Crox™ Rounded is a sans-serif professional typeface created using Crox™ family curves that comes in 14 harmonic weights plus 2 poster styles with upright and italic variants, as well as a maximum x-height for great optical reading. All styles have over 25 professional OpenType features and a wide range of Western languages coverage. with a variety of styles and substitute characters: sets 1, 2, 4, 10, 11. Furthermore, operational styles 6 and 7 for the fit-derived SI units format and pricing styles: sets 5, 8, and 9 for business and marketing, ADS and web design, branding, or products design, as well as other OpenType features such as ligatures, old-style numerals, ordinals, swashes,... Specimen Crox™ is a trade mark of Yassine Abdi.

Ciutadella was originally commissioned by Mario Eskenazi’s studio. It is a versatile geometric sans serif, a simple, clean and direct family. Its power resides in an overhaul simplicity that reflects an “open” personality, easily suitable to be used across a wide range of applications, from identity systems to publications. Although it has been conceived to be used as a display typeface, it performs well in intermediate length texts mostly because of some specific characteristics such as the alternate two-story ‘a’. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. See also Ciutadella Rounded and Ciutadella Slab. Ciutadella PDF.

Originally released in 1995 as a three font family, Paradigm forcefully addressed the emaciating effect that digitization was then exerting upon traditional serifed typography. Investigating the new media of a much previous era, Nick Shinn deconstructed the first roman type, designed by Sweynheym and Pannartz in 1467, and gleaned, from its minuscules, the low contrast and discreet serif treatment (portrayed by a novel convex effect), which he subsequently applied to both capitals and lower case of a classically proportioned Venetian invention. Now in 2008, the glyphs, metrics and hinting of the 1995 fonts have been refined, Extra Bold and Light weights added, a full range of OpenType features instituted, and the number of characters per style increased almost threefold. It is a major upgrade to a unique typeface.

NorB Architect Pencil fonts are the fruit from learning architectural lettering books so featuring 7 weights going from Light to Extra Bold version. These Architectural fonts will add a beautiful architectural hand-lettering style to all your CAD project drawings. Architects have always wanted their CAD drawings to look more like they were drawn by hand, rather than by a CAD program. These AutoCAD fonts are the first step in bringing back that “artistic hand-drawn” feel to your CAD drawings or any graphic design project that can use true type fonts. They also can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comics, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations … or even just for fun!

Mauritz is a brush script typeface. A speedy handwriting, Mauritz was drawn and created by Mans Greback in 2021 to be the ultimate set of wild-style scripts for logotypes and branding. This calligraphy family consists of 10 high-quality fonts in a great variety of weights and styles: Mauritz Thin, Light, Regular, Bold and Black, and each one as Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Close Together was designed to alternate convex and concave letter sets, with convex letters on the upper-case keys and concave shapes on the lower-case keys. The OpenType feature of contextual alternatives (calt) does this automatically. Individually some of the letter shapes are strange and unsightly. They have the shapes that they have so that they fit snuggly with adjacent letters. The family has three weights: regular, bold, and extrabold. The letter spacing is set very tight and the user may want to loosen it by altering characters spacing. (Either the convex or concave set the letters can be used alone if the character spacing is adjusted.) The typeface has four OpenType stylistic sets of alternates, one for numbers and the others for letters D, T, and Y.

Branding, a modern typeface for modern needs! Branding, especially designed for meeting contemporary aesthetic and functional needs, is the interpretation of a modern typeface from the designer’s own perspective. This typeface encapsulates a wide range of nuances and combines, seemingly, opposite elements such as technology and friendly rounded shapes. In addition, alternative characters make Branding an ideal tool for both graphics designers and art directors. Branding is a sans-serif spurless typeface with a medium-large x-height, slightly wider horizontal proportions, straight curves and convex terminals. This font is well-suited for logotypes, isotypes, short text, etc. Branding comes in 7 weights—ranging from Thin to Black—with matching italics and includes a set of 544 characters that supports 128 different languages. European accents, old style numbers and multiple alternates are also included.

