Introducing My first sans font. Carrol, a classic sans with alternates! Carrol is a classic and modern sans with alternates in each alphabets! Every alphabet have alternates up to 3 kinds! This font fits in any project. You can use it for a tittle, logo, quotes, or become a pairing in any script font. This font also support multi language! You can get 6 style with italic in every style. This font included: Thin Thin Italic Light Light Italic Regular Italic Medium Medium Italic SemiBold SemiBold Italic Bold Bold Italic ExtraBold ExtraBold Italic Heavy Heavy Italic Thank You!

JH Mabel is a modern cursive typeface; it has three weights: light, medium and bold. It is a smart type and consists of extra characters to simulate real handwriting. Typical use: branding, greeting cards, long runing text.

Abdo Screen is a very simple Naskh font for satellite channels, presentations, videos and advertisements. it comes in sixth weights Thin, Light, Regular, Medium, Bold and Black. This font also contains some of Stylistic Sets and Ligatures.

Bonjour! Murberry a fashion chic display font. This font was carefully crafted and inspired by one of leading fashion brand in the world. In general, it creates a luxurious and elegant look in design. Coming to you with 50+ luxury ligature and 30+ alternate in 4 weight – light, normal, medium and bold – to create a perfectly beautiful, classy, chic, elegant, and luxurious design. Use this font for your fashion brand, resort, cosmetics, invitations, wedding, branding, packaging, magazines, boutique, social media, restaurant, spa, greeting cards, headers, headline and many more. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates – It’s OpenType support but you can easily call alternates character using special combination like a.2 c.2 e.3 etc so you don't need special software. To get results like the preview just type Mu.2RBe.5RRY

Mourich comes in 2 styles and is recommended for use with stylish and minimalist design. It is carefully designed with medium contrast of the strokes. This font is an all-caps font or has small capitals that very useful for the headline or logo, and is suitable in large or small sizes. Mourich has 500+ glyphs with many OpenType features. There are beautiful ligatures, stylistic alternates, and swashes which you can use it to get your design more softly. Mourich Bold is has 20pt thick from the regular style. The rounded serif gives a strong and assertive look. Beautiful to use as standalone type or combine with regular style. Very much recommended for headlines. Mourich Regular has a minimalist adjustment with more relieved of negative space that awesome to apply in many media. Also useful in the body text or editorial purposes.

Korsen font is a unique multipurpose font that consists of 5 styles. Korsen font has an attractive appearance which is a combination of serif, slab and decorative fonts. Each letter is carefully crafted with rounded edges. You can use this font for retro, vintage and modern designs. Korsen font can help you complete various projects such as brand logos, headlines, products, social media posts, web and much more. Korsen fonts feature opentype, kerning, ligature and alternate packed in 5 styles: Light, Regular, Medium, SemiBold and Bold. Korsen fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support. Thank you! FYI: To use the alternate and ligature features, please look in the Glyph Panel / Character Map in your software to be able to access all the glyphs in this font. There are standard and discretionary ligatures.

Crostini was designed as a fun-filled, vigorous brush script, originally intended for restaurant logos and menus. As it evolved, I realized that it was more versatile than I'd thought - great for feminine, girly media as well as for more “in your face” marketing. While the characters are bold and dramatic, they are also feminine and rounded. Crostini contains all the accented characters used in the major European languages. Use Crostini for invitations, scrap-booking, advertising media, fashion media, restaurant media, food media, greeting cards - it’s great fun!

Sibylle is a handmade script font. I used a medium sized Japanese brush pen and coarse paper to create the ‘eroded’ effect. Sibylle comes with double letter ligatures and stylistic alternates for the o (plus all accented o’s).

Kolyada is a modernist semi-serif with a friendly nature. This type is well-suited for use in retail, magazines, logotypes, books, etc. It comes with 4 styles, from Ultra Light to Medium, each with its Upright Italics.

Alipe Script is a new script typefaces family. Alipe Script family has light, medium and bold fonts, all with ligatures, alternates and a set of ornaments. It can be used for text as well as for titling applications.

Strima is a geometric sans serif typeface that stands for minimalism and legibility. With over 1000 glyphs and extensive language support Strima offers full professional typographic features. The Strima family consists of 4 weights: light, book, medium and bold.

