I like cookies. Especially butter cookies and ginger nuts. The word cookie comes from the Dutch word ‘koekje’ - which means exactly the same. Cookie Crumble is a cute little font that I made on a rainy day. I just needed something that looked and sounded happy and I guess it applies to this font. Cookie Crumble comes with a bunch of alternates, a full set of diacritics and a bit of sunshine to chase away your rainy day.

I like Carrot Juice a lot. I don’t drink it that often (and I should, really), but nothing beats a freshly squeezed glass of cold carrot juice!! Carrot Juice font is a lovely script font: handmade with love (and a rather cheap Chinese brush pen which I bought online). Carrot Juice will come in handy when you need that handmade look - cookbooks, websites and product packaging spring to mind. Comes with a abundant harvest of diacritics.

Say hello to Wicked Awesome! A playful all caps cutout-style font. Lowercase letters have filled letters (A,O,B etc) and the Uppercase keys have the regular unfilled letters. Pick and choose which letters you want filled to get the look you are after :) Great for greeting cards, quotes, social media posts, posters, playful branding, and so much more!

A light hearted comic and clumsy typestyle inspired by an old pulp novel called "The Astronaut". Several fun ornament characters can be accessed by turning on Discretionary alternates and typing "jones" for the Astronaut Head in an O, "atom" for a spirograph atom symbol, "little dipper" and "big dipper" for the constellations, as well as alternate "the", "and", and stacked "and the" characters.

Wieynck Gotisch, a 1920s font family created by Heinrich Wieynck, was completely redrawn and redesigned for modern usage. Use this remarkable and eye-catching fonts in an appropriate context. This font contains a bunch of useful ligatures, and by typing 'N', 'o' and period plus activating the OT feature Ordinals you get an oldstyle numbersign. The round ‚s‘ lies on the #-key.

It could be you’ve never heard of Kapsalon and I will forgive you for that. Kapsalon is a Dutch word, meaning ‘hairdresser’s’. Since 2003 it is also a very popular snack food, which consists of french fries, döner kebab, lettuce, sambal, garlic sauce and melted Gouda cheese, served in an aluminium tray. I have to admit that I have never eaten a Kapsalon myself, as I am not too fond of fast food. I named this font package Kapsalon, because, like its namesake, it consists of several unrelated elements that work really well when combined.

Backwash AOE is a typeface I drew up back in 2000 inspired by various graffiti artists. Coming across all of my sketches recently and seeing a trend lately in graffiti inspired styles, I finally came around to finishing it up digitally for release. I love the break the rules, wildchild aspect, of graffiti lettering. And while this typeface is nothing like the wilder inspirations that I spawned this typeface from, it has a more legible direction to it, retaining just the flavor of the originals. I hope you enjoy it.

Rondell was originally designed in 2011 as a reasonably priced variable width and weight font. There were a couple of things about it that I didn't like and so I withdrew it from sale. Since then I have found myself using it for many different projects and have realised how useful and versatile it is. Therefore I have fixed the things I didn't like about it and it is now available again. Rondell is a simple, smart, sans serif font. Rounded corners make it slightly informal and friendly.

Snippity Snap is a font made up of glyphs I cut out from black paper with some household scissors, then pasted onto white paper. When I was cutting out the shapes, my children asked me what I was doing, and when I told them, they thought it was pretty cool and started cutting out shapes from paper themselves. The result is a house filled with paper cuttings, which I keep finding everywhere - even in my bed. Snippity Snap is a very nice font for ads, book covers, packaging and children's books. Enjoy!

