Sans serif, bold, display font, useful for brochures and display advertising.

Aeris™ typeface is a contemporary book face created by the American designer Tom Grace. It combines the proportions and rhythm of a sans serif font with the high contrasts and flexed strokes of script faces, while the open counters also ensure optimal legibility. Tom Grace focuses on providing subtle differentiations in his cuts and, as a consequence, this font family has its own individual structure: there are A and B variants of the basic forms regular, italic, bold and bold italic, and a display version for use in titles that also comes in A and B variants. It is advisable to use the A variant for larger font sizes, while the slightly more emphasized B variant can be recommended for smaller font sizes. Where the basic forms are to be mixed together in a work, it is important to use the corresponding A/B variants throughout as their designs have been carefully coordinated. Aeris is available in the OpenType Pro format and thus includes a wide range of different glyphs. The font family can be used in various environments, such as books, magazines, advertisements and promotional materials, but it is also the perfect choice for printed corporate documentation.

When you're ready to leave your cozy picket fence life in Typeville, make the move to the hustle and bustle of Fontropolis! FONTROPOLIS is populated by friendly-faced characters you can always count on to help you through the thick and thin of everyday life in the Capital. Why not take a day to admire the classic arches of the ascenders, descenders and horizontals featured in Fontropolis's architecture? Indulge in a little idle chitchat with your fellow Fontropolitans! Fear not! The People of Fontropolis will stand firm beside you when the unavoidable Supervillains and Crackpots descend on the capitals, spouting Arrogant Expositions of their Nefarious Plans as they seek to usurp our great country’s democracy! FONTROPOLIS will always prevail! The Fontropolis font family includes four weights (Regular, Italic, Bold & Bold Italic) with alternate uppercase characters, Western & Central European & Vietnamese support, Manga characters and Crossbar I Technology™

The Nixt Font Family is a new font with currently seven styles. As an alternative to Helvetica, Arial, Gill Sans, Futura, & Gotham, Nixt has a similar design aesthetic to those aforementioned in that its design, structure, and feel crosses decades of appeal. From Mid-Century, through the stark '60s, decades of succeeding modern architecture through the turn of the 21st Century, Nixt's glyphs are timeless, clear, ultra-legible in all styles and weights. Best use in Advertising, Branding, Signage, Architecture, Fashion, Posters, Headlines, and By-Lines, Print & Digital, and of course Labels. There are currently, at first release, 7 Styles: Extra Light, Light, Regular, Italic, Book, Bold, & Extra Bold. There are more in process and will be added when completed. The inspiration behind the Nixt Fonts is the Bauhaus, Mid Century Industrial Design, Art Deco through Moderne Era Architecture, American Pottery and American Design of The Twentieth Century.

EraMax 123 is a multi-layered display geometric sans serif, meant to be set BIG, for large, colourful statements. It's the perfect face for packaging, posters & branding, where a strong, colourful voice is needed... Did I mention posters? The "Max" in EraMax comes from the ultra bold weight, but also, and mainly as a tip of the hat to Peter Max, the designer and artist, known for creating so many images which have come to be emblematic of the sixties and seventies. The bold gradient effects in some of his posters were the inspiration behind the dotted and striped layers. This font's vintage flavour truly stand out in a retro setting, but also has a modern flavour that lends it the flexibility to work well in a more contemporary context. This is the second of what is to be an extended family of typefaces based on the original hand painted signage found in the T. H. & B Railway station in Hamilton Ontario, a classic Art Moderne building, designed by the New York architectural firm of Fellheimer and Wagner for the Toronto Hamilton and Buffalo Railway line and completed in 1933.

Edgar No. 9 is an original design by Alex Kaczun. Edgar No. 9 is a derivative work based on his Big Boy typeface series. It was designed specifically for display headlines, logotype, branding and similar applications. Primarily a display, this extremely versatile font has generous proportions, large counters and loose fitting which also allow the font to work well across a wide range of text sizes. Edgar No. 9 is a heavy baroque slab serif and although it shares the underling skeleton of 'Big Boy', it is a much more compact in overall proportions and spacing. A handsome bold headline font that works well in text as well as display sizes—ideally suited for publications and advertising. Alex plans to expand the font series to include a large range of weights along with corresponding italics numbering 1 thru 9, as well as, true small capitals and old style figures. Distressed version(s) will also be available in upcoming releases. Stay tuned, more to come soon. The large Pro font character set supports most Central European and many Eastern European languages.variations to expand this 'hip' new font series. Groovin' baby.

