Jouvencelle is a contemporary version of classic 18th-century typographic elegance, distinguished by its dynamic lines of force and the heterogeneous design of some of its typefaces. Its personality is expressed by its graphic richness, its whimsical harmony and the finesse of its strokes, making it ideal for large format, titling or textile printing. This unique, sophisticated and versatile serif family of 382 glyphs and 17 ligatures is perfect for branding projects, logos, apparel, packaging, magazine headlines, advertising, T-shirts, postcards and more.

Microsoft Sans Serif™ Regular is a very legible User Interface (UI) font. It was designed to be metrically compatible with the MS Sans bitmap font that shipped in early versions of Microsoft Windows. The original MS Sans was in the inflexible .fon bitmap format and could not be scaled. Microsoft Sans Serif Regular is much more flexible and legible as it font antialiasing and scalable user interfaces. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Decima Mono Pro is an upgrade of the well received Decima Mono typeface, released back in 2009 and quite successful ever since. This is a modern monospaced condensed sans serif family with classic geometric design, built in three weights and six styles. The letterforms in roman style are techno (engineered) in appearance, while italics remind one of elegant handwriting balanced with Roman geometry.\ The typeface is released in OpenType format with extended support for most Latin languages, as well as Greek and Cyrillic.

Introducing. Klender: The modern and retro styled fonts have some additional alternative characters that make them beautiful. With these 2 styles you can apply them to your branding designs, business cards, posters, social media posts, merchandise and more. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Alternates & PUA Encoded. Obtained file format: Otf & Ttf. Thanks :)

RAILHAM is a slab typeface with more than 330 glyphs including uppercase, lowercase, numbers, small caps, accents, punctuation, currencies, etc. Inspired by the tracks of a railroad, with stems that narrow at the top, Railham typeface, like a train looks to the future without forgetting the fundamentals of a long road, detaining in the detail of every element to form a strong, fast and versatile family. Retaking and uniting essential concepts of typography, rounded serifs with especially wide base, forms and counterblocks that complement together, RailHam typeface neatly adapts to any topic, besides being practical and readily legible in small and large formats, joining a select list of modern slab serif fonts.

Griggs is a variable type family with six-axis. Available as both static and variable font built to maximize versatility. This is a single variable font that can morph between a wide range of stylistic variations with each of its axes: Weight, Serif, Grade, Stylistic Set 1, Stylistic Set 2 and Slant. Also offer a variable subtle grade axis for slight weight adjustments, to user different preferences. For slant axis will automatically apply stylistic set 2 or set custom values on each axes for more options. A multi-purpose sans serif and serif typeface with high contrast, inktraps, sharp form, clean cuts and playful details, to convey the impression of opulence, elegance with a distinctive look. It comes in 3 distinct individual cuts within the Sans, Flare, and Serif subfamilies. Allows for many variations across its subfamilies, weights and styles. Each typeface contains with a warm personality and contemporary look. With different stylistic sets, you can choose the best-desired result for your design. You can change the feel of your design from more delicate, to bold to its sharpest most style. Griggs family with various styles will be an handy tool for a wide variety of designs. Excellent for text large and small. It’s a brilliant choice for branding, identity design, editorial design, logo design, display and packaging design etc. Typeface Features: * 325 Glyphs * 3 Subfamilies: Sans, Flare, Serif ( Each 8 Styles + Slant ) * 6 Weight: Thin, Light, Regular, Semi Bold, Bold, Black * Complete Collection: 144 Styles + Variable Font * Opentype Features: Stylistic Set 1, Stylistic Set 2 * Latin Language support including * Kerning * Autohinted Thank You.