Millie is a stressed, geometric script who spends her days as industrial lettering and her nights paired with blackletter on the patches of motorcycle gangs. Millie was weighted by the conventions of broad nib calligraphy, inspired by the Milwaukee Tools logo, and finds herself best used in logos and titles. She was designed to be used on about a 20 degree angle, though she looks just fine on a level plane. By using opentype, many ligatures, and two sets of stylistic alternates, Millie was developed to look great with any string of letters. Access the first stylistic set for a disconnected script look, and the second set for even more connections and fluid script than standard. Millie Round takes the edge off a bit, giving the entire set a more approachable and versatile feel.

Ravensara Serif - elegant high contrast classic serif. Style of the typeface originates in a classic Didone but took a step to simplify some letter forms and make Didone feel more contemporary. Ravensara Serif is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Stencil. Ravensara Serif, despite its ancient roots and due to simplified and smoothed forms, can be used in a variety of different styles. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc. It is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold and Black. Ravensara Serif extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

This type family is a revival of the old and famous Frank Rühl from 1924. With less contrast the 2 weights make it more readable and pleasant to the eye too. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme Font files were re-generated to get better online screen display, as well as refined OpenType features as kerning glyph substitution. Please be aware of minor changes that might impact page layouts done with older fonts' versions. So be careful.

Forjada—designed by Raúl Israel—is a monolinear, rounded and condensed typeface, belonging to the slab serif classification, inspired by wrought iron window and door grills on facades of historic buildings in America and Europe. Forjada is a rigid yet softly curved font with exquisite ornaments and optimized for great legibility. Forjada Family comes in 3 weights—Light, Regular and Bold—with matching italics and includes alternate swash caps and ligatures plus Ornaments and Catchwords sets that provide a wide range of choices for creating the most beautiful designs. The font character set supports 212 languages. Forjada is well-suited for branding, packaging, food & drinks menus, wedding invitations, party invitations, guidebooks to old cities or any glamorous design you want to add a fresh and modern touch to!

The robust and contemporary sans-serif typeface Rethink, comes with strong characteristics. The typeface is made for work in text as well as in display. It features nine weights in two styles, including Small Caps, a set of contemporary OpenType functions, multiple figure sets and a rich language support. Rethinks main characteristics are the non-straight stroke endings and a slope that might come in an unexpected direction. It brings a bit of movement to the baseline and some attraction to the shapes in bigger sizes. These details are designed to ‘disappear’ in smaller sizes and to not disturb a reading process. Rethink was designed with the idea to help spreading bold ideas ond strong opinions, to support the work of activists in contemporary movements, to design statements with impact and meaningfulness.

AmpleSoft is a softer version derived from Ample type family. AmpleSoft is a display type family, optical mono linear and a bit squarish in nature. It has smooth curve instead of sharp angle formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewerís attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Considering the nature of this type family, italics have been excluded. AmpleSoft is designed by Aakash Soneri in the year 2014.

Hando Soft is a variant of Hando neo grotesk sans family. Each letter on Hando Soft has curve strokes end, which gives a soft and more ease-looking letterforms. Hando offers a wide range of usage possibilities. It's low x-height and variety of light size options make it a good choice for reading, it's tenuous white spaces in the counter letterforms make it legible enough to be recognized remotely. It's curved tensions on the circular letterforms gave a futuristic impression. It's sleek and simple strokes make it perfect for a broad range design purposes. Hando consists of 10 styles from Hairline to Black with each matching oblique. Contains more than 440 glyphs that support a broad latin language. Also some Opentype features e.g. stylistic alternates, variation of figures, e.t.c

Quiza Pro is a geometric display sans with added playfulness created around a single dot. Its peculiar rounded diamond shape has inspired many additional details such as similar cuts in diagonal strokes, or occasional serifs in ascenders and capital letters. Its low x-height together with friendly character makes Quiza Pro an interesting choice for packaging and branding purposes. Additionally, its balanced rhythm allows paragraph typesetting in corporate editorial projects – making it a real workhorse for an identity designer. Quiza Pro comes in 8 weights + matching italics each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 6 sets of digits, 3 stylistic sets, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.

