Tangelo is a fun, casual display script that could be more accurately termed a unicase – it borrows characters liberally from the lower case, but scales them up to cap-size. Tangelo is ideal for kid-friendly products like candy packaging, game boards or apps, and clothing labels. It includes 115 alternates and swash characters for a convincingly hand-lettered look. See what’s included! http://bit.ly/2lW33tt These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Talbot Type Klamp 205 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 205 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 105, most notably featuring a more modern, single-storey lower case a and g.

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Straight" because of the straight like design. Everything is clear, symmetric and straight. The first "Alef" has a "fatha", this indicates to pronounce the first letter. So instead of saying "R-RAHMAAN" you say "AR-RAHMAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). We went for the traditional "soukoun" instead of the Quranic "soukoun" & the decorative symbols are at a minimum. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He & Kaf". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Elegant" because we thought this is the most elegant one we have designed. Everything is so clear, nothing overlaps, decorative symbols are not too much nor too little. The first "Alef" has a "fatha", this indicates to pronounce the first letter. So instead of saying "R-RAHMAAN" you say "AR-RAHMAAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The "Ye" at the end of names doesn't have the two dots, and we used a decorative small letter "Ye". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. --------------------------------------------------------------------------------------------------------------------------- Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Handwriting" for obvious reasons. The first "Alef" has a "fatha", this indicates that the name can be pronounced only one way, "AR-RAHMAAN". (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The calligraphy is very easy to read, no letters overlaps and the decorative symbols are at minimum. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Saad & Ta". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing

The Backyard Script is a bold script font, inspired by a Retro aesthetic. Made in combination with hand lettering, it comes with dramatic movement and it’s great for any next creative project that needs retro or vintage vibes It is ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Features Basic Latin A-Z and a-z Numbers Symbols Stylistic Alternate Stylistic Set (001 – 015) Swash PUA Encode Multilanguage Support To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or a software program such as PopChar (for Windows and Mac).

Red Ring and Red Square - the super-family of two families of fonts. The super-family includes sanserif Red Ring and geometric font Red Square. Families are synchronized by the number and weight of the typefaces and can be used either separately or together. Together Ring and Square produce a cumulative effect of Art Deco and Constructivism.

Venecian Old Face fonts had a strong influence on typeface design in the 1930s and 1940s in England. Such influence is evident in the font Electra, designed by William A. Dwiggins for Linotype in 1935. Electra combines its classic roots with the Zeitgeist of the 1930s, also displaying characteristics of the Bauhaus and Art Deco styles.

A strong, heavy font that really packs a punch. Muscleman is there when your design needs a little extra lift. Originally created for a poster project, the font juiced up and grew quickly into the large fat size it is today. It works well for logos, posters, and t-shirt designs and has a slight deco look.

Here’s another gem pulled from the pages of one of the many editions of Pen and Brush Lettering by the Blandford Press. Cascading bubbles add a somewhat 70s feel to a distinctly Deco font, and provide its name as well. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

An undeniably Art Deco font with some unexpected twists and turns, this typeface is based on a design originally called "Dignity Roman", a product of the fevered imagination of the rather unconventional 30s lettering artist Alphonse E. Tripp. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Red Ring and Red Square - the super-family of two families of fonts. The super-family includes sanserif Red Ring and geometric font Red Square. Families are synchronized by the number and weight of the typefaces and can be used either separately or together. Together Ring and Square produce a cumulative effect of Art Deco and Constructivism.

A fine, fat Deco face named Ludlow Stygian provided the basis for this delightful typeface. Although generally formal in character, the font shows a hint of playfulness in the distinctive “humpback” h and n characters. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

A sign in a London storefront, ca. 1930, pitching—surprise!—Smart Frocks provided the visual cues for designing this typeface. Singularly stylish, hip and haughty and decidedly Deco, this is the smart font to use! This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Picadyll is a sanserif that flirts with the 1920s Art Deco tradition but adds a modern touch. The sober letter design brings old movie posters and packaging to mind. Picadyll is a sophisticated and fun font from Swedish type designer Bo Berndal and the T4 font foundry. It is an OpenType creation, for both PC and Mac.

