Monthoers is handmade Modern font family with Elegant and Classic style containing of sophisticated siganture-style script and elegant, classic all-caps sans font. Which is combining the style of classic typography with an modern handlettering style. you can easily combine with this pair to create classic style. This family is designed to pair harmoniously, and lend themselves to high end branding, logo designs, product packaging & invitation designs. A modern and elegant signature script font containing upper & lowercase characters, all punctutation and numerals. also contains over 20+ ligatures and 50+ alternates to create the text flow and add a custom-made feel Language Support: All fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Slovenian.

Cresty Eighties is a retro condensed serif family with a modern touch. This font inspired by retro magazine and 80s handcrafted lettering.This font comes in 5 weight from regular to extra bold + variable support. Cresty Eighties designed with Stylistic Alternates and Ligature in some characters that allows you to mix and match pairs of letters to fit your design. Cresty Eighties perfect for headline, sub headline ,custom logo,packaging, quote, merchandise, sticker, badges,social media posts, label, album cover and anything for your creativity. Cresty Eightie is perfect font if you want something new with your project, you can play the 5 fonts style, and you can pairing this font with another font you like, its very satisfy. So happy creating!

Without Sans is a new geometric sans serif of 10 weights plus matching italics and alt family. It was designed by Felipe Sanzana and Diego Aravena, the founders of “Without Foundry”, in 2014/15. It is inspired by the geometric-style sans serif typefaces that were famous during the 50s. The fonts are based on the geometric forms with a mix of grotesque typefaces. The opentype fonts have an extended character set to support Central and Eastern European as well as Western European languages. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising, logotypes, etc. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

Filthy Creation; An Outrageously Cartoonish Slime Font - Barf Bag Optional! Creeping off my ink-drenched drawing board, these illustrated slime fonts offer designers a unique set of diabolical tools for use in their gruesome creations. The five hand-drawn font styles are reminiscent of the best in vintage horror comics, 80s trading cards, gross-out movies, paperbacks and Saturday morning cartoons. Each style comes with uppercase and lowercase characters, plus numerals, punctuation, language support and symbols. Added to this is a complete set of alternatives (no need to repeat those oo’s, tt’s and ee’s) and an extra collection of grotesque illustrations that’ll leave you reaching for the barf bag! When you need the most gory, disgusting and slimy looking titles, look no further than this Filthy Creation.

Poblano is a masterfully designed flared typeface, inspired by Gothic Tuscan that incorporates an aura of modern fun and classic southwest whimsy. With serifs that embody the beautiful, natural curve of the Poblano Pepper, it captures the pepper’s essence and attitude of having the perfect amount of piquant heat. Perfectly suited for menus, headlines, and logos, Poblano will be the ideal garnish to complete and elevate your food, rustic, grunge and hipster themed designs. The Poblano menu includes: • A range of styles from elegantly thin to boastful black • Over 400 glyphs per weight • More than 50 stylistic alternatives • Upper and lowercase characters • Uniquely stylized to elevate your design and add that finishing touch This is the ultimate niche solution to both display and functional Tuscan serif fonts.

Noland, A new carefully crafted Variable Geometric Typeface. The Ideas of this fonts are from retro poster, music, movie poster, theater, science fiction from the 70s and early 80s. Adding the elements from the reference above to be represented as Noland. It’s Versatile, Fun, Sharp and Retro-ish feel that you get in Noland Typefaces. Noland Available with 3 Weights: Regular, Semibold and Bold. Also Available in Variable, so the weights are more flexible between Regular and Bold. Just Play with slider weight. Our creation on the display to give you a reference what it looks like on your project. such as Branding, Header, Logotype, Poster, Magazine, Packaging, and etc. It shows that Noland clearly can accommodate Retro Vintage style.

