The Aquebella font was made because I had too much trouble finding a font that was unique but still within the serif standard, as a branding designer about finding a suitable font for a client who is looking for a luxurious and elegant design, and finally this font is finished which you can use as a designer or someone who need a serif font with a very unique style, elegant style and can be used as a logo, magazine header, poster, etc.

Modern Romance is a beautiful and modern serif font created with a romantic and lovely look. It’s a very versatile font that works great in large. Whether you’re using it for business project, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and glad to help you!

TapedUp, Tinkerer, and Rumpled are based on the template I used for several letterbat fonts—fonts made of wrenches and bolts, hammers, or paper clips. TapedUp can be thought of as a font made from masking tape, and Rumpled is the same design but the tape pieces are wavy. Tinkerer is the same design but with elements that resemble what might happen if one constructed letters from Tinker Toys. All are caps only, but some of the shapes on the lower-case keys differ from the corresponding shapes on the upper-case keys. The Rumpled family has four members, the regular, an oblique, a shadowed, and an oblique shadowed.

TT Nooks useful links: Specimen | Graphic presentation | Customization options TT Nooks is an experimental font family that includes a high contrast serif, TT Nooks, and an upright italic, TT Nooks Script. Despite the difference in style, both subfamilies get along well, which is partially thanks to their similar proportions. Each of the subfamilies includes 4 weights: Light, Regular, Bold and Black. The main subfamily is TT Nooks—a stylish high-contrast serif with a light touch of self-centeredness. If TT Nooks were a person, it would be an elegant lady with an independent and firm personality. In the original sketches of TT Nooks there were traces of a broad pen, but in the course of further evolution the typeface moved away from this style, retaining only the high contrast of strokes. In addition, in the process of design searches TT Nooks has obtained a touch of geometricity. The serifs in TT Nooks stand out especially visibly thanks to their geometric shape that resembles slippers. In addition to their peculiarity, such serifs add stability to the font and allow better compensation of the black and white ratio within the letters. TT Nooks has small capitals for Latin and Cyrillic alphabets, as well as a set of stylistic alternates (including some figures) that makes the typeface a bit more geometric. In addition, we have drawn more than 25 ligatures, including ligatures for capital letters, slashed zero and many other useful OpenType features. TT Nooks Script is a complementary family designed to harmoniously extend the main family and expand its scope. The forms of the characters in bold and light fonts of TT Nooks Script are quite different. For example, Black & Bold have high contrast strokes and an open aperture, and in Regular & Light the aperture of the characters is closed. TT Nooks also has small capitals for Latin and Cyrillic alphabets, ligatures, oldstyle figures and other OpenType features. In light faces, TT Nooks Script is more humanist and has artifacts inherent to the continuous movement of a flat pen. In bold faces, TT Nooks Script has a very dense and dynamic typing rhythm, and the shape of the letters begins to geometrize. We had had the difficult task of preserving the continuity of forms between bold and light faces, and we have managed to solve it thanks to the found rhythm, which united different fonts, and proximate stylistic solutions.

«Envelove» is the brand new typographic challenge handwritten by Yani Arabena and designed along with Guille Vizzari and Ale Paul, for Sudtipos. It all started as a game for Yani. A carefree and spontaneous calligraphy, making use of the pointed nib with black ink, exploring its expressive possibilities pressing against paper. With time that nib turned into her dearest tool to flow through her writing, breeding this particular style of hers that let her trespass the barrier that kept personal and professional passions apart. All that inspiration is present in «Envelove», a play on words that reflects the love of letters. An expressive free-and-easy typeface that follows no formal calligraphic model and lets itself go with the meaning of words, rhythm and sensations. «Envelove» successfully joins three different fonts, «Envelove Script»—free, spontaneous and unique of its kind—going together with «Envelove Caps»—an uppercase style that builds controlled but dynamic words thanks to its alternates and ligatures, and to its own true Small Caps set as well—and «Envelove Icons», ideal to decorate and bring to life any written message. «Envelove» encourages you to write as if you have a nib, ink and an envelope. It invites you to take part in other worlds like a magic cocktail, a summer night, a long-awaited reunion, a first dance, a dish cooked with your own hands. The fashion world, gourmet, stationery, scrapbooking and everyone where a Handmade or Handcrafted feel is craved for, save a special place for «Envelove». (The illustration series that are shown with «Envelove» were made by the incredible Argentine illustrator Eugenia Mello.)

