I made this font during the rather hectic start of 2021. Popular Vote is an easygoing, laid-back kinda font. It fits just about anywhere, regardless of your political orientation, your sense of aesthetics or the job you will use it for. Popular Vote will feel at home on a box of crackers, on the cover of a book about keto diets, or on that T-shirt you have always wanted to design. Enjoy!

Rocktypes is Display Font This font describes about about strong, bold, taft, manly, hard, power, stiff, mighty, brave, gallant, rigid. FEATURES - Uppercase letters - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Rocktypes works great in any branding, logotype, magazines, poster, social media posts, clothing, advertisements, product packaging, product designs, label, company profile, quotes and any projects that need STRONG and BOLD taste. Enjoy using! Thanks. HIRO.std

Skeleton Slab brings a new elegance to a classic form. I was thinking of calling it Ozymanidias, after Shelley’s poem, because it evokes memories of ancient runic inscriptions, but then I thought that was maybe a bit pretentious, and I decided I'd keep it simple and descriptive. Besides, I wasn't sure how to spell Ozymandias! Skeleton Slab has small caps in place of lower case.

The eight rules of Graphite Club: You do not talk about Graphite Club… You do NOT talk about Graphite Club. If someone types "Stop" taps out “Limp,” the Graphite is over. Only two -- Waitasecond! EVERYBODY wants to talk about Graphite Club! It's the font for rough and tough typesetting that looks as etchy and sketchy, sleek and sexy as Brad Pitt on an off day. It's Light as a featherweight, it's as Regular as wetwork and as Bold as Brass Knuckles. And don't let anyone tell you this font is not special. It's as beautiful and unique as a snowflake. And so are you. Features six weights with alternate uppercase alphabets, language support for Western & Central Europe, Automatic alternates, Stylistic Alternates & Crossbar I Technology™

A light roundhand with mildly clubbed terminals on the capitals. It was expertly transferred from an engravers’ pattern plate to the Fotosetter Intertype about 1955.

Boa bold is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round and clear.

Meet Ollie, a casual signage script whose friendly, bouncy exterior belies a heart of sophisticated OpenType programming. This font is designed to make the most of OpenType savvy applications, and as such is recommended for professional design use. Or to put it another way: Make sure that contextual alternates and ligatures are always turned on! Ollie includes about 900 glyphs, many of which are automagical substitutions to keep the text flowing smoothly, and to pseudo-randomly pick different glyphs to avoid repetition. With contextual alternates turned on (as they should be by default), most lowercase letters will alternate between at least two different forms. The powerful OpenType programming makes the font itself ‘look back’ (up to eight characters) on previously used letters; typing “banana” will give you three different a’s and two different n’s (the last a is a special ‘end form’ character). The calt feature controls many other ‘special effects’ which all add together to give a smooth-flowing, hand-lettered look. These effects include start and end forms (and indeed, ‘loner’ forms) of many letters, which are automatically substituted in at beginnings or ends of words, or when the previous or next letter doesn't connect. Another special feature tests to see if there is room for the crossbar of t (or tt ligature) to extend further over the previous or next letter, or both, as is often the case. The last main effect of the calt feature is to substitute certain letters typed before any ‘e’ character, to make for a more natural connection (see the pe combination in ‘Eclectotype’ in the first poster). Ligatures should be on by default, for a much nicer looking tt combination, and a few others besides. The swash feature should be used sparingly (one glyph at a time, really) to apply a more extravagant look to g,j and y in the lower case, and quite a few of the upper case too. Oldstyle figures are included, as well as the lining defaults. Now to delve into the stylistic alternates... These are all included in the salt feature, or for uses of applications that support them, separated into stylistic sets thus: ss01 - (with swash feature on) L and G swashes get even swashier. ss02 - standard s changes to a connected script s form. ss03 - r takes on a script form. ss04 - z also gets a scriptier look. [the previous three sets also change any versions of s, r or z with diacritics] ss05 - a useful underline function. When enabled, typing two or more underscores will extend a cool underline under the previous letters. More underscores = longer underline. ss06 - the Polish script lslash changes to its more standard form. ss07 - E, S and B change to a more top-heavy alternate form. ss08 - An alternate form for A characters. ss09 - Alterative rounder forms of M and N. ss10 - An alternate ampersand. That about wraps up the features. Now all that’s left is for you to license the font and get experimenting!

Otherslide Handwritten Script Font is a beautiful and stylish handwritten font. It looks stunning on a variety of designs that need a natural touch.

So Love is a cute and adorable handwritten script font. It’s perfect for branding, logos, wedding invitations, diaries, cups, mugs, greeting cards, and more.

Coastland is a pretty handwritten script font. It’s simple and friendly style makes this font incredibly versatile, fitting a wide variety of creative ideas.

JH Mars is a modern style typeface; it is designed based on old Koufi, Maghribi & Diwani scripts, typical for corporate identity, headlines, branding & signage...

Ashby is a Spencerian based handwritten script, with elegant capital letters. Written with a flexible nib, which results in some beautiful line width variation.

Strongloves is dry brush, hand-lettered script. It is suitable for design, element design, weddings, events, t-shirt, logos, badges, sticker, and awesome work.

Barokah Ramadhan is script font inspired by arabic alphabet / calligraphy,come with alternate and multilingual features.This font very suitable for your arabic stylish design.

