Mulane, our newest sanserif typeface, is now available. Mulane is a versatile font that may be used for a variety of purposes. This typeface is ideal for headlines, product packaging, magazine layouts, invitation cards, advertising, wedding designs, social media posts, and many other branding and design tasks. The fonts’ sleek and appealing appearance is due to their bold and strong letters. Fonts that are robust, bold, and clear, making your work look true and attractive. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Core Sans DS is a rounded version of Core Sans D and a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans DS features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans DS is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans NR, Core Sans M, Core Sans G,Core Sans A, Core Sans GS and Core Sans ES. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans DS supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

Blastered was originally inspired by an old horror movie poster - but I find it more laid back and less horrifying…but feel free to use Blastered for your next horror project and use the more than 300 interlocking ligatures! Wow!

Fly your inner geek flag with this cool new "Eleet" typewriter font. It's kinda like a wonky internet translator that converts normal text into leet-speak, so you can exchange encoded love notes with cyber-hackers and goofy-gamers. The actual glyphs in this font are interchangeable with the more logical Ollivette typewriter font, but here the characters have all been moved around to create stylized interpretation of similar glyphs. So "ELEET" could also be typed "31337". Except you don't have to think about it. Get it? Got it? Good! 3NJ0¥ TH15 ƒØÑ+ & U53 !† 0FT3N.

Golestan is designed by Naghi Naghashian. It is a Font family, in 2 weights, Regular and Bold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Golestan supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Golestan design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Golestan’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Golestan was developed for multiple languages and writing conventions. Golestan supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Afsane is a sans-serif headline font family designed by Naghi Naghashian in 3 weights, Light, regular and Bold.This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Afsane supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Afsane design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Afsane’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Afsane was developed for multiple languages and writing conventions. Afsane supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography.

Babak is designed by Naghi Naghashian. It is a Font family, in 3 weights, Light, Regular and Bold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Babak supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Babak design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Babak was developed for multiple languages and writing conventions. Babak supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Naghashian is designed by Naghi Naghashian. It is a Font family, in 5 weights, Light, Regular, Bold, Extra Bold and Heavy This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Naghashian supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Naghashian design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Naghashian was developed for multiple languages and writing conventions. Naghashian supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Damavand is designed by Naghi Naghashian. It is a Font family, in 5 weights, Light, Regular, DemiBold, Bold and Heavy. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Damavand supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Damavand design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Damavand was developed for multiple languages and writing conventions. Damavand supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography.

Brahma Rounded is a modern geometric rounded sans-serif font family with weights ranging from Thin (100) to Black (900). It is a sibling of the Brahma font family. Features: Available in 9 weights Over 550 glyphs supporting extended Latin Ideal for display texts: Titles, Logos and Headlines etc. Perfect for branding and rebranding Supports OpenTypes features like Ligatures and Stylistic Alternates Tabular Numerals included Symbols for 10 major currencies including Bitcoin provided in all weights Description: The name comes from Brahmā who is known as the god of creation. And manifesting the same spirit, the Brahma font family focuses on modern creativity. With its smooth and polished curves, Brahma Rounded provides friendly, casual vibes to all its characters. Every character effortlessly integrates with current design standards and interfaces. The fonts are professional yet have a hint of informal personality in them. This makes Brahma Rounded perfect for use in modern apps and websites. Brahma Rounded is built for the influencing, designing and marketing squads. It has a trendy geometric characteristic which is ideal for any branding and rebranding. Brahma has lot of OpenType features (like ligatures and tabular numerals) and the Extended Latin character set supports over a hundred languages. Start Creating!

This was originally brought out as a caps-only font, but later the foundry scrounged up a lowercase that wasn't our idea of a very good match. So we cleaned up the caps and made them a bit bolder, then drew a harmonizing lowercase.

Pargrid is a grid-based typographic experiment from the young Swiss designer Michael Parson. In the Pargrid family, which contains three separate weights, Parson has created an intriguing system of small circles-similar to LED's or light bulbs-that live separately on a grid, creating unique letterforms. In small sizes, these circles blend together to create seemingly fluid lines, giving Pargrid's letters a wide, rectangular appearance. In larger sizes, the letterforms transform themselves into objects d'art-virtual and ordered communities populated by various points. Fantastic in both display settings as well as short strings of text, Pargrid may offer the exact look that your next project is looking for. Pargrid and nine other constructed type designs from Parson are included in Take Type 5 collection, from Linotype GmbH."