Thystle is a "font for all seasons". It has six styles ranging from fine to in-your-face, from delicate mono-weight pen strokes to fully calligraphic lines, from delicate, narrow characters to bold, powerful statements. Characteristically, all the styles abound with Anton Scholtz's energetic "creative common" style - extravagant capitals, clear characters, and bursting-with-life swashes. Three Thystle styles are calligraphic. You can use: - Regular for invitations, poems, greeting cards and body text - Black for swing tags, music media, menus and sub-headings - Fat for posters, book covers and headings Three Thystle styles are monolinear. You can use: - Mono1, which is both delicate and condensed in width, for invitations, poems, greeting cards and body text - Mono2, which is of medium weight and condensed in width, for swing tags, music media, menus and sub-headings - Mono3, which is heavier and of standard width, for posters, book covers and headings. Opentype features include alternative upper case characters, as well as a number of ligatures. (These can be used in applications that access OpenType features.) Thystle contains over 283 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters for both Text and Display caps). It has all the accented characters used in the major European languages.

Based on the Batman logo, this font (and a medium weight which is unreleased) were designed especially for Rian Hughes' "Batman: Black and White" comic book. It retains the signature reversed-stress weight distribution, seen to best effect on the A.

Frisco Bay JNL is an entirely original design from Jeff Levine with strong Art Deco influences. A medium weight letter form, this design finds itself at home in any application where a touch of elegance from the past is needed.

Really excited to introduce Catellos is a serif family and comes with with two variant: Medium and Bold with many alternates and ligatures. It is suitable to create any branding, product packaging, invitation, quotes, t-shirts, labels, posters, logos and more.

Edgewater Small extends the popular Edgewater and Edgewater Square families with the inclusion of lower-case characters, creating a flexible typeface perfect for individual use in medium-to-large sizes or in concert with its sibling fonts in the series.

Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the Italics.

Vivizza Bold - Modern, classy and elegant! New stylish multifunctional Serif from Julia Visht! Perfect at large and medium size - Vivizza Bold does well from large eye-catching headlines , to medium headings. Two different models of letter spacing for uppercase and lowercase letters! Carefully constructed built-in opentype kerning pairs to ensure impeccable letter spacing throughout the font. Main features: -Ligatures. Set of opentype ligatures allows to make your design truly unique. -Great for web-design, logo creating, modern branding, posters, headers, advertising and so much more. -Multilingual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic,Indonesian, Irish, Swiss German, Portuguese, Finnish. Stylish Serif for Stylish Projects!

Taking the name from substance of the best quality perfumery, Musk present an elegant form of high contrast sans serif combine with an expressive connected script. The sans serif contain three weight; regular, medium and bold within it’s quality for display and also text. Each glyphs shown an unique variation of forms, especially the terminals in regards to achieve legibility and readability. The sans serif contain three weight; regular, medium and bold within it’s quality for display and legible for body text. With over than 240 glyphs. Some open type features contain in Musk sans; old style figures and standard ligature and the Musk script contain swash.

Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

SK Cynic is a modern geometric experimental font. Inspired by modern industrial graphic design. The font form is based on a 8x8 grid, which makes it stricter and more accurate. Bevels are created at the corners of each letter, giving the symbols a special industrial look. The font is multilingual and supports almost all Latin and Cyrillic languages. For some characters, stylistic alternatives are provided for better readability. The font will give any work a unique look and is suitable for use on print and on the Internet. This font delivered in 8 styles: Thin, Light, Regular, Medium, Bold, Outline Light, Outline, Outline Medium

Scientia (means 'knowledge', 'science' in Latin) is a neutral serif typeface in eight styles. It contains four weights (Regular, Medium, Bold, Black) with corresponding italics. All the styles support Western and Central European Latin, basic and Asian Cyrillic and Greek. Regular and Medium styles include smallcaps for all supported languages. In addition to the standard set of non-alphabetic characters Scientia has arrows and some supplemental mathematical symbols. The font was created by Natalia Vasilyeva. Being a professional book designer, Natalia uses Scientia in astronomy books. Scientia is a good choice for literary fiction and academic non-fiction texts. The typeface was released by ParaType in 2016.

Linotype Finerliner is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contest. The American artist Gary Munch, from whom we also have Linotype Ergo and Ergo Sketch, designed Linotype Finerliner as a handwriting font with calligraphic influences. The small, regularly formed lower case letters contrast nicely with the generous, sweeping capitals. The font is available in a light and medium weight and displays no stroke contrast. The lighter weight, micro, is best used for shorter texts in point sizes 18 or larger and the medium weight, macro, is mainly intended for headlines in larger point sizes.

