The family keeps growing, Ciutadella Slab is the ‘serif’ counterpart of the popular Ciutadella font. The former alternate characters like 'a', 't' and '&' are now the default ones (and the former default characters are now the alternates), giving way for a typeface more suitable for texts. Thus, the new Ciutadella Slab is not only a great headline family, it will also work in texts of intermediate length and size. Especially appropriate for magazines, brochures or branding. This new addition provides even more versatility to the family started with Ciutadella and Ciutadella Rounded. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. As the sans version, the type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF.

Qellia is a modern variable font family with lots of style and creativity. Qellia is designed with beautiful ligatures and unique alternate characters. The tall and slim nature of the Qellia characters gives the font an elegant and classy look. The font family contains 10 fonts and 1 variable font, there are 5 weights, and each weight has an oblique. The variable version makes it easy to manually adjust the weight and slant. The Qellia font family has multilingual support for languages such as: Danish, English, Finnish, French, German, German (Switzerland), Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swedish, Swiss German. Qellia is designed with unique letters, this makes it perfect for a wide range of projects such as: branding, magazines, logos, wedding invitations, editorials, product packaging, advertisements and much more. If you a looking for something modern, nostalgic and chic for you next project, Qellia is the font for you.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

Introducing Madrea – Friendly Sans Serif Unconventional Charm Madrea – Friendly Sans Serif is anything but conventional; it introduces a unique and friendly twist to your designs. Irregular Shapes What sets Madrea apart is its irregular shapes, which establish a welcoming and friendly atmosphere. This makes it the perfect choice for designs seeking to break free from formality and monotony. A Breath of Fresh Air In the realm of sans serif fonts, Madrea is indeed a breath of fresh air. Its non-uniformity and organic feel breathe personality and approachability into your projects. Breaking Formality Madrea excels at breaking the chains of formality. It’s an ideal choice for design projects that demand a friendly and informal touch, effortlessly transforming the mundane into something captivating. In Conclusion In summary, Madrea – Friendly Sans Serif is your gateway to a non-uniform, friendly design experience. Its irregular shapes infuse character, warmth, and a refreshing departure from conventional design, ensuring that your creations are brimming with life and far from monotonous.

Hello Aluyeaholics! Unveiling the Zephyre Conquer, a luxurious windy ligature display typeface, which masterfully blends the mysterious allure of the zephyr with the beauty and grace. It's a unique amalgamation of mindful design and desire that creates an inexplicably elegant aesthetic. Conquer and capture attention whilst adding a dash of elegance to your projects with Zephyre Conquer. Indulge in an opulent collection of more than 200+ quick-access ligatures and alternatives with Zephyre Conquer. It presents everyone the luxury to summon deeper creativity and mold their artistry with grace.

PM Orchid is a soft, flowing Art Nouveau typeface with tons of ligatures and alternates. It comes in two handy styles - clean and printed. PM Orchid Clean has sharp, clean edges with slightly rounded corners. It is designed to be used with projects that require a clean edge like wedding invitations and modern layouts. PM Orchid Printed has the feeling of vintage letterpress printing. It's slightly rough distressed edges allow it to fit in with vintage style designs that have more tactile design elements.

Fábrica is an exquisite display letter with flair. Its delicate curves have been carefully honed; yet its beauty is seemingly effortless. To add to its appeal, Fábrica is equipped with several handy features such as ligatures (there are plenty of them), old style figures and fractions. Its true crown jewel, however, is the finely tuned hairline accents – no longer will a diacritical mark ruin your heading. Find those under a feature called Thin accents. Use Fábrica to turn your communication into statements of divine elegance.

The hands in this font are the pointing, counting, threatening, signaling, demonstrating and playing hands I use in my own design projects. I have drawn them all with a felt-tip marker, scanned and digitized for use in a font. This picture font is more user-friendly than having single ps-files. I usually convert the letter to paths once I have decided which one to use, because I might want to fill the lines or background with different colors. Yours very handy, Gert Wiescher.

This circa 1910 European face was introduced into the United States by a German type foundry traveling salesman during the great depression of the 1930s. We have used it quite successfuly in sizes as small as 10 and 12 point.

Raftern is a unique and modern family of Sans serif fonts. Simply Conception has 10 families Regular font, starting from the small thin to the largest Heavy. This typeface is versatile and can be used successfully in magazines, posters, branding, websites.

