Emil Rudolf Weiss's eponymous Rundgotisch of 1937 provided the pattern for this streamlined version of classic German blackletters. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

A font with a strong graphical appeal, based on lettering designs by Dutch comic book illustrator Joost Swarte. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Speedball pen master Ross George presented this face as D-nib Display. Its wide stance and quaint attitude make for some unavoidable whimsy. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Central Type Foundry of St. Louis issued this quirky little gem under the name of Quaint Roman around the turn of the twentieth century. This version is a little less gnarly than the original, but retains all of its eccentric charm.

Oksana Sans Condensed is designed for tight-fitting text. It has six weights from Thin to Heavy. Supports Western, Central, Baltic Latin and European Cyrillic codepages. Old-style digits, some ligatures, alternative characters and Ukrainian hryvnia sign are also included.

This version of ITC Franklin Gothic contains a PanEuropean character set supporting Greek and Cyrillic languages, in addition to Western, Central and Eastern European languages. Customers seeking a Franklin Gothic that matches the Microsoft Windows version should select this version.

Antartida Rounded Essential is a sans serif with rounded terminals. Its simple, kind of neutral feeling is functional, clean and minimal; its rounded terminals make it friendly and warm. It is a family of 4 fonts: 2 weights and their italics.

This naïve script was discovered in a French printers' magazine from 1927. Its total lack of pretension makes it warm and inviting. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Astalamet Pro is a new, completely redesigned and improved version of my font AstalametPure, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

EightZeta is a hand-drawn font designed by Bartek Nowak. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Based on Alan Dempsey's design for Letraset in the 70s Pinball, these dots will add dash to any headline. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Another gem from Carl Holmes’ ABC of Lettering artbook, this unusual headline font is both elegant and edgy. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

The American Typefounders 1893 specimen book included the pattern for this face, originally called Pontiac. Its subtle idiosyncrasies make it warm and inviting. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Here's an elegant addition to Argentina NF, carefully crafted after the pattern provided by master type designer Morris Fuller Benton in 1919. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Typedesigner Hannes von Döhren created a display typeface called "Embryo". A superblack, sweet font with filled counters. Perfect for use in big sizes on posters or flyers. Embryo has an extended character set to support Western, Central and Eastern European languages.

The Hunt Brothers, penmen extraordinaire, presented the pattern for this face as Upright Ornamental, it's a little loopy and a whole lotta fun. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Basic Sans Cnd: A new sans. Designed by Daniel Hernández Basic Sans Cnd is a narrower version of Basic Sans. It is a family of Grotesque features with a functional, neutral and seeming clean style that looks to keep a neutral (or basic) appearance on paper, but including lots of details that give it a unique personality. Basic Sans Cnd is a sans-serif typeface well-suited for publishing projects, medium-sized text, branding, posters, headlines and more! This font family comes in 7 weights—ranging from Thin to Black—plus matching italics and it has a set of 416 characters that support 206 different languages.

Here's a typeface from the Art Nouveau era that is equally at home in the world of contemporary science fiction, which is quite an achievement. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The 1892 MacKellar, Smiths & Jordan specimen book featured this jaunty little face, designed by profilic in-house designer Herman Ihlenburg. Happy, hoppy fun. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

The 1918 specimen book of the Miller and Richard Type Foundry of London and Edinburgh featured this endearing typeface. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets, as well as a very tasty f_f_i ligature.

A quirky semiscript, derived from lettering in an 1930 ad for the beauty salon of Kathleen Mary Quinlan on New York's Fifth Avenue. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Holy Roller is a fun, hand-drawn font inspired by typewriter fonts. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The character of Vivala Sans Round is modern and stylish with elegant squarish shapes. The family includes five weights. A large x-height is ideal for titles and body text. The extended character set supports languages like Western, Central European, and Eastern European.

Another Vincent Pacella oeuvre named Pioneer provided the pattern for this rootin' tootin' typeface. Perfect for Western or patriotic themes. Both versions of this font include the Unicode Latin 1252 and 1250 Central European character sets, with localization for Moldovan and Romanian.

The 1897 specimen book from Barnhart Brothers and Spindler showed a enchanting little face called Dotted Roman. Here's a faithful revival, ready to warm up the 21st century. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The 1895 specimen book from American Type Founders included the pattern for this face, originally called Outing—Art Nouveau with a laid-back vibe. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Schriftatlas: Alphabete von A bis Z strikes again with this dazzling display of geometry at play, originally named Concentra. Best used at larger sizes for maximum impact. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Here's another Disco-era darling, based on Wolf Magin's contemporary offering, originally called Black Line. It's a natural choice for sassy headlines with a cool Retro vibe. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Velour Raw is a simpler, less contrasted version of the display typeface Velour. Velour Raw is legible suitable for text in smaller sizes. Velour Raw is available in 6 weights, from Thin to Bold, and supports Western, Central and South Eastern European languages.

Mocca Pro is designed by Naghi Naghashian. It is a modern Sans Serif headline font. The Mocca Pro Condensed is a single weight font. Its modern design is a reminiscence of the classic Romanesque characters. This Font supports western and central European languages.

Modern Times font has been updated. To use the new version, go here. Modern Times font. 996 glyph, 100+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Greek, Georgian, Central Europe, Turkish, Baltic, Romanian, Euro, West European diacritics Please test your alphabet

Here's a new, softer take on the classic typeface Koralle, released by Schelter und Geisecke in 1913, and as fresh today as it was then. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Here's an unusual take on the classic Tuscan face of the 1880s. The unusual finials lend a slightly spooky feel to the face, hence its current name. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This charming little number is based on a rubber-stamp alphabet set, sold in the early 1900s under the name "Perfection", which suits it well. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

A fitting complement to the ever-popular Saturday Morning Toast is this book weight, monoline version, popular in the early twentieth century. Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Oksana Sans Wide is designed for short and big texts. It has six weights from Thin to Heavy. Supports Western, Central, Baltic Latin and European Cyrillic code pages. Old-style digits, some ligatures, alternative characters and Ukrainian hryvnia sign are also included.

This fat and vivid typeface with broken lines has a great ability for uppercase setting. It was named after the Agara name our small river Berda had when ancient Greeks sailed it. Includes Western, Central European, Baltic Latin and European Cyrillic characters.

This fat and vivid typeface with broken lines has a great ability for uppercase setting. It was named after the Agara name our small river Berda had when ancient Greeks sailed it. Includes Western, Central European, Baltic Latin and European Cyrillic characters.

Here's an unusual take on a "modern" typeface, based on a 1936 release from England's Stephenson, Blake foundry, which serves well for interesting headlines. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Simeon is well suited for setting an short and medium amount of text with an historic impression. OpenType features: - over 650 glyphs - Central European faces - stylistic alternates and historical forms - ornaments, signs, zodiac, symbols - proportional & mediaeval numerals - numerators, denominators and fractions - Roman numerals