Watchmaker was designed with the limitations imposed by a simple LCD that is meant only to display numbers. Most LCD typefaces use some diagonals to make the letters look better. This one does not and from it you can see why a few diagonals are needed to display letters on a LCD. Watchmaker is monospaced and comes in plain and bold weights.

Impact As its name suggests, Impact, a bold sans serif, is designed to make an impression on the reader. Obviously a display font, Impact makes use of its thick strokes and blocked style, to catch and hold the eye. Because Impact is so striking, it is best placed in plenty of white space so that it does not overwhelm any accompanying text.

Enovella is a cool and modern Sans Serif font. writing for a magazine that requires a lot of text is the strength of this font. easy to read, and not tired on the eyes. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. Thank You

Hello, all. I Want To Introduce New Fonts Maudhia Script Maudhia Script New fresh & modern style with handmade calligraphy, decorative characters and dancing lineage! So wonderful are invitations like greeting cards, branding material, business cards, quotes, posters, and more !! Maudhia Script The comes with 331 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code). So that all alternative characters can be easily accessed by craftsmen or designers. Maudhia Script Uppercase & lowercase International signature & symbol Punctuation Support & PUA number Unicode Style Style Alternative Style Style Range 1-6 Contextual Character Variations. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows). Thanks and good luck :-) Thank you for buying!

Kirshaw is not your grandfather's sans serif from the 1950s and 1960s. All those old classics like Helvetica, Futura, Franklin Gothic, and Univers are showing their age like an old Elvis Presley song. Kirshaw is a clean, rounded design with sharp contrasting edges. Like those classics, Kirshaw is easy to read in small body copy and captions, plus it's delightfully modern and stylish for headlines and logos. I designed Kirshaw and Kirkly while undergoing cancer treatment at Stanford Medical Center. Font design was always in the back of my mind and now I had extra time. Kirshaw is a distinctive, modern, easy-to-read sans serif family consists of 14 weights (including italics). It’s an Adobe Latin 3 Character Set containing 350 glyphs per style (including special characters).

Fabrikat Mono is a type family designed by Christoph Koeberlin. The monospaced Sans Serif family is published by HVD Fonts and consists of seven weights plus matching italics. It is an addition to the popular Fabrikat type family that emphasises its engineering roots. Compared to Fabrikat, the Mono version evens out not only the characters’ variable widths but also its more subtle characteristics: Letters like B and R are counterbalanced, the height difference between caps, ascenders and even “t” are eliminated, while characters like the percent sign together with the stressed punctuation give a nod to typewriter typefaces. The type family is equipped for complex, professional typography with OpenType Features like alternate letters, arrows and an extended character set to support Central and Eastern European as well as Western European Languages.

Say hello Broisther, a handwritten script font inspired by handwriting with an aesthetic touch. Broisther is versatile enough for both web and print and can be used in a variety of projects such as stationery, packaging, apparel, wedding stationery, prints, quotes, social media graphics, planners, greeting cards, logos, branding, and much much more. The script includes a set of uppercase characters, numerals, symbols, two lowercase letter sets, and a total of 28 ligature. Full Set of standard alphabet and punctuation Extra set of ending swashed lowercase Handwritten ligatures Thanks so much for checking out my shop! Happy creating! Cheers!

Bailies Script is a handwritten inspired font with an aesthetic touch. Bailies Script is versatile enough for web and print and can be used in projects such as stationery, packaging, clothing, wedding stationery, prints, quotes, social media graphics, planners, greeting cards, logos, branding and many more. . The script includes a set of uppercase characters, numbers, Alernates etc. To access alternative glyphs, you'll need a program that supports OpenType features such as Adobe Illustrator CS and Adobe Indesign and PS. Have fun creating! Cheers! How to use the open type feature https://helpx.adobe.com/illustrator/using/special-characters.html

Aero Wolves is a organic blackletter with handdrawn feel. Comes with regular, stamp, oblique and outline styles. This typefaces is perfect for people looking for vintage aesthetic and dark feel. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc ADDITIONAL INFORMATION For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Aliya Script, a handwritten script font inspired by handwriting with an aesthetic touch. Aliya Script is flexible enough for web and print and can be used in a variety of projects such as stationery, packaging, apparel, wedding stationery, prints, quotes, social media graphics, planners, greeting cards, logos, branding and much more. The script includes a set of uppercase characters, numbers, symbols, two sets of lowercase letters, and ligatures. Complete Set of standard alphabet and punctuation marks Additional set of brushed lowercase endings Handwritten ligature. Thank you so much for checking out my shop! Happy creative! Cheers!