"Lilla Letter Lover" is a captivating font designed specifically for children's books. This delightful typeface brings an element of playfulness to reading, while also enhancing phonemic awareness. The font's remarkable strength lies in bridging the gap between handwritten and printed letters. For early readers, this transition can be challenging, but "Lilla Letter Lover" simplifies the process. It merges the familiar aspects of handwritten letterforms with the clarity of printed text, providing a seamless reading experience. This feature ensures that children can comfortably navigate both forms of writing, enhancing their overall literacy skills. The whimsical charm of "Lilla Letter Lover" instantly captures young readers' imaginations. Each letter is thoughtfully designed with basic shapes and simplicity in mind, for an experience where letters come to life, fostering a love for reading and storytelling. Additionally, "Lilla Letter Lover" offers a unique opportunity for sight-based spelling learning. The visually distinctive presentation of words helps young readers to develop a strong visual memory of spelling patterns. This visual association enables them to recognize and recall words with ease, strengthening their reading and writing proficiency. In summary, "Lilla Letter Lover" is not just a font; it is an enchanting gateway to make reading a joyous adventure for children of all ages.

Trinos is a strong character font that combines racing style and techno with a slightly expanded letterform and sharp edges. The sharp spur on the top of letterforms, bold weight, and fully geometric represent strength, honor, and brave. Speed up your pulse with Trinos font available in Stencil and Solid style. This all-caps font is perfect for sports, great for automotive, and looks cool for techno themes. You can apply this font for jerseys, decals, flags, logos, posters, magazines, packaging, and many more! Not only that. Trinos is equipped with much of alternates characters, and elegant ligatures to boost your design look more powerful! What you'll get : Uppercase & smallcaps Numbers & punctuation Multilingual support Stylistic alternates Ligatures Sincerely, Ramz

Gelion is a large family of geometric sans serif fonts. It ships both as two Variable Fonts or as 16 traditional fonts. Those static fonts span eight different weights, ranging from Extralight to Black. Each has an upright and an italic font on offer. The italics are carefully crafted, with an 8° slope. Gelion is inspired by 20th-century geometric sans serifs and classic neo-grotesque designs from the late 19th century and the middle of the 20th century. Its forms remain true to the gracefully geometric look of its classic predecessors, which will surely tick off any client’s long list of branding requirements. Letters in all of Gelion’s weights are drawn with virtually monolinear strokes. Its lowercase letters have a tall x-height. Yet, that still leaves enough room for the fonts’ diacritical marks. Gelion’s default “a” and “g” each have single-storey forms by default. The dots on the ‘i’, ‘j’, and diacritics are round, as are the punctuation marks. Gelion is an excellent choice for both corporate design and editorial design projects, thanks to its range of weights and its legibility in text. The fonts include a lot of ligatures, some monochromatic emoji, a set of arrows, lovely Roman Numerals, and more. Thanks to Gelion’s stylistic alternates, if a project comes up where you do not need a geometric vibe, you can activate Stylistic Set 1. That will replace many of the fonts’ letters with more humanistic-sans alternates, giving your text the feeling of a whole other type design with just one click. Last but not least, the descending “f” available in Gelion’s italics is a nice typographic trait.

Designed by Cosimo Lorenzo Pancini and Mariachiara Fantini with the help of Solenn Bordeau, Erotique is an evolution of the original design by Zetafonts for Lovelace, that challenges its romantic curves with the glitchy and fluid aesthetic of trans-modern neo-brutalist typography. The seductive "evil serif" look of the Pheimester-like Oldstyle letter shapes is made edgier by the quirky connections and unexpected calligraphic twirls that marry digital distortions to traditional penmanship. Sensuous but sharp, Erotique speaks the language of teasing, and unrequited love, over-the-top and restrained like a show of Japanese Kinbaku, and beautifully heartbreaking like a friendzone valentine. Designed for display use, this high-contrast serif typeface is ready to take center stage in projects where a subtle elegance and an edgy, aggressive touch are required. For branding use it is paired by a Erotique Ornaments, a set of interlocking patterns based on the font letter-shapes, allowing for striking packaging, digital and ambient design. For editorial use it can add a sharp sensuality to logos and titles thanks to an impressive array of alternate glyphs, subtle ligatures and a set of whiplike fleurons, collected in the Erotique Flourishes pack. The typeface has been developed in the regular, medium and bold weight plus a monoline version, all of which have been paired with an Alternate version to give immediate access the more exotic alternate letterforms. With a character set of over five hundred glyphs, all the the weights of Erotique cover almost 200 languages using extended latin, and include advanced Open Type features as Stylistic Alternates, Standard and Discretionary Ligatures, Positional Numerals, Swash and Case Sensitive Forms. If you are a typeface lover, be warned: Erotique could be your fatal attraction!

Shield Classic 2 Letters Monogram Font is a perfect shaped monogram font consisting of 52 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Shield Classic 2 Letters Monogram Font comes with font file in OTF format.

