Frutiger Capitalis Regular and Outline belong to the group of typefaces for the Linotype’s Type Before Gutenberg project. However, they are not based on direct historical sources. At first glance, they may seem related to the roman type Capitalis Monumentalis, but upon closer examination, the fonts reveal a vitality unknown to the characters the Romans etched in stone. Frutiger confesses that creating Capitalis was “a liberation”. After working on so many sophisticated and meticulously designed typefaces, Frutiger Capitalis was a breath of fresh air. Stylistically, Frutiger Capitalis Outline forms a bridge to Frutiger Capitalis Signs, a whole universe of its own. Frutiger Capitalis Signs is a personal cosmos of symbols, many are immediately “legible”, others leave room for interpretation. Some of the symbols are the product of Frutiger’s imagination, such as his “Life Signs” — soft, hand drawn figures whose lines have no apparent beginning or end, creating both interior and exterior spaces, new forms emerging at each glance. These contoured drawings have accompanied Frutiger throughout his professional life, a fantasy garden which has provided an important balance to his many years of disciplined typeface design. Yet he does not consider himself an artist. Frutiger says he simply “wants to tell stories, to draw thin lines, create contours of signs; that is my style”.

Seriguela is an ultra condensed sans serif typeface with a unique personality. It comes in normal and display versions, each with 9 weights, as well as italics and reverse italics totaling 54 fonts. Seriguela is flavor in motion and each part of its system works together to captivate you, combining emotion and usability, allowing you to create attractive and unique designs. Seriguela followed a very distinctive recipe to design its alphabet: it started with a grotesque base and applied movement and joy in a very original way. The blacker and more contrasted, the tastier. The contrast in its display version is one of the most important features of Seriguela: the unconventional relationship between thick and thin lines, as it does not strictly follow any historical model of contrast construction and makes it noticeable. Its high contrast is not present in every single character and it is often in the “wrong” places. The original charm of Seriguela is maintained throughout all its styles. With peculiar details: the verticality and its proportions, as well as terminals that resemble hooks in some curves, a characteristic that breaks with the vertical modular rhythm. Seriguela is a versatile font system, designed primarily for display uses with a need of visual impact.

Characterized by quickness, lightness, and ease of movement, Bird Script is a font which challenges many aspects of type-design: every single stroke, comes directly from the author’s hand and tries to reflect not only the tool used, but also his feelings at the moment of writing. Bird Script is a font filled up with the energic gestures of what it’s called gestural calligraphy, a not very explored field in typography, where hardly ever a letter comes the same way two times: When manipulating the pen, the letterer seeks for the beauty of the differences and the grace of a confident execution. Originally done with a flat speedball pen nib nº5 and retouched with pencil for the bolder elements, it turned into a very pleasant to the eyes font which dances between the formal rules of typography and the artistic look of calligraphy. Bird Script Pro and Bird Script Light Pro come with many ligatures, alternates and ornaments. Into the standard ligatures we find lots of pairs of two and three ligated letters so when they are activated the font seems alive. However if none of them are activated, the font gives a really particular text pattern, specially in smaller sizes. Get Bird Script, add rhythm to your work.

Nanami Rounded is a heavily engineered follow up to the hugely successful Nanami, which debuted at MyFonts #1 Hot New Fonts for over 2 weeks. Nanami Rounded is a carefully engineered take on the original Nanami family. We kept the curve very slight in order to keep the clean corporate balance, and not to go into a style that was too friendly. Nanami Rounded consists of 18 weights ranging from Thin through to Black. It has also extensive support for over 50 languages, and as a font family that works well both in headlines and bodycopy, Nanami Rounded is the perfect choice for a whole variety of creative briefs. The gentler, softer follow-up to the popular Nanami, Nanami Rounded is also motivated by the artistry of Japan. Smoothing the hard lines and definite corners of its predecessor just slightly, Nanami Rounded is still clearly defined and crisp enough to work in whatever context you need. If Nanami is a battle hardened Samurai, Nanami Rounded is the lotus blossom favour handed to him as he leaves his home village to go to war. If Nanami Rounded isn't quite floating your boat why not check out it’s counterparts Nanami and Nanami Handmade.