POLIGRA is an experimental typefamily and a homage to traditional printing of the pre-war era in Poland. Most of the typefaces based on traditional printing are either clean, geometric typefaces or completely distressed lettering. The POLIGRA project explored everything in between. The letters, cleaned up, redesigned where necessary, and defined in their entirety, have a friendly and warm character, as if taken out of the press. The selection of typefaces was based on theater and sports posters. All of them have blocky and geometric character, each of them is an all-caps typeface. The POLIGRA family includes 13 typefaces.

Want to transport your audience to a world of wonder with your branding? Want your headings to spark happiness and engagement? Quintos-Serif Font A modern and elegant serif font that’ll make your audience swoon and enhance your branding projects, printed materials, and website design. This font was created to bring out modernity and style. Ideal for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Features: Stylistic Set Alternates Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Speener is a handwritten font designed by Tom Nikosey, an American Graphic Designer specializing in Typographic Design and Illustration. Speener is based on his son Spencer’s printing style. “I love the way Spence prints. There’s a loose control in a vertical stroke that has his personality built into it. I wanted to create a font to see how it would look & feel and it looks and feels right to me”. Speener is a nickname. CozyFonts Foundry is Tom's intro into the world of font design. Speener is a casual, handwritten font and the seventh font for CozyFonts Foundry.

Syabil is a sans serif font family designed by Eko Bimantara. This font crafted with the intention to present a clean, legible, multipurpose that easy to read wether it on screen or print. Fit for all purposes; Text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other application and medium. This font consist of 9 weight; Thin, Light, Book, Regular, Medium, SemiBold, Bold, ExtraBold and Heavy with each weight paired by italic. Also including Latin Plus language support with more than 11.700 glyphs in all weight which make this font contain broad language support.

Roc is a sans serif grotesk inspired by American wood types from the end of the 19th century. With nine weights in five widths, this family contains 45 fonts in total. The character set supports Western and Central European languages, as well as Turkish. Roc Grotesk comes in a range of five widths: Compressed, Condensed, Normal, Wide and ExtraWide, in order to cover a wide scope of applications. Although the styles at both ends of each range are made in their most pronounced form in terms of width and weight, they are not taken to such extremes as to become absurd, and are quite usable in display settings. The Normal width keeps all its nine styles in proportionally similar widths. The Compressed width, however, is deliberately made to be disproportionate, so that every style takes the least possible horizontal space. That is why the contrast between Compressed Thin and Compressed Heavy style is substantial. As the weights progress from Thin to Heavy, the stroke contrast becomes more prominent. It is intentionally exaggerated in heavier weights, which is particularly apparent in the uppercase E and R of the Black and Heavy style. Roc has a large x-height and relatively short descenders and ascenders. No uppercase letter descends below the baseline, so the lines of an all-caps text can be packed tightly on a poster or a headline. The Regular style is somewhat generously spaced, as it is most likely to be used for setting longer passages of text. Its Bold counterpart is spaced in such a way that the width of the text column will be similar to the text set in Regular. Tabular figures in these two styles have exact matching widths, so for example, you could emphasize one row of numbers in a data column without visually disrupting the vertical order of the table. The lowercase g and r have alternatives to accommodate what most designers expect from a typical Grotesk typeface. The single-story g and the cut-off r are accessible via the OpenType feature.

Grafema LC was designed by Jacklina Jekova & Todor Georgiev and published by Letter Collective. Grafema LC contains 16 styles and family package options. This Font Family Features: • 578 glyphs in 7 variants – upright, italic, textured, filled, rough, traditional contrast and inverted; • Handwritten with a calligraphic flat brush in 2 brush angles – 35° and 85°; • Extended Latin and Extended Cyrillic; • Coverage of multiple OpenType features – ligatures, stylistic alternates, and contextual alternates; • Suitable for web, print, motion graphics, etc; • Perfect for headlines, posters, packaging and greeting cards, etc. Grafema LC is a system of display typefaces consisting of 7 variants – upright, italic, textured, filled, rough, traditional contrast and inverted. Grafema LC started off as handwritten calligraphic works using a flat brush and variable angles of writing – 35° and 85°. It supports Extended Latin and Extended Cyrillic – more than 120 languages all together. The balanced natural texture of Grafema LC with unique details makes it perfect for headlines, but also suitable for long text. It is perfect for graphic design projects, like packaging, posters, events, blogs, social media and greeting cards. Grafema LC comes with a range of OpenType features – including old-style numerals, typographic features such as ligatures, stylistic and contextual alternates. The typeface is suitable for web, print and motion graphics.

