Ink Line is a modern font script that gives a unique impression. With ligature, titling, swash, and multi language features, Ink Line is very easy to use in the application of posters, flyers, titles, bloggers, Instagram stories, web banners, etc. Happy Design :)

Bispo is a script typeface family made based on italic chancery calligraphy. After one year of it first launch, Bispo family now has another variant, a Bispo Pro version. The Pro version now contains more than 450 glyphs and new OpenType features, enjoy!

Delgona is a delicate and fashionable script font. It is perfect for any branding project such as logos, t-shirt printing, creative products, and more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease.

La fausto is a beautiful font script, font will make your design more beautiful and classy. This font is suitable for any design like Logo, branding, quotes, and etc. very single letters have been carefully crafted to make your text looks beautiful

Whitesecret is modern script with swashes, lowercase and Uppercase alternate. So this font is beautiful on invitation cards, wedding cards, quotes, greeting cards, business cards, and more design concept. Features: Uppercase lowercase puncuation and numeral 2 alternates lowercase and Uppercase And Multilingual language

Flanela Monicha Is a Modern Script Font Flanela Monicha is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email

The Catthy Wellingten is a modern script font. It has a playful and feminine look, which is great for wedding invitations and anniversaries, blogs and logos. Catthy Wellingten is a handwritten font, described by an elegant touch, perfect for your favorite projects.

Cerellia is a bold script font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Halistine Signature is a monoline script font with a signature style and a handwritten appearance. Inspired by handwritings, this font exudes elegance, smoothness, and a personal touch. This font is suitable for designs that require a personal touch and a casual feel.

Phaley is a soft and charming handwritten signature script font that effortlessly exudes elegance and grace. With its delicate curves and timeless beauty, it adds a touch of allure and personality to any design or document, transforming words into works of art.

Pejuang Cinta is a Script Font with Handwritten Style. The Pejuang Cinta font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Peter Behrens’ renowned art nouveau type from 1902 – with ornaments. Newly revised and neatly digitalized by Ingo Zimmermann In 1902, Peter Behrens (1869–1940), architect, designer and typographer, created a new ”German“ type which became very successful very quickly for the Rudhard’sche Gießerei (foundry which later became Gebr. Klingspor AG) in Offenbach am Main. It served, for example, as the official German type for the world expositions in 1904 and 1910. Behrens himself writes about the development of this type ”...For the actual form of my type, I took the technical principle of the Gothic script, the stroke of the quill feather. The proportions of height and width and the boldness of the strokes of the Gothic letters were also decisive for me in producing a German character. A cohesive character could be hoped for by avoiding all non-necessities and by strictly carrying out the design principle of holding the quill at an angle…“ By the way, when “long s” is activated, the typographically correct “round s” is automatically placed at the end of the word so that you need only pay attention to the correct s on syllable endings within words. When using “long s,” you must ensure the correct use of the rules for the Fraktur font: “round s” is always at the end of the word, also in compound words. For those of you who want to be even more correct, read the corresponding article in >> Wikipedia. Peter Behrens also drew matching ornaments for his typeface – we have likewise carefully revised these decorative touches and arranged them into a font. The "Behrens-Schrift" fits best on all topics that have something to do with art history or the time around 1900.

It was expected that Joluvian’s third type font would be inspired by the city where he currently resides: Madrid, Spain. His previous creations had originated in Venezuela (Zulia) and The Philippines (Salamat), both, places where he had once lived. Joluvian believes “now is the time to pay tribute and show gratitude towards a city that has bestowed me with so many fortunes.” He considers that Madrid’s people, streets, scents, flavor and sounds are gift enough to awaken the creative urgency in any artist. This time around, it is being expressed through the crafts of the Typographic industry. Since his arrival in Spain, Joluvian has been attached to the city’s central area, specifically to the renowned Atocha Street and its railroad station. It was precisely on that street that Joluvian and Mauco Sosa, his friend and partner, decided to establish the Patera Studio: a charming creative space that birthed the concept for this new font which they proudly named Atocha Script. The artists where still in the final phases of their previous script, Salamat, when the idea for Atocha came about. This dynamic is actually very typical of the artistic process, in which every finished product spawns the need to create its next level offspring. “Working on Atocha and Atocha Caps has been a very pleasant journey. We have given our best efforts, for we wanted to offer a typeface that was both versatile and user-friendly on a number of applications, showing a wide scope of alternatives in our glyphs,” says the artist. The illustrations were created by Mauco, to ensure visual integration that would showcase the work of both members of the Patera Studio and their complementing aesthetic voices.  Atocha, as Salamat and Zulia before, was digitized by Alejandro Paul.