Pirouette is based on a logo that Japanese designer Ryuichi Tateno created for a packaging design project in 1999 (a shampoo container!). Tateno's logo experimented with complex, overlapped swash letterforms. He continued to develop these outside of the initial packaging project, until they took on a life of their own. Eventually, Tateno designed a full typeface out of the logo, Pirouette, which was the first place display face in Linotype's 2003 International Type Design Contest. The Pirouette typeface contains six different fonts. The basic font is Pirouette Regular. This is an engraver's italic lowercase paired with elaborate swash capitals. The swash capitals have two visual elements in their forms: thick strokes and thin strokes. Pirouette Text includes the same lowercase as Pirouette Regular, but the uppercase letters are much shorter and simpler. This "text" font can be used to set longer amounts of copy. Pirouette Alternate contains different lowercase glyphs and additional ligatures, which can be used as substitutes for the lowercase forms in the Pirouette Regular and Pirouette Text fonts. Pirouette Ornaments contains swashes and other knick-knacks that can either be added onto the end of a letter, or used as separate decorative elements or swooshes (accolades) on a page. Pirouette Separate 1 and Pirouette Separate 2 are two fonts that can be layered over top of one another in software applications that support layering (e.g., most Adobe and Macromedia applications, as well as QuarkXPress). Pirouette Separate 1 contains the thick stroke elements from Pirouette Regular's uppercase letters, as well as the same lowercase glyphs that can be found in Pirouette Regular and Pirouette Text. Pirouette Separate 2 contains only the thin stroke elements from Pirouette Regular's uppercase letters. By layering Pirouette Separate 1 and Pirouette Separate 2 over one another, you can give the uppercase letter's thick and thin stroke elements different colors and create unique, more calligraphic designs. The Pirouette family, Tanteno's first commercial typeface, was greatly influenced by the calligraphic and typographic work of the master German designer, Prof. Hermann Zapf, especially his Zapfino typeface.

LOGX-10 is a geometric minimalistic all-caps display typeface. Designed for strong headers, original graphic designs, visual identification and for many types of designs. It works not only in headings and subtitles but also in arrangements of various sizes and long text.

CS are the initials of Carsten Strinkau, a young German graphic and type designer who studied in Hamburg. CS Fuzzy Logic combines coincidence and logic. The individual glyphs of Fuzzy Logic are almost dissolved but keep its sharpness and readability in texts.

Tangy Cream is handmade with a slightly geometric look. And to break the geometry, just a little bit, I have added 3 different versions of each lowercase letters. These automatically cycles as you type, leaving your text even more lively and organic looking!

The Magical look of Eklekt is not made by chance, it is created with the combination of graphic-sharp shapes and a flow curves that looks a bit like it is written by hand. Can be used for logos, headlines and short text.

Galiano is an elegant combination of a script and a narrow modern serif. It is slender, feminine and classy, while still maintaining a friendly feel. Galiano is versatile and will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale and chic. With its 1500+ glyphs the Galiano Script is perfect for creating original and functional designs. It has extensive language support and tons of ligatures, alternates, stylistic sets and swashes that add visual interest to every letter. The Galiano Font Family in a nutshell: - Galiano - a dancing baseline script with signature loops for ascenders and descenders - Galiano Inline - similar feel to Galiano, notably featuring a standartized x-height - Galiano Text - a simpler version of the script with no fancy loops for ascenders and descenders and no swashes and alts. - Galiano Serif + Italics - perfect for headlines - Galiano Ornaments - a set of 80 beautiful ornaments to embellish your typography. You can use the Galiano Family for high-end logotypes and magazine headlines, but let’s not forget greeting cards, invitations, posters, book covers, ads and the various web and screen usages. The overall feel of the font is elegant, sophisticated with a touch of informal and it is ideal if you want to convey a sense of class and style.

Triumphant, vigorous and strong. These were the keywords for the design of Girga, named after an Egyptian city in the Sohag Governorate. The power and strength of the Egyptian letterforms were balance with a few sans serif forms so the darkness of the text and the fatness of the overall glyphs could be kept. We never intended to design a revival of the nineteen century egyptian typefaces, but we included a series of features that can be found in many wood letters from that era. With five styles divided in Regular, Italic, Stencil, Engraved and Banner, Girga is full features that allow many design possibilities.

In the early days of printing everything had to be worked out from scratch. This set of lettering is based on section headings used by the Printer Lucas Brandis (no known relation), the first printer to operate in the city of Lübeck around 1473. They remind me of a medieval version of the spray paint graffiti so often seen on the sides of trains. A bit on the crude side, but also and importantly extremely noticeable. So whether you use it for creating old styled printing or some wild modern eye grabbing text item, its robust and sturdy shapes will be certain to grab the eye.

Marit Otto about Picastro: The revolutionary typeface. Picastro is a fusion of Picasso and Castro. Don’t be alarmed by the second name! It is no political statement. Both characters represent different qualities in the typeface. The Picasso influence is the artistic, freestyle and frolic part. The Castro influence is the firm, square, perseverant look with a hint of propaganda to it. To combine two opposite inspirational sources (innovative versus persistent) makes the shape a bit edged. This typeface is very suitable for all kinds of graphic design (flyer, posters, CD covers and artworks) but also casual enough for (non academic) letter and text writing.

