Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Coelnische Current Pro is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Theuerdank Fraktur Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Jadore Vous is available in two versions: smooth and textured. This font particularly well suited for wedding invitations, cards, signature logos and other branding projects. Jadore Vous includes Upper and Lowercase Basic Characters, Numbers and Punctuation. It also includes large selection of ligatures and lowercase alternates that make your type look more like natural handwriting rather than a font. Jadore Vous is available for Western European, Central European and South Eastern European Languages. You can check your language typing characters in text box above.

Mono Rose is a visually prominent display font having unique, attractive letter designs along with rose ornaments to leave lovely, romantic impressions. All of the font letters are designed in special details and have peculiarly unique characteristics to reflect the beauty of a rose making it suitable to apply for any products expressing rose beauty and charm. Furthermore, the blunt and round font letter shapes leave soft and friendly impressions. In fact, Mono Rose is able to produce beautiful, elegant displays to its advantage and able to make your designs look more attractive, and elegant for increasing the product’s attractiveness. You can use this font for big text sizes due to its unique shapes to ease you to read it. Mono Rose provides a clipart in accordance with the font theme as a bonus and features you can enjoy. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Mono Rose fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Geminian is a set of fonts that started as a simple idea based on a theoretical level and developed during a long time, to be able to take shape under a creative impulse inspired by the need to communicate, today more than ever. From an astrological point of view, it celebrates and contributes to this practice, the study of stars position and movement and their influence on people's destiny. As a good Gemini, this set revives the main features of the opposite twins sign. Gemini is associated with thoughts, creativity, and communication. Its ruler Mercury (Hermes for the ancient Greeks), messenger of the Gods, and spokesman of the divine word, gives the natives of this sign intelligence, wit, eloquence and poetry. Geminian aims to be a medium to carry different messages from one end to the other. And this is because when using words, Geminis always surprise. Thanks to this gitf (and language and communication), they are able to bring up the most ingenious ideas, to solve any problem and to contribute new perspectives. These qualities may be the secret of its magnetism. The Geminian set comes in 5 styles including a script with multiple ligatures and alternates, 3 sets of caps and dingbats. In addition the complete font family supports a wide variety of Latin alphabet-based languages.

Jingle Doodles is for those Christmas occasions, and for those alone! I sell them very cheap because it's Christmas time. Your red-nose-reindeer-type-designer Gert Wiescher Ho-Ho-Ho!

This is a Vanderburgh and Wells wood type cap font from 1877. We don't know if the originators made a lowercase for it, but we did. Most effective in larger sizes.

FlorishesA are a set of flourishes, that serves well for frames and other elegant embellishments, they are beginning of last century American. Your I-found-them-somewhere type-designer, Gert Wiescher

Bigfoot K-Type is a whole font based on the slab capitals used by Victor Moscoso in his 1960s psychedelic rock posters. Capital A alternatives can be found at keystrokes ± and §.

Baker ST is all caps type family. The family includes 5 styles, from regular to decorative, and includes multi-language support. The decorative uppercase is a bit different to the lowercase.

Made with a wide pen, with a lot of love! Loads of international letters, and 6 different versions of each lowercase letter (these cycles automatically AS you type - just like magic!)

Blop77 is a geometric sans-serif type family, consisting of 3 weights. It is based on the Blop11, being its expanded version. Blop77 is well-suited to headlines and short text.

This font opens a new era of typewriting and type design. At first sight, the font seems creepy, but it has a deep connection with some urban motives in its tune.

A handsome German art deco design that fits in well with other types of the 1920s and 1930s. Originally without a lowercase, so we drew one for it, extending its usefulness.

Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.

Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri. Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.

Subtle slab serifs and distinctive hooks of this square ultra light type face will add a bit of elegant feeling to your sweet designs. Masherbrum Slab looks better in larger sizes.

Dabi is a bold sans serif type family of three weights plus matching italics. It is suitable for logos, titles, posters, etc. Made from a compilation of all his design projects.

TAN KULTURE is a bold display type. Simple in a good way and efficient with tight kernings making it a nice choice if you want a retro look in your design.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text, expanded, unusual Antique, with unique features in lower case design, g, k, y, a.

Nina Ketchup is a hand drawn font made with lines. Each letters have his own style. Work perfectly with wood background or hipster logo types. Natural flow for a fantastic effect.

Ranch Land JNL is based on a classic French Clarendon wood type, many of which were popular in the 1800s and are now associated with either Western motifs or circus events.

Arabela is a modern and beautiful calligraphy script, ideal for use in elegant designs. This font has a dancing look and adds a lot of femininity to all types of projects.

A piece of 1940s sheet music for the song "Blue Orchids" was the inspiration for both the type design (based on the hand lettered title) as well as the font's name.

Spooky is a chilling font that is evocative of the type used in horror films and posters. It’s creepy, it’s kooky...it’s spooky. Perfect for invitations, banners or other ghastly uses.

Letterpress Embellishments JNL is another typographic collection of assorted stock advertising cuts, ornaments, cartoons and other miscellany found within the type drawers of letterpress printers and based on vintage source material.

Grande Parade JNL is a decorative version of Winnetka JNL, which was based on antique wood type. The look and feel of this design combines old-time typography and festive charm.

Jh Flynn is modern tall sans serif typeface; a variable type including eight weights: light / regular / medium / bold and the italics; Ideal for headlines, logo design, signage and short text paragraphs.

GoodBadUgly is a new sans serif type with a Wild West flair. This font family will be the best solution for posters, signage, magazine, product branding, corporate branding, logos and titles.

Acta Variable is a clean and fresh type system that remains conservative enough for newspaper setting. The complete Acta Variable allows the possibility to modify the Weight and Optical size axis.

A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This type face fills one of the gaps between the world of Roman alphabets and that of linear alphabets. The first to be designed was the set of upper-case letters. The expression of these characters cannot conceal that they were originally intended only for the sculptor's use, as a type face for three-dimensional inscriptions. Their width proportions reflect a dialogue between the contemporary feeling and the legacy of classical Roman inscriptions. The type face was later complemented with a set of lower-case letters and elaborated into further designs. Its clear, concise letter forms end with small serifs which not only make the type face more refined, but above all anchor the individual letter signs visually to the horizontal of the text line. The austere construction of the majority of the letters is balanced by the more exuberant, humanizing forms of the most frequently used letters "a"; "e". (The three variants of the lower-case "e" enable to create rhythmically differentiated texts.) The letters in which a straight stroke is connected with an arch are designed in two ways. That means that the letters "n", "h","m" and the group of letters "b","d","p","q" are conceived in a different way. Thus an interesting tension is created in the structure of the text, which, however, does not endanger legibility. The economizing, slightly narrowed design of this type face predetermines its use for the setting of usual texts. In larger sizes, however, it produces a rather serious, even solemn, impression.