Corner B is a part of Corner type family. This subfamily is designed with diagonal shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters ( Corner A ) to the shape of diagonal (Corner B), curvature ( Corner C ), or inversion curvature ( Corner D ), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

Naïve Inline Sans is a layered sans serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed three weights to assure a good readability whatever the size. They can be enhanced with five different interior patterns and three shadows to improve your designs and bring a charming and unusual feeling. To do so, you can simply superimpose the layers with a compatible software like Photoshop, the weight above and the pattern(s) below, then choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

Yana Klink is an illustrator at Art. Lebedev Studio, whose works are often accompanied by lines of fancy text written in her own recognizable manner with long strokes and “beauty spots.” Once we needed to apply that style to a number of pieces of text, we decided to design a decorative script called Klinkopis. It comes in one weight (regular). Text set in Klinkopis looks best when arranged in waves, like the original. It is recommended to use large sizes—from 24 pt and up—and have no more than just a couple of lines that become an essential part of the artwork. Klinkopis is designed to use OpenType Contextual Alternates. To beautify your project even further, some characters can be manually replaced with their more intricate or plainer variations depending on the neighboring letters. Klinkopis features long descenders and ascenders, which requires large leading to avoid congestion.

Short Films is an all-new-styled family, which kind of looks like Art Deco Style. Wide opened counters and softly rounded bowls create a new feeling – Retro but futuristic, geometric but humanistic. Exquisite contrast between thin and bold parts of glyphs make mixed feeling – Pop and feminine, formal and casual, strong and soft. The most distinctive feature is a coexistence of decorativeness and Readability. This coexistence expands the range of font usage. You can use this font for not only titling but also body-text. Short Films consists of 6 weights and their matching Italics for a wide range of usages. Further, Short Films supports international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Short Films covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

FS Renaissance is a display stencil typeface by the Monotype Studio. A collaboration between lettering artist and designer Craig Back and Creative Type Director Pedro Arilla, the single style font explores the intersection between art and design. With artist and designer working hand in hand, each letter was crafted as a standalone piece of art, while working harmoniously together as a functioning typeface. The typeface is inspired by the Renaissance period symbolised by flourishing progress in the arts, sciences, learning, and philosophy. The typeface is not a traditional stencil design: the cuts are not rigid but interactions that are hand crafted between each element, emphasising the idea of a typeface as a piece of art or sculpture. Pedro Arilla’s aim was to take the core DNA of Craig's lettering and apply it to a typographic base with a solid internal consistency, balanced with an external elegance. Pedro and Craig worked closely together to make sure the original concept was not compromised and this is reflected in the finished design which strikes the perfect balance between functionality and art.

La vie est une fleur dont l'amour est le miel Fleur is the French for flower and I've chosen this language for a good reason. Over the past 5 years, I've had the opportunity to travel a lot to Paris and I've always tried to catch every moment and detail of this delightful city through the eyes of the designer inside me. Paris is full of surprises, mainly for us, artists. In fact, I believe the city is a museum itself. Every corner of any street has something inspiring. But, there’s something I particularly love and I want to address here: The Palais Garnier. Built between 1861 and 1875, this opera house is a dream made true for many of us, who love somptuosité. Garnier, the architect of this magnificent building, said that the style he proposed was not Grecian nor Roman/baroque, he created something new and called it Napoleonic: Luxurious at its best. Fleur is inspired in this palace which, in fact, has some similar letters inside. Garnier put his name at the ceiling of the Rotonde des Abonnés: Letters are interlacing each other with nicely done art nouveau curves. I thought I could take this idea and achieve something very delicate and imposing at the same time if the font consisted entirely of caps with the logic of a didone and a bit of art-nouveau. This mix of elegance and flamboyance gave birth to Fleur which has a wide range of uses but was mainly intended for perfumes, fashion magazines, storefronts, book covers or logos. Not only you'll find many decorative glyphs, but also a vast amount of unique ligatures will make you really adore this font. Get Fleur and profite de la vie TECHNICAL As suggested above, the font has many open-type coded alternates and a vast amount of unique ligatures. Install the font in applications that support them, like Adobe Illustrator or Photoshop.

Deco Clubs is a artsy display font inspired by vintage art deco posters. You can use it for anything ranging from t-shirts, book designs, and greeting cards to stickers and posters, or anything that needs an art touch. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Printers Assistants JNL is a collection of vintage letterpress stock cuts and embellishments features monthly title blocks (for newsletters or calendars of events) in an Art Deco style, a cartoon character counting [with fingers] one through five to emphasize selling points and assorted cartoons and decorations sure to please any lover of nostalgic art.

