Danish type designer Ole Søndergaard created this display FontFont in 2011. The family contains 3 weights: Book, Bold, and Black and is ideally suited for advertising and packaging, film and tv as well as music and nightlife. FF Signa Serif Stencil provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Correspondence, FF Signa Serif, and FF Signa Stencil.

French designer Christophe Badani developed the Linotype Rough family in 1999. The family contains nine different typeface styles, each with a slightly different voice. The forms appear to have found a unique middle ground between hand-drawn letters and pure geometry, especially Linotype Rough Outline. Make sure to pay special notice to the true-italic forms in the three italic weights! Badani's attention to typographic detail is not to be missed. Linotype Rough is perfect for headlines and display work. The medium and bold weights can also function splendidly in text. The entire family is included in the TakeType 4 collection, available through Linotype."

Laire sans that we created at the end of 2021, we made visual communication more Friendly, bold with a geometric touch in our sans category called Laire, has a good level of legibility when applied as body text because we really consider the optical in each letter. Laire Sans has 40 Styles of Normal, Condensed, Oblique fonts with Weight from thin to extra Black, has a total of 693 glyps, Cyrillic is also available to meet the needs of several languages. Designed with Opentype features to help make using fonts easier We also include variable fonts to make it easier for users to set their own according to their desired needs

The font has a truly futuristic nature. It perfectly conveys the atmosphere of technology and futurism and it's the best choice for sci-fi and hi-tech topics and pictures. The font letters are unrounded, it's build is very simple and straight. The font includes 7 styles: thin, extra light, light, regular, medium, bold, and black. With the variety of font widths, there is the ability to make different combinations in graphic or web design projects as well. Carefully kerned letters look well in paragraphs and titles. Special attention to uppercase headings. The font counts 477 glyphs for each style. The thin style is free to use.

As a spinoff to his Tagesstempel™ design, Georg John created Johnstemp™ in 2008. The Johnstemp family has four weights, as well as a special Mix" variant. Each of the basic fonts (Light, Medium, Bold, and Heavy) contain many alternate glyphs, allowing users to set text that realistically simulates stamped impressions. For even faster design, Johnstemp Mix is the perfect choice; it contains letters with far more stylistic and weight variation out-of-the-box, and was developed to create even livelier impressions. Here as well, many alternates are included in the character set to prevent too much repetition of the same glyphs. "

German type designer Ludwig Übele created this serif FontFont in 2011. The family has 12 weights, ranging from Extra Light to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, music and nightlife as well as small text. FF Tundra provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Tundra received the TDC2 award. The typeface was also selected as one of Typographica’s favorite typefaces of 2011.

Foundry Monoline is an elegant, modern typeface family eminently suited for use in identity, editorial, and advertising use. The deceptively simple design, and clean, linear appearance has been created using strong structural elements. Each character has its own subtleties and variations, with the monoline appearance achieved through careful optical adjustment. Since its first release, the family has been extended from 7 to 12 fonts. It now includes a comprehensive choice of 6 weights with accompanying italics - from ultra-light beautiful at large sizes, to extra bold great for headlines. It is also available in OpenType Levels 1, 2 and 3 providing a wide range of language access.

Altone was created in a pursue of regularity and conventional geometric sans serif typeface which tend to be easy to receive by it's reader, broad usage possibility, shown a simple, bold and strong personality. The letterforms are more likely associated with Grotesk rather than the original classical Bauhaus style, formed in moderate and proportional width, flat apex, closed aperture with straight cuts stroke ends. Consist of 9 weight from Thin to Heavy with each matching Obliques. Contain several OpenType features: Stylistic Alternates, Figures Variation (fraction, tabular lining, numerator, denominator), and also covered broad latin languages. Provided also variable fonts in two styles; Upright and Oblique

Stepon is a versatile display font that offers a plethora of creative possibilities. This font is characterized by its bold, modern, and unique design, making it an excellent choice for a wide range of projects. The distinctive feature of Stepon is its versatility, with six different variations that include inline, outline, texture, and rough styles. Each variation stands strong on its own and can be easily combined with others, allowing you to unleash your creativity in various ways. Whether you're working on a logo, branding materials, invitations, packaging, posters, headlines, business collateral, greeting cards, magazines, films, or any other design project, Stepon has got you covered.

French type designer Albert Boton created this sans FontFont in 2003. The family has 8 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing as well as logo, branding and creative industries. FF Page Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Page super family, which also includes FF Page Serif.

Dirty Claws is an all-caps aggressive dirty brush font. With a bold, aggressive style, it will add a bold and strong touch to your projects, inspiring you to create something bold as well. Besides that, this font is also equipped with Alternative Characters, Standard Ligatures, and multi-language support. Dirty Claws is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, and album covers.

