The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’. Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

In spite of its angular appearance, Origami is composed almost exclusively of curves. Designer Carl Crossgrove derived the typeface from experiments in designing a low resolution type. The resulting face is reminiscent of Eastern European expressionist designers such as Oldrich Menhart and Vojtech Preissig. It is paired with an equally angular chancery italic. Origami works effectively for short blocks of text or at display sizes, while the capitals are especially suitable for titles.

Composed of compositional groups, with optical adjustments in the curves, Disco Display has been designed with special attention to kerning and tracking, allowing its use in both large and medium sizes, starring in large titles or filling entire covers with color. Inspired by the hippie movement, Disco Display provides sensuality, visual richness and compositional splendor, giving rise to the use of multiple colors or patterns in its forms, or rediscovering its counterforms.

Celdum, a modern geometric type family, constructed from a rectangular grid. Smooth, precise curves meet horizontal and vertical lines to create a monoline design with no apparent contrast. Each letter shape has unique subtleties creating a purposeful type family suited to text and branding scenarios within mobile applications, video games and other interactive software. Details include six weights with italics, 460 characters, five variations of numerals, manually edited kerning and Opentype features.

Espect Retro beckons to the discerning eye with its harmonious blend of the modern and the classic. Its wide, yet hairline-thin structure gracefully extends into elongated serifs, giving it a poised and elegant stance. The extended x-height isn't just noticeable; it's a celebration of design that evokes charm and cuteness in every curve and counter. Espect Retro's lightness radiates a fashion-style sophistication, making it a go-to for classy projects.

Occula on Behance. Occula: Specimen Manual PDF. Occula is an exploration into high-legibility type although it’s not an effort to design the ultimate typeface in terms of economy and legibility. Instead, the goal has been to strike a balance between modern curves and lively old-style rhythm – using a rational design approach without becoming monotone. Or from another point of view: being humanistic and lively without looking old-fashioned and quirky.

Sorren is a definitive bold condensed sans influenced by neo-grotesque designs. A relatively low stroke contrast complimented with sharp, horizontal stroke ends lend an unyielding appearance, while it’s rounded forms and refined curves juxtapose its inherent strength with grace. Stylistically, Sorren has a classic, timeless feel with a contemporary finish and attention to detail. It is characteristically more elegant and considerably sturdier than the typical condensed sans, lending to its singular disposition.

Morris Fuller Benton’s drawings at the Smithsonian show a creative concern for effects of scale on typeface design. Tobias Frere-Jones began with 4pt ATF Franklin Gothic drawings, modifying proportions to mix with Poynter Oldstyle and Benton Gothic, and adjusting ends of the curved strokes of C G S a c e r s to suit news printing conditions. Poynter Gothic Text excels as subheads used with Poynter Oldstyle Text; FB 1997–99

New from Black Studio, presenting Lestari is a typeface that is feminine, adaptable, contemporary aesthetic and creates endless variations for your creative needs. Its striking contrasts and subtle details, together with its sumptuous strokes and voluptuous curves, create a beautiful and powerful statement for any typographic composition, blending glamor with a contemporary aesthetic. This type of family has become the work of true love, making it as easy and fun as possible.

Woodstock is a round, heavy, lovable serif display typeface. Just as music brought many together in the spirit of love during the 1960s and the Woodstock music festival, this face brings a smile to the eye of the beholder. Many traces of the hand can be seen in the curves and the joins of Woodstock's forms. Try using Woodstock in headlines, logos, or greeting cards, in point sizes from 12 on upward.

Nevoa is a typeface inspired by the vernacular calligraphy from the streets of Brazil. While walking in the streets of some small towns, I felt so inspired by those rounded letters painted on the walls. That is what inspired Nevoa. Nevoa is a soft and smooth serif typeface, with dynamic curves. It is available in Condensed, Semi Condensed, Regular, Semi Extended and Extended to adapt to various uses, such as visual identity, magazine, branding, ...

Tactical is nothing more than a testosterone-laced typeface. Rigid, mechanical and unforgiving. Originally conceived in 2007 while I was working through the early sketches of Ginza, Tactical features hard 45-degree angles and the presence of a curve for curve’s sake is just not there. Complimenting the original is a Stencil variant (inspired by the military, marathon video game, explosion-influenced name) and matching Obliques—altogether creating a sharply coordinating family.