Auchentaller was inspired by a travel poster by Josef Maria Auchentaller in 1906. To our knowledge, it was never cast in type. Grado lies on the northern Adriatic, between Venice and Trieste. At one time the port for the important Roman town of Aquileia. With the decline of the Roman Empire, the upper Adriatic region came under the rule of the Visigoths, the Ostrogoths, the Byzantines, the Lombards, the Franks, the Germans, the Venetians and finally, in 1796, the Austrian Hapsburgs. So it remained until the dissolution of the Austro-Hungarian Monarchy in 1919, following World War I, when the seaport of Trieste was awarded to Italy. With Trieste came Montefalcone, Aquileia and Grado. The area was marked by years of political tension between Italy and Yugoslavia, exemplified by the d'Annunzio expedition to capture Fiume (Rijeka) in September, 1919. Some basic discussion of the period from 1919 to 1939 may be found in Seton-Watson’s Eastern Europe Between The Wars (Cambridge 1945) and Rothschild’s East Central Europe Between The Two World Wars (Seattle 1974). In 1965 I was traveling by train from Venice to Vienna. Crossing the Alps, the train stopped for customs inspection at the rural Italian-Austrian border, just above Slovenia. We were warned not to get off the train because there were still shooting skirmishes in the area. Through all this, Grado remained literally an island of tranquility, connected to the mainland by a only causeway and lines on a map. Auchentaller not only painted the beach scene at Grado, he moved there, living out the rest of his life in this comfortable little island town. His travel illustration contains the text from which the design of our font Auchentaller is drawn. The text translates: "Seaside resort : Grado / Austrian coastal land". Please see our gallery images to see a map locating Grado, as well as Auchentaller’s painting of the resort. Auchentaller is a monoline all-cap font, light and open in design , with a lot of typically art nouveau letter forms. Included in our font are a number of ligatures. As is frequently seen in designs by German speakers, the umlaut is embedded in the O & U below the tops of the letters. This approach led to two whimsies: a happy umlauted O and a sad umlauted U. This font has a clean, crisp look that is very appealing and very distinctive. Auchentaller ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Add glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 336 glyphs. 2. Added OpenType GSUB layout features: pnum, liga, salt & ornm. 3. Added 116 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. Revised ‘J’. 6. Minor refinements to various glyph outlines. 7. Inclusion of both tabular & proportional numbers. 8. Inclusion of both standard acute and Polish kreska with choice of alternate accented glyphs for c,n,r,s & z. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Between the most rigid geometric letterforms and the most expressive calligraphy works there are, undoubtedly, countless combinatory possibilities. Ingeo is just one of them. Located very close to a geometric approach it shows, however, a clear willingness to accommodate in its structure the calligraphic traits of our alphabet. In Ingeo geometry grows from the inside, meaning that all its counters are based on geometric shapes. Around them, contours are later defined. The solid mass resulting from that interaction is modulated in specific areas in a way that evokes the way a writing hand finishes a letter and starts the following one. Ingeo seeks to accommodate calligraphic features in its geometric structure without any complexes, in the same way a computer engineer writes a song or a poet admires the orbits of planets and satellites. In this vast and unmapped realm between seemingly opposing concepts is where Ingeo finds its playground. There, that interaction is pushed to its limits and the resulting letterforms are later confronted with typographical conventions to assess whether they survive. Ingeo comes with 695 glyphs in its character set with support for more than 270 languages. Among these glyphs you can find 5 stylistic sets, 19 useful science-related icons as well as 7 different designs for ampersands.

JUST Sans is a highly versatile sans serif typeface with endearing, modernist warmth, geometric legibility, and a distinctive friendly bite. Designed as a professional modern geometric sans serif, JUST Sans is both serious and friendly, neutral but warmly expressive, technical but not overt, and familiar but unique enough to stand on its own. With open-airy characters and a generous width, JUST Sans has an elegant contemporary feel, with sharp angled terminals that give it grip and make it so expressively endearing. With a clean, simple, and minimal aesthetic, JUST Sans is a functional workhorse with 7 weights, complete Latin extended language support, precise hand-adjusted kerning, and a variable version for maximum versatility. JUST Sans includes hand-hinted web fonts optimized for clear, legible text on screens making JUST Sans perfect for the web as well as logos, branding, headlines, paragraph text, UI, signage, packaging, posters, and industries rooted in technology, new media, architecture, fashion & design. With its universal functionality & characteristic bite, the JUST Sans family is an essential addition to your type arsenal, even if just for those beautiful stylistic numbers. For lovers of modern sans serif fonts who are looking for something a tad more warm, open & expressive, JUST Sans is for you.

