Antique brass stencils hand-cut for shipping items during the early part of the 20th Century were for sale in an online auction; and are the basis for Carton Stencil JNL.

Examples of Australian brass stencils used for baling form the basis of Farming Stencil JNL. The hand-cut look of this typeface gives a more casual approach to a standard stencil design.

The hand lettered thin, variable width slab serif text appearing on the cover of a souvenir photo book for the 1933 Chicago World's Fair Exposition is the basis for Thinly Disguised JNL.

A 1926 travel brochure for a steamship line provided the basis for this darkly sparkly spritely font. Smooth curves and an off-center inline treatment gives this typeface a strong architectural feel.

Examples of a wood type alphabet for letterpress are the basis for Rounded Sans Wood JNL. Clean and bold, the rounded ends give a softer, more informal look to any display copy.

Hand lettering on the cover of the 1932 sheet music for "Sleep, Come On and Take Me" was the basis for Overnight JNL, which is available in both regular and oblique versions.

Vintage sheet music for Earl Carroll's dramatic mystery-comedy production "Murder at the Vanities" has its title hand-lettered in the Art Deco style which served as the basis for Stage Play JNL.

Handprint was inspired by a set of old metal alphabet stamps, with a few modifications. Stamped in a sketchy manner, these metal stamps made the basis for a very interesting alphabet and font.

The free-form geometric shapes of the lettering on a vintage piece of sheet music entitled "Four Pictures" is the basis for Park Slope JNL, named for a neighborhood in Brooklyn, New York.

Donattio is a signature font with a textured style. The basis if this gorgeous font it’s simplicity. It’s perfect for photography, signatures, branding, and every other designs which needs a simple, yet strong typeface.

Vintage sheet music with the title of "Aparcero" lettered in a bold, Art Deco sans is the basis for Aparcero JNL. The title is a Spanish word that translates to "tenant farmer" or "sharecropper".

Auriol font was the basis for the lettering used by Hector Guimard for the entrance signs to the Paris Metro. Bitstream’s Freeform 721 with his brush stroke look, is well-suited to display settings.