Alimentary (adjective): relating to nourishment or sustenance. If you've seen my other fonts, you know I tend to lean into food-based names. This name has to do with food and science combined, so it's double nerdy in the ways I like to be nerdy! I started with Alimentary Medium, which was inspired by my shorter, wider font MacGuffin - I wanted something taller, narrower, with a hip and retro feel. When I finished the Medium weight, I felt like I wanted a Light weight. Then a Heavy weight. Then I figured, "what the heck," and made an outline version of the Medium weight too. In the end, I wound up with four members of the Alimentary family, each with over 700 glyphs! Not only do they all have the basics (A-Z, a-z, 0-9, and tons of punctuation), but they also each have 330 characters for European language support, and a limited selection of Greek, Coptic, and Cyrillic characters. Plus a double handful of alternates and ligatures to add a little variety to your designs! And of course, all of the Alimentary fonts are super-smoothed, with reduced nodes and clean curves, so whether you're cutting them out, printing them, engraving them, or using them in a way I haven't even thought of, these fonts will be sharp and crisp!

Squickt was the first script I designed. The name is an atrocity, I don't remember what was on my mind, when I decided on that name, but after 25 years it is to late to change, so I have to stick with it. I have recently gone over the script and changed a little stroke here, a curve there and I added Small-Caps. The font is very useful for all kinds of signs, that have to look spontaneous. You can even condense or extend it without me going berserk; Squickt is very robust. Your scribe Gert Wiescher

A couple of weeks ago, I found my ink well, which I thought I had lost. I decided (there and then) to create a bunch of inky brush fonts, which resulted in Dirrrty and Scrawny Cat. And now, needless to say, Garden Bed. It is named after a strophe from one of my favorite Soundgarden songs: Just Like Suicide. Garden Bed is a hand made didone-ish font, with a very irregular baseline, some interesting glyphs and a secret garden filled with diacritics.

I have a lot of pencils, but when I need one, they seem to have grown legs and have disappeared! When I decided I wanted to create a pencil font, it took me a long time to find the right pencil for the job! Wandering Pencil is a nice, handmade font. It is a bit shaky, a bit rough, but it does have class and will look nice on your designs! Comes with diacritics and double letter ligatures for the lower case.

This font is a clean, modern sans serif bold. Named after “De Rotterdam”* this huge and super cool building (read the story below). Great for headlines, Posters, Flyers but also well legible at small size in large texts. Contains All European language accents and characters. --- The Story --- *This complex is located in the Kop Van Zuid district of Rotterdam, on Wilhelminapier. I was lucky to see this building from the beginning (2009) growing up (2013) That time when I was working and living here. I was always amazed by the design and how huge it is every time I took a look at it while driving or walking on the Erasmus Bridge. When I was going to work or just hiking around the city. It has a special meaning and message for me: I started creating fonts in my free time in 2010 when I came to this city to work. I was factory worker, dishwasher etc. I grew together with this amazing construction from brick to brick, step by step. By the time its construction finished, I was able to quit my day job and become a full time freelance designer.

Do you suffer from OCD? Then this font is perfect for you. Or maybe not. Sometimes I like confusion, chaos, imperfect things, because I can often see beauty in them. In this font I drew the letters with a pen and or with just the index finger on a tablet, completely free, without improvement. The chaos ensuing. As if I was rushing notes just for me. Then, without changing the design any further, but to make the chaos minimally legible, I decided - look at this madness! - to organize the chaos. In other words, I aligned metrics and kerning, and the end result was this. I hope you like it and that it is very useful for you. Cheers.

A big fat quirky face for big bold weird uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.

When I started designing this font, I had the purpose of giving a retro warming christmas feeling. So I added ornaments to add more value to your designs. Ornament glyphs can be arranged in numerous different designs.

Floralissimo are flowery embellishments that I found in several old publishing books dating back over a hundred years. I thought they might be useful for some of you, so I digitized them. Your digitizing typedesigner, Gert Wiescher

For this Byzantine Empire calligraphy font, I had to work for 2 weeks and 3-4 hours a day and search the internet. It made me very tired, but I finally finished it, and it was good. This font can use both latin keyboard and greek keyboard. I also added Greek unicode characters. I will adapt this font to the latin alphabet, I will make the full character set font, this will take less time. I wish you good work.

