Swingers is a curly, fun, cartoonish display font. I wanted it to look light, but loud, so it can yodel from Posters and Headlines. It has over 300 glyphs, several variations on the standard alphabet and all those extra pesky foreign features. OpenType coded, It has various letter pairings that interlock automatically to create a more randomized, bespoke feel to your copy. It also has tons of extra characters and other combinations available directly through your glyphs palette. Play around with it, break it, like it, buy it.

Retro-futuristic robot terminal type. The 1930s Moderne Streamline decade meets the digital domain in this weird font. Use it in an ad for Ford Tri-Motor Airplane or a story about an out of control 1980s computer monster. Which? Help it find its place- as it is lost in time. Digideco is a minimal font set that includes upper and lowercase letterforms which can be used at various sizes but, we consider it a headline/display font, best applied larger than 36 points in size. Shall we play a game?

Inspired from the letterpress achieve and printed media from the 19th century. We talk about headlines, labels, playing cards, postcards, book covers, signs, and many more. That's where the DECKPRESS has risen. An old vibes all-caps fonts, armored with the robust yet decorative ornamental slab-serif style. Double up the majestic, it comes with the layered style to give an amplification back to the vintage era. It is an inevitable partner for your classical heritage touch of visuals such as signage, logotype, sign painting, label, header, ornamental typographic design, you name it, old sports.

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Schwitters was developed from the phonetic experiments made by Kurt Schwitters with his 1927 universal alphabet, where he attempted to link sound and shape. He ‘played with’ using heavier, wider, rounded forms to convey the vowels, creating a unique visual speech texture.

Introduce you a new one - La Truffe. A super stylish Didone font. Comes with two styles - Regular and Italic. High contrast strokes gives a refinement into your project. Access your OpenType features to access the large selection of alternate letters and some ligatures. Calligraphic Italic can play with Regular in pair or can be used as independent mainline typeface. More than 480 glyphs total. La Truffe is a versatile font, which can be used in you branding ads, magazine headlines, posters, wedding invitations, product packaging, business cards etc.

Our Rum Raisin Pro was inspired by the lettering from a vintage Kellogg's Raisin Bran cereal box, yet is has expanded from what was originally a unicase design to include a lowercase character set. For those seeking to use the original unicase A, you can find it in the Delta character slot. Fun and festive, this font plays the comic clown to perfection. The SmallCaps and extensive figure sets offer a change up to a slightly more serious tone or alternate personality for a wider range of use.

Fathir is made with a true real handwritten style. The font comes with three style of titling and ending swash. It is very easy to access the swash characters even if you don't use pro software. The sample images show you the possibilities. Fathir is perfect for branding, quotes, logo, invitation, packaging, business card, and more. I hope you love this lovely font. Regards, Abo Daniel

introducing MELONS - display sans serif - MELONS is a cute and playful sans-serif font. It is great for t-shirt designs, books, magazines, branding, packaging, logos, quotes, mugs, tote bag designs, cards, banners, social media, and anything about your projects. The ligatures make it look so awesome. Features: All Uppercase Characters Numeral Multilingual Support Punctuation Ligatures PUA encoded I hope you love it. regards, Abo Daniel Studio

In seeking a strong, utilitarian gothic alternative for Helvetica, we're left with few options for unobtrusive functionalism. As such, we decided to create the Citarella Gothic family. The ligatures are characteristic of the signage and architecture around Sarno, where the Citarella family originates. The sweeping arcs, broad counters, and clean swashes allow for the architectural design to be imbued with the warmth and humanity of its namesake.

Introducing kuzimy Arabic style font. With this, Font lets you create designer-quality designs with ease. You will get a variety of styles for your project. They come in upper and lower case and alternate with different shapes. You will be able to easily create professional designs with an Arabic Style theme. This font gives you the best results when used in your projects.

“Can you write this card? You have the best handwriting.” Was commonly heard question by Karin that inspired the creation of this font. Now anyone is able to write in her unique style. Hedgehog Lake includes over 400 glyphs for languages based on the latin alphabet and comes in two weights. Perfect for designs that need a human touch like invitations, titles, and more.