Ligatures FS Rufus is an outgoing, likable sort of font with an eccentric streak. Wide letterforms and curious ink-traps make for an engaging personality, and a set of discretionary ligatures make FS Rufus irresistible to designers wanting to play. Not a small set, either: there are some 80 different options available. Wide The decision was made early on to make the letterforms of FS Rufus luxuriously wide. This generates a distinctive visual texture when the font is used for text. With other weights available for headlines, FS Rufus brings a curiously engaging look to editorial, magazine covers and advertising. Just look at my ink traps Ink traps are normally the preserve of fonts intended for printing at small sizes, in newspapers or directories – extra notches necessary to prevent ink from pooling. FS Rufus turns the ink trap into a beautiful eccentricity, flaunting it in both its lowercase and capitals. Take a look at the “h”, “a” and “k”, and the “B” and “N”. Attention-seeking? Moi?

Durham Latin brings the Latin style from the Industrial Revolution to the modern era. These letterforms could be seen painted on a road sign in France, engraved in a sign over a tavern door in London, or seen on a playbill in America. The rich and varied history of these forms inspired me to capture that personality, and interpret it in a way that fits the wide range of needs of modern designers. Condensed forms and strong serifs imbue Durham Latin with a presence that can’t be ignored yet doesn’t overwhelm. It shines as a powerful display font, and becomes affable when used at smaller sizes for subheadings. Durham thrives in spartan and ornate environments alike. Durham Latin features Outline and Fill variants that allow for more creative display elements. The lowercase are 80% height small caps. Each font contains 448 characters and has full Western European support. Advanced typographic features are built in, including tabular numbers, fractions, arrows, and more.

Made in La Chaux-de-Fonds (Switzerland), HyperTurfu was born during the shooting of “The Return of Hyperturfu Xpress 2”. A GoPro on a lego electric train, meters and meters of rails, an empty industrial space, loads of puppets, paper, cardboard, pizza boxes, lights, hot glue and a bunch of friends preparing a one shot scene for a month. The title of the movie was made out of lego pieces, painted with golden spray and hanged over the rails. It was the first inspiration for this awsome superbold font. HyperTurfu is thought from ground up to give a strong impact. It’s gothic retro science fiction 80’s style makes it best suitable for metal music albums or posters. As the “Banco” font it works perfectly with short texts for advertisement, bar, cofee shops concert places or even fancy hairdresser. Just hang it over a pet shop and see what cool animals will come in.

Caribe is an expressive typefamily like the blue sky and bright Caribbean sun, designed by CFCG @andinistas. We love to design experimental fonts with a large amount of ligatures and swashes, drawn with special respect and study for what is handmade by ancient artisans. In this context, Caribe is an impressive typefamily of 5 fonts to create logos, posters, book covers, menus, labels, packaging, etc. The 5 Caribbean fonts add up to more than 1500 glyphs that serve to be mixed or independent, functioning as a springboard to encourage your creativity in the design of words, phrases or remarkable headlines of the elements that appear around them. Caribe Script has lowercase letters such as "b d f g h i j k l p q y z" with extremely short ascending and descending strokes achieving generous height x in: "a c e m n o r s u v w x". Caribe Script Produces visual attraction in words and phrases that need lowercase letters with sparing horizontal space width and bold stroke thickness, producing exceptional legibility in headlines or advertising texts. Caribe Script & Caps are based on ancient and multiple letterings from the 40s and 50s that were useful inspiration tools to produce visual pleasure. Caribe Words has more than 60 script words drawn diagonally generating greater intensity within a sentence. Caribe Shields & Digits has more than 50 designs each and they have containers and numbers designed to accompany words, phrases or drawings that serve to harmonize different writings. ENJOY more than 1500 glyphs: + Caribe Script: 743 glyphs + Caribe Caps: 507 glyphs + Caribe Words: 71 glyphs + Caribe Shields: 230 glyphs + Caribe Digits: 40 glyphs

The Metalista font was created as a sign of undying admiration for the persistence of heavy metal culture. The angled font of almost fixed width proportions combines capitals with small letters for more variety and better definition of individual letters. Stressing the horizontal strokes subdued the historical Gothic character and emphasized a more modern signature, which is far different from the majority of current attempts at a modern adaptation of Fraktur fonts. We offer Metalista in three styles, or rather widths to be exact: Speed is inspired by the whiplash pace of 70s and 80s speed metal, and can tell and perform a lot even in a very small space; uncompromising Death balances on the fine line between expression and readability; and Metalista Black is the universal go-to, whether as megalomaniacal titles sprawled across the entire LP cover or as tiny texts for glam rock CD booklets.