Premium Sans is a professional typeface which is aspired to solve the major typographic challenges in editorial, print, Graphic design, Commercial designs and other form of templates and documents such as pdf or ms word. It has four weights light, regular, semi bold, bold. Each with an italic profile, so in total it has 8 typefaces. We created this typeface to have attention of reader in Graphic commercial designs and as well as on editorial designs. The X-height plays a great role in readability of a typeface, so we tried to give it a reasonably high x-height with accordance to ascenders and descenders. We've engineered it in such a way that it can easily be paired with script, slab serif and serif typefaces. Premium sans is made on minimum required character set which will be handy while typing currency symbols like cents, dollars or euro and also be very useful when typing the characters consisting of diacritic. We've designed it in such a way that either you write a long content for editorial purposes or you create a typographic or graphic/commercial design it will look nice and fine which is the uniqueness of this font.

Sello is a hand-drawn, geometric sans-serif with a touch of retro style. It's a unicase typeface inspired by hand-engraved, mid-1960s Spanish postage stamps, hence the name "Sello" – Spanish for "stamp". This font comes in three different weights – light, regular, and bold – with a regular and oblique version of each for a total of 6 styles. Vowels have a special third alternate glyph. Sello also contains the necessary diacritics and special characters to support several different languages. Looks great at the slightly larger point sizes, when used in header or display purposes.

Let Mireyle add a classic of personality to your designs! This bold font makes it ideal for a variety of design projects, including posters, invitations, greeting cards, logos, and more. Whether you're creating a children's book or designing a catchy brand identity, this font is sure to bring a right answer. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Kyomic is a serif fonts with a solid looks bold and also beautiful curves in an alternate characters. A style that we choose as a Natural looks of the Hand-Drawn made Athans as a unique identity of this fonts. Kyomic also comes with alternative characters that carefully created for adding a minimalist decor of the letters. and it looks right on every character's we've made. Stylistic alternates allows versatile design options and works perfectly for Headlines, Posters, Logos Packaging, Branding, T-shirts, Greetings, Persentation and much more.

HF Bigcuat is a thick or bold handwritten cartoon font made from markers with a natural and organic texture and roughness that creates a playful and funny impression for your design. HF Bigcuat is available in a natural doodle/dingbats version which can add creativity to the design you will use.

Nicko is a bold and friendly typeface. Nicko has a unique style with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Nicko for any graphics that require a sleek look with a elegant flair.

Addison is a typeface that brings together modern western styles with a rustic texture. Between Addison West, with thick block serifs, and Circus, a more decorative face, the two would bring an authentic and unique style to any artwork. The bold faces make a stand and standout for any design concept.

Strong experimental remix of a quite old typeface named Aurora. Inspired by Cornel Windlin 1990s artworks.

Hawksmoor is a digital font that preserves the worn and inky idiosyncrasies of old woodblock type.

Introducing Newberth - Modern Blackletter Font Newberth is a modern blackletter font inspired by modern aesthetics which immersed with a fierce and elegant touch. It provides more possibilities and chances to craft a design with a strong, bold, and aesthetic vibe. Newberth suits perfectly in the use of any masculine or elegant occasion. Newberth is better used for fashion product packaging, clothing labels , or any projects seeking for a touch of fierce, bold and strong masculine font. FEATURES – Stylistic Alternates – Ligatures – Uppercase and Lowercase letters – Numbering and Punctuations – Works on PC or Mac – Simple Installation – PUA Encoded Characters – Easily accessible without additional design software. – Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word – Multilingual Support for 68 languages including Afrikaans, Albanian, Basque, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Spanish, Swahili, Swedish, and Zulu Hope you Like it. Thank you for your purchase!