Semarang is a stylish, all caps Art Deco font. It is not a recreation of a particular typeface; merely my salute to a bygone era and to the birthplace of my father in law, who recently passed away. Semarang comes with all diacritics.

Friedrich Kleukens font design, influenced by the then prevailing Art Deco style, and released by Stempel in 1926, has been revived for modern use. To get access to all ligatures, it is recommended to activate both OT features standard and discretionary ligatures.

Summerhaven JNL and Summerhaven Italic JNL were partially inspired by sign lettering spotted in an old black and white movie. These fonts are somewhat reminiscent of the Art Deco style, and their casual look can be applied to both formal and informal messages.

Dolmen font from Max Salzmann revives the look of the 1920s and suggests all the glamour and culture of the jazz age. Dolmen can be used in all capital or upper and lower case settings and gives any work an Art Deco look.

Jakob Erbar’s Art Deco font ‚Lux‘, released by Ludwig & Mayer in 1929, completely redrawn and redesign. The German umlaut glyphs Ä, Ö, and Ü come in their original form in the uppercases; in the lowercases the dieresis was placed above the letters.

Mandevilla is a semi-serif that is ideal for titling, display, and logos. Enrich your design with the expansive selection of 210 swashes and alternates. Create with Mandevilla’s decorative default uppercase set or explore the unadorned and non-stylized titling set. Mandevilla includes a 3/4 size capital letters set, listed as small caps. Used with capitals letters, they maintain a sense of a word shape as they are smaller and less ornamented than the initial cap and are serif-free. Thirty-eight complementing ornaments complete the package. See what’s included! http://bit.ly/2bGS00B *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

This font set is the second in a series from P22 Type Foundry based on the lettering styles of Frank Lloyd Wright. Created in 1931, the Exhibition lettering was intended primarily to accompany Frank Lloyd Wright's exhibition drawings and models. Many of the 72 Extras were designed to form continuous linking borders. Combinations of these geometric forms can provide endless variations of decorative elements in the style of Frank Lloyd Wright. Many of these images were based on Mr Wright's "Saguaro Forms and Cactus Flowers" illustration for an unused Liberty magazine cover of 1926. Other imagery in this set was derived from assorted geometric designs by Wright. Exhibition Regular, Light, and Bold have been remastered and now contain almost 400 characters including support for Western and Central European languages.

This font contains plant icons from the taxonomic category Orchidaceae, inspired by the multiple specimens that can be found in Colombia that has the largest number of orchids in the world, more specifically in the specimens that have been exposed on the José Celestino Mutis botanical garden. These icons are characterized by having an organic outline; representing flowers, roots, leaves, bulbs and different supports or pots. The vast majority of icons have perfect bilateral symmetry because this is one of the differential characteristics of orchids (compared to other flowers), if they are divided by a central-vertical axis, their right and left sides are practically identical. “Aguadija” can be used in projects related to nature or similar topics, some icons (specifically the digits) are intended to form decorative ribbons or borders.

Al Fresco is a breezy, light, expressive typeface perfect for packaging products and titling. Al Fresco is versatile. When titling is activated, the loops are removed from the lowercase letters, giving the typeface a cleaner aesthetic and more contemporary feel. When contextual alternates are activated, the ending strokes become minimized, offering a more natural look—a special touch that reveals the warmth and uniqueness of the human hand. 157 lowercase swash forms, 46 decorative ligatures, and 16 ornaments are included along with two additional sets of uppercase letters. See what’s included! http://bit.ly/2c5NVHy *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Hurstmonceux is a distressed, antique Victorian-esque typeface. The eroded style is based on the aged quality of printed books from the Victorian time. Capitals are ornately decorated, with lowercase set in small caps.

Introducing Amberlight Script - a new fresh & modern script with a sweet calligraphy style, decorative characters, and a dancing baseline! So beautiful on invitations like greeting cards, branding materials, business cards, quotes, posters, and more!

The typeface was designed for ParaType in 1999 by Oleg Karpinsky basing on his Dublon typeface (1994). A decorative face in Op-Art style with slab serifs. For use in advertising and display typography.

Gently rounded in shape, Kassena is reminiscent of the round thatched huts of the Zulu people. The triangular motif is inspired by the designs used in the decorative crafts of the Nguni African tribes.