Want to transport your audience to a world of wonder with your branding? Want your headings to spark happiness and engagement? Introducing Burnt Rose - A Modern Calligraphy Font. A modern and elegant handcrafted calligraphy font that’ll make your audience swoon and enhance your branding projects, printed materials, and website design. Every stroke and curve was created to capture the essence of elegance and style. Ideal for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Burnt Rose includes Ligature & Stylistic Sets as well as Multilingual Support to make your branding globally acceptable. Get ready to engage and captivate your audience with Burnt Rose. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Imagine a world filled with swirls of strawberry, pops of pink, and pure joy to go around for everyone... Are you trying to make an elegant, sweet, and stylish statement with your invitations, social media, website, or printed materials? Then grab some cotton candy, crack a smile, and get ready for a swirly day of wonders! Introducing Strawberry Swirl - A Modern Script Font. This gorgeous & stylish font can be used for a host of different content needs and projects. Use it for your headings, logos, business cards, printed quotes, invitations (wedding, birthday, engagement, etc.), packaging, resumes, and even your website or social media branding. Enchant & delight your audience, clients, or guests with this versatile, stylish, and elegant font. What you’ll get: - Multilingual & Ligature Support - Full sets of Punctuation and Numerals Compatible with: - Adobe Suite - Microsoft Office - KeyNote - Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Aneisha Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more. You need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows) If you have any questions, do not hesitate to contact me by email: hello.mrletters@gmail.com. Happy designing :-) Thank You for your purchase!

This vintage, iconic typeface of original Czech letter-founding has been faithfully revised, extended and newly rendered in 2012. The majority of Vojtěch Preissig’s type faces have been, from their very creation, subject to controversial evaluations which might perhaps fill more pages than have been set in these type faces so far. The considerable technological backwardness of Czech typography between the world wars intensified the author’s creative effort even more. He had been devoting thought to his Antikva type face from 1912 onwards and dozens of hardly perceptible nuances of the same design have been preserved in his drawings. It was his only book type face, but it shows no signs of any hard struggle in creating it. Its extraordinary vividness and elegance are really surprising. It may be still indebted to the forms of Art Nouveau, which was withering away at that time, but its proportions, colour and expression inspire other Czech type designers. Preissig’s Antikva, Menhart’s Figural (and also Růžička’s Fairfield) and Týfa’s Antikva represent a clear line of development, very far away from the soft aesthetics of Tusar, Dyrynk or Brunner. The co-author of the modification for computer composition is Otakar Karlas. Without his experience the work would remain only a shadow of Preissig’s design. Our aim was to produce a large family of type faces for the setting of both books and jobbing works. The digital transcription of Preissig’s Antikva came into existence from summer till winter 1998. The direct model for this type face is the most successful, two-cicero (24 pt.) design dating from 1925. The designs of other sizes (12 pt., 14 pt., 16 pt. and then 36 pt. and 49 pt.) lack vividness and are the source of the widespread mistaken belief that Preissig’s Antikva consists of straight lines. That is, unfortunately, how even Muzika and Menhart describe it. Neither is it a Cubist type face as many of the semi-educated think today. Special attention had to be paid to italics. It is apparent that their design is not as perfect as that of Preissig’s Antikva. In contradistinction to the original we have deleted almost all lower serifs in the lower-case letters, enlarged the angle of inclination and completely redesigned the letters a, e, g, s, k, x, ... All crotches have been lightened by marked incisions. In other words, none of the italic letters corresponds to Preissig’s model. The signs which were missing have been supplemented with regard to the overall character of the alphabet. Preissig did not deal with bold designs, but the crystal-clear logic of his “chopping-off” of the round strokes enabled us to complete the type face family without any greater doubts. An excessively fragile type face, however, cannot be used for setting in smaller sizes; that is why we have prepared a separate family of text designs which has shortened ascenders, normal accents, slightly thickened strokes, and is, in general, optically more quiet and robust. We recommend it for sizes under 12 points. By contrast, the elegance of the basic design will be appreciated most in the sizes used for headlines and posters. Preissig’s Antikva is suitable not only for art books and festive prints, but also for poetry and shorter texts.