Bourdos is an energetic script typeface. Its vivid letter forms move quickly over the paper, with active calligraphic movements and a joyful humour. A beautiful handwriting font, Bourdos should be used for a modern logotype, an enthusiastic headline, or any graphic that needs that extra spark of life. The Bourdos family consists of four styles. The weights Bold and Regular, as well as Italic and Bold Italic. Use underscore _ to make a swash. Example: Amaz_ing Use multiple underscores to make different swashes. Example: Price__less (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Originally released in 2008, Churchward Newstype is a workhorse text family, designed by the late Joseph Churchward back in the early 2000’s. If you’re familiar with Churchward’s typefaces, you might know that he always brought a little something quirky to his designs. Churchward Newstype doesn’t disappoint. The exaggerated concave serifs make a statement that is subtle, yet gives the typeface a unique flavor. The proportions and scale of the letters lend themselves to very good legibility in text applications, and the Bold weights are strong enough for headlines. Churchward Newstype is good for text copy, and headlines, and at giant point sizes, great for adding emphasis to posters! The Churchward Newstype family has four weights, Light to Bold, with 13 degree slanted italics. Each font has a second set of tabular figures. In this updated release, each weight now has an extended character set that supports most Western and Eastern European languages.

Finocchio (yes, we know — wink) has the playful, round shapes of a French Ronde with the sharp angles of Italian Futurism. It's a bold, fun, excellent branding face — wherever you need some gusto or brio or forza! Finocchio comes with a large number of ligatures for fluidity. It also comes with a solid, readable set of non-script small caps, so all you need for that sign is one coordinated font! It also comes with loads of fun alternates! Finocchio is made with love in The Ampersand Forest.

Online auctions offer a treasure trove of lost or forgotten merchandise, and many items pertaining to lettering just beg to be digitized into a typeface. Case in point is a partial set of brass stencils that were the visual model for Ultra Thin Stencil JNL. While most of the brass interlocking stencils available now and in the past have bold lettering for easy readability, this particular set consisted of condensed letters with thin lines. Available in both regular and oblique versions, they join a long list of stencil designs available from Jeff Levine Fonts.

Introducing Caligreto Display new generation Typeface with 5 Weights. Caligreto Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Caligreto is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Five Weights. Light, Regular, Medium, SemiBold and Bold.

Linotype Octane is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The font was designed by German artist Norbert Reiners, a tall, thin font with a narrow line width and marked stroke contrast. The regular and bold weights seem somewhat static while the italic cuts make a dynamic impression. Linotype Octane is available in four weights, each of which contains a number of ligatures. The cool and reserved Octane is best used for shorter texts and headlines in larger point sizes.

Introducing Krick Display new generation Typeface with 4 Weights. Krick Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Krick is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes four Weights. Regular, Medium, SemiBold, and Bold.

Mantika News™, from German designer Jürgen Weltin, was designed to expand the Mantika super family with text and display typefaces for setting newspapers and periodicals. The suite of typefaces is comprised of regular and bold designs, with italic counterparts, for setting continuous text, and light and extra bold versions for setting larger sizes in headlines, sub heads, pull quotes and decks. The typefaces intended for text copy were designed with shared character widths, so that changes can be made in typeface choice without disrupting line endings or column length. The display designs have a slightly smaller x-height and shorter ascenders creating a more elegant demeanor while ensuring compact multi-line display copy. In addition, fonts of Mantika News have a large Monotype W1G (World Glyph Set 1) character set enabling the setting of Greek, Cyrillic and over 20 Eastern and Western European Latin-based languages. Proportional figures are available, in the OpenType® fonts, as an alternative to the tabular designs.