Nature is fond of stripes. Animals have them, plants have them and the rainbow has them. Besides being beautiful, stripes in nature have various origins and functions. But only Homo sapiens gave them symbolic meaning. In the American flag, the 13 stripes symbolize the 13 colonies that declared independence from Britain. In the French “Tricolour” flag, they represent Paris and the king of France. And in Russia’s “Georgiyevskaya lenta,” they symbolize the death and resurrection of St. George, the dragon-slayer. The font family COLORADO , named after the beautifully striped Colorado potato beetle, can be used to construct all kinds of symbolic or just beautiful messages. And thankfully, you need no OpenType diploma to do this. To get your texts multi-striped and multicolored, follow this simple procedure: Write the message with one of the COLORADO fonts and apply a color. Then copy and paste in place, and apply a second font and color. Repeat this again if wanted – and the masterpiece is done. COLORADO ’s language support covers about 100 languages. It has a Western European, a Central European and an Extended Cyrillic character set.

Vow is an incredibly stylised font, strutting its stuff on the typography catwalk. Vow does everything to excess, even when cutting down: where it’s curvy, it’s very curvy, but where it’s thin, it’s thin. Vow’s regular weight has a certain boldness at text size, but its ultra-thin alternative is much better used at larger sizes, managing to take up very little space even when scaled up. Using a mix of the two creates a subtle emphasis, especially when coloured, which helps to create stunning messages in elegant ways.

Tamoth Utamo handwritten display font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Tamoth Utamo handwritten display font. Cheers, Maulana Creative

Sero Aromad brush script font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Sero Aromad brush script font. Cheers, Maulana Creative

Megie Ceyal bold script font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Megie Ceyal bold script font. Cheers, Maulana Creative

Robneys Hut modern display font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Robneys Hut modern display font. Cheers, Maulana Creative

Clowed Rollnow brush handmade font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Clowed Rollnow brush handmade font. Cheers, Maulana Creative

Ratth Cilay brush handmade font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Ratth Cilay handmade brush font. Cheers, Maulana Creative

Raftern is a unique and modern family of Sans serif fonts. Simply Conception has 10 families Regular font, starting from the small thin to the largest Heavy. This typeface is versatile and can be used successfully in magazines, posters, branding, websites.

Retrade is a unique and modern family of Sans serif fonts. Simply Conception has 9 families Regular font, starting from the small thin to the largest Black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites.

Heiders is a font family including 71 fonts with 4 sub families - Heiders Script, Heiders Sans, Heiders Handmade and Heiders Extras. Heiders contains texture options and lots of extras to make it easier for you to create your own way!

Magefin is a unique and modern family of serif fonts. Simply Conception has 9 families Regular font, starting from the small thin to the largest Black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites.

Saladin font family is designed to be used in broad writing and short sentences. It is an ornate heading font with minimal details. Its domain is stationery, logos, branding, ad design, and posters, and it can be paired with a range of other font styles to create different moods. The font family is available in 4 styles: Saladin, Saladin-bold, Saladin-curl, and Saladin-rolled The Saladin font family supports Arabic, Latin, Persian, and Urdu. Greetings to my brother Saladin

Typographical Caballero is a family created by Fabio Eduardo Godoy Angel, the concept is inspired by a type with firm and clear, with perfect posture and personality to be used by Graphic Designers and Architects, in terms of print, TV Corporate Identity, Merchandising - Other Projects. Ideal for antetétulos, titles, subtitles, texts from 12 Pts. Caballero Outline and Caballero Outline Italic, are presented as an option for antetétulos, titles and subtitles as well as short texts from 20 Pts. Caballero in his presentation Outline, allows wide range of applications in regard to the use of color, and be combined with Caballero Regular and Caballero Italic. Font Project Caballero, is set with a vertical and horizontal logic calligraphic lines, amount of contrast medium, antlers mullet and its completions are straight.

Magnetic Pro is a typeface inspired by typewriter characters with a mechanical aspect. Equipped for professional typography, this font family has many OpenType features such as small caps, case sensitive forms, tabular and old style figures, pro kerning, circled numerals, ligatures, and extra graphics. It comes in 8 weights with corresponding italics and it's suited for multiple purposes including display and editorial use, especially for advertising, long text, packaging and branding. Magnetic Pro has true italics with a 'mechanical script' aspect to give more style in long texts. It has also an extended character set to support Central and Eastern European as well as Western European languages. Magnetic Pro has also an extra graphics style for those who wants to add catchwords, special titles, arrows and geometric shapes to their creative projects.

The Data Error Horiz AOE Pro family is a spinoff of my Data Error AOE Pro family. Quite simply, it takes on a slightly different feel than the original pin matrix grid by stroking across all horizontal glyph lines. The horizontal lines add more readability to the original grid and lend a more sci-fi vibe to the family. Check out the range of posters created to see the various Capitals, Lowercase, smallcaps and varying styles that the family has to offer and how it both differs from and compliments the original Data Error AOE Pro family. Be sure to note that the "family" price is the same as the "individual" price, so buy the family for the price of a single font!

Hi...Thank for your visit :) Snow White a script font is a beautiful script font with beginning and ending swash. It features White-themed characters that will take your projects to the next level! This font is PUA code which means you can easily access all the glyphs and alternates that are full of love! It also features many special features including glyphs and alternate. font designs that are made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... so it can make your product look cute and attractive, and also Multilingual support!!! Happy design ...

Core Circus Rough is a textured version of Core Circus which is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Also available Core Magic Rough (Slab-Serif version of Core Circus Rough) The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.