PHOENICA is a contemporary humanistic typeface family suitable for traditional high-resolution print purposes, office application and multi-media use. Of the creation formed the basis an idea which was developed for the first time by Lucian Bernhard approx in 1930 with the Berhard Gotic and was taken up in the last time by different written creators repeatedly: the repeated elimination anyway (in comparison to a Antiqua, e.g. Garamond) already very much diminished form Grotesque (as for example Helvetica) by systematic leaving out of the serifs. The horizontal direction of the writing is thereby stressed remarkably by which so-called »Rail effect« originates. The eyes can grasp the line to be read very well what is ordinarily left to a Serif-stressed font. By this desired effect is suited PHOENICA also for big text amounts. In numerous test runs Stems and tracking was compared to experienced fonts and was adapted. The experienced was taken over without renouncing, nevertheless, the modern and independent character PHOENICA. PHOENICA offers to you as a welcome alternative to the contemporary humanistic Sansserif. It is a very adaptable family for text and Corporate design uses. Several companies have discovered PHOENICA meanwhile as a Corporate font for themselves and use them very successfully. She provides a respectable typeface combined with refinement and elegance. Every PHOENICA family has at least six weights in each case in regular and italic. In addition more than three fine Haarline weights (Hairline 15, 25, 35). These are a total of 27 possibilities. Phoenica as well as Phoenica Condensed are excellently readable fonts, because they were optimised especially for amount sentence. Both basic styles (Regular and Condensed) are tuned on each other and follow the same form principle. The family is neither exclusively geometrical nor is constructed humanistically, the forms were sketched on quick and light Recognition effect of every single letter. The PHOENICA family design and logo is suited for all only conceivable uses like newspapers and magazines, for the book typography and Corporate Design.

A literary font FS Neruda takes its name from Chilean poet Pablo Neruda, described as “the greatest poet of the 20th century in any language”. As such, it’s a font that references the very best literary typeface traditions. Smart, sharp and classical, FS Neruda bridges the gap between the classical and the offbeat. This font started life in the world of newspapers and books and is the perfect storytelling typeface for savvy, inquiring readers whether in printed journals, hard news, short online missives or poetry. Idiosyncratic precision FS Neruda is clear and legible in body text, while also being a space-saver fitting in more characters on each line than the typefaces that inspired it. In larger sizes it becomes a different beast – livelier, quirkier, but no less sharp. This is a truly classic typeface designed with long text setting in mind, thanks to its large x-heights, and short ascenders and descenders. FS Neruda mixes suave, sharp confidence with a sense of fragility and quirkiness. It’s knowledgeable, informative and idiosyncratic; one for readers and enquiring minds. Subtle weight modifications The construction and details of the letterforms differ across each of the five weights, with each cut separately to evoke different flavours: Thin is typewriter-like, Light is classy, Regular is canonical, Bold is robust, Black is magazine-esque. FS Neruda also boasts a radiant italic companion, a wide set of small caps, lower and uppercase ligatures, case punctuation and spacing, four sets of figures, and some ageless typographic symbols such as manicules, fleurons and teardrop crosses. Suggestive simplicity “The key to success in the current type design landscape is to design a typeface which looks conventional at text sizes but has a few small, suggestive touches visible at bigger sizes that make it distinct,” says designer Pedro Arilla. “Another thing we wanted to achieve with this typeface is simplicity.” FS Neruda is available in ten carefully crafted styles: it’s designed to work perfectly at text sizes, but still glows as a display typeface.

North Bergen is a dirty sans serif based on letterforms seen painted on a wall of a magazine store in North Bergen, New Jersey. Its unrefined, quirky forms reflect a typographic naivete and are meant to evoke a sense of hand painted signage.

Introducing, Roller Cores - a paint roller typeface! Roller Cores is a paint roller inspired font. This font will give you roller and dry brush vibes. Suitable for any project. With unique characters make this font more special! Caps Only Fonts. Happy Creating!

Introducing Invictus hand-painted brush font! With FOUR hand-painted character sets and SWASHES which can be mixed up, lowercase or uppercase. Invictus character are great for logos, name tag, handwritten quotes, product packaging, merchandise, social media, greeting cards and many more.

Originally executed using a stick and sumi ink, Babaloo is Lisa's first digital font. While great in larger point sizes, Babaloo is surprisingly legible in small point sizes as well. Its quirky, spontaneous nature makes it ideal as a casual, fun, display font.

Herokid is a grotesque style font, inspired by classic fonts like Helvetica, Impact and Univers, with a dynamic, versatile and flexible personality. It ranges from Thin to Heavy, and from UltraCompressed to UltraExpanded. It’s a huge family, with 96 variants adaptable to kinds of design projects providing flexibility for their creation. Consider Herokid your new workhorse, you will be able to generate high-impact headlines, subtitles and/or text; all with the same font family. The mixture of wide and condensed sets allows for versatile combinations and can give great movement to a design, while the regular weights can be used for text bodies. The heavier weights also stand out, with its very full shapes with small counterforms, ideal for big headlines.

