Roman Stencil JNL is a condensed version of the classic Roman typeface found on many vintage hand-punched brass stencils made for packing and shipping merchandise. This digital interpretation is available in both regular and oblique styles.

Galeb is simple geometric sans font family in 4 weights - Light, Regular, Bold and Black, ideal for corporate and editorial projects. With angled stem endings, Galeb gives enough impression to be used as display font as well.

An ad from the 1930s for a Spanish company called Intex Textiles featured some hand lettering in a bold and unique stencil design. This is now available as Textile Stencil JNL, in both regular and oblique versions.

Public Safety JNL was inspired by a 1940s-era health poster issued through the WPA (Works Progress Administration). The font’s bold, blockish sans lettering commands attention and has been made available in both regular and oblique versions.

Abdo Screen is a very simple Naskh font for satellite channels, presentations, videos and advertisements. it comes in sixth weights Thin, Light, Regular, Medium, Bold and Black. This font also contains some of Stylistic Sets and Ligatures.

The hand lettered actors’ credits on a title card from the 1937 film “Shall We Dance” served as the model for Formal Event JNL – an Art Deco sans serif font available in both regular and oblique versions.

Kudry is an elegant and noble typeface for extra large sizes. It looks good in cultural projects and exhibitions, logos, book covers, theater posters, wedding invitations, cosmetic and cake packaging,— basically any case in need of a beautiful typeface. It is a type family that consists of the modern serif and the contrasting sans serif, the weird serif and the stencil type. Both serif and sans have three options for different point sizes: Display for extra large sizes (from 72 pt or 96 px), Headline for large sizes (from 36 pt or 48 px) and Text for medium sizes (from 14 pt or from 24 px). Each style has a variety of alternate characters, swashes and ligatures, linear and old style figures, arrows and case-sensitive punctuation. The typeface supports major all European Latin and Cyrillic-based languages and all European Latin scripts. The authors of the typeface are Isabella Chaeva, Alexandra Korolkova and Nikolay Nedashkovsky. The character design of Kudry, details of the letters and alternates are an original contemporary solution based on the proportions and construction of the sans serif by N. N. Kudryashev. Digital versions of this typeface are Kudryashev and Petersburg, which can work in pair with Kudry in case you need a combination of a text serif and a display typeface. ITC Franklin Gothic, PT Root or Ida suit well as a paired text sans serif.

Kitchen Knife - Display Font a bold, quirky display font with a fun, trendy street style vibe. From posters designs to t-shirts and packaging, Kitchen Knife will give your designs that alternative minimal look and make your creative work look supercharged. Kitchen Knife was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. With a Kitchen Knife , it will be very suitable for your project, which is related to fun, trendy street style vibe. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Adoreles is a distinctive sans-serif display font that stands out with its elegance and unconventional charm. Crafted with a delicate touch, this font creates a visual experience that is both refined and uniquely artistic. With Adoreles, you have a sans-serif display font that redefines the expected. The characters in Adoreles are presented in uppercase, each possessing a subtle sophistication. By eschewing boldness, the font embraces a refined simplicity. The true magic of Adoreles lies in its inlines—irregular, yet meticulously designed to add a touch of unpredictability and individuality to each letter. Enjoy the features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Adoreles fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Stacked Letter – Display Font a bold, quirky display font with a fun, trendy street style vibe. Stacked Letter was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. Stacked Letter suitables from posters designs to t-shirts and packaging, Stacked Letter will give your designs that alternative look and make your creative work look amazing. With a Stacked Letter , it will be very suitable for your project, which is related to fun, trendy street style vibe. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Momoiro is a feminine typeface family, designed for editorial use. "The first case in which appeared a fashion content in a magazine was in 1672 in the magazine Le Mercure Galant, which was a magazine of entertainment and varied content, including fashion. But the first illustrated and specialized magazine was Le Journal Des Dammes Et Des Modes, created in 1797. "(Fashion Trends, 2011). On the basis of this historical period, the creation of typography has characteristics of a Baroque type. "In this category we mainly include the types created in the Netherlands during the seventeenth century and whose protagonists are the punch makers Reinhard Voskens and Christoffel Van Dijck. Baroque typography stands out for its accentuated play of irregular axes and contrasts that permeate the text of great vividness. " Therefore it has contrast in the thick and thin strokes, Roman serifs, humanistic axis. With this typography, we are not looking for a re-reading of the baroque, but rather a current typeface with humanistic characteristics of the handwriting, with a brush as a differential. Momoiro comes in two weights plus italics to cover as much design needs as possible. It compliments from OpenType features such as ligatures, swashes, true fractions, old style numerals and stylistic sets.

Head­line Font | Dis­play Font | Raw Hand­writ­ten Script Font Gothic Hand Dirty with 2 styles (regu­lar, bold) & 58 glyphs.

Graffiti Classic is a graffiti font that blends the improvisational urban quality of graffiti with the smoothness and regularity of a typeface. Growing up in Brooklyn, graffiti appeared to me as an explosion of expression and color in a sea of concrete. Inspired, I became a graffiti artist and practiced in both notebooks and subway tunnels. While I moved on to somewhat more traditional art forms in future years, with Graffiti Classic I pay homage to my artistic roots in a calligraphy marker/tag font. Like my other fonts, the entire Graffiti Classic font is spaced letter to individual letter so that the spacing will work smoothly, in spite of the expressiveness and irregularity of the forms. The Graffiti Classic family also includes an ornaments font, “Taglets,” which has clouds, underlines, arrows, crowns, halos and more to add flavor to your designs.