Back in the nineties I had a deck of Tarot cards. It was part interest and part curiosity, but I also liked the look of them. My readings were just for fun; I thought it was all a joke, but when people started to return for more readings (because what I had predicted actually happened), I quit. That was way out of my comfort zone! Fortune Teller is a nice brush font. I made it with one of my late father in law’s Chinese brushes and ink. It comes with all diacritics and a set of alternate glyphs. If you buy this font, you will meet with a tall and handsome stranger and you will win the lottery. Guaranteed! Haha!

In 1994 I took a picture of an old movie marquee in Times Square, New York City. 7 years later, I decided to design a typeface based on the big plastic letters found in those old marquees. I scanned in the picture I took and began to draw the letterforms. Like most of my font designs, the initial inspiration came from an urban environment.

Description: Snappy Fingers is a remake of a really old font, called Joe Schmoe, which I made for my other foundry years ago. I really like this font, but it needed a lower case and some serious tweaking. Snappy Fingers is a fun, handwritten font. I (now) comes with fantastic language support and a new lease on life!

Hebrew Latino was started out of frustration. I could not find a font that looked like Hebrew - actually I found one, but it had only capitals. So I decided to make my own. Strangely enough it looks a little bit Jugendstylish! Here it is. Shalom! Gert Wiescher

BARKLEY is a messy pencil drawn display font. It has over 200 glyphs and several variations on the standard alphabet and those extra pesky foreign features. I wanted it to look messy and rough but also with a little heart. Buy it, I know I might.

I have no particular affection for ducks, nor do I keep them, but I thought it was about time someone named a font after them! Sitting Duck is a jolly comic/kids font. Handmade (of course), cute and useful. Comes with extensive language support and a cool alternative asterisk in the shape of a duck.

Cosmic Sans was my first font ever created for a school project. The class I made this font for was my Advanced Typography and was a semester project. I really couldn't think of a title for this font, until one of my good friends said, "Why don't you name it Cosmic Sans?" I searched the internet for any other fonts with that name, and sure enough there wasn't. Thus the name stuck. This font is more or less a display font, thus every secondary character was not created. I hope you enjoy this font and much as I have while creating it!

I work as a comic letterer for an Italian publisher. I created this font to write the Italian version of a Batman comic. We needed a style of writing that simulated imprecise handwriting that could change in letters and space. I didn't have one, so I decided to make one by myself. It is the first font created with criteria, and after having adjusted it, I propose it to you here. Valid for lettering comics, or for titles and graphic design when you need a simulated handwritten note, which is credible but still easy to manage.

I seem to be in my comic book font fase. It's not that I have tons of comics lying around (I actually have none), but when I was a kid, I used to read them all the time. Laser Eyes is a handmade comic book font. It is a little rounded, a little fat and very useful. You don't really have to put it to work in an actual comic book; it will feel at home just about anywhere. Laser Vision comes with two sets of alternate glyphs that cycle as you type, plus extensive language support, including Cyrillic and Vietnamese.

MyScript is exactly that: my script; only this one is for everybody’s use! Originally I designed it as a Christmas present for my friends and clients; they liked it. So I thought other people might like it as well. I cleaned it up just enough so that it did not lose its character. And, of course, I made all glyphs so that it is really useful as an everyday, unpretentious script. And ­I added a small cap version and a swashes version to give you even more reason to use it. It turned out a really readable script. Your scribe, Gert Wiescher

My handwriting with a speedmarker turned into a font - well, not really, to be honest! Personally I did do all the writing of letters, but in order for the letters to fit perfectly together, I manipulated them - just a tad! But the result is a hasty set of letters! When I say I wrote all the letters, I mean it literally!!! All letters are unique, meaning all the accented characters are unique! On top of that, Laxory comes with ligatures for both double lowercase letters and numbers! You will need to use OpenType supporting applications to use the autoligatures.

Roughcast is a kind of outside plaster, composed of cement and pebbles. It’s not the best looking plaster and it is estimated that in the UK, a roughcast outer reduces the value of a house by 5%. I am in the middle of renovating our old farm, but I won’t cover it in roughcast! Roughcast font is actually quite an attractive brush font. I made it with a brush I found hiding underneath my stove (where it had been for a while). I cleaned it and used it to make a couple of fonts, including Roughcast. Roughcast is best used for packaging, book covers and posters.