Malou Verlomme’s Madera is a typeface made strictly for graphic designers, created as an indispensable type toolbox that can meet the needs of both print and digital environments. Verlomme has drawn on his extensive experience creating bespoke type for major brands, and Madera is a “typographic synthesis” of this work. Although designed as a restrained sans serif, the typeface has some punchy personality – with sharpened apexes that inject flavour into the design, particularly in the darker weights and when set at all caps. Madera sits alongside fellow geometric designs such as Proxima Nova, Gotham or Avenir, offering a straight-talking tone of voice but with some extra bite. If you’re a large corporation, with a typeface being used in many different environments you want something that's just the right balance of visibility and legibility to sustain an extensive amount of communication.” “The design is very solid but it doesn’t go out of its way to attract attention,” explains Verlomme. “It still has a fair amount of warmth and personality, in a very understated manner. The Madera typeface family has 32 fonts: Upright, Condensed and Italics. It is available in OpenType CFF and TTF fonts formats. Each typeface contains over 650 glyphs with extensive Western, Central and Eastern European language support. It also supports OpenType typographic features like alternatives, ligatures and fractions. Madera Variables are font files which are featuring two axis and have a preset instance from Hairline to Extra Black.

ITC Chivalry is a calligraphic hybrid that honors the tradition of combining Roman capitals with italic lowercase letters. Drawn by Missouri lettering artist Rob Leuschke, who used a flat-nib pen on textured watercolor stock and then converted the drawings into a digital font, the design combines an old world" feel with "new world" legibility. A companion set of black letter caps completes the suite of characters. "I've loved drawing letters for as long as I can remember," says Leuschke. "Even in kindergarten, I tried to draw letters like my teacher." After graduating from college, Leuschke worked for a short time at a sign company in St. Louis, and in the early 1980s began working at Hallmark Cards in Kansas City. His talent as a calligrapher and lettering artist eventually brought him back to St. Louis to begin a freelance career. Since then Leuschke has created over 250 fonts, primarily for the greeting card industry, that are now being used on work for his clients all over the world. Leuschke first conceived of the face as just the black letter caps; he later added the Roman letters to give the design more versatility. The Roman caps of ITC Chivalry combined with the lowercase are well suited to blocks of copy, while the more decorative black letter caps are ideal for showcasing short text of just a few words. Both sets of capitals also make great initial letters."

Ace Attitude is a friendly, readable font with character and flair. When I started designing this font I wanted something that was readable as well as interesting and appealing. Something that showed character. When I look at this font now I think of an old fashioned aviator. One of those poeple that likes to show off and have fun but can still follow rules. This font is perfect for logo's and branding. But its also very versatile would be great in things like magazines, posters, packaging, billboards, etc. Ace Attitude has an impressive 179 Contextual alternates. These are like ligatures, but oh so much better. These contextual alternates will give any project that personal touch - all without any extra effort. All you have to do is make sure that they are turned on in your program. Unfortunately, these do not yet show up in the sample text. To help with this I have created a demo version of the font so that you can still try it out before you spend the money. Ace Attitude also has Over 800 glyphs and includes features such as small caps, ordinals, ligatures, fractions, tabular numbers, proportional numbers, subscript, superscript, numerators and denominators.

Charlot is a decorative display font with dozens of beautiful ligatures and ornaments. The vast selection of ligatures and stylistic alternates makes this font extremely customizable. Charlot is perfect for unique branding and title treatments, personal monograms, and vintage-inspired layouts. Charlot has over 150 ligatures in Latin and Greek consisting of: the complete Latin alphabet (with all accent marks), the complete Modern Greek alphabet, 60 ligatures, 33 stylistic alternates, 15 decorative ornaments, borders, and frames, numerals and math symbols, extensive punctuation and diacritical markings. The OpenType ligatures are the fun part. To get the most out of Charlot, use software that supports Open Type fonts (Adobe programs, Corel Draw, Affinity Designer, etc). This type family has tons of built-in OpenType ligatures and alternates, which are what make it so customizable and decorative. You can always access the ligatures, alternates, and dingbats through your software's glyphs panel. For a complete preview of all the ligatures, please look at the 4th image in this product listing. Languages Charlot includes the Latin and Greek alphabets with all accent markings. The most common languages it supports are: English, Catalan, Danish, Dutch, French, German, Greek, Italian, Norwegian, Portuguese, Spanish, and Swedish.

