Emperatriz—with deep roots in the Roman tradition—is an elegant font and, above all, firmly situated in the present, featuring monumental forms and a classical design yet with a contemporary twist. It is a refreshing, clean, modern display font, perfect for the editorial design of magazines and catalogs, for the creation of titles and short texts, on book covers and large format publications, or as part of a corporate identity, logos, packaging and labels. Every variant in the family has generous counter forms, with ligatures and alternative capitals (Q, R, P, O), as well as oldstyle and Roman numerals, manicules, and monetary and mathematical symbols, providing a complete set with language support for more than 200 Latin script languages.

Hai Folks! The Auratype is retro and classic typeface who inspired by the 60s - 80s designs with more unique explored style like swosh and alternate character. This font made from manual sketch with many many scratch then finished to font. Make your designs project with this font and extras illustration to give more superb. This font also suitable to design like logo, sticker, tees design, banner, poster, sign, display design, packaging and more superb designs! Enyoy with our product and feel free contact us for support! Features : Full set of Upper & Lowercase Character Number & Punctuation Swosh Alternate Extras Illustration Multilingual Language PUA encoded Opentype Features _________ ▼To using the feature OpenType Stylistic alternate (including swosh), you must use program that supports OpenType such as Adobe Illustrator CS, Adobe Indesign, Corel Draw X6-X7 and Microsoft Office 2010 or later versions. Additional way to access alternate/swoshes are using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or more program which has Pop Character. ▼For more information about accessing alternative, you can see on this link : http://adobe.ly/1m1fn4Y ✌ Get in touch with author https://www.instagram.com/wahyudwi.cc/ https://www.instagram.com/auratype/ https://www.behance.net/fontsfighters ❤ Thank you for purchasing our product and supporting us! We hope this font can be part of your designs project. If you have other queries, questions or issues, just feel free and have fun to contact us directly. We are glad if we can help you more! If you are happy with our product, please put your star into our design reviews, it was so fantastic moment for us. Thanks! :)

Diary Writing – Modern Calligraphy Font Attention designers and bloggers! We created a new and fresh font that will add some life to your designs. Diary Writing font is a modern calligraphy font that has been created by 100% handwritten and contains basic letter characters, numerals, and symbols and comes with a full range of punctuation. Diary writing font is a modern calligraphy font with varying stroke thickness, inspired by love and passion. With its modern character, you can use this font for wedding invitations, formal events, quotes. It is a good choice for high fashion and luxury products, premium logos and branding, editorial designs. This handwritten font will give your designs an attractive appearance and will liven up even the most boring text. Take a look! Diary Writing features: A full set of upper & lowercase characters Numbers & punctuation 76 Gorgeous ligatures A full set of alternate lowercase characters Multilingual symbols PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Waba Pronounced ‘Vah-bah’, is a font family that I designed. The name comes from a historical variation on the Estonian word ‘vaba’ – meaning ‘free’, or 'at liberty'. Back in 2017 I visited the Estonian Print & Paper Museum in Tartu to see its great collection of type (well worth a visit!). While I was there I saw some big woodcut blocks of Reklameschrift Herold - a super Art Nouveau/Jugendstil style display font. The Print & Paper Museum's collection covers both Latin and Cyrillic faces and as a foreigner in these parts I'm kind of fascinated by the exoticism of Cyrillic. How it is different but the same to the Latin letters I take for granted (as a humble Englander – no excuses). Not to mention, Jugendstil with its imitation of natural form, reverse-weights and looping-delicious curves (like you've left the window open all summer and the garden plants are climbing in). This mix of Jugendstil, Cyrillic letters and the beautiful historical border town of Tartu inspired me to start drawing Waba. Trimming the serifs from Herold, simplifying those angles and expanding the category of weights, then taking look at the magical logic of Berthold Block and doing a few things that just seemed right at the time – Waba is a bit of love letter to Estonia, the Baltics and the visual history of Eastern Europe. Waba Monogram Waba also contains a monogram face, which allows you to create any monogramming latin and cyrillic. Simply type out your 2-3-4 characters in Waba Monogram, making sure Contextual Alternates is turned on them voila! Monograms can be customised manually using the OpenType select-pop-up in Adobe. Also included are a few Discretionary Ligatures for Mc, De, Von etc. Monograms work best when Contextual Alternates is turned on.

