At the inauguration of a new suburb, the local authorities needed a poster typefont, but wanted a modern, trendy type. The Logoform font is commonly used in logotypes and trademarks.

Warm Script it is cute handwritten chick font with exquisite accents. This font is perfect for branding, cricut projects, wedding invitations, logos, vinyl, svg files, stickers, cards, signs and more!

Xandercode is a bold and chunky lettered display font. Add this font to your creative ideas and notice how it will make them stand out! with spalsh vector bonus inside.

Solid and elegant font family will stand out in headlines, signage, packaging and much more. The choice of 7 weights makes it super versatile to use in your next design.

Introducing Madine Style. This font is our new born project, and ready to help pop up your project as a wedding invitation font, or party event, still playful but gorgeous.

Two fonts with traditional hungarian flower illustrations and repeatable line patterns - combine and enjoy! No "multilingual character set" as fonts from CheapProFonts usually have, but still with an international flair...

'dog heaven' is a sweet font featuring lower case, symbols, numerals & diacritics. channel your e. e. cummings and forgo those cumbersome caps! perfect for any occasion where fun is required.

Qundart – simple handwritten font. Can be used in postcards, greetings, promotional banners. The font is cute and lightweight. Composition: Latin and Cyrillic (full set of symbols of the Ukrainian alphabet).

Penmanshift JNL by Jeff Levine is actually a semiscript - a vertical text font with the curved lines of a script alphabet, but the look and feel of a poster letter.

This font is designed using straight lines and circle segments. The font is simple and universally usable. But there are some unique characters such as S,K,X, and Y.

Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

Habanero is a hot, bold and happy typeface.  The font was created by Måns Grebäck in 2016, and it contains contextual alternates and ligatures to make your type stand out.

XPointedDesert and XSimpleHands do not have as much variety in the hands as XPhyngern, but their hands point in a lot more directions--up, down, and at 45-degree angles.

Based on hand-drawn letters from a Russian poster. The Cyrillic version is still in development. Uppercase only, but each letter has four different sizes for creating very interesting typography.

Quoral was developed from an idea in 2003, and drawn in Illustrator. It has an extended character set in greek an cyrillic, but not all the characters for these languages.

A neat, feminine handwriting with a few unique notes- the lowercase e and g, for example. This is both legible but has enough flavor to be a believable handwriting font.

Enigma Heights it is cute handwritten chick font with exquisite accents. This font is perfect for branding, cricut projects, wedding invitations, logos, vinyl, svg files, stickers, cards, signs and more!

Summary Notes is a simple and neat handwritten font ready to impress your audience and make your branding shine. Make your projects stand out with this humble and wonderful font!

Welcome to the world of typography where every letter counts! Today we’d like to introduce you to our charming small-cap typeface—Kelvingrove. Inspired by the elegant Copperplate style, Kelvingrove is designed to add a touch of sophistication to any project. What makes this typeface truly special is its legibility, thanks to its eye-catching slab serif design. One of the unique features of Kelvingrove is the alternate K, Q, R, and small ampersand that can be accessed via OpenType stylistic alternates in applications that support them. This allows for endless creative possibilities and adds an element of personalization to your designs. Not only is this font aesthetically pleasing, but it’s also incredibly practical. The numerals are properly balanced for use with both caps and small caps, making it an excellent choice for headings, captions, and body text. When you need a typeface that exudes elegance and solemnity, but with a more distinct, captivating flavor, Kelvingrove is the way to go. With its unique blend of style and legibility, your designs are sure to stand out. In summary, Kelvingrove is the perfect choice for designers who want to add a touch of sophistication to their work without sacrificing legibility. Try it out for yourself and see the difference it makes! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Coolvetica is a sans-serif typeface, inspired by logotypes from the 1970s. This was an era where everyone was modifying Helvetica—not only logo designers but even font designers were into outlandish Helvetica mods. Phototype catalogs were loaded with playful variations of the already ubiquitous typeface. Coolvetica recreates that retro custom display lettering style with extra-tight kerning and funky curls. But don’t let the vintage feel fool you—Coolvetica is a true display typeface that’s ready to make a statement. Condensed, compressed, and crammed styles all use a flat-sided approach, an old-school strategy that’s rarely seen today. And with mathematical symbols, OpenType fractions, and numeric ordinals, this typeface is as versatile as it is stylish. So why settle for a dull typeface when you can stand out with Coolvetica? Try it out for your next project and see the difference a little typographical flair can make. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Fantini is the revival and elaborate update of a typeface called Fantan, made in-house and released in 1970 by a minor Chicago film type supplier called Custom Headings International. In the most excellent tradition of seriously-planned American film faces back then, CHI released a full complement of swashes and alternates to the curly art nouveau letters. Fantan didn't fare much among the type scene's big players back then, but it did spread like electricity among the smaller ones, the mom-and-pop type shops. But by the late 1980s, when film type was giving up the ghost, most smaller players in the industry were gone, in some cases along with little original libraries that existed nowhere else and became instant rarities on their way to be forgotten and almost impossible to resurrect for future technologies. Fantini is the fun and curly art nouveau font bridging the softness and psychedelia of the 1960s with the flirtatious flare of the 1970s like no other face does. Elements of psychedelia and funk flare out and intermix crazily to create cool, swirly letters packed with a lot of joy and energy. This is the kind of American art nouveau font that made its comeback in the late 20th century and is now a standard visual in the branding drive of almost every consumer product, from coffee labels to book and music covers to your favorite sugar or thirst-crunching fix. Alongside Fantini's enormous main font come small caps and three extra fonts loaded with swashy alternates and variations on plenty of letters. All available in all popular font formats. Fantini Pro, the OpenType version, packs the whole she-bang in a single font of high versatility for those who have applications that support advanced type technologies. In order to make Fantini a reality, Canada Type received original 2" film specimen from Robert Donona, a Clevelander whose enthusiasm about American film type has never faltered, even decades after the technology itself became obsolete. Keep an eye out for that name. Robert, who was computer-reluctant for the longest time, has now come a long way toward mastering digital type design.

