italic styles all have supplementary Ligature fonts available for purchase, similar to the Whitenights Ligatures Regular face described above. For larger, headline text, the specially designed Whitenights Titling is quite useful. This titling font has been optically redrawn and respaced for use in large sizes. Naturally, it has its own supplementary Ligature font as well. In books, magazines, and newsletters this font is a great display companion to the rest of the Whitenights family. Its use in conjunction with the text faces will make your typographical compositions more sophisticated. Last but not least in the Whitenights family is Whitenights Math, which contains many additional mathematical and logical glyphs not found in a standard font's character set. Used together, the above 12 styles can set almost any text or math-based document. The entire family is included in the Take Type 5 collection from Linotype GmbH."

Gorus is a variable width sans serif type family that's been created to give a powerful but flexible tool to create strong headlines, posters, logos, and display text with tight spacing and maximum space coverage. A contemporary geometric family in 15 styles brings a modern and strong impression to your design.

FF Attribute™ Mono is a monospaced design with an industrial strength, minimalist vibe, making it perfect for attention getting, theme-based headlines, posters, banners and navigational links. And, because it is such a robust family, FF Attribute can also be used for branding of blogs, games, web sites and tech products. FF Attribute comes in two families; Mono and Text. The Mono is a fixed width (monospace) design, while the Text is a proportional design. FF Attribute was, in fact, initially designed for the use in code editor software. Its seven roman and italic monospaced weights and extended character set supporting many languages also make it a powerful communications tool. But this is only the tip of the iceberg. In addition to the monospaced version, where all characters share a fixed width, there is also a proportional, “faux monospaced” version: FF Attribute Text. The Text family keeps the visual character of a monospaced typeface, but wide letters are given more space while narrow characters have been drawn with correct proportions and spacing. FF Attribute Text looks monospaced – but it’s not. Drawn by Viktor Nübel, FF Attribute Mono’s 14 designs, huge character set, including box-drawing characters and user-interface icons, make it the Swiss Army Knife® of monospaced fonts.

Tripper is a rock-hard display font family. The six styles – from Light to Black – of this robust stencil typeface will assure your text grabs all the attention it can get. Instead of settings large amount of texts, just use this font for a small amount of words. Or even better: just one word. But most importantly: make it really, really, really big. The lightest weight is pretty condensed, and slowly expands when the weight increases. The bridges – essential to a stencil font – have the same width across all styles, so you can safely apply all styles in the same size without the risk of stencils falling apart. Due to the absence of curves throughout the whole family, Tripper is suitable for more limited, industrial applications too. Tripper comes in several flavours. Next to the basic flavour, there is a stencil family which automatically creates borders around every letter, word or line. Then there is Tripper Rough, a textured version with that intelligent random, grungy look. Together with the previously released multi-colour font Tripper Tricolor, the complete family consists of 24 styles. Tripper is equipped with a bunch of OpenType features, like different figure styles, fractions, superiors, etc. But if all the OpenType ding-dong is not enough for you, just try the ornaments. The separate ornament font comes with icons, indicators, manicules, banderoles and patterns.

Sometimes you need a lot of text, and that text needs a little bit extra something. Something sweet for the eye, but still legible and not too funky. Maybe that's where Kids Rule comes in. It's a bouncy, but super-legible handmade comic font. It has a lot of attitude, and I have added 5 different versions of each letter!

Introducing retro font Retrotype. Family's vintage style will suit both 50s-80s cartoon illustrations and wild west designs. Retro family has 2 types of styles, complete with different curves. Carefully constructed glyph shapes look great in both large amounts of text and single words in headings. Ideal for vintage and retro designs. Features: - Vintage style. - Uppercase and lowercase the same size. - Numbers & basic Punctuation. - 4 fonts in family. - Kerning. ld.luxfont@gmail.com

Latok is a fat geometric display family with an original vibrant feel for poster and editorial usage. You can choose Latok Small with wider gaps or Latok Large according to the size of the text.

Bocksay Mira is a text font family inspired by the manuscript Mira Caligraphiae Monumenta created between 1561 and 1596 by Georg Bocskay and Joris Hoefnagel for the Holy Roman Emperor. All shapes were taken from the original records in both regular and italic style: lower case (p. 5, 72), uppercase (p. 47, 121), small caps (p. 122, 7). The high contrast forms and the wide spacing makes this family suitable for long texts but also for titling uses, having always that calligraphic and stylish look. Find the original script here

Metronic Slab Narrow is the condensed version of the Metronic Slab font family. This condensed style is designed for space-saving typography but with high legibility and versatility in mind.This Family also improved the needs of developers and graphic designers looking for width-compatible fonts. As the normal style this font family is an innovative and refreshing semi serif design with a contemporary look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts.