Ready to enhance your branding? Looking for that “something” that’ll make your audience go WOW and clients get on board immediately? Ready to enhance your branding? Looking for that “something” that’ll make your audience go WOW and clients get on board immediately? Real Magic-A Serif Font Real Magic designed primarily to bring out a modern and stylish view of what you make. This font contains upper & lowercase characters. Its light weights are well-suited for body text. Our font always includes Multilingual Support to make your branding reach a global audience. Inspire your audience, clients, or guests with this beautiful, statement font. Create gorgeous printed logos, standout branding, or beautiful t-shirts with this font. Features: Ligatures Alternates PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Jet is an assertive italic sans that anticipates the return of the simpler, optimistic times when progress was considered positive and forward seemed to be the only way to go. It may have felt right at home in the mid-1970s, the time of Sc-Fi, synthetics and disco, yet it unmistakably belongs to the present. Its dynamic sturdy forms and angular tapering of some horizontal forms convey movement and edgy impatience for change, with a few re-imagined details, like the reversed slant on top of the lowercase t and the atypical round counter of the lowercase a, showing a new hope for the bygone optimism. Available in five weights in Latin and Cyrillic, supporting many languages, with stylistic alternates and two sets of figures. Designed by Gayaneh Bagdasaryan and Vyacheslav Kirilenko, 2020

Cascadeur is a variable modular sans with 3 axes, a modernistic hommage to space-age typography. It was designed by Peter Bushuev and released in April of 2020. Cascadeur was born from a type design study and went a long way to its final form. The main feature is a structure of the font: it based on 4 lines grid, has very tight spacing to achieve maximum space coverage and set of inventive letterforms. It is also a variable font and has 3 axes: weight, slant, and roundness. Cascadeur has alternates for almost every letter (2-4) so you can find a rhythm and a unique pattern for your design piece. It is a perfect choice for posters, album covers, big headlines, oversize typography, identity and packaging, editorial design.

Maecenas is an elegant professional. It stands out from other typefaces due to it’s timeless style and versatility. It will add smartness to all texts, regardless of the user’s expectations. In a quick and flashy way it will make an impression on anyone, who requires from his tool character and reliability. Maecenas won’t be lost in the crowd, and thanks to it neither will you. This font, marked by chivalry, is an AUGUST friend for good and bad. Light and bold weights, due to their strong personality, are perfect for display uses. At the same time, Regulars create a harmonious structure that provides excellent legibility in long texts. Maecenas covers all latin languages and cyrillic. It contains a wide set of numerals, small capitals, fractions, ligatures and other OpenType goodies.

HS Almidad has been started in coincidence with my designing logotypes consisting of triangle geometric, looking shape and overall structure. After designing several words, I thought of using the design concept of this logo to develop a geometric Kufi font. All letters of this typeface family were conceived with suitable and coordinated dimensions to create five weights: Thin, Light, Regular, Medium and Bold: They support Arabic, Persian, Urdu and Kurdish languages. With a triangle look, this font is a simple and creative addition, which can be useful for book titles and variety of other geometrical constructions projects. It brings new design concept to enhance beauty and harmony and enrich our previous geometrical font contributions, which started with the release of HS Alhandasi , HS Almohandis and HS Alfaris from HibaStuido.

At the end of every road in Transylvania stands a dark, foreboding castle, seemingly clouded by impossibly dark shadows. Bat-like creatures scurry across its gargoyle-festooned towers, and slimy green patches of moss climb inexorably up its cold walls. Blood has been spilt in the tombs of this chilling location, and there, etched in stone above the arched entranceway, is inscribed -- in Comicraft’s TRANSYLVANIAN typeface -- a simple legend: ABANDON ALL HOPE YE WHO ENTER HERE. TRANSYLVANIAN is a small-caps font that includes Comicraft's revolutionary Crossbar I Technology™, to locate that mysterious character in exactly the right places. Artwork from ASK FOR MERCY by Richard Starkings & Abigail Jill Harding, available on Comixology.com Features Four weights (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters. Includes Western European international characters.