Have you ever played with Lego™ and built letters? With Billund Side and Billund Top you can do it again and create colourful headlines on your Mac or PC. Billund is a font-system consisting of the two base-fonts Billund Side Outline and Billund Top Outline, extended by layer-fonts for one or five colours. Use the Outline-fonts alone to get »transparent« letters in one colour, use it with the Fill-fonts to fill the whole letter with one colour, or use the five Colour-fonts to get colourful letters in every colour you want. Billund contains cyrillic and greek glyphs and can be used for nearly a hundred languages. To expand the typographic possibilities, small caps, old style figures, numerals for small caps (c2sc), three stylistic sets, different symbols, forms, standard- and discretionary ligatures have been added, furthermore contextual alternates to avoid colliding letters. Each Billund-font contains 870 glyphs and more than 1600 kerning-pairs. Billund is named after the city of Billund (Denmark), where Lego™ was invented, the Lego™-headquarter still resides and the first Legoland™ theme park was opened in 1968 and still exists today.

Refresh was inspired and partly based on handwritten text from advertisements for a popular cola-based soft drink from the 1950s. I designed the missing characters in the handwriting style of the original. The Refresh family comes in three styles: - Lite- possibly the most elegant of the three styles -- use at larger sizes for greater legibility; - Med -of intermediate weight - more legible than Lite; - Blak - for bolder statements and best readabilty. Refresh, with its three styles, is ideal for any display work needing a feminine, handwritten effect. Use it for product branding, book covers, invitations, greeting cards where you're looking for charm and movement. Refresh has not been designed to be used with capital letters placed next to one another: it is not advisable to use text in "ALL CAPS". The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. If you are using upper and lower case then it is not necessary to use kerning. Refresh contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Introducing Daily Sans, a complete sans serif font family with 10-weights, plus italics (20-fonts total). Daily Sans was designed to be an everyday-use geometric typeface with excellent legibility and a neutral tone. It's a perfect go-to for branding, web, and print design projects and can stand out on its own or play a supporting role in font pairings. It’s great for body/paragraph type as well as for larger display type. Because the goal was to create a font you can truly use for any project, purpose, or occasion, Daily Sans includes a wide range of weights starting from the very thin Hairline all the way through to the very bold Heavy. This means that you’re always able to find just the right weight for your needs, and it makes creating type hierarchies a breeze. Daily Sans comprises 20 fonts, each with approximately 450 glyphs - including 16 standard and discretionary ligatures, three ampersand variants, a full set of arrows, and more - and supports over 200 languages. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu.) PLEASE ENJOY! I can't wait to see what you make with Daily Sans. Feel free to use the #upupcreative and #dailysansfont tags to show me what you've been up to.

Perm your hair, squeeze into your lycra, and retro-fy your text with Bayshore! A totally tubular mono-line script font straight out of the 80's. This hand-drawn font is perfect for creating slick & stylish lettering. Whether it’s for logos, product packaging or merchandise, Bayshore is guaranteed to give your text an unmistakeable retro quality. Bayshore comes as a single font file with added features allowing you to customise your text; End Swashes • Each lower-case character has a separate ‘end-swash’ version, use this for the last letter in a word to give it a custom-feel styling. These end-swashes are accessible via any software with Opentype capabilities, simply by turning on ‘Stylistic Alternates’. Underline Swashes • Four swashes of varying lengths are also available, simply by typing any of the square brackets [ ] { }. These can be used to underline your text and give it a real eye-catching quality.

Worthington Arcade is a classically-proportioned capitals-only type incorporating a selection of ligatures and alternates. It loosely resembles the hand-painted architectural lettering of the 30s to the 50s, exemplified by the likes of Percy Smith’s interior signage for the BBC or George Mansell’s lettering for the University of London and the signs found on London’s bridges. However, rather than a slavish copy of any historical model, it is more an examination and evocation of certain idiosyncratic quirks of civic lettering of the period, and an attempt to create a peculiarly English titling typeface. The round letters, for example the O, Q and C, are wider than the perfect circle usually found in such designs, while the straight-sided characters, usually drawn on a square, are narrower. This lends the whole a subtle elegance that is also emphasized by the raised crossbars on the H, E and F and extended lower leg of the E. Includes old-style numerals.