MGN Ismawan. This font was created in 2022 and was inspired by the Helvetica font. With a standard shape and being a bit wide, this font is suitable for writing, but for headlines, we think it's still OK. There are several forms of this font that have a distinctive character, which makes this font suitable for logo writing.

This font was inspired by the original "Punchado" font; and this evolved font is named the "Punchado Punch". The "Punchado Punch" font features similar sharp edges and measured right angles with a greater impact of design . The theme of this font is perhaps best suited for: science, science fiction, engineering, mathematics, future, video games, gaming, computers, etc.

Alnis is a bold type font with a round but straight shape. This font creates a formal yet relaxed vibe for any of your projects. Best font for designers. Alnis is excellent for logos, posters, cards, ext. Make your project look fascinating by combining it with another font. This font comes up with full uppercase, lowercase, and multilingual letters.

This font was created from scratch in a simple, strong, and unique style. No other fonts were used as references. Its name was inspired by the shape of the first letter, A, that flashed into being. Sails next is perfect as a display font for posters, flyers, and magazine headings. The font family consists of the regular font only.

Teramo™ is daring, sharp and dynamic. Its personality is derived from asymmetry and movement. It is a contemporary serif family full of modern design elements playing with proportions of works of XV and XVI century masters such as Francesco Griffo or Claude Garamond. The family features four optical sizes. Display sizes feature extreme stroke contrast and are intended for fashion, lifestyle, cosmetics, magazine, business, hi-tech and advertising use. Text styles are created for all kinds of body copy — long and short paragraphs, books and websites in any modern design context. They are crafted to be elegant and legible, featuring more generous spacing and scrupulous kerning. Display weights are designed as modern, extraordinary variations on didone style. Teramo’s letterforms are merging classical proportions and precise, contemporary details such as asymmetric serifs, sharp edges and unconventional glyph shapes. Another important factor constituating Teramo’s personality is an angled axis, unusual for didone families and giving the typeface much more organic and dynamic feel. Teramo features a lively true italics strongly related to cursive handwriting. The italic styles imply movement, energy and fluency, introducing a new color to paragraph text, as well as being a powerful and interesting standalone display type. The family introduces additional titling letter variations for headlines and display uses, such as sharp and modern lowercase “y” or uppercase alternates for better all caps typography. Teramo consists of 56 fonts in 4 optical sizes - 28 uprights and their corresponding true italics + 2 variable fonts. It has extended language support as well as broad number of OpenType features, such as case sensitive forms, standard and discretionary ligatures, titling alternates, contextual alternates, lining, oldstyle figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Moon-Walk is an unique and very elegant font for brand and logo design. It is a bold, detailed and assertive sans serif font. This font is imposing and features uniquely shaped alternatives, and as a result, it will easily match a wide range of creations that require a distinct touch.

Pukupuku-japan is a cute round font. This font is designed based on the shape of clouds and beans, which looks somewhat like handwritten letters. About 4,000 Japanese letters, including hiragana, katakana, kanji, symbols and alphanumeric letters are stored here. A Japanese keyboard is recommended to type with this font.

Introducing Thrope the irregular retro display font family heavy influence by motter ombra typeface, geometric basic shape, and 60s to 70s pop culture. Thrope typeface includes 3 font family (regular, bold,& heavy) it comes with stylistic alternates 01-04 & ligatures. Thrope font family best used for logotype, headline, header, signage.

Sabinka, a fun condensed fantasy font with bouncy clean shapes. Sabinka is an all-caps font that easy to use as the decoration to make design more beautiful. Sabinka suitable for children's merchandise, t-shirt, books, poster, title, quotes, and many more! Fonts featured : All caps - Numbers - Punctuation & symbols - Accented characters

Aguero Serif – Clean & Elegant Serif Font is a modern serif font family whose design refers us to the style of transitional serifs. The distinctive features of Aguero Serif – Clean & Elegant Serif Font are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized businesslike nature.

Absalon has square letter shapes. It has some characteristics semi-sharp and semi-rounded corners and it has a relatively tall x-height for legible text. To create the perfect typesetting the spaces between individual letter forms has been precisely adjusted. The Absalon font family is perfect for the web as well as for print, for display as well as longer text, for motion graphics, on the side of a van, t-shirts, logotypes and so on. The font family consist of 5 weights or 10 styles and it has 410 glyphs. A total of more than 4000 glyphs. The styles are: Light, Light Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Extra Bold & Extra Bold Italic. It has OpenType features such as automatic fractions, subscript, superscript, numerators, denomerators, ordinals and the “f” ligature set. Absalon has extended language support (most Latin-based scripts are supported). The name of the font family is Absalon and it is a reference to a Danish bishop in the middle ages. He was a key figure in the founding of Copenhagen, the Capital of Denmark.