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

Ravensara Stencil - elegant high contrast classic serif. Ravensara family was born from the idea of taking the Didone concept to weight extremes. In light and medium weights Ravensara transmits a very elegant and high fashion style attitude, but stays readable in small sizes and can even be used as a text font. That makes it an ideal solution for projects, that needs an injection of contemporary sophistication. Heavy weights perfectly complement light and medium ones and also works great by their own in large sizes. It is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Serif. Ravensara Stencil is available in 9 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black and ExtaBlack. Ravensara font family, combining its classic origins and contemporary elegance, is a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, posters, advertising, etc. Ravensara Stencil extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

Esfand is a modern Sans Serif font family in three weights, Light, Medium and Bold.The Esfand innovation is a contribution to the modernisation of Arabic typography; gives the Arabic font letters real typographic arrangement and provides for more typographic flexibility. Esfand supports Arabic, Persian, and Urdu and includes proportional and tabular numerals for the supported languages. The Esfand Font family is available in Three weights; Light, Medium and Bold. Its intuitive design arrangement fulfills the following needs: - It is precisely crafted for use in electronic and print media. Esfand is not based on any pre-digital typefaces and it is not a revival. Rather, its forms were created with today’s ever-changing technology in mind. - Esfand is suitable for multiple applications, and gives the widest potential for acceptability. - It is extremely legible not only in its small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Esfand's simplified forms may be artificially oblique with InDesign or Illustrator, without any degradation of its quality for the effected text. - Esfand is an eye-catching and classy typographic image that was developed for multiple languages use and writing conventions. - Esfand uses the very highest degree of geometric clarity along with the necessary amount of calligraphic references. The Esfand typeface is of a high vibration that is finely balance between calligraphic tradition and the contemporary sans serif aesthetic commonly seen in Latin typography.

This typeface got its name from "anyar", which means "new/modern" in local Indonesian (Javanese). Just like it's name, this typeface gives a modern and simple look. Anjara's medium contrast makes it easily stand out in any compositions, especially it's bold version.

CP Company Flash is the version of CP Company designed for use in Adobe Flash. Available in three versions: Big to be used at 16pt, Medium at 16pt and Small at 8pt. Originally designed to be used in the cpcompany.com web site

Although the Taz family was designed for newspapers, it works equally well in many other contexts. The fonts have been used in glossy magazines, sales catalogues and corporate brochures, for instance. Taz is appreciated for its readability in longer texts at medium sizes.

Larque is a slab serif text typeface. The tall x-height and the open counters makes the font very legible at small sizes. Larque includes extended latin characters, ligatures, oldstyle figures and Open Type features. It is available in roman and medium weight.

Amity Signature is a stylish and versatile font family featuring four distinct weights: Light, Regular, Medium, and Bold. This collection offers an elegant impression and flexibility for all design needs, such as logos, branding, signatures, posters, labels, product packaging, invitation designs, and more.

Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua, an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle.

Simeon is well suited for setting an short and medium amount of text with an historic impression. OpenType features: - over 650 glyphs - Central European faces - stylistic alternates and historical forms - ornaments, signs, zodiac, symbols - proportional & mediaeval numerals - numerators, denominators and fractions - Roman numerals

Evening Sans is a slightly more formal, upright version of sibling font Morning Sans, most effectively used in small-to-medium sizes for print material. Its semi-condensed width and large x-height add to its legibility, particularly in long blocks of text.

A modern text design with a medium x-height and short ascenders. The axis of the curves is inclined to the left in the Old Style tradition. New Prairie was kerned for text point sizes but requires subjective display kerning and compensation.

Braga Huis typeface is a font family that is inspired by the famous street in Bandung that was made to embodies the atmosphere and the environment of Netherland-Indie city at its golden time, whereby all the elements were designed to give the impression of structural, artistic, and advance. Braga Huis typeface has a strong Art Deco character, where the impression is depicted from the strong lines, curvy passion so it is very appropriate to describing the future atmosphere from the perspective of the 19th century. Braga Huis typeface has 3 font styles consisting of uppercase, lowercase and various alternative options that can be customize to your taste, poster is one of the media form of presentation that we believe is very appropriate for this type of font. But whatever the medium is, honestly we say; using Braga Huis typeface will make your artwork will never be cracked by time.