When there is no picture of a "most wanted" or "Missing Persons", photofit pictures are used. Once drawn by hand, they are now more and more substituted by photomontage. The personality is created with different modules like head, eyes, nose and mouth. The vague memory of a witness leads to the image of a "concrete" person. Sometimes different combinations of possible looks are attributed to a same person. This new virtual image finds itself soon in thousands of archives and data bases. Anyone can easily have access to those images by internet. To increase security and help track criminals, unknown death (Mr. Smith) or lost and kidnapped people, government asks citizen to help search those people. "Mr. J. Smith" is a font family consisting of 4 portrait-fonts and one letter-fonts. The portrait font "Mr. J. Smith" is a portrait-construction-kit. By layering the fonts "Head", "Eye", "Nose", "Mouth" one over the other, you can design over 7 million different faces. The font "Wanted" gives you the possibility to join names and registration numbers to the unknown or most wanted persons. What is nice about this font is the "surprise moment". Just write a word , "security" e.g., and you will get a nice shot of 8 different characters!

Relato has a low contrast and “a muscular” structure that makes it useful for setting longer text. In display sizes it has a variety of details that lends it a unique and personal expression. The formal principle of the serif, the variety of terminal strokes and the combination of curves and semi-straight lines gives the Relato a more “human” flavor. The inspiration for the design comes from different traditional calligraphic styles. The upper case letter, for example, is based on roman capitals from the Rennaissance, whereas the lower case relates to humanist handwriting. Even so, Relato is a decidedly contemporary typeface, proposing individual ideas on the design of type. The italic has a distinct typographic color thanks to the construction principle of broken lines. The bold weights have an increased contrast in the union of the strokes which helps improve legibility in small sizes and reinforce their personality in display sizes. The family consists of a Regular version, Italic, Small caps, Semibold and Bold. For a sans serif version of Relato, please see Relato Sans.

Mestre is a German & Dutch inspired geometric sans-serif designed. Its solid and formal shapes are embedded with a discreet humanist flair resulting in a very versatile contemporary hybrid and a highly functional and flexible font for many of today’s branding & UX requirements. With its rational forms and its large x-height, Mestre is perfect for long texts in small sizes allowing a comfortable reading. Its open forms, moderate & balanced proportions, neutral appearance and solid structure grant a high legibility on paper and on screens. With its extensive 8 weights and corresponding true italics, more than 900 glyphs per font, extended character set to support Central and Eastern European as well as Western European languages and a wide OpenType features set (small caps, case-sensitive forms, lining, tabular & old-style figures, scientific superior/inferior figures, fractions, a set of arrows, etcetera) it is meant to build visual hierarchies of any detail and complexity in editorial design or deliver the best performance for branding purposes. Mestre is a great choice for modern, contemporary and professional typography.

Tokoloshe is a name in African mythology for a mischievous leprechaun-like figure that loves practical jokes and tricking people. There are many books of such African stories, for example Tales of the Tokoloshe by Pieter Scholtz. The letter shapes that I used in the Tokoloshe font have inspiration from two sources: -- the spiky character of the font was derived from the wonderfully imaginative, wooden carvings of the Makonde people of beings called "shetani". The word "tokoloshe" is used by other tribes, but from his behaviour, he is certainly a type of shetani. -- some of the letter shapes were informed by Art Deco styles of fonts, for example: Kunjani, Black Tie SF, Selznick Normal, Zaire SF, Binner Gothic and ITC Anna. But the Tokoloshe font, like its namesake, is much more freespirited. Use this font whenever you want to suggest the rich artistic, cultural and spiritual heritage of Africa. The font is fully professional in terms of its character set. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). In fact, it has all the accented characters used in the major European languages.

I just loved the design idea behind this font, but the original font had a lot of ugly artifacts - so I have completely redrawn ALL the letters, before expanding the character set. The lowercase has been redrawn with a higher x-height, making the font even more usable (with more "normal" word shapes). ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Nagham was designed using uniform glyph thickness throughout and exaggerated letter heights to offer a vertical look and feel. It supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. This font family includes two letter spacing flavors: isolated for small text and overlapped for large or display text. The two flavors come with two weights, regular and bold, each of which has normal and left-slanted Italic versions. The script design of this font family follows the Arabetics Mutamathil Taqlidi style utilizing varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Nagham includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph.

