Introducing Vintage Waves. A retro bold serif which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

In Carpenteria each letter is hand-designed based on a geometrical old mechanical style. You can use it for posters or impact graphics.

Chinese Herbs JNL gives an outline and cast shadow treatment to the lettering found in Chinese Menu JNL. Based on some old signage.

Most of the letter keys are from animal drawings done by a six or eight year old child who has now grown up.

A page from an old manual for sign painters yielded the hand-lettered alphabet that served as a model for Claim Check JNL.

Cabriolet V8 is a vertical version of the Cabriolet family, a geometric script fontface re-interpretation inspired by old chromed emblems of 1950s.

Introducing Bronc Stomper; Bronc Stomper got its start from an old logo design used by the New York and Harlem Railroad in 1904.

Go West is a spurred version of the FontMesa Red Dog Saloon font which is a revival of an old 1800s woodtype font.

A treasure trove of typographic rarity, found in an old print shop in the Saxon town of Frankenberg, now revived and carefully extended.

Lonestar is a revival of the old classic slab serif font named Hellenic which was very popular in the middle to late 1800s.

Data Seventy is a high-tech style font, with the look of old computer lettering. Data Seventy gives any text a futuristic appearance.

Rock Logo is an all caps, display typeface, inspired by old cool rock/metal band logos. It has many alternates, swashes and ligatures.

Wood type maker W. H. Page designed this in 1870. Caps, figures and points only. A great decorative for old-timey poster work.

Inspired from blueprints of old Montreal buildings, this font is a hand lettered, all caps face with influences from the arts & crafts movement.

Decorative Panels JNL is a collection of twenty-six border design panels inspired by old decal and rubber stamp catalogs of the 1940s.

Mastadoni is a bold headliner/masthead typeface, with high vertical contrast in a Didone style. That's the starting point at least. There's much more to this font than another modern clone. It is a specialized (only one weight) typeface that comes in five optical grades. Use G1 at very large sizes and G5 at smaller sizes. The grades can be combined so that the thins of type set at different point sizes appear the same thickness - a very useful feature for magazine layouts. Optical grades could also be used in circumstances where a logo needs to be size-specific; the text on your bistro sign can afford to be more delicate than that on your coffee cups. This is a typeface with a big x-height, small cap-height and stubby ascenders and descenders, which contribute to an overall appearance somewhat different from must Didones, and make for some interesting layout possibilities in tight spaces. Mastadoni features a number of useful OpenType features. All fonts include standard ligatures and automatic fractions. In the discretionary ligature feature, you'll find the esoteric "percent off" glyph. Just type '%ff' with dlig engaged and there it is! Case-sensitive forms are available in all the fonts. The contextual alternates feature performs a subtle trick that resolves an optical illusion whereby two ascenders next to each other appear to be different heights. The Roman and Italic styles have a different group of stylistic sets as follows: Roman: SS01 substitutes a less decorative 4; SS02 is a different eszett; SS03 substitues the # with an attractive numero glyph; and SS04 gives an alternate K. Italic: SS01 and SS03 are the same as in the Romans; SS02 gives you more bulbous variants of v, w, and y letters; SS04 is a single storey g; SS05 changes C, G and S to non-ball-terminal varieties; and SS06 changes the swash versions of E, L, N and Q (when the swash feature is engaged). Speaking of the swash feature, the italic fonts feature swash capitals from A to Z, and swash variations for lower case h k m n v w and z. Lastly, the discretionary ligature feature in the italic fonts has vi, wi, KA and RA ligatures. Mastadoni is a typeface that would find itself immediately at home in glossy magazines, while offering a different aesthetic palette from the more standard choices of Didones.

LAMPOH - The Handmade Scratch Display Font LAMPOH is an artistic and captivating handmade display font, meticulously crafted by a talented type designer to bring uniqueness and authenticity to your creative projects. With its scratch-inspired design, LAMPOH stands out as a one-of-a-kind font that exudes a raw and artisanal charm, making it perfect for various artistic endeavors. Every character in LAMPOH has been meticulously hand-drawn with love and passion, ensuring that each glyph carries a distinct and organic feel. The imperfections and irregularities of the scratch strokes add an element of human touch, providing a genuine and authentic character to the font. LAMPOH comes in both regular and bold styles, giving you the flexibility to choose the perfect weight for your design needs. The regular style boasts elegance and subtlety, while the bold style makes a powerful statement, ideal for headlines and emphasis. LAMPOH's versatile design makes it an ideal choice for a wide range of projects. Whether you're creating eye-catching headlines, attention-grabbing posters, logo designs, merchandise branding, or anything that requires a touch of artistic flair, LAMPOH will effortlessly enhance the visual appeal of your work. The uppercase characters of LAMPOH are bold and expressive, demanding attention with their captivating presence. On the other hand, the lowercase letters bring a touch of playfulness, offering quirky alternatives to add delightful variations to your text. LAMPOH comes complete with a set of thoughtfully crafted standard characters and ligatures, allowing you to elevate your designs even further. These unique elements enhance the font's versatility, making it easy to create visually engaging and harmonious compositions. LAMPOH is designed to seamlessly integrate into various design software, making it effortless to use in your preferred creative tools. From Adobe Illustrator to Photoshop, InDesign, and beyond, the font's compatibility ensures a smooth and hassle-free design process. LAMPOH's high-quality design ensures that it looks equally stunning in both print and digital formats. Whether you're producing posters, brochures, social media graphics, websites, or any other project, this font will consistently deliver outstanding results. LAMPOH is not just a font; it's a work of art that adds a touch of human craftsmanship to your creative projects. With its handmade scratch-inspired design, versatile usage, and expressive characters, LAMPOH brings a unique and authentic flair to any design. Unlock your creativity and let LAMPOH illuminate your artistic vision with its captivating charm. Choose between regular and bold styles to create striking and memorable designs that leave a lasting impression on your audience.