Crossten is a rounded sans serif type family based on geometric forms. It comes in 20 styles, 10 uprights and matching italics. Each weight includes extended language support and many opentype features. Crossten is incredibly useful for nearly any creative design.

Grand Slam is based on an old cardwriting style known as Poster Gothic. This dynamic letterstyle was used in the heyday of the Hollywood movie poster because of its powerful and snappy appeal. The face is of uniform thickness and made as wide as possible without interfering with legibility. Its vertical strokes seem to be thickened slightly where normal serifs would be. It is interesting to note that another group of tiny little serifs populate the entire design. Grand Slam comes with a complete set of alternates including small caps and small figures. A lowercase has been added for greater versatility. Grand Slam is now available in the OpenType format. In addition to small caps, lining figures, oldstyle figures, petite lining figures, and swashes, this expanded OpenType version contains some new stylistic alternates. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Alpha is an intuitive, clean and modern sans serif typeface crafted to depict change, the new normal, and unbridled opportunities. It has excellent legibility and is ideal for usage in displays, headlines, labels, and website design.

Straightforward tone resulting in a modernist, Hergon Grotesk is a family of modern sans-serif. This Typeface is characterized by Neo-Grotesque which gives it a strong character, perfectly suited for any visual communication application. The family has 10 fonts ranging from thin to extrabold with matching italics.

**Richard & Caroline** is a classic font with a modern style, so it adds a luxurious feel to this font, there are many ligatures and alternates that you can use for your design, and this will make your design more stunning and stand out. This serif font contains a number of ‘lowercase’ (A, E, U, I, O) and Uppercase Alternates characters. this can be accessed by enabling ‘stylistic Alternates’ in any software that supports OpenType. all ligatures and special characters are also accessible via the Glyphs panel. it is available in most Adobe & Affinity Designer software. **NEW UPDATE - RICHARD & CAROLINE FAMILY** what’s included: - Richard & Caroline Thin - Richard & Caroline Extra Light - Richard & Caroline Light - Richard & Caroline Normal - Richard & Caroline Thin Italic - Richard & Caroline Extra Light Italic - Richard & Caroline Light Italic - Richard & Caroline Normal Italic - Added Many Ligatures - Added lots of Uppercase Alternates - Support 75 Languages If you have any questions, please contact us

Mally is a family of humanist fonts, sans serif with 32 styles, variable with 08 normal and condensed weights and their respective italics, with 594 characters in each font, offers alternative characters, was conceived as a variable font encompassing various weights and widths. Characterized by its excellent readability even in the smallest sizes, with a contemporary design it has a wide support of Latin languages.

Yourz Truly is a happy little serif font that doesn't take itself too seriously. It is a headline font with a full character set. Yourz Truly is second in the Love Letters Series following Dearest John . It was in the 2011 Typodarium Page-A-Day Calendar on 10-16-2011.

The Stick Figure - Groovy Fun Font is a display typeface that embodies cuteness and uniqueness to the fullest. With its super thick and groovy letterforms featuring playful bubble-like endings, this font exudes a sense of fun and whimsy. It distinguishes itself further with a wide array of ligatures, adding extra character and distinction. Perfect for children's themes or any design that aims to convey joy and excitement, Stick Figure is a fantastic choice for logos, branding, headlines, titles, books, packaging, quotes, posters, children's toys, stickers, and more.

Maison Neue is the completely reworked version of our original Maison typeface family. While the earlier version was constructed using rigid elements, Maison Neue has been meticulously redrawn to be less formulaic and have a stronger focus on optical criteria to create a distinct grotesque paying greater attention to harmony, rhythm and flow. In 2017, Maison Neue was further developed and expanded into a super family of 40 styles. This includes the subtly condensed original version, an extended counterpart, a mono-spaced alignment—all featuring additional weights within each family.

Filk is a super bold, all-lowercase script font with gorgeous curves and thick downstrokes. Filk is perfect for branding and editorial projects and dreams of being used on billboards, in magazines, and in movie titles. Filk includes approximately 540 glyphs, including 39 standard and discretionary ligatures. OpenType features include a a stylistic set, a bunch of character variants, initial and final forms for letters that need them, and multilingual support (including multiple currency symbols). The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign.