Marathon was originally designed by Rudolf Koch in 1931 for Schriftgiesserei Klingspor. It is a roman with short ascenders and descenders. The serifs are small, but longer at the ends of the arms of E, F and L, M is rather splayed and is without top serifs, like M in other typefeaces designed by Rudolf Koch. The lowercase g has no link and an open tail, again like the g in other Koch types. U has the lower-case design. In the W the middle strokes cross, the lower case w has no middle serif. The figures are short-ranging. Ute Harder from the Fachhochschule Hamburg had redesigned Marathon with the help and supervision of Professor Jovica Veljovic. She has added a book weight to offer more flexibility with this beautiful typeface.

Inspired and derived from the serial numbers printed on United States paper currency, the tongue-in-cheek infringe typeface has grown from the alphanumeric set of characters that sit reservedly aside the faces of dead presidents. Taken out of their bright-green element, the characters have been given a life of their own, and have been joined by a one-hundred percent unique set of lowercase characters. The font stands out in both formal and informal uses and can be used for both headlines and supporting text.

Letters & Roses it is a chic lettering font with exquisite accents. It is perfect for branding, wedding invitations and invitation cards and much more. It includes a full set of gorgeous uppercase and lowercase letters, numbers, a large selection of punctuation marks & ligatures Test it out below to see how it could look for your next project! Includes: Regular Script Alt Script Swashes Script Latin languages support Uppercase and lowercase Numbers and punctuation Ligatures Check out my blog: https://www.instagram.com/di.zigner https://pinterest.com/dmitriychirkov7 Enjoy

My Dizzy Edge font is really not that dizzy! Actually it's quite steady and legible - super good for packaging, greeting cards and perhaps even commercials for toys, candy, t-shirts, movieposters...yep, that list is long! What's more interesting is that the font as got 6 different versions of each letter - at first glance, the letters don't vary that much, but a closer look reveals the sometimes grungy outline of a pen! But theres more!!! Dizzy Edges comes with multi-language accents!!! What's not to like!!!

Option is a modern condensed sans serif. Inspired by geometric architectural fonts. But despite the geometric construction every single letter was build based on optical evaluation. This approach makes Option more organic and lively in a text line. Option was created for wide spaces. Condensed and thin, but extremely sweeping vertically font makes your massage elegance and strong. The font functions great in many sizes and surroundings. The family comes in one weights plus italics. Creating of bold weight is underway. Options supports Cyrillic as well.

With its split serifs, Vglee looks like it could be a copy of an “Old West” font but it is not. It was constructed by taking a motif and applying it regardless of consequences. Vglee does not have lower-case letters but it does include a full set of Western and Central European accented characters. Its distinctive, odd appearance can be useful in small doses for decorative purposes. The VgleeStar style contains only the ornament. It is intended to be used in layers with Vglee.

Approach is a modern approximation to the early grotesques. An utilitarian low contrast font, a bit mechanic but plenty of character. One of its characteristic elements is a kind of ‘elbow pipe’ shape that is present in many letters like the tail of the a, f, j, t, R, Q or 1 among others. Besides, the synthetic punctuation and quotes give it a more contemporary appearance. Approach tries to feel fresh against all odds, being familiar but different. For more details see the PDF.