Say hello to Grenoble, the sans-serif font that combines the best of modern design with the elegance of vintage feels. With its monoline strokes and clean lines, Grenoble is both simple and sophisticated. Choose between the regular and slant styles to give your designs the perfect balance of classic and contemporary style. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Waghu is an abstract font that you can use for casual design purposes. It is also right for you to use it for formal design purposes, this font can adapt beautifully if you use it in your project. there are three alternatives thin, regular, and bold. makes it easier for you to combine them according to your needs. This handwritten font is perfect for children’s magazines, drink banners, games, posters, beverage, outdoor events, thumbnails, food banners, cheerful writing, film titles, quotes, titles, logos, and various kinds of projects you need, of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

Present to you for New Modern Serif, Stract! Stract is a sophisticated ligature and alternate serif from us. This typeface has been made carefully to make sure its premium quality and luxury feel. The ligatures and alternates makes this typeface unique and stands out rather than the regular serif font. This font is very suitable for logo, headline, tittle, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : - Ligatures & Alternates - Letters, numbers, symbols, and punctuation - No special software is required to use this typeface even work in Canva - Multilingual Support Please contact us if you have any questions. Enjoy crafting and thanks for supporting us! Thank you.

We, GalaStudio (Lilia & Galina) represent the SlimOne Normal font from our MELTING FONTS collection. On typing in Google the words "to slim" you can see immediately that the most in demand on the subject is: "to slim in one month", "to slim tips", "to slim - what should I do". We are obsessed with the idea to lose weight. It means now to become more healthy, more fashionable, self-confident and successful. Font as an important element of environmental design reflects contemporary reality. We want to respond to this challenge in our font design. Thus, in our GalaStudio the MELTING FONTS series was born. The fonts of the SlimOne family have a concept of disappearing graphic elements. The letters of these fonts look like melting, dissolving into the space. INCLUDED: GS_SlimOne_Normal.otf GS_SlimOne_Normal.ttf Numbers, additional glyphs & basic punctuation are included. PERFECT FOR: using in books titles, textbooks, notebooks, different brochures and advertising, especially for kids, home-ware design, packaging design; magazines, posters and flyers titles; logos design, books design, fashion design, slogans etc. :) Multilingual support included for the languages based on Latin alphabet.

The Silsilah family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Silsilah employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Silsilah family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

The Nasrallah family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Nasrallah employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Nasrallah family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

Classic Grotesque by Rod McDonald: a traditional font with a modern face. The growing popularity of grotesque typefaces meant that many new sans serif analogues were published in the early 20th century. Setting machines were not compatible with each other but all foundries wanted to offer up-to-date fonts, and as a result numerous different typeface families appeared that seem almost identical at first glance and yet go their separate ways with regard to details. One of the first fonts created with automatic typesetting in mind was Monotype Grotesque®. Although this typeface that was designed and published by Frank Hinman Pierpont in 1926 has since been digitalised, it has never achieved the status of other grotesque fonts of this period. But Monotype Grotesque was always one of designer Rod McDonald’s favourites, and he was overjoyed when he finally got the go-ahead from Monotype in 2008 to update this “hidden treasure”. The design process lasted four years, with regular interruptions due to the need to complete projects for other clients. In retrospect, McDonald admits that he had no idea at the beginning of just how challenging and complex a task it would be to create Classic Grotesque™. It took him considerable time before he found the right approach. In his initial drafts, he tried to develop Monotype Grotesque only to find that the result was almost identical with Arial®, a typeface that is also derived in many respects from Monotype Grotesque. It was only when he went back a stage, and incorporated elements of Bauer Font’s Venus™ and Ideal Grotesk by the Julius Klinkhardt foundry into the design process, that he found the way forward. Both these typefaces had served as the original inspiration for Monotype Grotesque. The name says it all: Classic Grotesque has all the attributes of the early grotesque fonts of the 20th century: The slightly artificial nature gives the characters a formal appearance. There are very few and only minor variations in line width. The tittles of the ‘i’ and ‘j’, the umlaut diacritic and other diacritic marks are rectangular. Interestingly, it is among the uppercase letters that certain variations from the standard pattern can be found, and it is these that enliven the typeface. Hence the horizontal bars of the “E”, “F” and “L” have bevelled terminals. The chamfered terminal of the bow of the “J” has a particular flamboyance, while the slightly curved descender of the “Q” provides for additional dynamism. The character alternatives available through the OpenType option provide the designer with a wealth of opportunities. These include a closed “a”, a double-counter “g” and an “e” in which the transverse bar deviates slightly from the horizontal. The seven different weights also extend the scope of uses of Classic Grotesque. These range from the delicate Light to the super thick Extrabold. There are genuine italic versions of each weight; these are not only slightly narrower than their counterparts, but also have variant shapes. The “a” is closed, the “f” has a semi-descender while the “e” is rounded. Its neutral appearance and excellent features mean that Classic Grotesque is suitable for use in nearly all imaginable applications. Even during the design phase, McDonald used his new font to set books and in promotional projects. However, he would be pleased to learn of possible applications that he himself has not yet considered. Classic Grotesque, which has its own individual character despite its neutral and restrained appearance, is the ideal partner for your print and web project.