Hello Aluyeaholics! Blue Cashews' alternates are inspired by the curved shape of a cashew with a blunt tip. Blue Cashews give the impression that we often see in the packaging of snacks, cereals, milk, and so on. So warm, sweet, fresh, crunchy and full of love!Coming with 220+ stunning and super easy to use alternates and ligatures. To get results like the preview just type B.2l.3ue.2 C.2ash.2ew.2s.3

Monograph conjures ancient typewriters, telephone switchboards, vintage office machines past visions of the future. As though it were drawn with the rounded nib a of a Speedball "B" style pen, the soft curves and rounded serifs speak of a gentler less complicated time. It is nuanced with traces of the Arts and Crafts movement at the turn of the 20th Century which stressed craftsmanship and preserving and emphasizing the qualities of construction and materials.

Avengars is a modern and chic typeface, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Avengarscome with clean lines and smooth curves give any project an extra touch of class. If there's anything else you are unsure of feel free to pop me a message :) That's it! Have fun using Avengars Typeface!!! Feel free to follow, like and share. Thanks so much for checking out my shop!

Gonspire Script is a swirly and swashy typeface that radiates beauty. With elegant curves and swooshes, Gonspire Script is a decorative masterpiece for any creative project. Its lovely design is accentuated by intricate swashes and beautiful ornaments, making it an ideal choice for those looking to add a touch of elegance to their work. Use underscore _ anywhere in a word for swashes. Example: Love_rose Use multiple underscore for different swashes. Example: Wonder________woman

Designed and built in London by TypeUnion, Silo is a fluid sans serif typeface embodying energetic curves and a clean, functional structure. The Silo Family is made up of 6 weights, which range from a delicate Extra-Light, all the way through to a punchy, loud Extra-bold and each carry a versatility for multiple applications and uses. Silo features open type alternate characters, and extensive language support to provide a flexible, substantial user experience.

Steglstan is a luxurious serif with an elegant style. It seduces your eyes with its curves yet manages to maintain its classy serenity, perfect for your branding, logos, invitations, long texts and more. FEATURES: OpenType support Playful to use (with ligatures options) Multilingual support PUA Encoded If you need support or more information about this item, please kindly contact me: alphardtype@gmail.com Thank you so much...I really hope you enjoy when using it!

Hamada is a script typeface based on the powerful work of English calligrapher Gaynor Goffe. Hamada captures looseness and charming irregularities of the pen on the page, allowing ink to edge out from the contours and move across curves and letters. Thanks to OpenType, Hamada creates an impression very much like that of real calligraphy. Most of the letters in Hamada have alternate versions; the typeface comes with ligatures, ending swashes, and more.

Inspired by designs of the early Renaissance, Jenriv brings out a sedate atmosphere and generous inner spaces. Starting with the idea of mixing straightforward strokes and curves, it results in kind masculine figures, but calm and humble. It reminds some archaic air but a simplified one. Jenriv embraces text flows, multiple languages, and various styles with standard OpenType features. It is well adapted to various applications, from medium body text to large headlines, or logotypes.

Mithella is a sans serif family with a pleasant touch. Some letters, especially linear ones, look normative like other rounded sans serifs, but the difference can be seen clearly in curved letters so that it gives a pleasant impression for each series of words. Mithella comes with eight weights ranging from thin to black to complement your design needs be it branding, blogging, logos, advertising, games, cooking, packaging, editorial and publishing, web and screen design.

Georgica is a modern and chic typeface, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Georgica come with clean lines and smooth curves give any project an extra touch of class. If there's anything else you are unsure of feel free to pop me a message :) That's it! Have fun using Georgica Typeface!!! Feel free to follow, like and share. Thanks so much for checking out my shop!