The Gleams serif display is unique, this font and is equipped with multilingual to be able to handle most typographic applications ranging. will be perfect and look luxurious for many projects such as fashion, magazines, logos, branding, photography, invitations, quotes, blog headings, posters, advertisements, postcards, etc. The Gleams serif include ligatures, capital letters and lowercase alternate letters. You need a program that supports OpenType features like Adobe Illustrator, Adobe Photoshop CC, Adobe Indesign and Corel Draw. and you can also access alternative flying machines via Font Book (Mac users) or Windows Character Map (Windows users). For sans style please check at https://www.myfonts.com/fonts/alandya-typefoundry/gleams-sans-display For serif playful style please check at https://www.myfonts.com/fonts/alandya-typefoundry/gleams-serif-playful Happy Designing . . .

Imperial Granum is designed primarily as a Roman Title and lettering face, combining formality and dignity with a delightful touch of 'Arts and Crafts' like hand drawn design. The regular form of Imperial Granum (which is inspired by a beautifully hand-lettered early 20th century food advertisement) offers two sizes of capitals, in order to provide true 'small-capitals' lettering. Similarly, the Ornamental form consists exclusively of capitals and is designed to be able to mix and match with the regular form. The miniscule form can, of course, be used in its own right, but is primarily intended to complement the regular and ornamental forms. All three faces are offered in regular and bold weights. Explore some Edwardian Arts and Crafts typographical fun today!

German type designer Matthias Jordan created this display FontFont in 2000. The family contains 4 weights and is ideally suited for music and nightlife, poster and billboards as well as software and gaming. It comes with proportional lining, tabular lining, and tabular oldstyle figures.

This handy helper is created just for teachers. Use the letter boxes, number line helper, base ten blocks, multiple lined writing options, and touch numbers to help you create printables for your classroom. Also includes a PDF guide to using the font most effectively.

Gens De Baton is based on a charming lower case alphabet that appeared in the Almanach des Enfants pour 1886 (Paris 1886) under the heading “Amusing Grammar Lessons.” Gens De Baton means simply “Stick People.” The unknown designer turned the bare letter forms into drawings of people for the enjoyment of the children for whom the almanac was intended. The letter forms themselves were based on the French Romain du Roi (King’s Roman), except for the ‘g’ and the ‘j’ -- which were based on Baskerville. The letters ‘w’ and ‘y’ were not included, as they are seldom seen in French. We have left the letters somewhat rough, as they appeared in the Almanach des Enfants , resisting the temptation to clean up all the lines and render them with digital perfection. We have used our HiH Firmin Didot to supply an upper case and auxiliary characters, as Didot was originally a modified version of Romain du Roi. It is interesting to observe the contrast between the polished look of the Didot upper case and the rough, hand-drawn look of the lower case. Purchasers of this font have our permission to use it for the amusement of adults as well as children. We recommend setting Gens De Baton at 24 points or larger.

Hua type family is a sans-serif with very humanist details to represent the essence of nature. It features 14 weights from the very thin to the very bold, generously covering a wide range of the natural spectrum. Aiming to represent the soft and elegant side of nature, Hua features very unique italics that have their own take on the identity. The letterforms of the italic fonts are inspired by the lineage of both traditional calligraphic approaches for serifs and much simpler forms for sans-serifs. Hua provides very crisp performances on screens and its large x-height combined with fine-tuned proportions help it retain legibility very well on smaller sizes.  Features: • Support for 200+ Latin languages • Double & single storie “a” & “g” • Unique italic letterforms • Low contrast with unique details • Small caps with symbols • Arbitrary and defined fractions • Support for superscript & subscript in normal & scientific alignments • Proportional lining, proportional old-style, tabular lining, tabular old-style

Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context--it has a certain nostalgia to it, yet it also has a slick, clean, futuristic look. It can even be used in a semi-grunge setting. This is a very versatile font! And if you like this font, check out the new boxy version of it, Neon Bugler Squared! Digitized by John Bomparte.

Features: • Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian SlovakSlovenian Spanisch Swedish Turkish Zulu Swedish Turkish Zulu • Contains OpenType features with alternates or substitutes • Tabular Figures • Ordinal numbers • 74 icons (It will keep updating.) • 72 graphic patterns for designer (It will keep updating.) • 28 brand symbols (It will keep updating.) • 27 arrows glyphs • 0-99 line circled glyphs • 0-99 solid circled glyphs • A-Z line circled glyphs • A-Z solid circled glyphs Gravitica Mono family consists of 18 styles (6 weights, 6 Italics, 6 Icons), in each of which there are more than 508+ glyphs. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. Useful links: Gravitica PDF Type Guide and Specimen (You can know how to use icons and arrows, other glyphs.)