Ornamental font, based on samples of Alphonse Mucha, who was an Art Nouveau painter and decorative artist. In this collection assembled typical wavy shape secession.

Pony Quest is an ebullient neoteric handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

An antiqued looking Caslon type letter, very retro but works well for many of today's applications. This font also works very well for text settings.

Chinese characters have simplifed and more complex, "traditional" variants. Zenith imagines what an un-simplified, traditional version of the Latin alphabet might have looked like.

JasperSqueeze was an attempt to do a decent text face. Blending it with XAabced resulted in JabcedHy, which seems to be superior to both parents.

A graffiti-esque "tag" font designed to fit into thin and confined spaces. Edifice Wrecks is an OpenType font with several automatic ligatures built in.

Altero is a font family for larger-than-life words. It supports 112 languages, features a total of 334 glyphs and includes an italicized version.

Subikto Tree is an ode to Mother Nature. This summer enjoy so many variety of trees in your design, be green and forget the blues.

The Lotus font consists of Art Nouveau initials ornamented with graceful flowers. Lotus is an attractive choice for posters and brochures relating to horticultural activities.

LD Cottage resembles the antique writing you would find in an ancient fairytale or story. Enjoy this fun font and let your imagination take flight!

This is a revival font from an Image of a plate made from Eleventh Century initial letters. The "numerals" are Roman numbers done as ligatures.

Eva Poshy is an exhilaration rollicking handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Agenor is an all caps display typeface family. It comes in five weights and is suitable for headlines, headings, branding, posters, packaging, titles and logos.

South Louisville is an applicable handwritten font that contains uppercase, lowercase, number and symbol, also comes with ligatures and underline. This font support multi language!

Cantika is a beautiful font suitable for wedding invitations or souvenirs. Cantika is also suitable to use for other purposes that require an attractive appearance.

Morgain is a decorative vintage font with "celtic spirit". Morgain Is an experimental font, specific shapes and forms gives it a little hand-painted effect.

An old extended Grotesque for use in advertising and display typography. Cyrillic version with adding Bold style created for ParaType in 2003 by Isabella Chaeva.

Stampede was created from a small sample of letters found on an old document dating back to 1902 from the Chicago, Indiana & Eastern Railway Co.

Susa is an elegant and flowing brush script typeface. Ideal for short text in the lighter weights and for headlines in bold and heavy weights.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. All styles offering an extended Latin character set. » pdf specimen «

Boa bold is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round and clear.

This caps only hand lettering could have come from an architect. Speedy written on a 45 degree slope with a bold felt pen or brush.

An unnamed historical font, scanned and patched. Originally upper and lower case only. I have extended it to include numbers, symbols and extended ascii characters.

Contains the 20 Days of the Mexican Calendar Stone in outline and silhouette mode NOTE: this font comes with an interpretation guide in pdf format.

Contra Sans is the base of my Contra family of fonts. It has just sufficient contrast to make for easy reading and an interesting appearance.

Eva Poshy is an inquisitive rhapsodic handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

SwirlityText is a fussy, over-the-top calligraphic typeface with lots of curves and wiggles. It comes in two weights, each with an oblique style.

Peter Schnorr was a German artist/illustrator of Art Nouveau period (called Jugendstil in Germany and Austria). He was quite adept at calligraphy and did a variety of commercial work, including business signs. He designed at least four different alphabets and collaborated with Bruce Rogers on advertising work and title page designs for books. One of their clients was the publishing house of Houghton Mifflin. I have not been able to discover anything else about him, but I suspect he might be the grandson of the Bavarian artist Jules Schnorr von Carolsfeld, who was once commissioned to do a mural by Ludwig II of Bavaria (whose famous castle was copied by Disneyland). Schnorr did not give individual names to his fonts. Where there is no historical name, we like to follow the tradition initiated by Bauer and name fonts after their designer, with a descriptive adjective in the designer’s native language. Gestreckt is German for stretched or elongated. An interesting deign detail of this typeface is the cross bar of the “T” --it is NOT symetrical. The right hand side extends only 88% as far as the left hand side (a ratio of 9:8). I presume this was done for a more pleasing letter fit. Today Schnorr’s design is frequently offered under the name “Ambrosia.” However. close inspection will usually reveal that the serifs have been treated differently. I believe our font has a greater fidelity to the original design. Please also compare the design of the various auxiliary characters to those in other fonts. Often they are either borrowed from an inappropriate font of a different period or are missing altogether. We make every effort to design characters that are in keeping with the overall design and spirit of the typeface. For example, see the superscript Registered Trademark symbol (0174) and the Double s (0223). I think both are quite successful. Schnorr Gestreckt ML represents a major extension of the original release. In addition to the standard 1252 Western Europe Code Page with character slots up to decimal position 255, there are glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. There are also two alternate letter forms, one ornament and seven ligatures with Unicode codepoints (Private Use Area) and OpenType aalt, ornm & liga GSUB layout features. There are a total of 318 glyphs and 351 kerning pairs. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). This release also incorporates a redesign of several glyphs: the comma, quotes, acute accent, and grave accent.

This font is an experiment in building dynamics into a typeface. Explosion has two variants to be put on top of each other for more dimension.

Old Buddy is an elegant handwritten script font. Get inspired by its unique shape and character! Great and It will turn any design project stand-out!

There is just one subtle difference between these two fonts. The A version has a straight lowercase 'e'; the B version has an angled lowercase 'e'.

Motherboard JNL is a retro throwback to the technology boom of the 1980s and simulates an LED readout display panel. Available in regular and oblique styles.

Paine was designed to be a humanistic sans serif with an overall contemporary feel while at the same time evoking the feeling of earlier transitional faces.

Black spoon is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round, clear and modern.

Phyllis was designed by Heinrich Wieynck in 1904. The Phyllis font has a suite of alternative initials that provide a flourish to an otherwise modest script.

A modified remake of one of the popular wooden type fonts of the 19th century. This is an extra bold, shadowed, sans serif suitable for display.

Working for Bauer in the thirties, F.H.E. Schneidler followed Weiss’ lead to provide an alternative. In 1956 he added the companion italic under the name Amalthea.

Pelago is a semi-formal sans-serif type family by Adobe Principal Designer Robert Slimbach. The family has a crisp contemporary appearance and an understated elegance.

An all-capitals reversed sans-serif font, designed for easy creation of signs, labels and banners. Various endpieces are included. Upright and italic can be combined.