Gundrada ML was inspired by the lettering on the tomb of Gundrada de Warenne. She was buried at Southover Church at Lewes, Sussex, in the south of England in 1085. The Latin inscription on her tomb, STIRPS GUNDRADA DUCUM, meaning “Gundrada, descendant of the Duke” may have led to the speculation that she was the daughter of William, Duke of Normandy and bastard son of Robert the Devil of Normandy and Arletta, daughter of a tanner in Falaise. In 1066 William defeated Harold at the Battle of Hastings and was crowned William I of England. More commonly known as William the Conquerer, he commissioned a string of forts around the kingdom and charged trusted Norman Barons to control the contentious Anglo-Saxon population. William de Warenne, husband of Gundrada, was one of these Barons. There has also been the suggestion that Gundrada may have been the daughter of William’s wife, Matilda of Flanders, by a previous marriage. According to the Dictionary of National Biography (Oxford University Press, Oxford, England 1921-22), both of these contentions are in dispute. Searching the past of a thousand years ago is like wandering in a heavy fog: facts are only dimly in view. Regardless, I know that I found these letterforms immediately engaging in their simplicity. Unadorned and unsophisticated, they have a direct honesty that rests well in the company of humanistic sans serifs like Franklin Gothic or Gill Sans, appealing to a contemporary sensibility. The lettering on the tomb is in upper case only. Although Gundrada does not sound Norman French to me, her husband certainly and her father probably were Norman French. Nonetheless, the man that carved her tombstone was probably Anglo-Saxon, like most of the people. For that reason, we are quite comfortable with a fairly generic lower case from an Anglo-Saxon document of the time. The time was a time of transition, of contending language influences. This font reflects some of that tension. Features 1. Multi-Lingual Font with 389 glyphs and 698 Kerning Pairs. 2. OpenType GSUB layout features: onum, dlig, liga, salt & hist. 3. Tabular Figures and Alternate Old-Style Figures. 4. Alternate Ruled Caps (line above and below, matching to brackets). 5. Central Europe, Western Europe, Turkish and Baltic Code Pages. 6. Additional accents for Cornish and Old Gaelic. 7. Stylistic alternates A, E, y and #. 8. Ligatures ST, Th, fi and fl. 9. Historic alternate longs. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Friedrichsfeld is a small town near there where I live. Friedrichsfeld, Voerde and Wesel was Part of the Preussen Kingdom till 1912. Friedrichsfeld was a Parade ground of the preussen troops and get the name of the King Friedrich II (the old Fritz). Today there is a Preussen Museum near Friedrichsfeld in Wesel. The Font comes in two ground Version, one in the history Letters and old Ligatures and a modern Version.

The Anthelope is a retro bold script with groovy style. The Anthelope is perfect for retro lovers and it is perfect for branding and logos such as, barbershop, motorcycle club, clothing, coffee shops and much more!

The cover title for “Private Detective” magazine (from October, 1942) was hand lettered in a stylized, extra bold Art Deco type design which is now available as Detective Case JNL in both regular and oblique versions.

Holiday Dish has a simple and stylish art deco look. Freshen up your design using Holiday Dish, and you are guaranteed to get the eye-catching look your design deserves. Comes in both Regular and Bold.

Grotesk typeface with elastic punctuation & diacritical mark. in 4 weights: Light, regular, Medium and Bold by 4 styles: A (small diacritical), B (normal diacritical), C (hight diacritical) and D (very hight diacritical) language: all latin glyphs

Bunaken looks bold, yet sophisticated and features chunky and extended characters that will look particularly adept when used in logos, branding, packaging design, and much more. This masterfully designed brush script is a true must-have.

Introducing Fransen Typeface - a bold sans serif font that is very fresh and unique style handmade. Fransen Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

Brik is a constructivism inspired sans serif typeface. Great for signage, the bold characters are made to create impact Available in Regular, Rough, alt and Lined. Great for mixing and matching and layering with each other.

The dust jacket for the 1929 Western novel "The Raider" by Charles Alden Seltzer featured the title and author's credits in a hand-lettered extra bold stencil design. This became the model for Raider Stencil JNL.