"Archwaltz" a new elegant ligature serif font. Inspired by the word elegant, Archwaltz is a font that is super unique and has a luxurious also modern impression. With lots of elegant ligatures, you definitely don't want to forget it. Archwaltz is ideal for a wide variety of designs, such as news headlines, letter logos, business cards, poster designs, wedding invitations, and many uses in other design projects. Archwaltz containing many characters and ligatures, numbers, punctuation and European Languages. Archwaltz contains: - Standard Character set - Ligature - Few Alternate - Numeral & Punctuation - Multilingual Support Available Regular & Italic Style

One font family to cover it all. Resolve Sans is an extensive super family of 124 fonts: from compressed to extended, thin to black. Resolve Sans perfectly balances a universally neutral appeal with a distinct level of sophistication. Effortless to adapt to any contexts of use, Resolve Sans is both a workhorse and a display font with impact and flair. As expected, all Resolve Sans fonts come with clever Open Type features such as built-in small capitals and multiple numeral styles. Gladly use it for everything, all day, everyday.

Art deco typography from the Netherlands that summons a thirties vibe for a nostalgic twist on chic lines. Planjer is the work of designer Leon Hulst, and you can see from the layout examples here that nostalgia means ruin, and it has become super cool to use a ruin vibe in retro aesthetics. Yep, there's a touch of class to that worn out look and feel, and the beautiful lines of the typography and numerals show how the barely restrained charisma of art deco can be coupled with the new obsession with all things vintage.

Innocent until proven otherwise, Olivita is a heavyweight interpretation of the Typewriter genre. Typewriter fonts have captivated generations of designers and found its way into infinite applications, including Milton Glaser’s classic I heart NY logo. Olivita is a fat-face take on the same idea. There’s a lot to negotiate in making type as bold as possible, with shapes having to contort and distort in order to make a cohesive whole. The x-height is tall yet ascenders and descenders are long. Super size it and see the rich, creamy texture come forward.

Mybela is a beautiful brush script font with a super-sexy-casual vibe! This font is incredibly versatile in use cases ranging from street urban, to styled fashionista, to hearty food branding - whatever the weather, and also for invitation wedding or quote text! Mybela comes with a set of upper and lower case letters, and ligatures so you can write one word in a different ways - and keep things natural looking. Also this font has support for multiple languages. Do your magic with Mybela font, be creative and keep beautiful. Enjoy it!

Introduce you a new one - La Truffe. A super stylish Didone font. Comes with two styles - Regular and Italic. High contrast strokes gives a refinement into your project. Access your OpenType features to access the large selection of alternate letters and some ligatures. Calligraphic Italic can play with Regular in pair or can be used as independent mainline typeface. More than 480 glyphs total. La Truffe is a versatile font, which can be used in you branding ads, magazine headlines, posters, wedding invitations, product packaging, business cards etc.

This font is a collection of Borders and Illustrations on a Halloween theme. It includes spiders, owls, a bubbling cauldron, and a swarm of bats. Border designs occur in at least four rotations, to allow for symmetrical formal designs.

Mollen is sans serif font family that designed to be functional. Each glyphs are shaped by geometrical form with specific visual structure: Simple and clean form with low contrast stroke, rounded 'o' in the normal width, mix diagonal and straight cuts on terminals and finials. Low capitals, with flat top and low descenders. With this personality, Mollen meant be fit for modern, contemporary and technological nuance. Mollen consist of 48 font with 8 weight: From Thin to ExtraBold and 3 width: Condensed, Narrow and Normal. With each matching Italics. It also contain 425 glyphs and several opentype features.

Chimphand is an organic, natural and contemporary handwritten typeface with their tall x-height. Weights of light, regular and bold for both normal width and condensed allow you to play with the typeface more. In addition, you will have an access to their style sets ( Gap ) to add stencil-ish character to every weights. This gap style is much more subtle than normal stencils, but unique and nicely fit to the typeface. Gaps are more visible on larger fonts and bolder weights. Chimphand is good for any purpose, but works more on shorter text. Thanks and enjoy!

Pacific Atoll JNL is a stylized slab serif type design based on the movie title lettering for the 1942 wartime film “Pacific Rendezvous”, and is available in both regular and oblique versions. According to Wikipedia, “…an atoll (sometimes known as a coral atoll), is a ring-shaped coral reef, including a coral rim that encircles a lagoon partially or completely. There may be coral islands or cays on the rim.”

This was a favorite of job printers in late Victorian times. They used it on cards and stationery, as well as small handbills. It was made in a range of sizes from 10 point to 36 point. Good for places where you really don't want to shout.

This font is more formal. It is stylish and perfect for your wedding journaling.