Does the world really need one more vernacular pop culture typeface? We here, at astroluxtype shout a resounding yes! Sure, at myfonts.com, you can find the apex of fine font design that will have your mind and eyes burst with joy at the level of sophistication and craftsmanship they exhibit- Koo Koo Puff Light Condensed and Regular Condensed are not one of those fonts. But if kooky goofy is your thing, we're selling it at the astroluxtype booth. Koo Koo Puff Regular Condensed is the companion font to Koo Koo Puff Light Condensed. Both fonts includes an upper and lowercase glyph set. Regular Condensed has a different upper and lowercase “O” from the original Koo Koo Puff Light Condensed. Spacing metrics are looser, as well. The font is not a match for Light Condensed, it is a separate font. Both are headline display faces, for optimum usage it is recommended to be set at 48 points or larger in size. Look to astroluxtype’s Sugarbang ! as the first in a series of fonts inspired by vintage product packaging, Koo Koo Puff is the second release in the Cerealboxx series. The third font is in the fridge getting cool now, watch for it in the future. Rave on you design genius.

Encore Sans Pro is a sans serif which projects an image of reliability, authority and competence making it ideal for corporate applications. A functional typeface which combines utility with style. It’s subtle round characteristics such as the slightly curved-in edges, create a distinctly contemporary look, blending effectively traditional with modern details. Encore Sans Pro has received 3 international awards and distinctions including a Silver at the european ED Awards 2010. This is a contemporary typeface which may function as the perfect alternative to several overused classic sans. Encore Sans Pro does not pretend being different but it does claim its own personality. It is simple and stylish. Furthermore, it is extremely versatile. It comes with 22 weights and supports simultaneously Latin, Greek and Cyrillic. Each font contains 1535 glyphs and is loaded with 22 advanced OpenType features. Extreme weights, such as the elegant hairline, are carefully designed to establish an even color throughout, while ultra black despite its heavy characteristics is quite legible and powerful. Other intermediate weights such as light and book are ideal as body text for magazines and catalogs. Every font in this series has been completed with 270 copyright-free symbols, for packaging, public areas, environment, transportation, computers, fabric care and urban life.

A hot revival of the 60s and 70s a great headline face with that retro look.

This is a challenge for elegant but radical typography layouts. Standard styles include classic and sophisticated serifs, while italic styles are designed with more adventurous handwritten touches. This serif font family included a total of 14 styles, including 7 weights and separately created italics. It can be the best choice for a unique and meaningful logo and branding design, and it will maintain a refined sense of unity. You need to understand OpenType Features to use these fonts well. Please check first whether the your apps plan to use supports these OpenType Features. Thanks. OpenType Features Discretionary Ligatures : ac, ad, ai, ak, ar, ay, az, ce, ci, ck, co, de, do, dr, er, ft, he, ho, ng, ro, se, sp, te, to, tr Standard Ligatures : fi, fl Alternates : a, d, h, i, k, n, u, z Oldstyle Figures Tabular Figures Fractions

P22 Music Pro is a unique font system that allows the user to compose music with text editing and page layout programs capable of OpenType features and contextual substitutions. The OpenType features speed up the composing process by adding chords, contextual accidentals (sharps and flats), contextual key signatures and time signatures. P22 Music Pro covers a wide range of symbols and notation used in traditional western music composition. P22 Music Pro requires an application that uses OpenType features and is capable of contextual substitutions, such as Adobe InDesign or Illustrator. P22 Music is the companion, non-pro font included with P22 Music Pro and also sold separately. P22 Music also contains music symbols and notation and is suited for layout and text edit applications such as Microsoft Word that do not support Pro OpenType features. Unlike the P22 Music Pro font, the music symbols in the non-pro font are not tied to the staff lines, making them more useful for general design purposes. Staff lines are included as a separate character.