Akagi Pro is a complete rebuild and expansion of my popular Akagi typeface. Contemporary, clean, simple and friendly continue to serve as the adjectives for an expansion that includes 250+ additional characters per weight, many new ligature options, expanded stylistic alternates, 4 sets of figures, new symbols, case-sensitive punctuation, superscripts, subscripts, ordinals, expanded language support and two new styles that provide even more flexibility within the lighter weights of the family. When I designed Akagi in 2007, I wanted this new sans serif to "smile" at you — with this new expansion, I hope you smile back. Akagi Pro is economical while keeping a distinctive, expressive personality on the page that distinguishes it from among many of the mechanical/rigid/emotionless sans out there without becoming cliché. Perfect for the page and the screen, the flexible weights available allow for pinpoint selection at whatever size. Each style of Akagi Pro has a robust character set made even more functional with expansive OpenType features. A typesetter's dream — case-sensitive punctuation, tabular and proportional variants of lining and oldstyle numerals, true italics, small caps, expansive language support, an alternate 'g' and 'y', highlight a wealth of features of the typeface. This versatility infused within Akagi Pro will allow it to assume both roles of the utilitarian workhorse and light-hearted go-to typeface — and make the user happy.

Discoteque Family is modern art-deco related fonts collection that found compromise between retro and futuristic style. They are geometrically straight, rhythmic, clean and elegant. They are perfect in upper-case for headings, posters, logos. Discoteque Hypnosis makes stylish modern look with air of disco of 70-80s. Discoteque Gold is highly recommended for making designs in steam-punk style or for luxury vintage feel. Over 2,660 kerning pairs has been manually gleaned for perfect look.

RTCO Preizton Font made based on the concept of vintage style graphic design. inspired by the matchbooks & advertising in the 60-80s era. There are 3 types of this font, including Sans, Serif, and Script. Sans font has an opentype ligature feature that makes the font dynamic, while in the Script font there are alternatives that make it look better. This font is suitable for graphic designs such as logotypes, merchandise, printed stickers, and other branding needs.

Hello all, I will introduce my new font with the name “Sweet Girls” “Sweet Girls” is the form of letters that many variation and look very beautiful. available over than 50 glyphs for alternative letters that will make this font look so cute, funny, beautiful and fascinating. What's Included : Sweet Girls OTF Sweet Girls Slant OTF Sweet Girls Icons OTF Thanks so much for checking out my shop! Hope You enjoy it so much All the best, Haksen

Herschel ventures into the elaborate world of late 19th-century typography to bring its winsome charm and compelling aesthetics into modernity. Staying true to the spirit of its historical era of inspiration, Herschel was designed with extreme attention to detail. Although its aesthetic roots are firmly planted in the treasury of Gilded Age typography, it has been technically constructed to withstand all the rigorous demands that modern technology places on type today. Herschel’s nostalgic, flared, and gently bifurcated serifs shine brightest when employed as display type, but are suited well for any application where inimitable character is needed. Named after designer Brian Brubaker’s maternal grandfather, a retired dairy farmer of more than 60 years, Herschel is available in six delectable weights: Skim, One Percent, Two Percent, Whole, Creamline, and Butter. Features overview: • 800+ glyphs per weight • 120+ stylistic alternates • Upper and lower case • Titling/Drop capitals with multiple and contextual ligatures • Lining, oldstyle, proportional, and tabular figures • Standard and discretionary ligatures • Unique dingbats and special characters • International language support for 200+ latin-based languages, including Vietnamese

Introducing Achandria A Retro Font Inspired from retro typography from the 80's combine with bold typography style. Come with an open type feature with a lot of alternates and end swash, its helps you to make great lettering. Achandria best uses for Logotype, heading, cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more. This font is also supports multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. What’s Included : - Standard glyphs - Ligature and Stylish Set - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include multilingual support Thank you for your purchase! Hope you enjoy our font!