Debut Studio Presents The Retromax.... This Script is a special script or typeface in which the emphasis is reversed from the norm: instead of the vertical lines being wider or thicker than the horizontal lines, which is normal in Latin alphabet writing and especially printing, horizontal lines are the thickest. It's quirky and fun, you can use for any project. Retromax is also a Layered Fonts, Layered fonts have letters that appear raised, or stacked in multiple layers of different shades or colors. Some layered fonts actually include multiple files for each layer. With layered font families, we can create novel combinations of 3D with Shade. Features: Uppercase & Lowercase Number & Punctuation Multiple Language & Stylistic Alternate Files Included: Retromax Regular Retromax Offset Retromax 3D Retromax Shade I hope you like my latest product, This collection will be perfect for creating posters, art prints, apparel and t-shirt designs, Instagram and other social media posts, and many more. if you have questions and problems when using it, please leave a message in the comments or via direct message, I will be very happy to reply, Happy Designing!

Introducing Reinfolk - Decorative Sans, created by ikiiko. Reinfolk is a sans serif typeface with a unique decorative shape. The form is a combination of the sans typeface with the tail character on the slab letter, so that it forms a unique formation and has a distinctive character. Reinfolk is a simple font, with a elegant and calm impression. This typeface is perfect for an elegant logo, branding, layout magazine, home & decor layout, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Stylistic Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Hokagata is a casually and quickly written brush script. Letters are made with brush pen on a paper. Then scanned and carefully drawn into vector format. There is just a right amount of texture left so it looks good in small and big sizes. These elements gives Hokagata its organic, authentic and laid-back characteristics. The Hokagata Family includes 2 font files: 1. Hokagata • A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Hokagata Swashes • A set of 64 hand-drawn swashes, the perfect finishing touch to underline your Hokagata text. Simply install this as a separate font, select it from your font menu and type any A-U character to create a swash.

Bold, muscular, vaguely oriental, Wedge Gothic ML is the original name of this font released by Barnhart Bros. and Spindler of Chicago in 1893. The straight-forward, no-nonsense name tells us exactly what to expect: sans-serif letterforms based on wedge-shaped vertical strokes. The typeface was dropped for awhile -- it does not appear in the 1907 catalog for example -- but reappeared in 1925 as Japanette. What is the opposite of "straight-forward" anyway? According to McGrew, Wedge Gothic was originally created for the Chicago Herald newspaper. The designer is unknown. A distinctive display face, useful when a strong and unusual statement is desired. Wedge Gothic ML features: 1. Glyphs for the 1250 Central Europe, the 1252 Western Europe, the 1254 Turkish and the 1257 Baltic Code Pages. Total of 335 glyphs. 2. OpenType GSUB layout features: pnum, ornm, hist & salt. 3. 66 kerning pairs. 4. Both tabular & proportional numbers. 5. Alternate bullets. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Introducing, Deluge- Handwritten Script Typeface. The natural hand writing feel make this font makes it stands out. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Bonhomme Richard evokes the cursive penmanship of Chevalier John Paul Jones (1747–1792), celebrated Continental Navy commander during the American Revolution, in letters from the late 18th century. The font’s name comes from Jones’s famous frigate, lost during his victorious engagement with the British in the Battle of Flamborough Head in 1779. During this battle Jones is said to have exclaimed, when urged to surrender, “I have not yet begun to fight!” (In fact, his likely words were, “I may sink, but I’ll be damned if I strike!” – i.e., surrender.) A legible script, Bonhomme Richard has an elegance about it while also conjuring the colonial era of its source material. Use to simulate historical handwriting in film props, games, formal invitations, product labels, and the like.