Introducing Tanamera: Your Portal to Psychedelic Nostalgia Product Description: Unleash the vibrant energy of the '60s and '70s with Tanamera, the ultimate psychedelic type display font that channels the essence of retro vintage style. Whether you're designing a groovy poster, an album cover, or revamping your branding, Tanamera is your ticket to a kaleidoscopic journey through time. Key Features: 1. Psychedelic Vibes: Tanamera captures the essence of a bygone era, where peace, love, and creativity reigned. Its mesmerizing swirls and curves will transport you to the heart of the psychedelic revolution. 2. Vintage Aesthetic: With carefully crafted glyphs that pay homage to the fonts of the past, Tanamera adds an authentic touch of nostalgia to your projects, effortlessly embodying the essence of the retro era. 3. Endless Customization: Tanamera comes with a variety of alternates and ligatures, providing you with endless possibilities to create unique and eye-catching typography that stands out from the crowd. 4. Versatile Usage: Whether you're designing for print or digital media, Tanamera adapts seamlessly to various applications, from posters, branding, and advertising, to websites and social media. 5. High-Quality Craftsmanship: Crafted with precision and attention to detail, Tanamera is a high-quality font that ensures crisp, sharp lines and smooth curves, making it perfect for both small and large-scale projects. 6. Easy to Use: Tanamera is user-friendly and compatible with popular design software, ensuring a smooth and hassle-free integration into your creative process. Why Choose Tanamera? Tanamera is not just a font; it's a portal to the past, a gateway to a world of vibrant colors, free-spirited expression, and boundless creativity. It's your chance to infuse your designs with the unmistakable energy and style of the psychedelic era, creating a visual experience that captivates and enchants your audience. Let Tanamera be your guide to reviving the past while embracing the future. Elevate your design projects with this captivating font, and watch as your creations come to life with the magic of retro vintage style. Get Tanamera today and embark on a journey through time that will leave a lasting impression on anyone who sees your work.

With its well-defined characters that are readily legible even in the small font sizes, Mantika Sans by Jürgen Weltin is ideal for typesetting. The elaborately designed and highly individual set of italics enhances the attractiveness of the font.Jürgen Weltin developed the Mantika™ Sans sans serif font using older designs for an serif font as his inspiration. Nothing more than the merest suggestion of the original serifs has survived. Bevelled line endings and the slight variation in thickness of verticals, in particular, provide Mantika Sans with a very dynamic character that evokes manuscript. Short ascenders and descenders give the font a compact appearance that is also underscored by its condensed proportions. Weltin has achieved his aim of producing a typeface with excellent legibility even in small sizes not just by means of the x-height, which is tall in comparison with the capital letters, but also by using clearly defined and well differentiated designs for critical letters, such as i", "I" and "l". Lower case "i", for example, has a serif while the "l" has a curved base.In addition to uppercase numerals, Mantika Sans also has lowercase or old style numerals that have been designed so that they can be used in both tabular and proportional settings. The uppercase numerals are slightly shorter than the uppercase letters, ensuring that the latter can be sympathetically incorporated within continuous text.The Mantika Sans italics are very unusual. They are inclined at only 4.5° (the usual angle for italics is 10 - 12°) and so appear to be almost upright. In addition, they also have quite distinctive forms. The overall effect calls attention to their curvilinear, manuscript character, enhances contrasts and further emphasizes the terminals. Weltin explains: "Within the variety of forms of the italics there are many contrasting terminal elements that create dynamism. The result is a diversity of interaction between the rounded and angular forms". Mantika Sans Italic thus has all the features of a display typeface, but can also be happily used on its own to set longer text passages. Mantika Sans is available in two weights; Regular and Bold, both of which have corresponding italics sets. Mantika Sans has been designed so that the widths of the four related cuts are identical, meaning that a change of font within a single layout will have no effect on justification. In addition, the members of the Mantika Informal font family, designed by Jürgen Weltin in 2010, also have the same thickness. Other font families having weights with equal thickness can be found in the "Linotype Office Alliance series".The Mantika Sans character sets are paneuropean. There are characters for setting texts in Eastern European languages, Greek and Cyrillic. There is also a range of special symbols, including right-angled brackets, subscript and superscript lower case letters, together with numerals, arrows and many different bullet points.As a vibrant and highly legible text font, Mantika Sans has a broad spectrum of potential applications. Its unusual italics are not just perfect for use in display text. The fact that it has only four cuts means that Mantika Sans is particularly suitable for office use or for the setting of business reports. Its excellent legibility even in the small font sizes also makes it ideal as a text for electronic reading devices; this also applies to Mantika Informal.At the 3rd International Eastern Type Design Competition Granshan 2010, Mantika Sans was awarded in the category Greek text typefaces."