KgStuttgart1930 -- Kunstgewerbeschule Stuttgart 1930 -- is based on a printed sample of a font designed in 1930 at the Stuttgart School of Applied Arts. Found in the book ABZ, more alphabets and other signs by J. Rothenstein and M. Goodings. I recreated the grid and kept some awkward letters of this bauhaus-era inspired design. I created the missing glyphs and added alternate versions of already existing ones.

A geometric sans serif typeface, the square horizontal structure is evenly balanced with smooth curves and arcs producing a clean, distinct font ideal for both print and on screen uses. Further enhancements to improve legibility with the use of consistent stroke contrast and tapered diagonal angles. Details include eight weights and italics, 600 characters, Cyrillic, five variations of numerals, manually edited kerning and Opentype features.

introducing WINTER END - quirky craft font - It is great for quotes, lettering, t-shirt design, mug, card, cutting, embroidery, banner, and anything for your craft project. Uppercase and lowercase characters match each other. The Winter Doodles make this font complete. What's included? - Winter End - Winter End Doodles Features - Uppercase - Lowercase - Numeral & Punctuation - Multilingual - Ligatures - Doodles - PUA encoded Hope you love it. regards, Abo Daniel Studio

introducing SUMMER MACARON -crafty handwritten sans serif- it is a simple, natural, and fun handwritten font. This is an uppercase font designed for crafters. It is great for branding, packaging, quotes, t-shirt design, card, banners, cutting, silhouettes, and anything of craft projects. It looks so natural. Features: - Uppercase - Number & punctuation - Multilingual - PUA encoded I hope you love it. Welcome summer regards, Abo Daniel Studio

PORTSMOOTH - signature font- it is great for branding, packaging, card, logo, tote bag design, cup drink design, banner, and anything project with an elegant touch but still looks crafty. I created 38 ligatures to make this font look so natural. This font is perfectly combined with swash Features: - Uppercase - Lowercase - Numeral - Multilingual - 38 Ligatures - swash - PUA encoded I hope you love it... regards, Abo Daniel Studio

Proudly Present DOODLEZ FOREVER - The Real Doodles Font- The font that made special for doodle lovers. This font is very unique and user friendly. It's great for branding, packaging, T-shirt design, pillow design, quotes and many more. It came with multilingual support and already PUA encoded. Doodlez Forever is very worth to be picked into your collection. Trust me ! Regards, Abo Daniel Sturio

"Demons Light" is a halloween themed font that will add horror and excitement to your Halloween party. This font is very easy to use because it has been specially designed. "Demons Light" is also equipped with multilingual support, numeral and punctuations, ligatures, uppersace, and lowercase. So that this font is very complete and is expected to be able to help your work or Halloween moment.

The Black Puma typeface was inspired by the rock beats and the honest spirit of today's indie music scene. Just as evolving garage bands', Black Puma’s strength lies in its fresh and brave approach: to playfully experiment and proudly take its imperfections as long as they are needed to stay real and honest. Black Puma's aim is to entertain, while expressing a strong human touch through its handmade and creatively assembled characters. Black Puma's varying rounded and edgy shapes create a vibrating yet coherent visual, which carries a positive, playful atmosphere. Its irregularities and extra bold characters empower Black Puma to have great and touching visual impact, which make it stand out of the mass flow of information delivered in the information society we live today. Black Puma font - with its 370 glyphs - includes all the accented characters of the Latin alphabet, and also comes with a couple of alternate characters (stylistic and contextual) to play around with. And, above all - as mentioned before - it includes its essence: the young spirit. So come, play around and have fun with Black Puma. Use it to create expressive, passionate posters, flyers and art work full of spirit for the awaiting young-minded public. You can find more artwork using Black Puma under the "Gallery" tab above.