Moonlight In Tokyo is an authentic signature script font. This handwritten beauty is suitable from high-end sophisticated branding to simple memorable Instagram quotes.

Purify Signature is a modern and simple handwritten script font. Contemporary and fashionable, this font will look great for a wide variety of projects.

Jack Smith is a signature script font with a natural handwritten feel. This font is a good choice for branding and logotype design projects.

Ontime is a modern handwritten script font! This font is perfect for shirt designs, websites, branding, quotes, children's designs, blogs, logos, invitations and more!

Gallego Pro is a classical, pen-drawn upright script useful for many applications, e.g. book titles, ads, magazines or any kind of display work.

Dephiana is an elegant and bold stylish script font. Great for logos, wordmarks & signboard. Has several stylistic alternates that can be used as needed.

Navigate is an elegant hand made with brush script and is perfect for wedding card designs, logotype, website headers, fashion design and much more.

Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.

Quadrica is a stylish, retro script font. Its unique letterforms make this font perfect for logos, social media posts, packaging, magazine covers, and more.

Introducing Bloena casual handwritten script. Great for magazine layouts, crafting, branding, posters, websites, social media, greeting cards, invitations, mugs, frames, and so much more.

Luxe is a casual, script style font designed to provide hep and playful results. Extended character set includes foreign language support for many countries.

Butter Milky is script font with handwritten vintage calligraphy style, with OpenType feature include of the font. Suitable for design, element design, event, logo.

Oh Beloved is a beautiful script font with a classy, elegant, and modern look. It will add a personal touch to any design project!

Lioness is a stunning script font with a strong character. It is suitable for logo, branding, packaging, apparel, wedding invitations, social media, and more.

Distinctive and informal, this unusual script type style is suitable for a wide variety of display applications, particularly where a casual effect is desired.

Zinekiss - for the love of black ink and zine culture. Zinekiss, is a font with a very natural/organic handrawn script of black ink

Introducing the Nolita Font Duo, a classy pair of script and serif fonts. Nolita offers beautiful typographic harmony for a diversity of design projects.

Minnie Brush is an modern upright brush script. This curly rough textured font is great for display use. It comes with numerous alternate characters.

Distinctive and informal, this unusual script type style is suitable for a wide variety of display applications, particularly where a casual effect is desired.

PT Vesna™ was designed by Natalia Vasilyeva in 2000. Licensed by ParaType. An original calligraphic script for use in advertising and display typography.

Caramello is a handwritten script font with signature style. Suitable for element design, weddings, events, t-shirts, logos, badges, stickers, and other awesome work.

Manita is a quirky, humorous unicase face, reminiscent of comic lettering. Supports most Central and Western European scripts. Includes ligatures and several fun dingbats!

Komentator is a monoline vintage script typeface which is created based on manual hand lettering with many features such as, stylistic set alternate, swashes.

Little Tokyo is an authentic signature script font. This natural style handwritten font is suitable for various projects, such as logos, branding and packaging.

Blackletter typefaces follow certain fixed rules, both in respect to their forms and to the orthography. Possibly, they were a reaction to the half-developed Carolingian minuscule which was soon to end in the Latin script. Narrow, ordered script was to replace the round, hesitant and shattered shapes of letters in order to simplify writing, to unify the meaning of individual letters, and to save some parchment, too. Opposed to the practice common in monasterial scriptoriums where Uncial, Irish and Carolingian inspiration flew freely and as a result, the styles of writing differed in each monastery, the blackletter type was to define one, common standard. It was to express spiritual verticality, in perfect tune with the architecture of the Gothic era. Typography became an integral part of the overall style of the period. The pointed arch and the blackletter type were the vanguard of the spectacular transformation from the Middle Ages towards the modern era, they were a celebration of a time when works of art were not signed by their makers yet. Some unfortunate souls keep linking blackletter solely with Germany and the Third Reich, while the truth is that its direct predecessor, the Gothic minuscule, evolved mostly in France. Even Hitler himself indicated blackletter type obsolete in the age of steel, iron and concrete – thus making a significant contribution to the spreading of the Latin script in Germany. Once we leave our prejudice aside, we find that the shapes of blackletter type have exceptional potential, unheard of in sans-serif letterforms. The lower case letters fit into an imaginary rectangle which is easily extended both upwards and sideways. In its scope and in the name itself, the Moyenage type family project is to celebrate the diversity of the Middle Ages. I begun realizing the urge to design my own blackletter when visiting the beer gardens of Munich and while walking through the villages of rural Austria. The letters from the notice boards of inns are scented with spring air, with the flowers of cudweed, with white sausage and weissbier. The crooked calligraphic hooks and beaks seem to imitate the hearty yodeling of local drinkers and the rustle of the giant skirts of girls who distribute the giant wreaths of beer jugs. Moyenage is, however, a modern replica of blackletter, so it contains some otherwise unacceptable Latin script elements in upper case. I chose these keeping the modern reader in mind, striving for better legibility. The font is drawn as if written with a flat pen or brush, and with the ambition to, perhaps, serve as a calligraphic model. In medium width, the face is surprisingly well legible; it is perfect for menus as well as posters and CD covers for some of the heavier kinds of music. It has five types of numerals and also a set of Cyrillic script, symbolising the lovelorn union of Germans and Russians in the 20th century. Thus, it is well suited for the setting of bilingual texts of the German classic literature, which, according to the ancient rules, must not be set in Latin script.