Galeb Stencil Texture is the latest extension of Galeb font family.

Vezus Serif Texture is as the name says itself, textured version of Vezus Serif font family and as that, it's compatible with Vezus Serif Black.

True North is back but now in a distressed version and new styles! True North Textures is a vintage typeface with 18 fonts and a monoline script. True North Textures comes with distressed labels, extras and free banners. Extras include wild animals, catchwords, numbers, mountains, symbols, tools, leaves and trees.

ITC Tetra was designed by Tomi Haaparanta and published by ITC. ITC Tetra contains 3 styles and family package options.

Today's digital font technology has allowed renowned font designer and calligrapher Hermann Zapf to realize a dream he first had more than fifty years ago: to create a typeface that would come very close to the freedom and liveliness of beautiful handwriting.

Jabana Extras is a set of awesome specials to get a fast and easy design. It is developed for the font families “Jabana” and “Jabana Alt”, but also works with other fonts very well.

Ding extra, is an extended version of Ding where you can find layers, shadows, lines, dingbats, it is a very versatile font, it contains Cyrillic alphabet, as well as many ligatures.

Extra MF was designed by Ksenia Galantzan and published by Masterfont. Extra MF contains 1 style.

American type designer Paul H. Neville created this display FontFont in 1995.

A revival of one of the popular wooden type fonts of the 19th century, extra bold, slab Antique.

A set of over 50 ornaments, connecting borders, flourishes and decorative motifs originally designed by Frederic Goudy throughout his career. Many of these designs were used by Goudy at his Village Press and offered by his Village Foundry in the 1920s.

Roto Extra Large was published by Rotograf. Roto Extra Large contains 1 style.

The American nineteenth century display form as handed down through ATF and the composing machine companies, largely for use in newspaper headlines.

Road Race Extra Font Family includes 4 Style Fonts. It can be used to create almost all types of design projects like print materials. Just use your imagination and some graphic design set in Extras, your project will become more alive and look great than ever with one of the Road Race Extra font.

Extra Bold serif, ideal for large display.

Stencil Extras JNL contains twenty-six stencil borders, frames, arrows, pointing hands, plants, wildlife and decorative embellishments all re-drawn from vintage source material.

Anahita ExtraBold is designed by Naghi Naghashian. This Headline Font is developed on the basis of specific research and analysis on Arabic characters and definition of their structure. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. This step was necessary after more than twohundred years of relative stagnation in Arabic font design.

Another variation of the many Clarendons created in the 19th century and there are probably more out there.

Extra Bold Serif

Letterpress Extras JNL gathers more re-drawn images from the rich trove of vintage letterpress cuts. There's plenty of pointing hands and decorative ornaments, a few cartoons and some assorted miscellany.

Avesta ExtraBoldCondensed is designed by Naghi Naghashian.

Based on the Ludlow/ATF versions of this great typeface.

A supplement to Major Production NF, which includes an assortment of symbols and logos for video, web and mobile applications, including the Blu-ray logo with its region designators.

Printing Press Extras JNL is another collection of classic printing embellishments and stock cuts from Jeff Levine, with a few new ones thrown in for good measure.

PTL Manual Extra Mono was designed by Ole Schäfer and published by Primetype. PTL Manual Extra Mono contains 2 styles and family package options.

Tuscan X Condensed (whose actual name is Gothic Concave Tuscan Extra Condensed) was first produced in wood type by William H. Page & Company around 1872. The design is derived from a Gothic Condensed typeface, but with vertical stokes bowing inwards at the center. We modified the weight of the uppercase characters (since the original wood type has a lowercase much thinner than the caps) to harmonize with the lowercase when used digitally.

Extra condensed display typeface.