Carpenter® is a beautiful script perfectly suited for invitations and announcements. Created by James West, the design was a facsimile of the penmanship of Mr. Carpenter of R. Hoe & Co. and released by the Cleveland Type Foundry as one weight in 1882. It is now also available in SemiBold and Bold. The style of this script is very reminiscent of formal handwriting popular in the late 19 and early 20th centuries. It is graceful with formal structure. Its x-height is very small, with unusually long ascenders and descenders. Although there are many script fonts available, Carpenter is a historical design with a truly unique personality that will add a truly unique look and feel to your design. From GroupType™, Carpenter is available in TrueType and OpenType.

Midnight, Pacific Coast Highway. You're driving home alone at night and your battery's dying. Your headlights have dimmed and you can barely see the road or the signpost up ahead. But there's an eerie green light glimmering in your rear view mirror and that strange warning uttered by the pump attendant at the Devil's Elbow gas station has put the frighteners on you. Is that Satan's face glowering at you through the mist, or something far worse? ⁠The only way to handle this font is with one foot on the gas pedal and one foot on the brake. Originally designed by John Roshell for GAMBIT titles, this sharp font has appeared on vampire & rock magazine covers, Star Wars & Star Trek merch, and the logo for the INHUMANS comic & TV show!

AmpleSoft Pro is an extended version of AmpleSoft type family. AmpleSoft Pro Includes Extended Languages Character Set for following: Azerbaijan, Belarus, Bulgaria, Czech Republic, Kazakhstan, Latvia, Lithuania, Polish, Romania, Russia, Slovakia, Ukraine, Uzbekistan, Vietnam. AmpleSoft Pro is a display type family, optical mono linear and a bit squarish in nature. It has smooth curve instead of sharp angle formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasis the message. It is graphically strong and command viewer's attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights: Thin, ExLight, Light, Regular, Medium and Bold.

Tusker Grotesk is a headline typeface designed for robust and high-impact use. The initial inspiration for Tusker came from postwar typefaces like Haettenschweiler, Impact and Helvetica Inserat which use very high x-heights. Other influences in the condensed end of the Tusker family are old grotesques like Folio Extra Condensed and Stephenson Blake Elongated Sans No.1 with their flat terminals and closed-up apertures. Then as the widths in Tusker grow, the lettering takes some more inspiration from gothic style sans such as Inland Type's Title Gothic No.8, while maintaining the optical weight established in the narrow end of the family. Each width set is duplexed, stackable and is ideal for headlines, logos and bold attention-grabbing editorial design. Tusker has extended latin coverage ideal for western, central and eastern European languages.

Font family Titla Brus was developed as an extension of Titla, released earlier in 2009. New slab serif family consists of 20 members the normal and condensed proportions that present 6 weights from Light to Ultra. The fonts can be used in combination with Titla or by itself in different display matters. Typefaces demonstrate original and catchy way of using serifs -- in some places there are traditional slab serifs, in other places -- one-sided and often there are no serifs in the places where they normally should be. This approach brings to the letter shapes an unusual appearance and peculiarity. Design was developed by Oleg Karpinsky. Released by ParaType in 2011--2013 at first as a set of ten condensed styles and later in extended version enhanced by ten normal styles.