Clean, crisp, rational, familiar, modern… serifed. Positype Scotch reaches back to history just enough to produce something warm and easy on the eyes. No corners were cut, no quick tricks… this type suite was drawn for specificity: Text, Display, and Deck… ALL in 3 widths that now include Condensed and Compressed. Each unique, each inter-connected, each part of the whole. Scotch Text is offered in 6 weights with matching true italics. Drawn for economy and an easy read, the family is a workhorse for long-passage text settings. 4 sets of numerals, well-proportioned small caps, and a plethora of extras round out each font. Scotch Display is not just a thinner version of Scotch Text wrapped in a higher contrast. Display sports shorter ascenders and descenders, a unique footprint, great contrast, and a more folded, calligraphic italics. Display subtly oozes sophistication and provides an attractive, exhuberant companion to Scotch Text. Scotch Deck rounds out the offering by choosing to be specific to its offering. Deck utlitizes traits and proportions shared between Text and Display, but alters its overall mass to balance out the needs for settings that require subheadlines, callouts and other similar uses. Essentially, something not so high-contrast and not so stress dense that works great for middle-sizes.

Gotico™, meaning Gothic, is a Blackletter script (sometimes referred to as Old English). The original Gotico design was first brought to market by the Fundicion Tipografica Richard Gans type foundry (1888-1975) in Spain. The designer of Gotico is unknown and for many years the font was formerly sold only in Europe.

Salt&Spices Pro is a welcome addition to the ever popular modern calligraphy genre. Digitizing the many handwritten samples into a fully functional connected script was done with great precision, carefully guarding the authentic look and feel of vintage dip pen calligraphy. Salt&Spices Pro is a very versatile 9 font family, consisting of 3 casual styles: Regular, Bold and Shadow. With 587 glyphs each, they offer great flexibility in customizing words and phrases to suit your personal taste. For instance: the appearance of initial and terminal letters can be customized using the glyph pallet. Contextual alternates, Swashes and Stylistic sets give you the ability to replace spaces by 3 alternate connecting spaces or add swashes to initial/terminal letters. Double letter ligatures help sustain the natural flow of handwriting. In addition to the 3 calligraphic family members 3 SmallCaps Sans styles and 3 SmallCaps Serif styles were added. They all have 435 glyphs and match very well because they were designed using the same vintage nib. Each of the styles can add great variation to your designs and they supplement and support each other perfectly. Add exceptional language support to all that and you have the perfect ingredient to spice up even the most demanding design project.

High Beginning is our newest script font, a product font with a modern, artistic style. each letter has a strong and beautiful character to be used as a title, a sentence that if you use it creates an elegant effect in the appearance of your design. not limited to that, the bold calligraphy font is designed to keep paying attention to the beauty of each letter, there are alternate options for the letters which are certainly easy for you to access, so you can automatically customize the letters you want to enhance the visual appearance of your design project. This font also offers harmoniously beautiful abstract typography for a wide variety of design projects. This font is also perfect for wedding invitations, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, signatures, and any design that requires handwriting. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhas and several variations on each character including multi-language. ================================================== This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. we hope you enjoy this font. Feel free to send whatever message you want to convey.

This font is very beautiful if we combine it into a design that wants to appear bold, bold and unique, there are several alternatives that you can use to make this font as support for your design project.

Black Witcher is a spine-chilling display font that will cast a spell of fear on your designs. With its big letters and bold weight, this font demands attention and exudes an aura of dread. The horror theme is brought to life with meticulously crafted tree root details on each letter, adding a nightmarish and eerie touch to the font. Each letter in this font is bold and impactful, making a powerful statement in your designs. The large size of the letters enhances the font's haunting presence. The tree root details in Black Witcher give the font a sinister and otherworldly appearance, as if the letters are entangled with ancient and malevolent roots. These haunting details add a sense of mystery and foreboding, immersing the viewer into a world of dark and chilling horrors. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Black Witcher fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any horror-themed project. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Creepy Tales is a spine-chilling display font that will send shivers down your spine. With its big letters and bold weight, this font demands attention and exudes fear. The horror theme is brought to life with meticulously crafted dripping ink details on each letter, adding a nightmarish and eerie touch to the font. Each letter in this font is bold and impactful, making a powerful statement in your designs. The large size of the letters further intensifies the font's haunting presence. The dripping ink details in this font give the font an organic and unsettling appearance, as if the letters are oozing with dread. These haunting details add a sense of macabre and create an atmosphere of suspense, immersing the viewer into a world of dark and chilling horrors. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Creepy Tales fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any project that requires a terrifying touch. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Winter Beast is a captivating winter brush font that unleashes the untamed spirit of the season. With its bold, brisk strokes, this font encapsulates the raw beauty and power of winter, making it the perfect choice for projects that demand a rugged, cold, and untamed aesthetic. Whether used in winter-themed designs, holiday graphics, or any project that seeks to embody the frosty allure of the season, Winter Beast adds a chilly and visually striking element to your typography, making your text stand out like fresh snow on a moonlit night.