Melodi is the result of years of working with hand made types on my designs. Every time I draw the letters and words that I need for every design piece. One day I decided to go serious and make a real type of it and “Melodi” is the result of this work. It’s a calligraphic font, built using a regular stroke, and carefully crafted to have nice joins between all the letters. It has some playful but stylish capitals that brings lot of personality to the font. It work super nice either in lowercase writing as in all-caps texts. It looks specially good on lists of words or small sentences. Melodi is a playful but very versatile font, it can be used in lots of different scenarios. From creating a logo, writing the tittles of a catalogue or use it in a poster combined with other types (it work really well as counter point of more classical types) to motion graphics animations or advertising work. It can be cute but it also can do hard work!

Spandau is one of the 12 boroughs of Berlin and, if you add Ballet, a New Romantic British band. It is also a very nice all caps art deco font. Not too soft, not too angular, just about right! Some upper case letters differ from their lower case kin. Comes with all the diacritics you'll need.

Belyna is a dazzling script font with a lovely atmosphere and spotless form, inspired by timeless classic calligraphy. Not too thin and not too thick, balanced and varied, Belyna was designed to enhance the beauty of your projects. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Baile Guneta is an elegant script font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects. This font is PUA encoded which means you can access all glyphs and swashes with ease!

Fado is a calligraphic typeface based on the broad nib calligraphy. It has a lot of alternates, ligatures, initial and final forms. The font has 3 sets of length and complexity of ascenders and descenders. It allows the user to chose the style: simple, with more complicated forms, with a lot of flourishes, and even mix all 3 styles.

Gudytha is an elegant script font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

After Baronessa - funny but not crazy cartoon style font, Baron is an other handmade typeface, warm and friendly but not excessively childish. If Baronessa is a little feminine, Baron is neutral and it's funny and serious at the same time. Baron can tell jokes without smiling. Because a joke can be funny even if the teller doesn't smile.

Dudek is a highly functional font family. Styles from thin to black with italics for each one, allows to create wide and consistent design systems. I wanted Dudek to be soft and simple. Not too much geometrical, but also not calligraphic in detail. Dudek can help in every day jobs and wide multilingual support leaves no one behind.

Introducing Rahaely, a elegant script font with a lot of alternates character. This font is perfect for logotype creation, lettering compositions, wedding invitations, fashion projects, book design cover, magazines typography, cards, packagings, posters, branding and more. Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Mistella is an elegant script font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. Not too thin and not too thick, balanced and varied, Mistella was designed to enhance the beauty of your projects. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Good Night Kiss is a fun and stylish handwritten font. Not too thin and not too thick, balanced, and varied, this font was designed to enhance the beauty of your projects. It is the best choice for creating eye-catching logos, branding, and quotes. Every letter has a unique and beautiful touch, which will make your design come alive!

Trendy, bold & modern style sans font for your fancy projects. Elegant, funny and classic style on Amarillo font will be great for any branding project. Lot of alternates and ligatures will help you to create unique and original logo design or website header! Enjoy :) -Multilingual support -Lot of alternate characters & ligatures -Great for modern branding projects!

I am somewhat of a bargain hunter. Not at all cost, mind you, but I like a discount! Having said that, I guess I am not a true bargain hunter, because I only buy stuff I need; not because it is a bargain. I also refuse to buy fake items or products that are unsustainably produced. Bargain Hunter is a font I made with a cheap pencil (a bargain!) and my trusted Chinese Ink (environment friendly). It comes with a set of alternates and all the accents you need. And at this price, it is a genuine bargain!

Since I have my new logotype people are asking me about the typeface it is based on. But it did not exist and I did not believe that it would actually work. I still love my logotype and so I went on to try to make it work as a font. After many different versions and some doubts I am glad to present Jocham. It is the first typeface with my name. For an obvious reason. There is only one weight with an italic. I tried different weight, but they were all not as strong as the final.