In 1912 Gerard Meynell, with J.H. Mason, Ernest Jackson and Edward Johnston, commissioned this large x-height typeface modelled on Caslon’s designs from Pierpont and the Monotype Corporation as the text face for The Imprint, a short-lived magazine about fine printing and typography.

Originally issued as Palm from the A. D. Farmer Foundry in New York, about 1887. This is a good early example of the transition from the ruffles and fluorishes of Victorian fonts to the more restrained decoration that came to be called Art Nouveau.

Tubby came about when I made a book with Cooper Black as a headline font. I started playing with heavy forms, and as a result was Tubby. It has a fat and friendly feel, and with swash italics it is fairly versatile in use.

About this font family Musnad Serif Is Old South Arabian typeface for desktop applications ,for websites, and for digital ads. Musnad font family contains two types: Rigular and bold. The font includes a design that supports Latin, Arabic, and Old South Arabian language systems.

Spiky is an unusual font with spiky characters (which must come as a surprise) that provides a graphical solution where a monster, spooky or unusual typeface is required. The zip files contain both OTF and TTF versions of the font - install one version only.

Neeskens, by Enric Jardí. A few years ago we used to talk about Neeskens as the font preferred by the crew of Ganimedes' commercial vessels. Now we see it as one of most solid geometrics of our typefaces. Neeskens has two versions: solid and inline.

ABOUT THIS FONT High swift is a sporty & dynamic style display font that designed for modern corporate branding, copy ads, and much more. Recommended for a high-performance brand. FONT FEATURES - Additional Accents - 65 Languages SOFTWARE RECOMMENDATION - Adobe Photoshop - Adobe Illustrator - Adobe InDesign - Affinity Designer

Quero is a decorative sans serif font that has thin,elegance and versatility. This unique font is perfect for creating beautiful logotypes, stunning magazine designs and more. This font can be your solution in completing projects that are equipped with various alternate and ligature collections.

This font began life as a metal type called Duerer, from the Boston Type Foundry about 1890. A wood type maker copied it, and that's where we got it (in Guadalajara, Mexico, already! Some people travel to see the sights; we travel to collect type.)

introducing CHERRY PARSLEY - swirly handwritten font - It is great for quotes, cards, banners, books, cutting, silhouettes, social media content, and anything about craft projects. This font is all uppercase. Features: - Uppercase - Number & punctuation - Multilingual - PUA encoded I hope you love it. regards, Abo Daniel Studio

Mercearia is a bold typestyle font, based on a 1944 Brazilian book about alphabets and letterings styles. Combining squarish letterforms and soft edges with a handcrafted feel, Mercearia is best suited for display sizes and works like a charm from 18pt and up. Try it!

Based on a popular design of the 50s-60s, Sandcastle JNL has the retro-casual charm of many prints ads of that era. It lends itself well to headlines, price tags, announcements, name plates and just about anything that recreates the mid-century panache.

The Maiandra family of typefaces were inspired by an early example of Oswald Cooper's hand-lettering, as seen in an advertisement for a book on home furnishing, circa 1909. Although many of Oz Cooper's letterform designs were cast in metal type, this particular one was not. Cooper's design itself was inspired by examples of letterforms he had admired in his study of Greek epigraphy (inscriptions). Cooper combined those ancient forms with the flair characteristic of design styles of his time. The result was an attractive design possessing subtle, purposeful irregularities, or "meanders" in his skilled brushwork. The Cooper design exhibits a unique warmth and harmony in text, while presenting a compelling rhythm, color and texture on the page. "Realizing the presence of this uniform warmth and readability," notes Dennis, "I decided to expand the design into a family of three weights with companion italics." The weights for the Maiandra family were selected for their versatility in usage over a broad range of output device resolutions. Indeed, "the consideration of eventual display resolutions, be they for screen or printer, provided the greatest challenge in the design of this typeface family," explains Dennis. Creating shapes that conform to the rigors of digital letterforms and modern rendering environments, without losing the unique characteristics of Oz Cooper's original design, is what Dennis has accomplished with his tribute to this great designer of the past. Maiandra, whose name derives from the Greek 'maiandros', meaning 'meander,' is intended for extended text use, as well as for informal subject matter, such as business correspondence, brochures and broadsides. "An example of a good use for Maiandra," notes Dennis, "is in printed matter relating to the turn-of-the-century art period known as the Arts and Crafts Movement. It can stand alone or be used with designs that complement its shape and color."