Inspired by the works of Howard Philips Lovecraft (1890-1936), and the city of Arkham lying abroad the Miskatonic River... witth all those witchcrafts secrecy and the infamous Necronomicon. The Elder Ones and the mighty Cthulhu, who lies and not dies within the dephts of the ocean in R'lyeh he's awaiting... arf, anyway this font will well set for posters, detective stories or horror books, pulps and others... *Full western latin language with most diacritics and numbers* Included in this set: - ARKHAM77 Black (More formal display) 560 glyphes - ARKHAM77 Elegante (for a creepiest rendition) 590 glyphes - ARKHAM77 Titles (as its name do not tells, for credits, or simple text) 560 glyphes - ARKHAM77 Extras (Embellish your work with this cool collection of frames and ornaments) +100 glyphes

Calsera is a vintage display font duo. Inspired by 50s-60s signages, this font made to bring back the good ol' days. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. ADDITIONAL INFORMATION : For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. simply email me to : ironbirdcreative@gmail.com We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Introducing the Shalyne Typeface. This luxury and timeless italic serif is perfectly designed with Ligature & Alternates . can make your lettering/logotype become more attractive. The clean and neat serif combined with the alternate & ligatures makes this font very attractive. This font is perfectly made to be applied especially in logos, and other various formal forms such as invitations, labels, logos, magazine headers, books, greeting/wedding cards, Clothing Branding, product packaging, fashion, makeup, quotes, stationery, novels, cutting, labels and advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures stylistic alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. Thanks & Happy Designing!

Aukim is an exceptional, unique and ligature-rich font that gives a new look to your texts. It is a more text-oriented font and thanks to its OpenType features, it becomes versatile. It is available in 3 sub-families (condensed, normal and extended) for a total of 54 fonts. There are 9 weights with their real italics. It has 886 glyphs, 107 uppercase and 65 lowercase ligatures per font. It also offers a wide range of languages, from Latin to Cyrillic, as well as powerful OpenType features such as meticulously and professionally maintained kerning, stylistic variations, swashes, highly distinctive ligatures, old-fashioned tabular figures, fractions, denominators, superscripts, unlimited subscripts, arrows and much more to satisfy the most demanding professionals. On the one hand, it has rounded curves with very open endings that make this font family noble, friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suitable for graphic design and any display use. It could easily work for web, signage, corporate design as well as editorial design. Aukim is a cool, wonderful, elegant, bold and fun display font. It can easily be paired with an incredibly wide range of projects, so add it to your creative ideas and notice how it makes them stand out!

Why Baka Expert? There’s actually a simple answer. The original Baka was done as an experiment of sorts. I wanted to quickly capture a rough, frenetic handwriting style that broke normal conventions. Commercially, it was successful, received some accolades ... but I wasn’t completely satisfied, so I went back to the master art and the lettering explorations and produced Baka Too. This addressed some of the line items I wanted to refine in Baka. I liked it. Each font has been out for a few years now, and I have seen them in use. I’m very critical of my work, and I could still see things—modulations of strokes, angle of the nib, ink swell, and so on—that I wanted to change, refine, and reorder. For me, it is typographic indulgence, but I wanted to take this handwriting ‘font’ and turn it into a robust ‘typeface.’ So I did just that and a bit more by adding back more of my initial flourish concepts; attaining tighter, consistent control of the modulation; optimizing points; adding titling options; and expanding the character language set. Baka and Baka Too had to exist to produce this entirely new re-envisioning of an old friend ... and they all play well together :)

Colonial Press is a font based on serif typefaces designed by William Caslon I (1692-1766) and various revivals thereof. Caslon is cited to be the first original typeface of English origin, but some type historians point out the close similarity of Caslon's design to the Dutch Fell types, presumed to be the work of Dutch punchcutter Dirck Voskens. Colonial Press harkens to the look and feel of newspapers in Colonial North America around the mid 1700s without the rough edges commonly associated with colonial printing and many reconstructions. The rough quality of the American typeface is believed to be the result of oxidation from the exposure to seawater during the long voyage from England to the Americas. Colonial Press is a heavy font that retains some of the handcut quality of these fonts while smoothing out the irregularities that make many of these fonts so visually distracting at larger point sizes. For the italic version of this font, I chose to emulate the more ornate letterforms that I have encountered, giving the italic characters a more ornamental feel. Colonial Press comes with full punctuation and a 362 glyph character set for most Western European-based Latin alphabet languages. It is a font that is designed both for normal typing and for larger, decorative display.

