Really, there is nothing stupid about this font. In some strange and weird way, I just thought that the name sounded like something eye-catching - in the same way that the font is eye-catching! It may look like your average comic font, but it's not! I carefully put a lot of funk, twist, comic and a spoonful of pizzadude into each and every letter. The result is a bouncy crazy looking comic font. Oh, I almost forgot - I topped the letters with a spoonful of grafitti mixed with the sounds of a party...that's the recipe for this lovely multilingual font! :)

Littera project is a modern interpretation of one of the most widespread sans serifs in USSR "TextBook font". It is not an exact revival, but an interpretation of its typographic feel executed in two different ways: Littera Plain and Littera Text.

Clean companion included with Deviant Strain.

Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting (caps-only). For use in advertising and display typography.

Paine was designed to be a humanistic sans serif with an overall contemporary feel while at the same time evoking the feeling of earlier transitional faces.

inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos, invitation, layout design, elegant crafting, beauty design and other

Plan is a corporate typeface made for 'Plan A Ontwerp', a graphic design studio based in Eindhoven, The Netherlands. Based on the rough sketches of the founder of Plan A Ontwerp, Frank Vogt, Characters constructed, mastered and finetuned the complete Plan Family. Plan comes in three versions; Plan A, Plan B and Plan C. All versions can be mixed because they share the same metrics, spacing and kerning. Where Plan A is a strong display type, Plan B has more details and is therefore better suited for longer and smaller texts. Plan C is a decorative stencil version with an own personality and dynamic.

Academica Sans was drawn with the aim of following the artistic features of Josef Týfa's fonts. It has the same proportions as the famous Academica, so both fonts can be successfully combined. It is suitable for all types of literature from scientific to poetry, but also for corporate identity and websites. It has a calm and timeless character.

Robert Wiebking based the Engravure face on the Engravers faces developed by American Type Founders around 1903. Engravure can be used as a titling font for magazines, brochures, and book covers. It is also suitable for packaging and stationery.

Engria is a type family of four weights with corresponding italics that treads the fine line between sans and serif. There are serifs, of a sort, inspired by the brush. Not the marks made by a brush, but the actual splayed shape the bristles make when clamped together. Wedge-like chunks that resemble engraved forms, as the name Engria hints at. But it also has the appearance of a stressed, flared sans. This mixed approach lends a unique voice. Highly legible at text sizes, as indeed it is optimized for, Engria does however shine at display sizes thanks to its characteristic details – flared stems, angular counterforms, rugged ink traps and fluid curves. (I would recommend tracking it a little tighter at larger sizes.) Engria started life way back in 2014, and has been worked and reworked tirelessly to get to this finished product. My intent was to really push the idea of the white shapes being as important, if not more so, than the black. Engria is equipped for typographically demanding applications, boasting as it does an array of OpenType features, including small caps, automatic fractions, stylistic sets, various figure styles, arrows, case sensitive forms and more. It will make a very useful addition to your typographic arsenal, with a flare (ahem) for editorial work, but the individuality for packaging, branding, and logo work.

Engravia is a Didone display face supplied in three varieties of engraving – Inline, Shaded and Sawtooth – plus a plain basic font. All four fonts share the same spacing and kerning, so engraved characters can be overlaid onto plain ones to produce bicolor effects. All four Engravia fonts are included in the download. The typeface was developed from K-Type’s rustic Building & Loan font, redesigned and drawn with precision outlines.

Engram (2015-2020) designed by Mateusz Machalski is a classical sans geometric family. This typeface is characterised by a lot of details, which gives it a friendly character. Scalable x height, rounded corners makes Engram good choice for many purposes. All family consist 22 styles with italics from Hairline to Black.

Albion’s Engraved Black is a tribute to the Banknote Engraver’s art - it is a heavily constructed black letter face assembled of diagonal shading. Another splendid Black letter display face, ideal for formal or less formal use.

Sign Engraver JNL and Sign Engraver Oblique JNL reproduce the classic rounded letters and numbers engraved into plastic signs, desk nameplates and employee name tags.

An eccentric chamfered sans serif wood type design with a right side engraving line from the 1800s was found within the pages of the Thorowgood foundry of London, England. This font is now available as Chamfer Engraved JNL in regular and oblique versions.

English Engravers Roman is inspired by the beauty and eccentric detailing of British stone carved lettering. After observing many beautiful inscriptions around London and southern England, Robbie Smith decided to create a font family in homage to this rich heritage. English Engravers Roman features a set of beautifully balanced uppercase Roman, and a characterful lowercase alphabet with some endearing quirks. Included in the each font are two forms of lowercase 'q', one very similar to an uppercase 'Q' with a tail, and a traditional 'q'. Each font in the family features a comprehensive character set with many ligatures, added to enhance letter spacing. The fonts all feature an additional set of old style numerals. Many extra characters and ligatures can be accessed via the 'insert glyph' functions in graphic design software.

This is a display version of the Bergsland Pro serif font family called Bergsland Engravers Pro. The stroke is highly modulated. The width is very wide. This an attempt at a fully useful black serif display font. It has many OpenType features and 474 characters: Caps, lower case, small caps, old style figures, numerators, denominators, accented characters, ligatures, alternative forms, and so on.

Display Engraved JNL was inspired by the bold, engraved Sphinx Blanc from the Deberney & Peignot circa 1925, and is available in both regular and oblique versions.

A set of capitals popular with American engravers and typefounders through the last third of the nineteenth century, shown under this name by ATF in 1903.

Gothic capitals of the same form as Copperplate Gothic, lacking only the oversharpened corners.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

"The 'Emerge Font' is a captivating typeface with a unique and bold serif display style. Featuring distinctive thick lines, each letter exudes strength and firmness. This font combines classic serif elements with modern touches, creating a visually striking and bold appearance. Emerge Font evokes elegance while maintaining a modern edge, making it ideal for graphic design projects, posters, and layouts that require unforgettable visual appeal."