The rounded forms found in Chennai have proven to be one of insigne's more popular designs for web-based company logotypes. Now, insigne's new superfamily Madurai takes its popular predecessor to a new level, offering a wide range of complementary fonts. Madurai removes Chennai's rounded stems and then adjusts the character width to account for its reduction in geometry, resulting in a balanced sans-serif face with humanist touches that works well for extended text. The Madurai family has a full range of six weights from thin to black and includes Condensed and extended options for a total of 36 fonts. All members of the Madurai series include a wide variety of OpenType alternates. Madurai is equipped for complex professional typography, including alternates, small caps and plenty of alts, including "normalized" capitals and lowercase letters that include stems. The face also has a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Madurai also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Madurai supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. For your next project, explore the fantastic potential of Madurai.

Death Stroke is a organic slab serif typeface which is purposely made for headline, display or logotype. It comes with illustration & logo extras. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Illustration extras Alternates & ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. PLEASE READ THIS: To use alternate charactter/swash you have to use opentype. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Paperlight Script - Luxury Calligraphy Font. Paperlight Script is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of ancient manuscripts. This calligraphy harmony gives the impression of being luxurious, free and sophisticated. The body text of Paperlight Script font has been designed with high details, precisely, smooth and flow. Paperlight Script font carefully designed to work together harmoniously making it perfect for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classic, formal or luxurious The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Introducing, The Stegris - Modern Serif Family. A pack of serif typeface with 5 weights : Light, Regular, Semi bold, Bold Black ready to choose according to your needs. This typeface also has special feature with its ligatures which make it unique even more. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Firmin Didot is credited with establishing the Modern genre of serif typefaces, of which Beaux Arts Didots stands as an exemplary model. Like the French neoclassical architecture of its namesake, Beaux Arts has all the hallmarks of the early nineteenth-century style: a clear and confident construction consisting of simple yet strong lines. Use it for elegant and formal settings, or when a direct typographic tone is desired. Mix it with styles of similar sensibilities such as Plinc Hanover and Davison Spencerian. Digitized from the original Photo-Lettering film matrix in 2014 by Jean-Baptiste Levée. BEAUX ARTS DIDOT CREDITS: Typeface Design: Photo-Lettering Staff Typeface Digitization: Jean-Baptiste Levée Typeface Production: Ben Kiel Typeface Direction: Ken Barber Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Introducing Boxer Machine, a powerful brush font that captures the essence of handcrafted strokes. With its strong and natural style, this font brings an authentic and dynamic feel to your designs. It is the perfect choice for logos and various formal applications such as labels, magazines, books, greeting cards, packaging, novels, and advertising materials. Boxer Machine exudes confidence and impact with its combination of uppercase and lowercase letters. The brush-inspired strokes add a touch of ruggedness and artistic flair to your typography, making it stand out from the crowd. Whether you're creating a bold logo or designing eye-catching headlines, this font is sure to leave a lasting impression. In addition to its aesthetic appeal, Boxer Machine offers functionality. It includes numbers and punctuation marks, ensuring versatility across different design projects. With multilingual support, you can effectively communicate your message to a global audience. The font also features PUA (Private Use Area) Encoding, granting you access to special characters and glyphs. Take your creativity to the next level and personalize your designs with unique elements.