The Målestok family (Light, Light Italic, Bold, Bold Italic) is an eclectic solution for a broad range of applications. The rounded outer corners combined with select stencil effects makes for an interesting and friendly face. In large sizes, the bold version is strong and engaging, while the lighter weights are stylish and friendly. Thanks to its distinctive slightly technical style, both print and interactive designers will find that Målestok provides a multitude creative options with the perfect solution to draw attention with style. Målestok family his ideal for branding, collateral, advertising and packaging design. Målestok also fits comfortably in fashion , retail and sport related categories. Målestok family was designed in Norway, The Netherlands and USA.

Tolyer font is an extra large super family of 50 fonts! In many cases quantity doesn’t mean quality but here we have such a big abundance of contrast, styles, weights and special effects in one place that it actually doesn’t pay attention to the fact this is an all caps family. When it comes to strong headlines, titles, posters, masculine brand names Tolyer type family is probably one of the best choices in sans serif typography. You could easily pick from low to high contrast outlines, uprights and obliques, 3D effects or different artistic textured styles to make your work diverse, expressive and attractive. Tolyer font offers you maximum readability even in poor display conditions like low quality printing or low resolution monitors. In some cases poor print quality could even add more value to the final result, because Tolyer has a lot of potential to be used in difficult conditions. Letterpress and high embossing are one of those print effects that really suit Tolyer best. Use it in high contrast with background environment, higher ink flow, don’t think about the dot gain and you should definitely use a textured paper – this is what Tolyer really likes and deserves. It will thank you for this with authentic look, classic vintage style and strong but attractive presence.

Le Havre Rough. It’s high-resolution, hand-crafted letterpress to the core. Based on insigne’s popular Le Havre typeface, this new heat-treated, weathered face of all caps joins the realism and appeal of the top-quality Le Havre family. Rough’s eroded, printed look is extremely customizable, offering eleven distressed choices that appear fantastic even at large output sizes. Go ahead. Try it on, say, a billboard. Maybe even Times Square. The font includes hand-printed texture and distinctive shadow choices, too. Options include three inline versions, two shadow layers, and a clean primary version. Combine and match the options easily as you need, layering normal and shadow variations to alter appearance and texture. You can activate Art Deco alternates by using OpenType contextual alternates. Rough has an extra-large character set for many languages. Additionally, the typeface offers 62 extra ornaments like arrows, emblems, numbers & lines. Use its full texture and grit to capture the classic, genuine print feel that you need in your project. A few suggestions for use: - In Photoshop, jigger with various 'anti-aliasing' options for best outcomes. Smooth or strong is generally best. - In Illustrator, the shadow layer occasionally doesn't align when using the regular layer. To fix the alignment, open the type drop-down menu and choose Area Type Options > Em Box Height. Learn more about the using layered type styles on this informative video.

In spite of its angular appearance, Origami is composed almost exclusively of curves. Designer Carl Crossgrove derived the typeface from experiments in designing a low resolution type. The resulting face is reminiscent of Eastern European expressionist designers such as Oldrich Menhart and Vojtech Preissig. It is paired with an equally angular chancery italic. Origami works effectively for short blocks of text or at display sizes, while the capitals are especially suitable for titles.

A stalwart vintage serif, Master Press displays rounded features and a resolute character in its design. Ideal for book covers, posters, labels, and any application requiring a sense of sturdiness and safety, Master Press delivers precisely that. Master Press boasts a generous x-height and slightly exaggerated proportions, situating it in the realm of "intellectual pizza" on the cultural spectrum. Enhanced with 46 Swash, Stylistic, and Titling Alternates, Master Press offers a versatile typographic toolkit.

Sagordi is a font that displays a strong and modern style. With clean lines and bold shapes, Sagordi is perfect for use in various applications, ranging from logo design to marketing materials, digital publications, and more. This font is designed with careful details to ensure excellent readability at various sizes and resolutions. Sagordi is a great choice for designers who are looking for a flexible and adaptable font that can match various design styles.