EquipExtended is the next complement for the Equip family and with its 16 fonts together with EquipCondensed, it extends the family to 48 styles. While developed from the same basic shape as the rest of the Equip family, it has its own particular friendly and warm appearance. With its wide and open proportions, EquipExtended makes a grand entrance for your headlines, subheads and even for the body of text. Try it out, the light style is free. EquipExtended is very well suited for ambitious typography. The EquipExtended family comes in OpenType format with extended language support. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

Fabrikat Mono is a type family designed by Christoph Koeberlin. The monospaced Sans Serif family is published by HVD Fonts and consists of seven weights plus matching italics. It is an addition to the popular Fabrikat type family that emphasises its engineering roots. Compared to Fabrikat, the Mono version evens out not only the characters’ variable widths but also its more subtle characteristics: Letters like B and R are counterbalanced, the height difference between caps, ascenders and even “t” are eliminated, while characters like the percent sign together with the stressed punctuation give a nod to typewriter typefaces. The type family is equipped for complex, professional typography with OpenType Features like alternate letters, arrows and an extended character set to support Central and Eastern European as well as Western European Languages.

Jiho Soft Family is a modern & soft sans-serif typeface that is clean, simple and highly readable. It is the rounded version of Jiho Family. Letters in this type family are designed with minimal & modern shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Jiho Soft is versatile type family of 18 fonts. Jiho Soft family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features. We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Lina round is an Arabic typeface from Lina type family, it has an expressive character with its round and friendly shapes. It's Round, legible, Clear, Flexible, Simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina round was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina round consists of 7-weight versions from thin to bold.

Skema Pro is a versatile system of 6 serif typefaces - each bearing a distinct character and purpose. Together they form a huge superfamily of 84 fonts to fit any imaginable task. Skema Pro Livro is a low contrast, low x-height typeface with inclined axis. It is designed to work in books, where long ascenders and descenders along with increased line-spacing aid comfortable reading. Skema Pro Text has low contrast, medium x-height, and slightly tilted axis. Its neutrality along with modern feel makes it default choice for long texts of any nature. Skema Pro Omni features medium contrast, medium x-height, and slightly inclined axis. Being a more contrasted version of Skema Pro Text, it shares its intent of usage, however, creates a different texture with more formal look. Skema Pro News is a low contrast, large x-height typeface with vertical axis. Works best in newspapers and in screen applications. Skema Pro Title has medium contrast, large x-height, and vertical axis. Designed to work in larger text sizes, it offers contemporary detailing for pull-quotes and subheadings. Skema Pro Display is a typeface with high contrast, large x-height, and vertical axis. It shows its features in large text sizes, such as editorial headings.

Introducing Seafont - serif typeface , 24 fonts + 26 swashes Seafont is elegant and timeless typeface loaded with 24 font styles (narrower, narrow, regular, wide, wider, widest) 26 swashes, 87 languages support and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs Narrower - 4 weights Narrow - 4 weights Regular - 4 weights Wide - 4 weights Wider - 4 weights Widest - 4 weights Multilingual support - 87 languages No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Gill Sans is a humanistic sans serif family that, while is considered by many to be quintessentially British in tone and concept, has been used in virtually every country and in nearly every application imaginable. Gill Sans has reached this level of near-ubiquity for one simple—and very good—reason: it is an exceptionally distinctive design with a potential range of use that is almost limitless. This toolkit family includes a wide range of styles including the standards such as Light—which is open and elegant—and a Regular that, with its flat-bottomed d, flat-topped p and q and triangular-topped t, has a more compact and muscular appearance. Its Bold styles tend to echo the softer, more open style of the light while the extra bold and ultra bold have their own vivid personalities, but each of them would make for an eye-catching headline. Take into account the family’s many weights, including condensed and extra condensed designs, and extended language support and you have yourself a tool you’ll be thrilled to return to, time and again. Gill Sans was designed by Eric Gill: a versatile, brilliant, and prolifically successful designer of the early part of the last century. One of the main reasons for the enduring success of his namesake design is that it is based on Roman character shapes and proportions, making it unlike virtually any other sans serif out there. Gill also worked his own warmth and humanity into his design, resulting in a typeface in which each weight retains a distinct personality of its own. Pair with serif fonts like Gill's own Joanna; or more modern offerings like Frutiger® Serif, Malabar™, Syntax® Serif, FF Scala®, or DIN Next™ Slab.