Escape to the bliss of the Namaqualand. A landscape carpeted in wildflowers and magical star-studded nights. Where visitors come from all over the world to experience the cacophony of nature in its purest form. Introducing Namaqua - A Modern Calligraphy Font. This gorgeous font can be used for a host of different content needs and projects. Use it for your headings, logos, business cards, printed quotes, invitations, packaging, resumes, and even your website or social media branding. Enchant your audience, clients or guests with this versatile, elegant font. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

»COSMA« is an old greek word that stands for »beauty« and »order«, I thought it a very befitting name for my new font-family. My »Cosma« has that special high-contrast Renaissance beauty but is very orderly in appearance. »Cosma« is a classical beauty with modern touches that make it unique. You will love this font. It is a great everyday workhorse with seven weights from UltraLight to Bold and all the necessary weights in between. Great for body copy and headlines! With 964 Glyphs it is a truly European font designed for all Central European and Latin using countries. »Cosma« has a set of Cyrillic that is also good for Serbia, Macedonia and Ukraine. Sorry, no Greek! But it has oldstyle- and lining-, tabular- and tabular-oldstyle-figures, many alternative letters and ligatures. On top I designed two sets of alternative, decorated caps each in normal and oblique. »Cosma« comes in Normal, Italic and Oblique, sometimes you just don’t want to use Oblique instead of Italic that would be too playful for the occasion. »Cosma« doesn’t come cheap, but I start off with an 80 % reduction, so that is a good chance to get all 49 cuts for a phantastic price. Oh, I almost forgot, If you buy the whole family, you get the variable fonts to go with it for free, that’s a good investment into the future. Enjoy!

Preto Semi is an experiment. It is an attempt to create a readable type for text point sizes (other than sans-serif and serif). Preto Semi is not a Sans with added serifs or Serif with serifs removed. The use of the serifs is redefined and used for other purpose(s). The serifs became the extension of the stroke, they help to solve the spacing problem of sans-serif types and they use the primary function of serifs – keeping the eye on the baseline and emphasize the horizontal rhythm of the lines of text. Preto Semi is intended for magazines and editorial design, as other members of Preto family. Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well.

Are you Troubled by Ghostly Voices in the night? Do you hear the Terrifying Tones of Demons and Ghouls in your Attic or Cellar? Have you or any of your family spoken with "Forked Tongue? Well, talk of the devil, Forked Tongue happens to be the latest offering brought to you buy our courteous and efficient staff this month (now on call twenty-four hours a day to serve all your supernatural lettering needs). If it Sounds Spooky, it most probably speaks with Forked Tongue. Oh, but if you really have got ghosts or poltergeists, well, um, we don't know who you gonna call. Features: Four weights (Regular, Italic, Bold & Bold Italic) with upper and lower case alphabets. Includes Western and Central European international characters.

Griggs is a variable type family with six-axis. Available as both static and variable font built to maximize versatility. This is a single variable font that can morph between a wide range of stylistic variations with each of its axes: Weight, Serif, Grade, Stylistic Set 1, Stylistic Set 2 and Slant. Also offer a variable subtle grade axis for slight weight adjustments, to user different preferences. For slant axis will automatically apply stylistic set 2 or set custom values on each axes for more options. A multi-purpose sans serif and serif typeface with high contrast, inktraps, sharp form, clean cuts and playful details, to convey the impression of opulence, elegance with a distinctive look. It comes in 3 distinct individual cuts within the Sans, Flare, and Serif subfamilies. Allows for many variations across its subfamilies, weights and styles. Each typeface contains with a warm personality and contemporary look. With different stylistic sets, you can choose the best-desired result for your design. You can change the feel of your design from more delicate, to bold to its sharpest most style. Griggs family with various styles will be an handy tool for a wide variety of designs. Excellent for text large and small. It’s a brilliant choice for branding, identity design, editorial design, logo design, display and packaging design etc. Typeface Features: * 325 Glyphs * 3 Subfamilies: Sans, Flare, Serif ( Each 8 Styles + Slant ) * 6 Weight: Thin, Light, Regular, Semi Bold, Bold, Black * Complete Collection: 144 Styles + Variable Font * Opentype Features: Stylistic Set 1, Stylistic Set 2 * Latin Language support including * Kerning * Autohinted Thank You.

Junior Schoolboy - Bold Fun Display Font. Junior Schoolboy a bold, quirky display font with a fun and trendy cute characters. With a childish style, it will be very suitable for your project, which is related to children. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.