FWD Egyptian Tower is a designers stack-able Display family best purchased as one package. The four versions can be manipulated in your favorite graphics or sign making application to achieve the different effects as shown in the font family ad designs. All fonts are tightly spaced and are very often intentionally overlapped creating a balance for each very unique wider bottomed character. Being stack-able, the designer can duplicate the original text layer and by changing the font on the lower of the two layers to another of the family can then add another available effect. This can be repeated to add other of the available effects. Then by converting the text of the lower text layers to curves or outlines and welding the characters of the words together, the overlaps can be eliminated. This process is fairly common practice for a graphic designer and quite easy once done a few times.

Although better known for his residential buildings, Richard Neutra’s commercial projects nevertheless resonate the same holistic ecology—unity with the surrounding landscape and uncompromising functionalism. His attention to detail even extended to the selection of signage for his buildings. It is no wonder that Neutra specified lettering that was open and unobtrusive, the same characteristics which typified his progressive architecture. House Industries brings the same linear geometry to Neutraface without sacrificing an unmistakably warm and human feel. FEATURES LIGATURES: This feature is on by default. It will substitute a long list of “f” and “t” ligatures. For example, open InDesign or Photoshop and type “ff” or “tt”. NEUTRAFACE DISPLAY ALTERNATES: Neutraface Display contains several stylistic alternate characters useful when a purely geometric setting is desired. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

This is a standard, plain face with no special distinguishing features. It was created over a period of four months for use in small text in a cartographer package. While the face was extremely suitable for the purpose it was designed for, the party who was to purchase the family outright decided upon another design, allowing me to offer it up for sale. The original design for this face is nothing new, and has been greatly influenced by many others already in existence. It was not intended to be flashy, nor eye-catching, and I believe I have managed to escape any individuality that could have affected the face. It displays well in the lower text sizes, and, in my own opinion, displays some characters more clearly than some other similar faces that are currently in use (not all, some). While individuality makes a typeface stand out from all the others, this style of design would have been compromised with it.

RoyalBavarian was comissioned by King Ludwig the First of Bavaria about 1834. He was probably the greatest king Bavaria ever had, but he fell in disgrace for a short affair with the infamous Lola Montez and subsequently had to resign. He died in 1868, peaceful and happy in Nice on the French Riviera. I happened on an original etching of his type-guidelines for official writers of those days about 20 years ago. I always thought it was a very nice Fraktur (Blackletter), not a sturdy militaristic one as most of them are. Being me, I started with first tests immediately and then just forgot the font on my computer. When I was sorting out old stuff a couple of months ago I happened on the etchings once again and kept on working intermittently on the letters. The Plain cut is pretty much like the king wanted it. The Fancy cut is more to my liking and very decorative. Yours in a royal mood, Gert Wiescher.

Kulturista is an unmistakeable linear slab serif typeface with pronounced rectangular serifs. The drawings are based on the sans-serif Nudista typeface, and Kulturista also inherits Nudista’s distinctive narrowed character proportions, range of weights and glyph sets. The italics are inclined sufficiently, and have the same width and colouring as the plain styles. They aren’t just a mechanically-slanted version of the basic styles, as is often the case for typefaces derived from geometrical images — a whole range of characters have their own drawn variants, which greatly strengthens their highlight function. The italics are therefore an equal partner for the roman styles. Kulturista is definitely a good choice for a headline typeface for magazines and book covers. The range of boldness can come in handy when editing sections, headlines and supplements. The typeface understandably proves itself as a healthy foundation for a unified visual style, and holds up at display sizes as well as on shorter texts.