Everleigh Duo consists of two typefaces - thin serif font and calligraphic script font. Both of this fonts have an elegant thin shape with classic influences. This pair is created in one breath and they matches perfectly in lots of lettering composition. Everleigh Script - it's a connected script typeface that imitates handwritten pen calligraphy. It includes lots of ligatures and multilingual support. Everleigh Medium - it's a little modified version of my another font Everleigh. This typeface has a slightly thicker shape and slightly different serifs, which makes it more useful on dark backgrounds. It also has lots of ligatures and stylistic alternates.

After readings and reflections about the process-poem,“anti-literary” movement, contemporary of concretism, a font of simple form that could provide directions and sense of reading demanded its creation. So we have done the labor of the processual, modulate by consequence and not by option, born with autonomy and authority. The process demanded soon two things: first, to not be one more “hard to read pixelfont” used only by its creators; second, to attend to the requirements of the poem-process, not like a good daughter but like a modern and comprehensive grandchild (the generations understand themselves to the jumps).

Malmö Sans was born from the preconception that geometry is neutral, and neutral fonts have a wide application window. No ornaments, no quirks – just clean. Design process: establishing the main proportions, grids and library of geometric shapes. However, people are not math, people are not built from grids. We are irregular, not always logical, and, foremost, we are human. So: humanisation – define parts and areas, and make the needed adjustments to shapes and forms, although being mathematically correct. Basically, changing it into something that pleases the eye. Much effort has been made to achieve equal parts minimalism, aesthetics and legibility.

FINALLY! We’re telling you for The Last Time! This is not a Threat! This is not a Negotiation! Refusal to cooperate with the terms of this font will be considered an Act of War! There can be no Dispute! The Crisp, Sharp hooks and corners of this typeface are Not To Be Reasoned With! Gosh Darn it, we have grown tired of asking and this is merely a formality precedent to the outbreak of hostilities. It’s a little corporate, it’s a little bureaucratic, but our lawyers insisted that we propose a settlement of compromise. Ipso Facto.

Spirit Burner is a gothic-themed display font combining the gothic characteristics with uneven edge lines and unique details to show firm, lovely, dramatic impressions. The letter shapes follow the gothic characteristics with uneven soft lines and unique details such as ornaments and decorations to add uniqueness to the design. Dark and contrast colors add the dramatic, mysterious impressions to the font, and the uneven edge lines show your designs organic, experimental impressions, while the unique details show personal impressions. Therefore, designs with this font, which is suitable to apply for big text sizes for more legible letters, will be able to express strong, lovely impressions and will look distinct and impressive. In addition, you can enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Spirit Burner fits best for various design projects, such as brandings, quotes, printed products, merchandise, social media, etc. The font’s unique, strong characteristics are perfect for designs requiring firm, dramatic impressions, for example, music bands and products with gothic-themed markets. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Brother XL & XS is an expansion of Brother 1816, one of the best sellers of 2016: myfonts.com/fonts/tipotype/brother-1816 We decided to add new widths to the type system, designing a condensed version (XS) that is perfect for narrow spaces without loosing legibility, and an expanded version (XL) with a lot of character for display uses but without abandoning funcionality. Both typefaces where created to adapt in diverse design languages being able to be “retro” or “modern” making it very flexible and working well in texts or titles, in print or screens. Brother XL & XS mixies Geometric shapes with Humanistic strokes at the same time. You can choose between a pure geometric or humanistic style, condensed or expanded, or even mix between XS, XL, or its alternate characters to create the feeling that you need for your projects. Its humanistic nature makes it easy to read, legible in small sizes; perfect for branding, editorial and signage. It has a total of 32 fonts, which are divided into 2 groups: XS (16 condensed weights) & XL (16 expanded weights). Each weight has +460 characters, +20 alternates, angular and straight edges, swashes, fractions, ordinals and much more.... Brother has also been specially designed for web (using hinting instructions), making it work in small and large sizes on different types of screen resolutions.