With its well-defined characters that are readily legible even in the small font sizes, Mantika Sans by Jürgen Weltin is ideal for typesetting. The elaborately designed and highly individual set of italics enhances the attractiveness of the font.Jürgen Weltin developed the Mantika™ Sans sans serif font using older designs for an serif font as his inspiration. Nothing more than the merest suggestion of the original serifs has survived. Bevelled line endings and the slight variation in thickness of verticals, in particular, provide Mantika Sans with a very dynamic character that evokes manuscript. Short ascenders and descenders give the font a compact appearance that is also underscored by its condensed proportions. Weltin has achieved his aim of producing a typeface with excellent legibility even in small sizes not just by means of the x-height, which is tall in comparison with the capital letters, but also by using clearly defined and well differentiated designs for critical letters, such as i", "I" and "l". Lower case "i", for example, has a serif while the "l" has a curved base.In addition to uppercase numerals, Mantika Sans also has lowercase or old style numerals that have been designed so that they can be used in both tabular and proportional settings. The uppercase numerals are slightly shorter than the uppercase letters, ensuring that the latter can be sympathetically incorporated within continuous text.The Mantika Sans italics are very unusual. They are inclined at only 4.5° (the usual angle for italics is 10 - 12°) and so appear to be almost upright. In addition, they also have quite distinctive forms. The overall effect calls attention to their curvilinear, manuscript character, enhances contrasts and further emphasizes the terminals. Weltin explains: "Within the variety of forms of the italics there are many contrasting terminal elements that create dynamism. The result is a diversity of interaction between the rounded and angular forms". Mantika Sans Italic thus has all the features of a display typeface, but can also be happily used on its own to set longer text passages. Mantika Sans is available in two weights; Regular and Bold, both of which have corresponding italics sets. Mantika Sans has been designed so that the widths of the four related cuts are identical, meaning that a change of font within a single layout will have no effect on justification. In addition, the members of the Mantika Informal font family, designed by Jürgen Weltin in 2010, also have the same thickness. Other font families having weights with equal thickness can be found in the "Linotype Office Alliance series".The Mantika Sans character sets are paneuropean. There are characters for setting texts in Eastern European languages, Greek and Cyrillic. There is also a range of special symbols, including right-angled brackets, subscript and superscript lower case letters, together with numerals, arrows and many different bullet points.As a vibrant and highly legible text font, Mantika Sans has a broad spectrum of potential applications. Its unusual italics are not just perfect for use in display text. The fact that it has only four cuts means that Mantika Sans is particularly suitable for office use or for the setting of business reports. Its excellent legibility even in the small font sizes also makes it ideal as a text for electronic reading devices; this also applies to Mantika Informal.At the 3rd International Eastern Type Design Competition Granshan 2010, Mantika Sans was awarded in the category Greek text typefaces."

Caltic-Holiday, Caltic-Festival, and Caltic-Straight are three eye-catching, very bold typefaces that are suitable for posters and signage. Caltic-Holiday and Caltic-Festival base letter shapes on trapezoids with curved sides but with curves that are reversed going from one to the other. Caltic-Straight has letters based on trapezoids with straight sides. None are suited for text and with their built-in spacing will not work as all upper-case or all lower-case. All three come in two widths, regular and wide, giving the Caltic family six members. Caltic has nothing to do with Celts. The Calt refers to the calt or contextual alternative OpenType feature that makes this typeface work. When the letters on the upper-case keys alternate with the letters on the lower-case keys, they fit snuggly together. As long as the user has a word processor that supports the contextual alternatives feature, there is no need for the user to alternate letters; the calt feature does it automatically. Although the fonts seem similar to hand-drawn lettering that was done on posters and signs during the hippie era of the 1960s and 1970s, I can find nothing quite like them. My inspiration for them is older, in a newspaper from 1932 that led to the typeface family PoultySign. Caltic (and Lentzers) are the result of seeing what else I could do with the inspiration that sprang from that 1932 newspaper.