Hundred Miracles is a bold and colorful calligraphy typeface. With a confident flow, its soft, expressive letterforms dances across the baseline and is pleasant to read and fun to look at. Hundred Miracles consists of two styles: the Regular style, with the characteristic swashes and decorations, and the Plain style, that is more subtle and controlled. Using them together results in a calligraphic artwork with a truly customized appearance. Use underscore _ anywhere in a word to make a swash. Example: Hun_dred Use multiple underscores for different swashes. Example: Mira___cles (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Hasler Circus packs amusement park, Old West, folk art, and tattoo shop all into one colorful font. Characteristic of reverse-contrast faces, Hasler Circus swaps the weight of its stems and serifs creating an unexpected yet charming rhythm. The font also features an added bonus: split stroke endings to crank up the flavor. Inject a dose of novelty into toy packaging, candy wrappers, cook books, vintage signs, or festival marketing. Drawn in the 1950s for Photo-Lettering, Inc. by influential British designer and typographer Charles Hasler, Circus was digitized by Erik van Blokland in 2011, with a helping hand from Ken Barber. HASLER CIRCUS CREDITS: Typeface Design: Charles Hasler Typeface Digitization: Erik van Blokland, Ken Barber Typeface Production: Ben Kiel Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Josef Týfa first published the Academia typeface in 1967-68. It was the winning design from competition aimed at new typeface for scientific texts, announced by Grafotechna. It was cut and cast in metal in 1968 in 8 and 10 point sizes of plain, italic and semi-bold designs. In 2003 Josef Týfa with František Štorm began to work on its digital version. During 2004 Týfa approved certain differences from the original drawings in order to bring more original and timeless feeling to this successful typeface. Vertical stem outlines are no more straight, but softly slendered in the middle, italics were quietened, uppercase proportions brought closer to antique principle. Light and Black designs served (as usual) as starting points for interpolation of remainig weights. The new name Academica distinguishes the present digital transcription from the original idea. It comprises Týfa’s rational concept for scientific application with versatility to other genres of literature.

Finally the time has come to publish our new ‘BlackHand’ font. It is a bold and upright handwritten font featuring 150 ligatures, which make for a credible handwritten look and feel. The ligatures will appear quasi random without the user having to search for the right alternate character in a list of glyphs. As you will notice, the font does well in both headers (it even has an ‘instant logo’ quality) and in plain text. The font finds it’s origin in handwritten notes which were done without paying attention to aesthetics. The regular characters and the ligatures were handpicked to form an organic and natural, very readable result. The original writing was done with an Edding 1340 brushpen, giving the font frivolous thick/ thin strokes. We hope you enjoy using the font as much as we did creating it. As an introduction offer, you can get it now at 50% off in the first month after publishing.

Epilogus - Serif font family - 18 Styles - Multilingual supports Epilogus is an elegant serif font family with different alternative character designs. This font provides flexibility in all your projects with the alternatives it offers you with its multiple language options, 18 styles and rich glyph options. You will have the opportunity to enrich the content of your projects with alternative characters. According to the purpose of use in typographic compositions that you will create with the aesthetic structure of alternative characters; You can enrich your titles in books or magazines, and your logos in branding. You can benefit from the elegant structure of standard characters in your plain texts. Especially for editorials, magazines, books, branding, packaging, logo design, web design, headlines, movie titles etc. If you're looking for a font with stylistic alternatives, Epilogus serif font might meet your needs. With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

As one of the most distinguished lettering artists of the 20th century, Meyer “Dave” Davison’s greatest contribution to the American visual landscape is arguably Davison Spencerian. The alphabet made its first appearance in Photo-Lettering’s 1946 catalog and remains a benchmark of the ornamental script genre. Thanks to the skillful hands of Mitja Miklavčič and the tireless eyes of House Industries designers Ben Barber and Ken Kiel, we have preserved the poise and precision of Davison’s masterwork in this faithfully-rendered digital incarnation. From automotive exhaust accessories and pirate-themed wedding invites to New Orleans sissy bounce hip-hop CD covers and upmarket bivalve ambrosia packaging, Davison Spencerian offers sober sophistication and unparalleled flexibility. DAVISON SPENCERIAN CREDITS: Typeface Design: Meyer “Dave” Davison Typeface Digitization: Mitja Miklavčič Typeface Direction: Ben Kiel and Ken Barber Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Italic type was invented by Aldus Manutius in 1499 or 1501, first, before to be a style name, it was a plain font familly name. This Italique style font was inspired from these who was used by Jean de Tournes in Lyon (France) to print La mÈtamorphose d'Ovide figurÈe, a splendid book with numerous gothic style wood carved pictures. The original font contains almost all modern usual characters except accented ones, no longer in use on that time. They have been added, with some others, with respect for the original design. . A render sheet, enclosed in file, help to identify various others unusual letters on keyboard. It is used as successfuly as web-site titles, posters and fliers design, editing ancien texts or greeting cards, invitations, gastronomic menus... and much more, as a very decorative and elegant font... It supports easily as enlargement as small size, remaining clear and easy to read from 8 or 9 points to 72 and more, particularly on prints.