Aston Script is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Aston Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose. Aston Script has 1330+ glyphs and 1039 alternative characters, including various language support. With OpenType features with alternative styles and elegant ligatures. The OpenType feature does not work automatically, but you can access it manually and for the best results needed for your creativity in combining this Glyph variation. ? New Update, Now the Aston Script font has been updated or has two styles with the Aston Script Bold version.

Mavitya is a serif font with a classic but modern style with smooth curves and beautiful binding, consisting of regular and condensed versions with four types. allowing for a very sophisticated and contemporary approach to typography and the unique look of the font it also features ligatures and multi-language support. This font is made perfect for application especially on logos, and many other formal forms Mavitya provides a distinct, creative and expressive message for your branding, advertising, packaging, headlines, magazines, websites and other large projects. Feature: - 4 Font Weights — Regular, Condensed - Numbers & Symbols - Supported Languages - Alternatives and Ligatures - PUA coded What's included: - Mavitya Regular + Oblique - Mavitya Condensed + Oblique We strongly recommend using programs that support OpenType features and Glyphs panels such as Adobe and Corel Draw applications, so you can view and access all Glyph variations. Families like this have become a true labor of love, making it as easy and enjoyable as possible. I really hope you enjoy it! Thank you Enjoy the font and be creative :)

Campana Script is your go-to for classical elegance. Picture walking into an old bookstore and discovering a handwritten love letter tucked inside a dusty novel. This font brings that level of intimacy and nostalgia to your designs. Designed with heavy lines and intricate swashes, Campana Script suits formal applications like wedding invitations, certificates, and classic logotypes. Use underscore _ to make a swash. Example: Deco_rative Use multiple underscores to make different underlines. Example: Candy__shop Campana Script is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, and includes all the characters and symbols you'll ever need. Behind this exquisite creation is Mans Greback. Known for pushing the boundaries of type design, Greback has ventured into the intricate intricacies of aesthetic diversity with Campana Script. His portfolio is a testament to his versatility and daring, turning simple alphabets into powerful visual narratives.

Bellanaisa Script - a new fresh & modern calligraphy style, decorative characters and a dancing baseline! A mixture of copperplate calligraphy with hand lettering style. So beautiful and perfect to be applied in any type of formal pieces such invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels, cards, branding materials, business cards, quotes, posters, and more design concept! Including multiple language support. With OpenType features with stylistic alternates, ligatures and swash characters, that allows you to mix and match pairs of letters to fit your design, and also a touch of ornament makes this font look elegant and classy. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Swash Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe Photoshop , Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

While the Aspire family finds its roots of inspiration in the ACURA automotive company logo, with its wider base, the Aspire Narrow family condenses those styles into something more suitable for larger bodies of text in a more standardized width. Aspire pays homage the techno display styling of the inspiration logotype, further evolving beyond its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It adopts a sturdy yet approachable style with its uniform stroke forms and curves, and goes on to include a lowercase, numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here’s what’s included with the Aspire Narrow Family bundle: 477 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) Stylistic Alternates - alternate characters that remove the angled stencil cuts for a more standardized text look. 3 weights in the family: Light, Regular, & Black. 3 obliques in the family, one for each weight: Light, Regular, & Black. Fonts are available in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here’s why the Aspire Narrow Family is for you: - You’re in need of a narrow automotive sans font family with a range of weights and obliques. - You’re love that ACURA letter styling, and want to design with a narrow font within that genre. - You’re looking for an alternative to Eurostile with more stylized letterforms. - You’re looking for a clean techno typeface for your starship console labelling. - You just like to collect quality fonts to add to your design arsenal.

Halcyon is a post-geometric typeface made up of 16 fonts across 8 weights. Each weight contains an upright with a corresponding true italic. Halcyon's design builds on the foundations of classic typefaces such as Futura, Gill Sans and ITC Avant Garde Gothic, by mixing their geometric structure with more modern humanist qualities and attributes. The result is a friendly and approachable personality with a sophisticated and serious edge. Halcyon feels familiar, but unique, playful but not asinine. The versatility of its character makes Halcyon a reliable choice for any design decision. With a large variety of weights, and a whole host of Open Type features, Halcyon can adapt to fit the tone of your communications. The lighter weights present a more refined and formal voice, while the heavier, oversized weights grow more exuberant. It's large x-height and open apertures increase it's legibility, making it perfect for setting large display headlines or small sized, long form text. Halcyon is a multilingual family with hundreds of accented characters, and allows for customisable characters through diacritic combinations. All European languages are already covered, alongside many more within the Latin alphabet.