Tomato is the digitization and quite elaborate expansion of an early 1970s Franklin Photolettering film type called Viola Flare. This typeface is an obvious child of funk, the audio-visual revolution that swept America and put an end to the art nouveau period we now associate with the hippy era. Funk is of course little more than jazz with a chorus and an emphatic beat. Nevertheless, it became the definition of cool in the 1970s, thanks to blaxploitation movies with excellent soundtracks like Shaft and Superfly. Funk began as a commercial audio experience, then later expanded its signature to cover everything, from design to fashion to the later birth of disco, which is really a further simplification of funk. Funk had very strong and unique typographical elements, particularly a kind of titling with an essentially western, wooden core that suddenly changed and flared in unexpected areas until a very individual brand was achieved. Everything that can be tacked on to the alphabet was used towards that individuality. Things like curls, swirls, swashes, ligatures were always plentiful in funk, sometimes giving the titling a specific gender, sometimes bulging, sometimes speeding, sometimes fading in the distance, sometimes doing nothing but crazily aligning with other design elements, but the result was always a fascinating creature that seemed to invariably want to dance and have fun. Tomato was built in exactly that spirit. The original film type certainly had enough swashes and curls to be an unmistakable funk font in itself, but our further expansion of it cements it and makes it the definite font for the genre. With as many as 12 different possibilities for some letters, the designer's choices for a titling set in Tomato are virtually limitless. The Postscript and True Type versions of Tomato come in five fonts, including two fonts for alternates, one font for ligatures, and one font for swashes. These are split into two affordable packages. The entire family package is also available at an even more affordable price, and includes complimentary Cyrillic, Greek, Turkish, and Central European versions of Tomato. A Tomato Pro OpenType version is also available. It is a single font that includes over 650 characters, glued together with extensive programming for convenience of use in OpenType-friendly applications, where you can watch the letters morph and dance as you push the buttons and change the options of your OT palette. Now you know which font will come to mind when someone says the word "funky".

Created by Blambot’s Nate Piekos for a party invitation, IRISH STOUT has a deep, dark aroma and a creamy, white head. Serve ice cold with a heaping plate of Shepherd's Pie! Comes with a six-pack of European characters.

JH Mars is a modern style typeface; it is designed based on old Koufi, Maghribi & Diwani scripts, typical for corporate identity, headlines, branding & signage...

One of the classic old German large x-height Grotesques revised and still in use, identifiable by the rounded form of certain diagonal strokes.

Crosstown JNL is a serif treatment of Midtown JNL, an Art Deco typeface displayed in the pages of an old 'how to' lettering book.

Sans-serif reversed capitals in outlined circles, resembling old-fashioned typewriter keys. Intended for logos and signs, and for enhancement in lists and maps.

OpenAir is a display typeface unlike standard Stencil Fonts. Great for logos, short titles and comes with Old Style numerals as well some ligatures.

Fleuron Ornaments was inspired by old world designs and patterns. There is an assortment of 47 ornaments all located under the character set keys.

Great Western is an engraved roman font that reminds you of the old railroad days when steam locomotives made their way across the countryside.

Redrawn from an old wood type we picked up in London. The original manufacturer is unknown. We added the lowercase to increase is usefulness.

I've 2 grand children, the youngest is just 3 years old. Her name is Sarah and see is Bella. And so we have Sarabella.....

A classy and elegant serif from DooleyType. Valfieris includes a number of advanced OpenType features, including alternates, ligatures, small caps and old style figures.

A classic sans grotesk wood type design, Final Edition JNL was modeled from actual headlines found in online examples of an old daily newspaper.

Gummed Alphabet JNL was modeled from a 1960s-era package of foil embossed gummed letters. This type of lettering device was sold through stationery, variety stores and similar merchants, and could be used for personalizing items or making small signs.

Skammefy holds a detailed set of letters, that are intended to be both readable when small - and charismatic when large. Strong details of letters like e, a, g, f, y draws attention to headlines, signs or wherever it might be used.

Ukrainian type designer Melnikov Sergey created Flomic font between 2015 and 2016. Flomic is a geometric sans built from a folded lines. Most effective when used in short words or phrases at larger sizes, where the details can be appreciated.

SomaSlab Tall has all the same characteristics as SomaSlab, transferred into a style which has been condensed along the horizontal axis only. Available in 2 weights, XBold & Heavy, with an extended Latin character set and several glyph alternates for maximum versatility.

Matrijs is the Dutch word for mold. It comes from the Latin word for mother or womb and is somewhat similar to the English word Matrix. Matrijs is a handmade Garamond which can be used for a wide range of projects.

Adhesive Letters JNL was drawn from sample letters and numbers once manufactured by the Tablet and Ticket Company of Chicago. Originally sold under the brand name of Willson's, these gummed letters were available in a number of styles and sizes.

This popular type was manufactured by the Crescent Type Foundry of Chicago and sold on their behalf by a half dozen other foundries. Introduced in the early 1890s, just as tastes were swinging away from the excesses of the Victorian period.