Voltexa is a sans-serif font that offers 10 thickness levels, ranging from thin to extra black. Designed with a bold and firm style, it aims to provide a broad range of options for every designer. What sets Voltexa apart are its sharp curves in each letter, creating an elegant and modern yet strong impression. Tailored to meet diverse design needs, Voltexa can adapt to various contexts. With 10 available thickness levels, designers have the freedom to express their creativity limitlessly. This font also comes with OpenType features for ease of use and flexibility. Voltexa also supports multilingual use, allowing it to be utilized in various languages. Let's bring forth inspiring and powerful designs using the Voltexa font. With its 10 available thickness levels, this font offers designers the opportunity to create unique and standout works. The distinctiveness of each letter will enhance the aesthetic value of every design project. Use Voltexa to add an elegant, modern, and assertive touch to your creative works. With its comprehensive features and multilingual capabilities, this font will be a loyal partner in expressing your design ideas and visions into extraordinary works. Features: A – Z Character Set a – z Characters set Numerals & Punctuations Ligatures & Alternates Multilingual

»XPress-Rounded« is my new addition to »XPress«, my Sans-Serif that impresses – especially in small sizes – with its outstanding readability. »XPress-Rounded« looks very different, almost like a completely new font. But the rounded version has the same seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. The »XPress« fonts got their bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. Enjoy! »XPress-Rounded« ist meine neue Erweiterung zur »XPress« Familie, die durch aussergewöhnliche Lesbarkeit auffällt. »XPress-Rounded« sieht jedoch vollkommen anders aus als sein älterer Bruder. »XPress-Rounded« hat jedoch die selben sieben präzise aufeinander abgestimmten Schnitte von »Thin« bis »Heavy« und die dazu passenden Kursiven. Das macht die Schriftfamilie vielseitig einsatzfähig. Die »XPress« Schriften basieren auf der Formensprache der grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar. Viel Erfolg!

Introducing Dopelton, a signature font that transcends the ordinary, embodying the essence of personal style and sophistication. Crafted with meticulous attention to detail, Dopelton is more than a font; it’s a stroke of individuality, a visual symphony that transforms signatures into works of art. Each letter in Dopelton carries a distinctive flair, reminiscent of a signature penned by a hand writer. The fluid strokes seamlessly merge, creating a harmonious rhythm that captures the art of the handwritten with a contemporary twist. The balance between elegance and readability is finely tuned, making Dopelton versatile for various design purposes. Dopelton is not confined to the limits of static characters; it adapts to the natural flow of the hand, ensuring a unique signature experience every time. The font’s dynamic nature brings authenticity to digital signatures, providing a touch of human warmth in the digital realm. The details of Dopelton are a testament to its craftsmanship. Subtle curves, refined loops, and a tasteful interplay of thick and thin lines give each letter a signature-worthy personality. Whether used for branding, invitations, or personalized stationery, Dopelton adds a touch of refined charm to any project. This signature font is designed to make a statement—bold yet graceful, modern yet timeless. Dopelton is more than a font; it’s an extension of your identity, a signature that leaves a lasting impression. Elevate your designs with Dopelton and let your words carry the unmistakable touch of personalized elegance. FONT FEATURES Additional Accents 68 Languages Kerning Alternates Ligatures Swashes

Logik is a futuristic square sans serif typeface. Its personality is defined by squared-off corners that you would normally expect to be rounded, this sharpness gives the glyphs an eccentricity that the eye quickly adjusts to. Sharp, incised/stylised ink traps along with slightly tapered/curved horizontals and verticals add to the character of each letterform. These subtleties combine to give Logik a distinctively futuristic aura. Logik’s main use would be for headlines, short runs of text, branding and display purposes – ideally suited for film and book titles, Logik could be widely used for sports, media and recreation purposes also. Logik comes in 7 weights (from Thin to Black) across 3 widths – Regular, Wide, and Extended. Each font covers all European Latin-based languages and includes Old Style Figures, Small Caps, and some Case-Sensitive Forms. Key features: 7 Weights in Roman and Oblique 3 Widths – Regular, Wide, Extended Small Caps Old Style Figures European Language Support (Latin) 550+ glyphs per font.