Another example of 1930s French Art Deco lettering from the 1934 publication L'Art du Tracé Rationnel de la Lettre (which roughly translates to “The Rational Path Art of the Letter”) resulted in the digital typeface French Slab Serif JNL. This bold and slightly eccentric slab serif design is available in both regular and oblique versions.

Balburdia is a font based in the street art letters of Brazil. Inspired by "pixação" from the brazilian cities of Rio de Janeiro and São Paulo, Balburdia can translate the street culture and add a little extra to your designs. Balburdia can be used for art, branding or fashion itens that contain this theme.

Old Earthy is a hand drawn font inspired by the mid 19th-century art movement with William Morris and the Pre-Raphaelite Brotherhood in the front line. The art and the patterns from that time is reflected in Old Earthy. It comes with a set of basic English/Latin letters and some west European diacritics.

Jalebi font is quite like its namesake, the Indian deep-fried sweet. It is fat(tening), uneven, crunchy and addictive. Jalebi is an all caps font, but upper and lower case glyphs differ slightly and can be mixed. An ideal font for fat headlines, product packaging, signs and posters. Comes loaded with calories and diacritics!

The pen lettered opening credits for the 1937 film “The Awful Truth” inspired Date Book JNL, which is available in both regular and oblique versions. A hybrid of both Art Nouveau and Art Deco influences, this casual type design is perfect for any project that wants to convey its message in a pleasant, informal manner.

Here comes our new font Nutty Noisess Inspired from old skool graffiti tagging, street art, we created this Typeface, drawn in Procreate app, then vectorized and crafted carefully. Nutty Noisess Suitable for many design project, branding, packaging, logo, wall art, headline, template, banner, poster, and many more projects. These include all caps, punctuation, and numerals.

Sagebrush JNL was modeled from examples of a vintage French Clarendon wood type in which many of the characters had rounded parts rather than the traditional all-slab serif approach.

techno, fancy, racing, super, movie, race, superhero, tech, film, automotive, calendar, font, motor, running, typography, futuristic, speed, drive, display, fast, power, action, game, branding, logotype, rally, sport, modern, car, esport

Manstromer is a dynamic handwritten font, written with fast movements. Comes with two fonts styles, regular and slant. Manstromer is suitable for branding, advertising, headlines, packaging design, and many more.

HS Almajd is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Kufi fatmic where horizontal parts are equal than vertical ones. The font is based on Kufi Fatmic calligraphy along with some derived ideas of decorative fonts, maintaining the beauty of the Arabic font and its fixed rates. Undoubtedly, the insertion of curved ornament in some parts adds more beauty and fascinating diversity in the flow line between sharp, soft and curved parts. This font supports Arabic, Persian, Pashtu, Kurdish Sorani, Kurdish Kirmanji and Urdu, consisting only one weight which can add to the library of Arabic Kufic fonts contemporary models that meet with the purposes of various designs for all-purpose all tastes.

Hs Alkitab is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Latin fonts where horizontal parts are thinner than vertical ones. The font is based on some modern lines of Kufi calligraphy along with some derived ideas of Latin fonts, maintaining the beauty of the Arabic font and its fixed rates. Undoubtedly, the insertion of curved ornament in the vertical parts adds more beauty and fascinating diversity in the flow line between sharp, soft and curved parts. This font supports Arabic, Persian, Urdu and Kurdish, consisting of two weights (regular and bold) which can add to the library of Arabic fonts contemporary models that meet with the purposes of various designs for all tastes.

The beautiful and elegant typeface is excellent use in wedding invitations, art, posters, and small texts.

BillieBoldhand was written at once with a fat marker. That's all there's to it... Caps only.

DoodleBat Vintage Halloween is a classic collection of Halloween clip art and words. Check it out!

This is another of those early 20th century, post art nouveau types from Europe. Probably German.

The beautiful and elegant typeface is excellent use in wedding invitations, art, posters, and small texts.

A French form of Fat Face, derived from the British; matrices survive at Berthold in Berlin.

Boulette is a gorgeous pop art-style display font for kids, cartoons, comics and much more.

Gidley JNL is an original design from Jeff Levine that strongly shows an Art Deco influence.

Double Feature JNL reworks the classic Huxley Vertical into an elegant trilinear Art Deco display face.

Southbeach is a 21 century art déco font. The bigger it gets, the better it looks.

The Lanston Christmas Ornaments collection has a definite nostalgic feel for classic Christmas and Winter iconography. An indispensable set for the Christmas season, they are perfect for custom card creation or any other winter holiday graphics. LTC Christmas Ornaments One features over 80 images. LTC Christmas Ornaments Two-Part features over 30 of the same icons found in LTC Christmas One, but they are set up for two-color combinations. LTC Holly Leaves are available in one and two part for endless holly leaf combinations.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.