Typographers — and clients alike — are often obsessed with novelty. Be it self-consciously peculiar details with made-you-look appeal — or just austere, detached minimalism, constant seek for novelty in typography often becomes an end in itself. A lot of times, an old trick is better than a bagful of new ones — all you might actually need would be a good, reliable font family with soul, providing that comforting, familiar feel. This is where Forrest comes in: a type family born out of a lifelong passion for digging into old archives of fonts, in search for that good ol’ type — simple, honest, made with love. But make no mistake, Forrest is as savvy as fonts come, packed with smart features. Handsome swashes, cute small capitals and old style figures all add a bit of flair and enable a highly sophisticated and contemporary approach to typography.

This typeface is a carefully crafted display-typeface of fairy-tale breadcrumbs and fleeting love messages in the sand: Dusty or sparkly, legible or hard to decipher … but always a little bit magical. DEUTSCH: Hänsel und Grete hätte ihre Freude an diesem magischen Brotkrumen-Font. Ob taubig, sandig oder funkelnd. Dieser mit viel Liebe kreierte Font hat viele Anwendungen…

Mariné STD is a geometric sans but with the softness of humanistic strokes. It’s mild contrast and multiple different styles allow Mariné to work well as both a text and display font. Mariné STD is a selected version of Mariné Family. - Ideal for print and identity works. - Works well for text or display uses. - Designed for web and apps. - Look serious or look casual.

Oculi Magni is a new sans serif type family of 8 weights with italics. This font was specially designed for the composition of texts in small size as captions or footnotes but the thin and black weights can also be used in display sizes. The x-height, as tall as possible, allows the composition of very tight, very dense texts while maintaining a perfect readability.

Avayo is a modern sans serif typeface. It is perfect for creating alphabet logos, branding, titles, headlines, but also looks great when being used casually, in copies and texts. Avayo looks simple but special and distinct and is defined by its round cut design. Avayo font family comes in five weights to help you choose the best option depending on your purpose.

Airo is a monospace type family with inverted contrast. The distinct shapes and detailing give Airo a strong typographic voice. The family comes in six carefully selected weights, from Light to Extra Bold, making it a versatile typographic tool. The family works best as a display typeface for creating a strong visual impact, but you can use the lighter weights for medium length text as well.

The Legal typeface family grew out a sans serif project that Hellmut G. Bomm began in the 1970s (his HGB Grotesk). This refined, industrial type family is well suited for short amounts of text, headlines, corporate identity and logo design. In small sizes, the typeface works like many other sans serifs, but with better differentiation between characters. The Legal family includes oldstyle figures and true italics.

Mrs Green is a great typeface for short texts, invitations, headlines, logotypes and advertising. We’ve started with a heavy capital G and A. At the beginning it was supposed to be just one fat style (still our favorite). But after a few months we’ve ended up with a family of 20 styles. It has contextual alternates, fractions, four types of figures (old style, lining, superior and inferior), ordinals and a case feature.

The Descent family is a unique, graffiti style, layered type system consisting of a contextual style & a classic style, each with a base fill version & an outline version. Based on a signature category of wildstyles by Graffiti Fonts® lead designer Raseone, this family was designed to be rotated 90 degrees clockwise so that the text reads in a downward direction. OpenType scripting in the contextual version enables up to 12 unique variants of any word using alternating patterns of interlocking glyphs. The classic version does not include OpenType features but instead has initial glyphs as capitals and medial glyphs in the lowercase positions. The characters in the classic version are similar to the more advanced contextual version but noticeably different & a bit more irregular. Glyphs from both styles can be mixed & used interchangeably & both styles have corresponding outline fonts.

Piccata is a hand-drawn font family consisting of 2 weights with 4 styles each. Piccata has been built up from straight brush strokes arranged in a geometric grid. It is intended to work best in small and medium sized texts, but will also make a perfect logo for your next beer label, coffee packaging or shirt design. Combine the 8 styles to create interesting contrasts and rhythms. Piccata will spice up your artworks and is a new fresh approach to the handmade look in type design.