Say it softer with Solitas Serif. Perfect for the designer needing a serif without the stiffness, Solitas Serif will turn your reader’s eye with its slight serifs and rounded corners. This softer version of the curves found in Solitas and Solitas Slab gives your work a subtle yet noticeable charm. Solitas Serif’s 42 rich fonts live comfortably in print and on packaging as well as online. With its soft, pleasant appeal, your reader can move over the typeface with ease. Intermediate weights are available for long amounts of text, and the bold version makes a strong but gentle stance in headlines and subheadings. Altogether, Solitas Serif remains an unimposing and graceful font, despite its large selection of seven weights, three widths, and italic sets. Solitas Serif’s OpenType options include capitals, ligatures, ordinal numbers, fractions, denominators, superscripts and subscripts. Serif also supports Western European, Central European and Eastern European languages. For a sweet approach, charm your reader with simple and soft. Charm them with the subtle Solitas Serif.

Polarity is a serif typeface with a touch of retro flair. It exudes a classic charm that effortlessly captures the essence of vintage typography. Its 2 styles, a roman and an italic compliment each other gracefully, each one with its own unique personality. While the roman is bold and modern, the true italic gives an elegant refined look for a perfect combination that’ll make your creations truly unique. Each character has been meticulously crafted to achieve a harmonious balance between smooth curves and sharp angles. Thanks to the numerous alternates, stylish ligatures and swash letters, the font family offers countless options and shows great versatility whether you're designing a logo, crafting a vintage-inspired poster, or creating eye-catching headlines. With 2 weights (regular and bold) and 2 styles - 4 fonts in total, the type family is equipped with various opentype features such as stylistic alternates, beautiful ligatures, additional symbols, old styles figures and multilingual support for major latin based languages.

Introducing Octavia Signature - Script Business Font Octavia Signature is a monoline script font that effortlessly blends simplicity with style. With its clean lines and graceful curves, Octavia Signature exudes a warm and welcoming vibe, making it the ideal choice for your creative projects. Octavia Signature is perfectly suited for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects seeking handwritten taste. FEATURES - Stylistic Alternates - Ligatures - Uppercase and Lowercase letters - Numbering and Punctuations - Works on PC or Mac - Simple Installation - PUA Encoded Characters - Easily accessible without additional design software. - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word - Multilingual Support for 84 languages including Afrikaans, Albanian, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, German, Hungarian, Indonesian, Irish, Italian, Lithuanian, Malay, Norwegian Bokmål, Polish, Portuguese, Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Zulu Hope you Like it. Thanks.

ZT Vollun is a work of awakening from my valley of boredom in making fonts, it is not only a transformation of thickness, but also in terms of theme, aura, shape and beauty. Maybe this is a superstition of adulthood and also as we get older, our taste in cigarettes can change too. And the taste of the coffee is also getting bitter, in fact there is no sugar anymore, but the enjoyment is increasing. ZT Vollun consists of seven weights, starting from the thin one with curves combined with thin strokes, offering a playful aura, to the thickest one with a firm design that will present a thick modern atmosphere. Whether you're working on a branding project, an editorial project, or any other graphic project, ZT Vollun is the perfect choice for a modern, elegant look or any design vibe you can get your hands on. I hope you have fun using ZT Vollun. Thanks for using this font

Welcome aboard the Hyperspace Race Capsule! Let the weight of gravity slip away as our interplanetary transport system takes you around the solar system in unparallelled style and comfort. Our reclaimed UFO has been remodeled with soft, luxurious curves on the interior and the latest cutting edge flight technology under the hood, to meet all your typographic travel desires. Each weight and package includes these luxurious five-star amenities: Kick your Capsule into TURBO mode to access eleven sleek, fast-moving alternate letter shapes. Hit WARP SPEED to cross time and space with hundreds of auto-connecting letter pairs. Chat with passengers from all over Earth, as Hyperspace Race Capsule effortlessly presents speech in 224 languages. Use the versatile Variable font to access 20 preset weights plus over 100,000 options between. Hyperspace Race Capsule is a versatile, full-featured font that's perfect for galaxy-wide branding projects, now and into the future.