Art Museum JNL is yet another take on the classic Art Deco "solid letter" fonts that emulate the style of Futura Black. This version comes to you through the courtesy of a vintage WPA (Works Progress Administration) poster promoting national parks and Winter sports. Take note of the unusual inverted middle crossbar on the 'E' and 'F' as inspired by the poster's hand lettering.

Chesna grotesk is a geometric form-based sans serif typeface. It has 20 weights 10 uprights and 10 italics. Bringing a new approach to the classic grotesque design, Chesna was inspired by typefaces such as Avenir, Futura and Circular. Each weight includes extended language support, fractions, tabular numbers, arrows, alternative characters and ligatures. (Please see the pdf specimen for more information.) PDF Specimen, Horizontype.com

With all of the stencil fonts created by Jeff Levine from various vintage sources, you would think everything had already been covered. Not so. Along comes Amateur Stencil JNL. Modeled from a child's stencil set from the late 1950's or early 1960's, it vaguely resembles Futura, but its irregular widths and semi-stencil appearance sets it off greatly from that classic typeface.

Kamerik 105 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular and accented characters for Central European languages. The Kamerik 105 family comprises of six weights, and is closely related to Kamerik 205. The most notable differences between the two variations, are the single-storey lower case a and g in Kamerik 105, where they are two-storey in Kamerik 205.

Topanga JNL is based on an ultra-condensed sans serif wood type design.

Gerry Powell’s revival of the condensed and elongated Fat Face, cut for ATF.

From the basement labs and after hours lounge of R?U?S?S?T Institute, we present After 5. With a somewhat formal (ha ha) yet warm, friendly feel, its normally calm, even tempered and sensible rhythm takes on the syncopated, jazzy beat that goes along with too many martinis when discretionary ligatures are turned on. A friend once asked, was I trying to design a font that looked sort of �Korean?� I said no, I was trying to mess up the Latin alphabet. So, here it is: After 5, a bold, upright condensed slab-serif display typeface with a mixed-up attitude. Complete with bold roman and matching italics. This attention getting font is ideal for Posters, headlines, Packaging and logos.

Courteous is absolute elegance. It's semi-condensed serif font with straight and consistent shape in every letter that will give a taste of professional feels to any design. Adding ligature will make it more stylish and modish, very suitable for fashion or beauty projects. Courteous also have the bold version that will looks more gentle. FEATURES: Regular and Bold Version Uppercase and Lowercase are the same 35 Ligature that only works with lowercase, so you can access regular letter by using only uppercase. Ligature: od ai ad ap ed eb ab ib ob ud id ub ou rt yl al le an lu ur gn ha ri ce ho ry ev in ro um ox ve as on Numbers, symbols, and punctuation Multi language support

The German typeface artist Lucian Bernhard designed Bernhard Antiqua as the first of his many text typefaces. The first weights were produced in 1912 by the foundry Flinsch in Frankfurt am Main. Further weights followed in the 1920s, produced by the Bauersche foundry, which had acquired Flinsch in the meantime. Bernhard font is an alphabet with a marked historical influence. It brings the viewer back to the early 20th century, when the bold forms of this typeface graced advertising displays and posters. Distinguishing characteristics of this typeface are the cross of the capital W and the rounding of the capital R. Linotype's Bernhard condensed bold, with its narrow, robust forms, is best for headlines in medium and larger point sizes.

Vodka - a display pack with an edge. Vodka is a display combo pack of four styles and six fonts. Vodka fonts are clean but soft. Vodka's core is two weights of a Brush Script and a Monoline Script with similar characters. Vodka Sans is a bold sans with very soft features. Vodka Sans lowercase letters are a bit condensed version of uppercase. Vodka Slab is a rounded bold display type. Vodka Brush and Pen are equipped with automatic Contextual Alternates and Standard Ligatures that help to keep the flow smooth. For more expressive letters there’s Swash Alternates for every standard letter. Vodka fonts are designed to play together but can easily be used as themselves too. For the best price purchase the whole pack!