Introducing our latest product Biancha Script! Connecting script, designed to convey elegance and style. It is slender, feminine and friendly. Biancha is perfect for fashion, e-commerce brands, trend blogs, or any business that wants to appear classy and chic. Biancha Includes: Uppercase, lowercase, numeral, punctuation & Symbol Stylistic alternates (lowercase and uppercase) Stylistic Set01 - Stylistic Set02 Ligatures PUA Encoded Characters Fully accessible without additional design software. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have any question please do not hesitate to contact me. Thank You!

The name Dash Wisher is a wordplay. The letters of the font are also quite playful - you never know what comes next, when typing. There is no exact x-heigh, the baseline is jumpy, the descender and ascender are messed up...there are no real rules for Dash Wisher! But with all that in mind, it comes out surprisingly legible, which means it does have a wide range of use. Let your fantasy and imagination break the boundaries and Dash Wisher do the rest - or maybe the other way around! :) I've added both ligatures to substitute double letters and a set of alternate letters as well.

Hello, friends! I recently bought myself an old game console, the SEGA Mega Drive 2. For a long time I couldn't understand why, when I was a kid, it seemed incredible to play it. Nowadays there are a lot of games with stunning graphics and realism, but still there is something warm and light in old games. Maybe it's just a memory of a carefree childhood. After playing it, I decided to create this font so that everyone could do something in the style of old games that an army of designers and programmers hadn't worked on yet. Good luck and love to you!

Songlines is based upon a pen-drawn script drawn by Michael Harvey to illustrate a poem by Johannes Thurman. The expressive and rough-edged letterforms of Songlines do not have any lowercase characters. Instead, alternative uppercase characters occupy their positions. By using a mixture of upper-case and lowercase characters, text can be given a very lively and vigorous character. For example, the two versions of L are designed to overlap and interact whichever way round they are used. The augmented Songlines Plus version, has many alternative characters and ligatures added together with Opentype features to enable their automatic substitution where the application in which they are used permits.

Samantha is a bright and cheerful font based on pointed-pen lettering and featuring slightly condensed characters and a measured rhythm. Samantha is available in upright or italic variants, each with regular and bold weights and features over 1,100 alternates and swash characters that vary in size and complexity. Samantha includes 60 ornaments and 45 catchwords, lining numerals and oldstyle and swash numerals. See what’s included! Upright, Upright Bold • Italic, Italic Bold *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Ride my bike is a fresh handmade typeface inspired by street style and the new culture that moves pedaling around the city. Perfect for use in headlines, brands and fashion photography compose alternative, thanks to its leading characters, terminals, alternate characters and ligatures that you can find in the Pro version. This version contains more than 600 glyphs. The 'Dingbats' font in this family has 91 dingbats, very fun to compliment and accentuate the handmade design. If you do not want to ride so fast, you can find a version without OpenType features - Essential. Come! Get on it and let’s go ride my bike! Photography by Seba Sanchez.

Bodoni Classic Deco is against all rules. Giambattista Bodoni himself would probably hate me for doing it; he was a real purist. The whole idea of the Bodoni typeface is no embellishments and here I go and decorate those nice clear letters. Shame on me! But I find this is a very nice and useful typeface for all kinds of cards and certificates. So I just did it for all of you out there that are not born purists, but want a little embellishment to their lives. And to make things worse, I added a Small Caps cut. I even decorated it. Enjoy! Yours, breaking all the rules, Gert Wiescher

blossom lovely is an elegant monoline script font that works just fine. I've always dreamed of designing a font that feels welcoming, Smooth lines, single weight lines and charming variations of blossom lovely achieve the ideal balance of humanity and clarity. This font is perfect for branding and marketing campaigns that call for personality and friendliness. My goal with this font is to create a readable script font that will serve a variety of purposes. This font maintains personality in creating a consistent character set. It has a handmade taste and provides a hint of authenticity; perfect for your upcoming project. Do not miss!