Brioso Pro is a new typeface family designed in the calligraphic tradition of the Latin alphabet. Brioso displays the look of a finely-penned roman and italic script, retaining the immediacy of hand lettering while having the scope and functionality of a contemporary composition family. Brioso blends the humanity of written forms with the clarity of digital design, allowing designers to set pages of refined elegance. Designed by Robert Slimbach, this energetic type family is modeled on his formal roman and italic script. In the modern calligrapher?s repertoire of lettering styles, roman script is the hand that most closely mirrors the oldstyle types that we commonly use today; it is also among the most challenging styles to master. Named after the Italian word for ?lively,? Brioso moves rhythmically across the page with an energy that is tempered by an ordered structure and lucidity of form.

Hidorka is a very cute, elegant and unique handwritten font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! This font is PUA coded which means you can easily access all the glyphs. Hidorka is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and highly readable, thanks to its many luxurious letter joints. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -2 Type Font -Uppercase -Lowercase -Alternative - Ligature - Punctuation -Number - Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

Glandan is a very cute, elegant and unique handwritten font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! This font is PUA coded which means you can easily access all the glyphs and strokes! Glandan is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and highly readable, thanks to its many luxurious letter joints. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -Uppercase -Lowercase -Alternative -Ligature -Punctuation -Number -Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design

Mongilon is a very Beautiful, elegant and unique handwritten font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! This font is PUA coded which means you can easily access all the glyphs and strokes! Mongilon appeals because it is sleek, clean, feminine, sensual, glamorous, simple and highly readable, thanks to its many luxurious letter joints. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -Uppercase -Lowercase -Alternative - Ligature - Punctuation -Number - Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

Hilender Rhapsody is a modern script font that has a cute and elegant touch. Hilender Rhapsody is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many luxurious lettering connections. I also offer a number of decent stylistic alternatives for some of the letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. . . . . . . . . Files include: • Hilender Rhapsody Regular • Hilender Rhapsody Bold • Hilender Rhapsody Slant • Hilender Rhapsody Bold Sant Contains full set: -Has 4 font models: Regular, Bold, Slant and Bold Slant -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help. Thanks & Congratulations on the Design!

Abongia is a very cute, elegant and unique handwritten font. Expertly designed to be a true favourite, this font has the potential to take your creative ideas to the highest level! This font is PUA encoded which means you can access all the glyphs and sweeps easily! Abongia is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many fancy letter connections. I also offer a decent number of style alternatives for all letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -4 Type Font -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help.

Bergidan is a very Beautiful, elegant and unique handwritten font. Expertly designed to be a true favourite, this font has the potential to take your creative ideas to the highest level! This font is PUA encoded which means you can access all the glyphs and sweeps easily! Bergidan is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many luxurious letter connections. I also offer a decent number of style alternatives for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertisements. for your purposes. . . . . . 4 Type Font Regular Slant Bold Bold Slant need help or have questions let me know. I'm happy to help. Thanks & Congratulations on the Design.

Asper Crown a strong and bold sans serif with a touch of vintage look and feel. Comes with 38 bonus hand drawn illustration in vector and free 12 premade logo. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular & Stamp version 38 hand drawn illustration 12 premade logo uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

ITC Flora is the work of Dutch designer Gerard Unger, and is named for his daughter. He started by doing calligraphy experiments with felt-tip and ballpoint pens, and developed these drawings into a formalized script typeface. Swiss typographer Max Caflisch advised the Dr.-Ing Rudolf Hell GmbH technology firm to add a new round-nibbed script face to their Digiset type library, and in 1984, Flora was released by Hell. Unger used a chancery cursive skeleton in this design, which imparts grace and movement. Flora was also intentionally designed to be simple and sturdy, and with its minimal variation in thick/thin stroke ratio, it worked well on the early digital typesetting machines. In 1989, the International Typeface Corporation released the font. ITC Flora continues to work well on current printers and typesetters, and it has an enduring popularity for uses that range from short text passages to display headlines.

Short Films is an all-new-styled family, which kind of looks like Art Deco Style. Wide opened counters and softly rounded bowls create a new feeling – Retro but futuristic, geometric but humanistic. Exquisite contrast between thin and bold parts of glyphs make mixed feeling – Pop and feminine, formal and casual, strong and soft. The most distinctive feature is a coexistence of decorativeness and Readability. This coexistence expands the range of font usage. You can use this font for not only titling but also body-text. Short Films consists of 6 weights and their matching Italics for a wide range of usages. Further, Short Films supports international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Short Films covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.