Stonetype is a typeface that was used by stonemasons in the 70s & 80s of the last century. When I was starting as a stonemason, these were the first characters I had to draw, by hand, back then on grave monuments and memorial plaques. The idea was born to digitize all the material, to be saved for eternity. By digitizing all and fine tuning, plus the addition of some main characters, Stonetype has now grown into a user-friendly typeface that can, now still, be used by stonemasons, to improve their creation process times. But Stonetype can also easily be used in modern and contemporary designs. Stonetype is the perfect fit for graphic design, editorial design, magazines, posters, logotypes, brands and corporate design. Stonetype is designed by Coert De Decker in 2019 and published by Kustomtype Font Foundry.

Phillip Kelly first drew the Croissant typeface in 1978 for Letraset. Back in the 1970s and 80s, Letraset's rubdown lettersheets were a popular means of designing with type. Today, many of these nostalgic classics are available in digital format. Linotype is pleased to re-present Croissant. This experimental typeface is built up out of round, brush-like strokes, creating heavy, and black letters. These forms are best used for display signage and headline text. If you are designing for a local bakery or donut shop, this typeface may be the perfect fit. The dark, heavy character that Croissant lends to the page is similar to Cooper Black , one of the most renowned American type designs ever produced. If you are looking for a typeface with Croissant's feel, but need to set smaller headlines or text, check out that family's offerings."

Hargloves sans remixes between grotesque proportions and 80’ industrial inspired-typefaces. Yes, it is a major improvement from original Hargloves fonts with completely different projections. Hargloves Sans intended primarily for text, editorial or long-form text. This new design emphasized on reader joy experience when reading text without losing typeface characters. Hargloves Sans support almost all Latin script language, roughly around 356 latin language according to hyperglot analytics. This language coverage is heypentype priority to serve all possible Latin script language all over the world. The premise is simple, because it is text typeface it should cover all Latin script languages whether its popular language or not. Hargloves Sans have a higher x-height compared to Hargloves. Higher x-height will give a seamless, undistracted reading. The open counter on nearly squared proportions is Hargloves Sans main character. There’s a lot of feature coming for this typeface in the future.

Start good day for new font! present to you, Bright! Bright is a stylish font It has both modern and retro look - clear, modern and fun. Helps to create layout design in 60s or 70s design projects. This font have more than 50 unique alternate and ligature that to give your logo,business card and another project to a unique vintage look. It has Italic version too so what a perfect vintage font! What's you get? Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. I really hope you'll get pleasure using Bright font and it will be perfect addition to your font collection! If you have some questions, please write me a letter! Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/

Introducing Salitia – A brand-new serif with a complete dot swash! Salitia is a modern serif family featuring tightly-spaced serifs reminiscent of the 80s and 90s, making a stylish comeback. We aimed to create the perfect font for you too! With 6 style families (Thin to Black), unique ligatures and beautiful alternates this font suitable for short text and long word such as headlines, logos, UI design, magazine text, product descriptions, and other design needs What's Included? Salitia Main File 175+ Special Alternates and Ligatures Instructions (Access special characters in all apps, even in Cricut Design) Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Thanks Dharmas Studio

John Quincy Adams, sixth President of the United States, didn't hit his stride until he'd left that lofty office. It was during his many years in Congress that he assured his legacy, not least because of his long, masterful oratory opposing slavery. His speeches, in fact, won him the nickname "Old Man Eloquent." So when I decided to simulate Adams's penmanship in his legendary diary (which he kept for nearly 70 years), it seemed fitting to call the font by that name. I focused on his handwriting from about 1810, when he was Ambassador to Russia, but also consulted pages from later years. Old Man Eloquent has both regular and bold weights. The OpenType version has more than 450 glyphs, including alternate uppercase characters, old-style and lining figures, and numerous ligatures; all formats contain several common (English) words.