In the 1960s it was a popular trend to personalize one’s possessions with your initials. From wallets and handbags to eyeglasses; from luggage to even cars, initial personalization was the fad of the time. The British division of Gulf Oil offered for sale a set of gold metallic stick-on initials for 25 pence, complete with two Gulf logos so the company could get some extra advertising mileage out of the promotion. These extra-wide, bold initials served as the idea model for Personalization JNL, which is available in both regular and oblique versions.

Kisik is a handwritten font. I got a request to put my handwriting into a font, so I decided to take the challenge and design a whole typeface with three different weights (light, regular, bold) and 638 glyphs to cover all 104 Latin languages. This is my first time making a font. Hope you'll enjoy it. I sure did making it. Check out the listing of glyphs if you can use this font in your work. Otherwise don’t hold back writing to tanjagawish@gmail.com and I’ll create them.

Quentin Schmerber’s Temeraire serif font family was not designed to be invisible. It is a typographic exploration meant to be seen — with its beauty, one could even say beheld. While some fonts aim to be as easily ignored as possible, Temeraire is offered as a gift to wide-eyed readers with its anything-but-boring character and its conspicuous inconsistency in styles. Most type families increase the weight of each character to expand the family. Instead, research into 17th century sources produced Temeraire’s wide range of letterforms, from the predictable to the odd and loosely related through time. Each style is designed to work alongside the others but are also standalone homages to specific parts of English lettering tradition: gravestone cutting, writing masters’ copperplates, Italiennes, and others. Temeraire’s Regular style is a contrast-loving Transitional Serif with vertical stress, making it great for period and classic works, ironic pieces, and modern throwbacks. The weight of the Bold squares off the ends of each glyph to give it stability, and the italic style rings true: flowing, contrasting, and purposefully inconsistent. Temeraire’s Display Black style is one salvaged from expressive gravestone artistry. The details most easily noticed are the ‘g’ with its descending bowl that has been pressed back up in the centre, and the additional serif on the ‘t’ crossbar that holds its neighbouring character at bay. (The ‘g’ and ‘Q’ have loopless alternates.) The final style is the Italienne, the horizontally stressed counterpoint to the family. By design its characters flow and bend in ways not in step with the rest of the family. All the weight has been pushed to either hemisphere within each glyph, resulting in a display style that demands space and peacefulness around it so its presence can impress. As with all TypeTogether families, Temeraire meets the current designer’s needs. Not only does its five styles shine in print work, it includes alternates for when the defaults are too boisterous and has been expertly crafted for screens. The Temeraire serif font family is resurrected from echoes in time and finds its family relation through impeccable taste.

a bold sans serif family with many variants

The multi award winning ESTA is back, renewed and improved in OpenType format. Now named Esta Pro, is available in Regular, Italic, Bold, Bold Italic, Display and Swashes. Includes plenty of features, like SmallCaps, Alternates, Ligatures and CE characters.

Sometype Mono is a free monospaced font family for coding and tabular layout which can be used for commercial purpose for free. So far, Sometype Mono consists of 6 style. Regular, Italic, Medium, Medium Italic, Bold and Bold Italic.

An original design, each letter is represented by a skeleton and each number by a series of connected bones.

Falbench is a manual written font to get the best texture for each letter. Each letter character will make your design strong and dazzling, while challenging the eyes. Each letter and symbol is simply painted using the best brushes and ink.

Margit is a condensed display typeface that includes Latin and Cyrillic scripts, supporting over 200 languages. Margit's letterforms have a contemporary style with pointy edges and friendly curves inspired by old wood-type specimens. Its bold and unapologetic design will be great to use in poster design, giving the content a stronger voice. This font family can bring a unique look to your packaging projects and modern branding solutions. Explore the extensive range of styles and weights that make this typeface ultra-versatile.

Introducing our newest font, "Million Smiles", a casual bold script font with hand-letterred style. Million Smiles is an upgraded version of our previous font, "Billion Dreams". In this new version, we've rounded the edges a bit for a softer look, compared to the sharp edges of the old one. This enchanting font is the perfect choice for design projects that aim for a fun, urban, and classy vibe. It adds a touch of cool to your creativity without losing its elegant charm.

Letraflex is a bold retro-inspired typeface with a slightly futuristic style. The family is based on old computer lettering and Magnetic Ink Character Recognition, with a little contemporary twist including ink traps. Letraflex layered fonts provide users with a wide range of choices for any design project. This family is an excellent pick for eye-catching designs, including Headline, Poster, Branding, Logos, Concert, and any other heavy design! Take a look at this video to see Letraflex in motion!

LIETZ Lindham is based on letters taken from an old type specimen folder from 1936 featuring handdrawn sans-serif ABC's. It's kinda bauhausy and straight but also shows the wonderful lively unevenness of hand-drawn letters. Being made for the use in large-scale advertisements and posters, LIETZ Lindham fits perfectly for pro-communist propaganda posters, but also features legibility in smaller sizes, so you can use it for your Neue Typographie manifesto too, Jan. Go grotesk! Go bold! Go neu!