I love honey - as a dessert or just as a quick snack. I didn’t really like it as a kid, but I guess that is just a result of people changes taste as time goes. I also love letters and notes - and that I also loved as a kid! And the Honey Burst font is a tribute to people to likes to take notes, and those who likes their letters being legible, but not focusing on height, width and position according to the other letters. I’ve added 7 slightly different versions of each letter, which leaves your text quite random and lovely organic - go ahead and type those notes! :)

Hoyer Script™ is a fresh redesign of Hans Hoyer’s Schoenschrift, a slender vintage italic with a calligraphic touch. This font should be used like my blackletter fonts. It means that the s-key is occupied by the long s, and the round s lies on the #-key. By typing N, o, and period plus activating Ordinals feature you will get an old-style number sign.

I saw a cool UT-Ligature on an old (maybe 70's or 80's) Texas Longhorns fan-shirt - it was in 3D and I wanted something like that with my own initials A and B to print it on a baseball hat. I started drawing it and when I was finished, I thought it might be nice to do the same for my officemates. I needed another G, T and K. After finishing that I thought it might be cool to do this for other people as well. Since the source of all the 3D glyphs is found in the regular ones which get moved by a 45 degree angle and then connected with lines , I first draw all the uppercase regular glyphs. The thing that followed was kind of an addiction: after finishing the uppercase letters, I wanted to add lowercase letters, after finishing the 3D letters, I thought it would be nice to have a fill version to layer with the 3D letters. Having a rough, woodcut version of the regular style would be cool, too. And the font is also pretty much suited to make a stencil version. When all this was done, I was interested on how the font would look like without the serifs and curves instead of the 45 degree angles, so I did the Longhorn Sans. Good to use for all sports-related designs, especially retro-style soccer/football shirts. Uppercase characters can be combined to form ligatures or logotypes.

Toroka is a geometric sans serif type family with an extensive selection of styles. Functional and highly legible, it has a friendly vibe due to the lack of extending stems on "b", "d", "p", "q", "u", and "r". Its distinctive personality comes across through the rounded apexes of "V", "W", "v", and "w". Stylised "g" and "y" add sugar and spice. The additional stylistic set offers an eccentric display alternative to the uppercase. Opentype features include ligatures, tabular figures and fractions.

I've always loved drawing faeries and I love using them in my scrapbooking pages. So after hunting around for a unique decorative fairy font for my crafts I couldn't quite find what I wanted to use, so I decided to create a whimiscal set of fairy drawings and characters that would suffice. I was influenced in the drawing of the fairies by my love of the 3D poser graphics art,several awesome comics, Alphonse Mucha and several Masters of Art. I couldn't really say what influenced me to draw the letter charaters as I did except I just sat down to draw and they appeared on my blank photoshop canvas. These decorative Fairy Uppercase letters would be great to use in fabric crafts,textiles, embroidery patterns, scrapbooking, greeting cards, Rubber stamps, name titles, Calligraphy, the possiblities I feel are endless when thinking of craft applications.

I've always loved drawing faeries and I love using them in my scrapbooking pages. So after hunting around for a unique decorative fairy font for my crafts I couldn't quite find what I wanted to use, so I decided to create a whimiscal set of fairy drawings and characters that would suffice. I was influenced in the drawing of the fairies by my love of the 3D poser graphics art,several awesome comics, Alphonse Mucha and several Masters of Art. I couldn't really say what influenced me to draw the letter charaters as I did except I just sat down to draw and they appeared on my blank photoshop canvas. These decorative Fairy Uppercase letters would be great to use in fabric crafts,textiles, embroidery patterns, scrapbooking, greeting cards, Rubber stamps, name titles, Calligraphy, the possiblities I feel are endless when thinking of craft applications.