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s, but automobile companies don't monopolize the style by any means. During the 80’s and 90’s, a lot of these logos leaned towards the geometric sans styles and the swiss styling of fonts like Handel Gothic, while playing with varying degrees of squared rounds and varying expanded widths per logotype. Mercurial has this flavor, but it wasn’t derived from logotypes. Instead, it began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Sam". It visual ties to this genre of automotive logotypes and fonts like Handel Gothic lend a familiarity to it, yet it has an identity all its own. As with so many automotive logotypes, this singular style film typeface, lacked an expansive family which shows off all potential the logotypes have and what they "could" be and do. And that's where we come in. What originally began as this family’s Regular Width - Bold Style has been expanded into a collection of 3 Width Families, each containing 5 Weights. Here’s what’s included with the Mercurial Complete bundle: 396 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the final poster graphics for a preview of the characters included) 3 widths in the collection: Narrow, Regular, & Wide 5 weights in each width family: Light, Book, Regular, Medium & Bold. Here’s why the Mercurial Family is for you: - You’re in need of stylish sans font family with a range of widths and weights. - You’re love those 80’s automotive logos, but want more range of use. - You’re looking for an alternative to Handel Gothic. - You’re looking for a clean techno typeface for your rave poster designs. - You just like to collect quality fonts to add to your design arsenal.

Capitolium was designed in 1998 at the request of the Agenzia romana per la preparatione del Giubileo for the Jubilee of the Roman Catholic Church in 2000. This type design was the central part of the project for a wayfinding and information system to guide pilgrims and tourists through Rome. Capitolium also continues Rome’s almost uninterrupted two-thousand-year-old tradition of public lettering . It is a modern typeface for the twenty-first century and strongly related to the traditions of Rome. Soon after the completion of this project Unger began contemplating the possibility of bringing the atmosphere of this design to newspapers. Though Capitolium works well in most modern production processes and also on screens, it is too fragile for newsprint. For newspapers sturdier shapes were required as well as more characters to a line of text, and Capitolium News has a bigger x-height than Capitolium. Capitolium News is a thoroughly modern newsface, with classic letterforms linked to a strong tradition. Capitolium News for running text comes in the variations regular, italic, semibold, semibold italic, bold and bold italic. As is possible with most of Unger’s type designs, Capitolium News can be condensed and expanded without any harm to the letterforms. The update to this beautiful font family, Capitolium News, includes the addition of over 250 glyphs featuring full Latin A language support, new ligatures, 4 sets of numerals, arbitrary fractions and superiors/inferiors. Furthermore, kerning was added and fine tuned for better performance.

Elevate Your Designs with Elegant Luxury Orliet Pro is a meticulously crafted serif font designed to add a touch of elegance and luxury to your visual creations, especially ideal for enhancing the sophistication of logos. This font stands out for its uniqueness, boasting over 50 ligatures and alternative characters with artistic flair. Its well-designed script optimizes your designs, ensuring a seamless integration into your projects. Key Features: Versatile Ligatures and Alternatives: With over 50 ligatures and alternative characters, Orliet Pro provides a wide range of design possibilities. Each character exudes a unique artistic charm, allowing you to customize your text in a myriad of ways. Elegance in Every Detail: The design of Orliet Pro aims for elegance. The serif style adds a touch of class to your projects, making it perfect for creating logos that exude luxury and simplicity simultaneously. Seamless Font Families: Each member of the Orliet Pro font family complements one another effortlessly. Whether you choose the Orliet Pro script or Orliet Pro icons, they work harmoniously to enhance your overall design. Enhanced Design Flexibility: Orliet Pro script and Orliet Pro icons contribute to the ease of design integration. The script is thoughtfully designed to optimize your creative process, while the icons provide additional elements for a professional touch. Cyrillic Alphabet Inclusion: For an added layer of versatility, Orliet Pro includes the Cyrillic alphabet in regular, italic, bold, and bold italic styles. This ensures that your designs can reach a broader audience with diverse language preferences. Optional Details: Design Concept: Orliet Pro was conceptualized to bring an air of sophistication to your designs, with a focus on creating an elegant and timeless serif font. Creation Inspiration: The font draws inspiration from classic design elements, aiming to provide a timeless aesthetic that resonates with a modern audience. Historical Context: While not a revival, Orliet Pro pays homage to the timeless elegance of serif fonts, adding a contemporary twist to meet the demands of today's design trends. Elevate your designs with the timeless elegance of Orliet Pro. Explore the possibilities of serif and script styles, accompanied by convenient font icons, all seamlessly integrated into one versatile font family. Embrace luxury and simplicity in every character.