A neo-brutalist variable typeface conceived with flexible proportions and a singular heavy weight, including the oblique. Useful for any quirky display uses. Designed with extra-wide contrasting shapes, as a result of an extreme simplification of traditional typographic letterforms, “Moai” has a variable width that adapts to your needs, pushing for maximum readability. It's perfect for logos, headlines, posters, art projects, social media, visual identity, corporate image, film posters, music cover art, and books. Specifications: - Files included: Moai Variable including obliques - Multi-language support (Central, Eastern, Western European languages) - OpenType Features Thanks for viewing, Unio.

Sheet music for the tune "Put Your Arms Around Me Honey" (from the 1937 film "Coney Island" starring Betty Grable, George Montgomery and Cesar Romero) has the song title hand lettered in a condensed Art Deco sans serif design. This became the basis for Deco Nights JNL, which is available in both regular and oblique versions. For trivia buffs, the song was written by Junie McCree and Albert Von Tilzer and was first featured in the Broadway show "Madame Sherry" in 1910 and was revived for a second time in the 1949 Judy Garland -Van Johnson film "In the Good Old Summertime".

Dubrove is a wedge serif typeface inspired by Moravian (Czech) type designs of the 1930-50s. The character font is expressive: free, daring and graceful, delicious and attractive. Here are more than 1100 glyphs, all 102 European languages, all Ancient Slavic Alphabet (49 characters), Latin and Slavic small capitals and OpenType features with many solutions. Dubrove has several stylistic sets, historical forms, localized forms of several languages, interest contextual ligatures and many other delicacies. In the Dubrove typeface several stylistic sets of Slavonic lowercase letters are made. In addition to font basic style (in fact it is close to the natural lowercase character) is a traditional [ss02] set (postpreliminary, the Soviet Union, when most copy lowercase letters are uppercase) and lowercase the natural character [ss03], the style of which, in particular, is often used in the Bulgarian script.

introducing SWEET GELATOS - a catchy cuteness font - SWEET GELATOS is natural handwritten font. It is great for branding, packaging, quotes, cards, banners, books, cutting, silhouettes, social media content, and anything about your project. This font is unique. The lowercase and uppercase match each other, so you can combine them as you want. Features: Uppercase Lowercase Number & punctuations Ligatures Multilingual PUA encoded I hope you love it. regards, Abo Daniel Studio

Donatella - Handwritten Fonts are elegant handwritten fonts, with texture, to be as authentic as possible while still being able to read clearly on your project. Donatella is a truly versatile font - combining sophisticated, casual and even fun sides depending on the style you use. A complete set of upper and lower case letters, and a second set of lowercase letters, Donatella - Handwritten Font also has 37 Ligatures for question just email.

Ralsteda is a vintage script font family. Classic and elegant touch. Ralsteda script family consist of 14 fonts with 7 weigths. There are so many variations on each character. Include Opentype stylistic alternates, standard ligatures, discretionary ligatures and multilingual support. You are able to create so many different typographical layouts easily and quickly. This font is suitable for badges, lable, posters, wedding invitation, t-shirts, signage, logos, branding, packaging, etc.

Hazel Clouds is a script font that has modern looks. This font is perfect for you who needs modern script as this font is applicable for branding, headline, apparel, packaging. it also comes with more than 9 stylistic alternates to make you can choose your own style! Hazel Clouds also support multilingual language. To acces the underlines just type _ (underscore) + 1(one) or 2(two). example _1 _2

Dolphins is a unique serif font family consisting of 16 styles. It is equipped with alternative decorative letters to be able to handle most typographic applications ranging from branding to body copying with various weights and inherent readability. Complete with decorative letters, it will be perfect and will look luxurious for many projects such as fashion, magazines, logos, branding, photography, invitations, quotes, blog headings, posters, advertisements, postcards, and more.