Lang Sans is an elegant contemporary condensed typeface with strong stylistic geometric, authentic contrasts, drawing on the aesthetics and representing the shifting contemporary aesthetics. The distinctive stance gives the right visual consistency for branding and communications. Lang Sans is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, body copy, digital and more.

Funky Fat Jiggly PW is intended and suitable for Display use and Titles. It's not very suitable for long paragraphs of text. This font is meant for fun, fun, fun! It contains the basic characters. Uppercase, lowercase, numerals, and basic punctuation. See the character map for all of the included characters. Funky Fat Jiggly PW is available in OpenType, PostScript and TrueType format.

Tale is an experiment to convert the script-style calligraphy into bitmap format. The two variants have the same dimensions, but (as the naming suggests), Forty has double amount of pixels in it when compared to Twenty. Both variants have hand made bitmaps to compliment these correlating point sizes, and you can always get the appropriate bitmaps by multiplying by two.

Carnac, a minimalistic monoline face follows the same linear structure as its earlier released, rounded counterpart Carnas. Carnac, however, appears crisp and fresh because of its squared edges and angular contours. It is a clean, contemporary face with a wide range of styles from Thin to Black. Designed to be ideal for shorter and longer text applications and also for headlines and signage. The Carnac family consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Street Ruins A bold display font where you can give off a retro feel and a playful display style. Great for vintage theme designs, book covers, food packaging, merchandise etc. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks :)

Morguns is a bold type of font that has a different character from other bold fonts, Morguns has a strong but soft character, with an elegant and fresh theme, supported by 4 choices of font types, Morguns is able to answer your current needs who are designing something great . Its weight excels in logos, posters, social media, magazine titles, clothing, large print formats - and anywhere you want to see it. Inspired by the design styles that are currently popular, let's make your imagination come true with Morguns. Features : Lowercase & Uppercase numbers and punctuation multilingual ligatures alternates PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

SQUADRA is a serif typeface with more than 220 characters, framing a perfect union between typefaces of his style and unconventional shots from the calligraphic pen; Its strong and imposing appearance, the pronounced contrast between his strokes and changes in traditional aesthetics provide you with elegance and distinction to differentiate over other types of the same class. Easy modifiable and great graphic content to small and large format SQUADRA is able of generating a clear and direct message, suit almost any topic and perfect for use in posters, logos and editorial headlines. Infinitely versatile typeface that evokes both the beauty and finesse of the plants as power its thorns and its deadly poison.

Halifax represents a new interpretation of classic English Sans types such as Gill and Johnston. The main focus in this approach is on a more open appearance and balanced proportions, which results in an even line flow. Although Halifax adds some of the rationality of the central-European sans tradition, it still preserves a distinctly English flavor. The Halifax family consists of 16 styles and comes in OpenType format with extended language support. Halifax is very well suited for ambitious typography. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

The Linotype® Gujarati typeface was originally developed in 1983 by the Linotype letter-drawing studio under Fiona Ross’s art direction. This revival was designed by Gunnar Vilhjálmsson and Kalapi Gajjar with Fiona Ross as a consultant. The family has five weights from Light to Black. It is a traditional design, optimized for setting lengthy text copy for print projects or for use on screens. While faithful to the original design, Linotype Gujarati introduces many design improvements, additional weights, and an extended character set. This new Linotype Gujarati is part of a project to refresh the pivotal Linotype Bengali and Linotype Devanagari typefaces and make them available for the first time in the popular OpenType font format.

Printers Drawer JNL continues building on a library of letterpress illustrations, cartoons, ad builders, Art Deco ad panels, ornaments, embellishments, and general miscellany. The images are re-drawn from vintage source material, and this font is jam-packed with 89 images spread throughout most all of the standard keyboard positions. This is officially the 1000th release from Jeff Levine Fonts since its inception in January of 2006. Jeff Levine Fonts aims to preserve the almost-lost artwork and lettering styles of the past within a digital type format, and often recreates the designs complete with their evident flaws, idiosyncrasies and eccentricities; allowing for a “real world” and nostalgic look to the computer generated art projects of today.