WARNING! Roughed version is quite heavy to open. Highly recommended to install the font without previewing it first. GOODRICH come in 2 different styles, with same character; Bold & Strong, and can evoke a different emotions. It comes in both clean and rough styles in only Uppercase Latin characters. When choosing a font, it’s important to consider the visual theme of your design. A clean bold fonts can lend a more stronger tone to your design, making it a great choice for Logo or Title. On the other hand, a textured fonts can lend a more natural printed-looks, making them perfect for designing 70s-80s themed parties. It can be used for various design purposes ; Posters, Logos, Packaging, Books or Movie Titles. In summary, these fonts are versatile and can add a unique look to any design project. If you want to add a touch of nostalgia and elegance to your designs, these fonts were timeless asset. With plenty of vintage and retro design resources available, it’s easy to find the perfect ideas for your next project.

Here I am, once again digging up 60-year sign lettering and trying to reconcile it with the typography of my own time. The truth is I've had this particular Alf Becker alphabet in my sights for a few years now. But in the typical way chaos shuffles the days, Buffet Script and Whomp won the battle for my attentions way back when, then Storefront beat the odds by a nose a couple of years ago. Nevertheless, revisiting Alf Becker’s work is always a breath of fresh air for me, not to mention the ego boost I get from confirming that I can still hack my way through the challenges, which is something I think people ask themselves about more often as they get older. You can never tell what may influence your work, or in this case remind you to dig it out of dust drawers and finally mould it into one of your own experiences. On my recent visits to the States and Canada, I noticed that quite a few high-end steak houses try their best to recreate an urban American 1930s atmosphere. This is quite evident in their menus, wall art, lighting, music, and so on. The ambience says your money is well spent here, because your food was originally choice-cut by a butcher who wears a suit, cooked by a chef who may be your neighbour 20 minutes from downtown, and delivered by a waitress who can do the Charleston when the lights dim and who just wouldn't mind laughing with you over drinks at the bar later. So Steak is just that, a face for menus and wall art in those places that see themselves in the kind of jazzy, noirish world where one-liners rule and exclamation points are part of a foreign language. As is usual with my lettering-inspired faces, there is very little left of the original Alf Becker alphabet. Of course, the challenges present in bringing typographic functionality to what is essentially pure hand lettering gives the spirit of the original art a hell of a rollercoaster ride. But I think that spirit survived the adventure, and may in fact be even somewhat magnified here. This font is over 850 glyphs. It’s loaded with ligatures, swashes, ending forms, alternates, ascender and descender variations, and extended Latin language support. Steak comes in 3 versions. According to your taste you can choose Barbecue, Braised or Smoked. It’s up to you!

East is a simple and confident typeface. It is timeless and current, but with a subtle nostalgia of vintage Jazz albums, film credits, newspapers, and signage. The light weight has excellent legibility at small sizes. The Extra Bold weight will capture attention. Its condensed width allows a lot of text in little space. East is versatile, but would be a good choice for film titles, labels + packages, posters, publications or any design where space is limited. It has six weights between Light and Extra Bold. A variable font with weight and slant axes is available and included in a full family purchase. The OpenType features include; stylistic sets, a one story ‘a’, hooked letters, seriffed uppercase I and 1, a slashed zero, raised colon and punctuation (Spanish), several German eszetts, ligatures, diverse bullets, and vertically stacked pre-built fractions. It will support western and central European languages as well as other Latin-based written languages. Read on if you are not familiar with variable fonts. What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, which benefit both web and software performance. Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.

This typeface combines the rhythmic movement of Mincho and the simplicity of Gothic, with a rounded finish for a touch of elegance and style. 明朝のリズム感とゴシックのシンプルさに加え、ラウンド処理することでエレガントでおしゃれなイメージを求めた書体です。タテ画は太く、ヨコ方向はそれより細く、ハネなどはさらに細く、という三段階処理が施されています。昭和50 年（1975 年）頃、レタリング文字として開発。その後デザイン調整を経てフォント化されました。