Orgon, a new linear typeface family, fresh and easy but with a warm touch. It appears uncomplicated, unpretentious, but still distinctive. Its quiet text flow allows smooth reading even for longer texts. The Orgon family comprises 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, small caps, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Traveling through the central and southern parts of Mexico a number of years ago, I couldn’t help but be impressed with the amazing architecture of the indigenous peoples. From the giant pyramids of Teotihuacan to the extensive and impressive layout of Chichén Itzá to the smaller-but-spectacular Monte Alban ruins in Oaxaca, creativity abounds. One of the things I most enjoyed were the carved stone friezes that ran around many of the more complete buildings. Oaxaca calls to mind those beautiful carvings and, strangely, Chinese writing.

Nanami Rounded Pro is the heavily engineered follow up to the hugely successful Nanami and Nanami Rounded font families. Nanami Rounded Pro contains all the wonder of the original Nanami families, but with vastly extended language support including Cyrillic and Extended Latin, leading to a total of 458 carefully crafted glyphs. The original Nanami Rounded was a key font in many a typography collection, but with these new multi-lingual credentials, Nanami Rounded Pro has become a true must-have font for anyone who’s serious about design.

Sweet Husky is an original and cute display font. The unique style makes it incredibly fitting to a large pool of designs that will take your crafting projects to the next level! Your imagination and this font will make a perfect combination. Get inspired by its unique charm and create amazing greeting cards, apparel, book, logos, stationery, and much more! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures.

Hello Everyone, Introduce our new collection Asphalt Crack is Distressed Cartoon Typeface is Cute Cartoon Font,Bold Display , Inspired from Modern logos of brands that have very strong characteristics, very suitable for posters,card to kids cute,and guaranteed to add a sweet touch to your next design,packaging, branding, logotype and more. Asphalt Crack is font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Mister Gordon is a classic calligraphy font. The font supports both Cyrillic and Latin alphabets. You can write an attractive invitation or issue menu. Шрифт поддерживает как кириллическую так и латинскую раскладку. Вы можете писать привлекательные приглашения или оформлять меню. Классическое начертание идеально впишется в любой проект :) Test it out below to see how it could look for your next project! Includes: Regular Script Latin languages support Cyrillic languages support Uppercase and lowercase Numbers and punctuation Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

Youbee is a casual serifed font that is highly legible. It has a bit of contrast, but not much. It could be used as book text, but is better suited for less formal uses such as newsletters and pamphlets. Youbee gets its name from it origin, the Ultimate Blend (UB) of four very different typefaces: Euroika, Ingriana, BetterTypeRight, and KampFriendship. The earliest members of the family were constructed in 1996, with a shadow version added in 2011, extra weights in 1999, and two different widths in 2022.

I don’t have a sweet tooth myself, but I do like toffee! One of my favourite desserts is English Sticky Toffee Pudding, so I really had to name a font after this delicacy. Sticky Toffee is a bold display font. It’s all caps (in case you might have missed that), but upper and lower case differ and can be used together to create a more ‘natural’ look. Sticky Toffee comes in two great styles: Regular and Sprinkles, and has all the diacritics you’ll need.

I don’t think I’m a capricious person, but right now, due to the enormous amount of renovation work on our home, I do get bad moods quite often! Capricious is a hand painted all-caps font: I used my favourite Chinese ink, a brush and very rough paper to get the desired ‘eroded’ effect. It is quite a heavy display font, so I wouldn’t really set a text in it, but it works really well for headlines, catching titles and products that need some pepper!

The 1960 British film “Beat Girl” (released in the U.S. as “Wild for Kicks”) was a typical [for its time] story of a teenage girl looking to have some fun by hanging out with SoHo beatniks and going against parental authority. One of the posters for the film features the title in a condensed slab serif stencil form, with eroded edges. The basic letter forms were smoothed out and cleaned up resulting in Jazz Beat Stencil JNL, which is available as in both regular and oblique versions.

DrivEddie was an attempt to create a rough, hand-drawn typeface that was quirky but easily readable. It has a few serifs so it is almost but not quite san serif. All vertical stems are curved. For almost 25 years DrivEddie was a one-font family and one-font families often have limited applications. In 2020 I returned to this typeface to increase its possible uses by adding five new styles: italic, semibold, semibold-italic, bold, and bold-italic. I also corrected mistakes and added characters.

Ryno Slab is a superslab that was born out of a need for an aggressive, heavy, geometric display face that did not appear clunky. Its serifs are so thick, you could create reasonably legible word shapes by using all caps and masking the words out. Ryno Slab’s tough geometric exterior and squarish forms make it suitable for tight setting in posters, t-shirts, and artwork. Also, an extended character set with support for European languages make Ryno Slab a good fit for magazine headlines.