Xylo is a rugged, no-nonsense typeface that was originally designed in 1924 by the Benjamin Krebs type foundry in Frankfurt am Main, Germany. Even back then, Xylo must have been very popular; the design made it at least as far as England. In 1995, after finding its design in an old London printer's reference book, the Letraset Type Studio faithfully converted Xylo into digital format. A time-proven display face, Xylo will convey a feeling of power and strength in any application. Best used big in headlines or logos; Xylo exudes an expressionistic and art deco spirit that just as much at home today as it was during the roaring 20s!

Periwinkle is a fun and happy digital revival based on an old photo-typositing face. Filled with 1960s and 1970s charm, Periwinkle contains a full set of alternate swash caps as well as a few lowercase swashes and other alternate glyphs to add typographic variation. This font seems to take us back to our childhoods with its curly cues and slightly modulated baseline. Perfect for any project that needs fun, laughter and liveliness! Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

On October 12th 1976 a new basilica was inaugurated in honor and in gratitude to the Patron Saint, the Virgin of Guadalupe, loved by the Mexican people. This basilica was designed by the Mexican architect Pedro Ramírez Vázquez (died on April 16th 2012). It stands out by its hug spacious interior, generously decorated with bronze elements. The aesthetic value of these items even includes many signs and text inscriptions in a particular typeface and style, of which this font is a reinterpretation. The purpose of this project is to revival this eclesiastical written letter forms in bronze and taking them to digital format. I was inspired to this on my last trip to Mexico in September of 2012.

Chelsea Queen was built with OpenType features and includes numbers, punctuation, alternates, ligatures, swash and icon sign and it also supports other languages. Chelsea Queen is a very unique font, because there are 85 sets of ligatures that will make writing natural and elegant. This is very suitable for use Logo, Wedding, Fashion, Poster, Menu, Invitation and there is still much that can be done with this font. Chelsea Queen File Downloaded: - 85 set of LIGATURES (make your natural handwriting) - Both OTF and TTF file formats (Regular, Italic, and swash and sign) - UPPERCASE and lowercase - Swash and sign font ( A-Z and a-z ) - Panctuation and numeral - extended Latin characters for language support.

The Yorkten family of fonts is back with another satisfying addition to its clean style. The rhythmic, new Yorkten Slab expands Yorkten’s basic, contemporary form of geometric and simple lines and adds a level of self-confidence and elegance to your work. Slab's basic structure is compact. It’s more condensed than most slabs, so you can save space yet still have clear, consistent readability. The added serifs create a fresh text color, too, that syncs well with the new font’s inherited features. Like its predecessor, Yorkten Slab offers its natural, simple structure with more than fifty fonts in the family and three different widths - extended, normal or condensed. Each group has eight weights from a lean thin to tough looking black, giving Yorkten Slab plenty of bragging rights among its peers. And like Yorkten, too, Yorkten Slab’s greatest value is the ability of its members to work easily and well together and with a variety of other fonts. Yorkten Slab ensures that you have the necessary tools for any challenge. In combination with its superior functionality and excellent readability, this versatile font can be effectively used for many print and screen operations: e-books, applications, headlines, banners, posters and websites to name a few options. Don’t wait any longer. Start tapping the possibilities that Yorkten Slab offers your work.

Sabine is an Arabetic type design with a calligraphic flavor. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Sabine employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. In Sabine Kashidah, Irsal, and Tasmim keying Tatweel (shift J) after certain glyphs will replace it with a long stroke glyph. In Sabine Tasmim, keying it a second time will replace glyph with a final form swash (Irsal) glyph. In Sabine Irsal all final forms are swash glyphs. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Sabine family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

Arturo is a brand new font family drawn from the original inspiration of an old alphabet in one of Dan Solo 's Dover Clip Art books. It has moved far away from those raw roots, however. Every character has been redrawn. For example, I had a light version that I never could get working. Arturo is based on that light style and called Arturo Book. The name comes from a good friend of mine in El Paso. He was the guinea pig upon whom I foisted off the beginnings of this style so many years ago. I did several marketing pieces for him using the raw drawings. I figured that he deserved to have the family named after him, at the very least. This is a normal font family for me in that it has caps, lowercase, small caps with the appropriate figures for each case. This font has all the OpenType features in the set for 2009. There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!