Divina Proportione is based from the original studies from Luca Pacioli. Luca Pacioli was born in 1446 or 1447 in Sansepolcro (Tuscany) where he received an abbaco education. Luca Pacioli was born in 1446 or 1447 in Sansepolcro (Tuscany) where he received an abbaco education. [This was education in the vernacular (i.e. the local tongue) rather than Latin and focused on the knowledge required of merchants.] He moved to Venice around 1464 where he continued his own education while working as a tutor to the three sons of a merchant. It was during this period that he wrote his first book -- a treatise on arithmetic for the three boys he was tutoring. Between 1472 and 1475, he became a Franciscan friar. In 1475, he started teaching in Perugia and wrote a comprehensive abbaco textbook in the vernacular for his students during 1477 and 1478. It is thought that he then started teaching university mathematics (rather than abbaco) and he did so in a number of Italian universities, including Perugia, holding the first chair in mathematics in two of them. He also continued to work as a private abbaco tutor of mathematics and was, in fact, instructed to stop teaching at this level in Sansepolcro in 1491. In 1494, his first book to be printed, Summa de arithmetica, geometria, proportioni et proportionalita, was published in Venice. In 1497, he accepted an invitation from Lodovico Sforza ("Il Moro") to work in Milan. There he met, collaborated with, lived with, and taught mathematics to Leonardo da Vinci. In 1499, Pacioli and Leonardo were forced to flee Milan when Louis XII of France seized the city and drove their patron out. Their paths appear to have finally separated around 1506. Pacioli died aged 70 in 1517, most likely in Sansepolcro where it is thought he had spent much of his final years. De divina proportione (written in Milan in 1496–98, published in Venice in 1509). Two versions of the original manuscript are extant, one in the Biblioteca Ambrosiana in Milan, the other in the Bibliothèque Publique et Universitaire in Geneva. The subject was mathematical and artistic proportion, especially the mathematics of the golden ratio and its application in architecture. Leonardo da Vinci drew the illustrations of the regular solids in De divina proportione while he lived with and took mathematics lessons from Pacioli. Leonardo's drawings are probably the first illustrations of skeletonic solids, an easy distinction between front and back. The work also discusses the use of perspective by painters such as Piero della Francesca, Melozzo da Forlì, and Marco Palmezzano. As a side note, the "M" logo used by the Metropolitan Museum of Art in New York City is taken from De divina proportione. “ The Ancients, having taken into consideration the rigorous construction of the human body, elaborated all their works, as especially their holy temples, according to these proportions; for they found here the two principal figures without which no project is possible: the perfection of the circle, the principle of all regular bodies, and the equilateral square. ” —De divina proportione

The hand lettered pre-Deco style title and songwriters' credits on the cover of the sheet music for 1929s "The Love Parade" were the models for Deco Days JNL, which is available in both regular and oblique versions.

Based on an example of [circa] 1950 Finnish embroidery lettering, Evening Out JNL is a classic Art Deco design with contrasting thick and thin lines. This elegant and stylish typeface is available in both regular and oblique versions.

The hand lettered cast credits for the 1939 film “Golden Boy” (starring Barbara Stanwyck, Adolphe Menjou, William Holden and Lee J. Cobb) was the model for Golden Moment JNL, which is available in both regular and oblique versions.

Retro Lettering , Inspired by 70s Design Era with 2 style : Regular & Shadow, Include 4 style ending swash. Retro Lettering offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Ben Kidoz is a sweet and friendly display font, created with an incredible playful touch, with Regular, Bold, Italic and hollow feel. Add this font to your favorite creative ideas and notice how it makes them come alive!

A World War II training film had its opening title card “First Aid” hand lettered in a casual, Art Deco sans serif design. This is now available digitally as Film Title JNL, in both regular and oblique versions.

Handwriting Script is a handwriting design, including Regular. This font is casual and beautiful . Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more.

Brumder is a condensed sans serif typeface. Inspired by Industrial style. Comes in several styles namely regular, round, rounded, rough, and stamp, with matching oblique, making it 10 styles. Brumder is perfect for branding, headlines, and many more.

A WPA (Works Progress Administration) poster from the 1940s saying "Behind the Headlines" presented the title hand-lettered in a bold, condensed slab serif. This became the model for Newsmaker JNL, available in both regular and oblique versions.

An antique barrel lid stencil spotted in an online auction for a company once located in Guttenberg, NJ provided the hand-cut sans serif lettering which inspired Old Brass Stencil JNL; available in both regular and oblique versions.

A poster for the 1932 film “Shanghai Express” starring Marlene Dietrich has the films name is a semi-Asian lettering style. This bold poster font is now available as Asian Railway JNL in both regular and oblique versions.

Spotted amongst the online page scans from a vintage lettering book, the typeface originally called “Didot Moderne” served as the basis for Dual Line Roman JNL, which is available in both regular and oblique versions. Caps Only Fonts.

Nouveau To Go JNL is the digital version of the hand lettered title found on the 1915 sheet music for the song "Don't Bite the Hand That's Feeding You", and is available in both regular and oblique versions.

Buljirya font is inspired by dream and pastel colour combined with elegant. Perfect for Logo, product packaging, advertisement, social media post, fashion brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support