The geometrical drawing of Fenomen Slab follows the guidelines set by our other font family Fenomen Sans. It is a perfect companion of Fenomen Sans, as well as being a standalone font family capable of delivering its own expression and aesthetics. The set contains four width proportions – Normal, SemiCondensed, Condensed and ExtraCondensed in eight weights ranging from Hairline to Black. Every font of the family contains four types of numerals, small caps, ligatures and contextual alternates. The typeface was developed between the years 2014–2017 and was subjected to a series of tests for the fluent legibility of all fonts even in extreme conditions. Narrow fonts provide this set with the maximum use including newspaper typesetting. The typeface has an elegant, delicate design in thin fonts and sufficient legibility in bold. Mutual contrast produces great creative tension. Font name acronyms described: SCN = SemiCondensed CN = Condensed XCN = ExtraCondensed

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

Open Case JNL is the distant cousin to the 2009 release by Jeff Levine Fonts called Cold Case JNL, as both were based on sets of lettering stencils designed and manufactured by the Huntington Oil Cured Stencil Company (originally of Huntington, New York and later of Delray Beach, Florida). While sharing similar design traits, there are enough differences to have both type designs work well together in a complimentary setting. Open Case JNL is available in regular and oblique styles.

Zafran is an elegant industrial display typeface, full of curves and sharp angles, the typeface has an oblique feeling and unified spaces that create neat alignments.

Motherboard JNL is a retro throwback to the technology boom of the 1980s and simulates an LED readout display panel. Available in regular and oblique styles.

Backpage Article JNL and its oblique counterpart are a variant to the popular sanserif wood types used in newspaper headlines and on broadsheets in years past.

Fordham JNL is a slab serif typeface in regular and oblique versions that has a casual, informal look reminiscent of 50s and 60s-era ad headlines.

An antique Bradley stencil cutting machine’s letters and numbers were the basis for Dry Goods Stencil JNL, which is available in both regular and oblique versions.

Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.

Mud Creek JNL is based on Tuscan Egyptian – a classic wood type with a decidedly Western feel, and is available in both regular and oblique versions

Retail Monoline JNL is a light weight sans serif extracted from the inline of Retail Price JNL and is available in both regular and oblique versions.

Inspired from the bold and loud visual statements from the 90s poster and graphic design trend, makes Strippy can’t hold itself to be born in this universe. A clean, square, and bold form of body, makes Strippy is the simple way to go to shot your statement louder and wider.

Lokales is a fat handwritten display font. With bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Lokales font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Lokales font. Cheers, Maulana Creative

Kloges is a casual handwritten sans display font. With bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Kloges font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Kloges font. Cheers, Maulana Creative

Smithmagis is a handwritten brush display font. With bold brush stroke, upright and fun character with a bit of ligatures. To give you an extra creative work. Smithmagis font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Smithmagis font. Cheers, MaulanaCreative

Kruiseta is a fun handwritten sans display font. With bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Kruiseta font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Kruiseta font. Cheers, Maulana Creative

Blitez is a modern semi serif display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Blitez font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Blitez font. Cheers, Maulana Creative

Nazzaric horror display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Nazzaric grunge horror display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Nazzaric horror display font. Cheers, Maulana Creative

Ragrots is a cartoon-is handwritten display font. With bold bounce stroke, fun character with a bit of alternates. To give you an extra creative work. Ragrots font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Ragrots font. Cheers, Maulana Creative

Cool Unkle is a handwritten display font. With bold stroke, slant and Unique Upper and lower characters with bit of ligatures. To give you an extra creative work. Cool Unkle font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Cool Unkle font. Cheers, MaulanaCreative

Bionzhe is a strong and power vibes font. With ultra bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Bionzhe font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script. Make a stunning work with Bionzhe font. Cheers, Maulana Creative

Spiceland is a fancy handwritten script font. With bold contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Spiceland font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Spiceland. Cheers, Maulana Creative

Alizzya unique display typeface. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Alizzya unique display typeface support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Alizzya unique display typeface. Cheers, Maulana Creative

Belgro is a modern sans serif font. With bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Belgro font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Belgro font. Cheers, Maulana Creative

Skys Artdex graffiti display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Skys Artdex graffiti display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Skys Artdex graffiti display font. Cheers, Maulana Creative

Girlfinest is casual script font, with clean bold stroke, slanted and fun character. It has Opentype features ligatures of character, To give you an extra creative work. Girlfinest font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Girlfinest font. Cheers, MaulanaCreative

Cardifa is a casual handwritten script font. With bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Cardifa font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Cardifa font. Cheers, Maulana Creative