Altra Mano is based on the designer’s second style of handwriting, one that is more refined and controlled. Altra Mano is a decorative display typeface ideal for headlines, logotypes, magazines, posters and short text.

MICAROLINE The Classic Art Deco Font with Alternates & Ligatures Micaroline is a family Sans Serif font designed with carefully handcrafted. Also suitable for branding, T-shirt, Wedding Invitation, Classic Design, Logotype, and any project. Comes with a tons of ligature make your life more than comfortable, easier to design and adjust frustrating space in font. All Caps Fonts. You can access the stars by typing (S+1) and then put it anywhere you want.

Designed for ParaType in 1999-2004 by Gennady Fridman. The Pushkin type family is based on the autographs of Alexander Pushkin, the eminent Russian poet (1799-1837). Alternative letters typical for Pushkin's hand are included. There are several variants of Pushkin's hand. Pushkin Script in 2 styles was based on the manuscripts of 1815 and covers Western and Russian character sets. Pushkin One was developed on the basis of thoroughly written documents. Pushkin Two imitates small but nevertheless rather legible hand. Pushkin Three in 2 weights was created on the basis of the autographs distinguished by sprawling hand. Pushkin One, Two and Three series covers just the Russian character set. This set of Russian fonts was amended by Pushkin French font that is based on French writings and covers Western character set.

The Lolotte Multilingual Signature Font is a signature decorative font with which you can achieve a handwritten-type lettering feeling. Lolotte Multilingual Signature Font is a multilingual lettering font with Greek (of course), extended Latin characters and diacritics. This signature style is perfect for your modern graphic design projects. This font has a really nice flow so you can use it in a large body of text if you want to give it a handwritten vibe. It can also be used on social media content, for branding or packaging applications. Also, Lolotte Multilingual Signature Font is the ideal typeface for branding and packaging. Additionally, you can use Lolotte Multilingual Signature Font on wedding invitation designs. Especially if you are looking for a font for Instagram quote posts or any other social media content, this typeface is for you!

Alonida is an Elegant script font that comes with very beautiful character changes, a classic copper decorative script type with a modern touch, designed with high detail to present an elegant style. I also offer a number of decent stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations and others If you need help or have questions, let me know. I'm happy to help.

SacredGeo Tiling is a Dingbat font that contains a very varied pattern of classical geometry, to play with them and combining to create beautiful backgrounds, decorating pages, posters, covers, or creating lines, repeated or alternating sequences and very useful for creating frames. Due to the wide range of patterns of possible combinations is nearly infinite number of results, especially if you create different layers of colors or shades and blend them or breaking them to be colored in sections.

Too Sweet To Eat is a hand-drawn font that has many variations because you can choose from simple outline version, only shadow version, normal version and filling version. If You put one on another then you have a great possibility to apply different colors on different layers! That makes your letters multicolor! Great stuff for decorative writings, posters, informal stationery! SPECIFICATION: alternate characters for all numbers and letters, nearly 400 kerning pairs, multi-language coverage, ornaments.

Zoltana is a lively decorative typeface family designed for elaborate titling or text layouts, with an elaborate form and filled with delicate details, this font aims to grab attention and fill the viewer with a sense of wonder. Thanks to an extensive glyph palette, this single typeface offers a range of letterforms through alternate letters, small capitals, ligatures or swash letters and includes a selection of typographic fleurons that can be used in the layouts or individually.

Hello, Neon Magic is a decorative display font with sans serif line. This Inline style works great as a headline for music promotion, film titles, sign, logotype and gig posters, and when combined with the included graphic presets* achieves a truly realistic neon look and more! Features : Uppercase and lowercase Numbers Symbols Multilingual Accent What you get : Neon Magic. OTF If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Bayu Suwirya

Oildale is a single weight, connecting script that explores the idea of using crossed strokes as the main body of the typeface. Designed as a display font, it’s bold form and unique appearance lend it a distinctive charm that can be used in branding, headlines or other titling. Featuring an extended Latin support covering a wide range of langages, it also includes a range of Opentype options, from a choice of numerals, ligatures or decorative, swash letters.