I've had an interest in typography ever since my college days, even submitting my NDD thesis on the subject. The basic concept for this typeface stems from that early creative period, hence the obvious 60’s retro feel. It’s only recently that I've have had the chance to carry through fully some of my dormant typographic ideas, but ‘better late than never’ as they say! The font’s characteristic style is based on repeating or rotating templates of a half and a quarter circle, the geometric, modular building blocks used here. The name was simply influenced by the letter ‘u’, which visually describes a stylized ‘tulip’ flower.

Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.

Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowaday’s use.

We had a dozen or so letters of this of this, picked up at the flea market in Vienna. The rest came from our imagination.

Nouveau Eccentrique JNL is a novelty Art Nouveau lettering style found on some 1920s sheet music cheerfully entitled "I'm Glad I Can Make You Cry".

This font looks like a natural gel pen handwriting. It supports both uppercase and lowercase Cyrillic and Latin alphabets, numeral, punctuation, symbols, currencies. The story of creating is short: I made a font that would support the concept of the website. And then it seemed to me that this font could have more uses, so I decided to share it. You can use it for any creative project, I’m not going to list examples not to limit you. I am sure that with this font you will convey the vibe you want. Just use imagination, and your masterpiece will look perfect)

Comicbon is a handwritten font that simultates text being writen on a comic, ads, creating logos, branding, teaching websites/apps/games, and many more.

LD Little Buggy is an enjoyable, outlined font that is perfect in adorning invitations, digital projects or just adding some flavor to a page.

A brush font that keeps its legibility without sacrificing its free-spirit. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, and menus.

Gemline is an Art Deco inspired display font featuring Inline and Black weights with 2 fill options for adding colorful effects quickly and easily.

Do a little digital doodling with this creative font. Download this font and create out of the ordinary lettering for scrapbooking and desktop publishing. It's the perfect choice for adding handwritten appeal.

Honey Christmas consists of two fonts (display and script) designed to complement each other perfectly. Together or apart, these fonts are ideal for adding a chic and cheery touch to your crafts.

Billowed is a typeface family inspired by a simple shape that tessellates in three different ways: in a single orientation, in two orientations, and in four orientations. The shape resembles a billowing sail, with two concave edges that are adjacent and two convex edges, also adjacent. Forcing letters into this template shape results in some oddly shaped letters, but the result should not be judged by individual letters but by how the words and strings of words appear. Billowed was designed as an alternating-letter font in which two sets of characters alternate. The alternating is done automatically in applications that support the OpenType feature contextual alternatives (calt). To get the ripple pattern not just horizontally but also vertically, lines should alternate between the right and left styles and leading set to the same value as the font size. Billowed is monospaced with tight letter spacing to accentuate the ripple pattern. The family includes outline styles that can be used in a layer above the solid style to add color. Undulate was not designed for any particular use but as a challenge to fit letters into a particular geometric shape. The unusual patterns that result are eye-catching and may be useful for advertising or signage and in other places where one wants attention-grabbing lettering.

Feogra is a font inspired by the geometric shape of a robot designed in a modern style that makes this font look futuristic and unique, suitable for your modern design and requires a bold and prominent typeface. This font can also be applied to posters, magazines, etc. Feautures: All Caps Font Numbers Symbols Multilingual

Jhaneponto is a display font with a hint of a modern blackletter style. Jhaneponto font is suitable to use for logos, titles, landing pages, leaflets, and others. With its shape and uniqueness, you will definitely like this font! This font is PUA encoded which means you can access the available glyphs and swashes with ease!

SHE'S DEAD, FRANK It's the year 1991, BC (Before Comicraft) when REM were still making records and Frank Miller’s memorable run on Marvel Comics’ DAREDEVIL was just over ten years old. Comicraft’s Richard Starkings found himself working in Anaheim, California for Graphitti Designs. Graphitti had produced the first hardcover edition of Miller’s Batman tale, DARK KNIGHT RETURNS and was now putting together the sequel to Miller’s DAREDEVIL — ELEKTRA LIVES AGAIN! Richard was not engaged to letter this book, the pages of Frank’s incredible original art that came through Graphitti’s studio were already lettered by Marvel Stalwart, Jim Novak. However, there were some cover elements that needed to be added, based on the logo originally rendered by Frank’s brother, Steve. Starkings set about the task of creating an alphabet that could be used to develop Steve’s idea for the trade dress -- the cover elements, the back cover copy and credits on the interior pages. This was long before Macintosh computers and font programs made this work considerably easier, so Rich sat down with a pencil and a sheet of vellum and rendered an alphabet that could be used as the basis for the text that was needed... Those sketches have languished in a drawer for nearly thirty years, but now, finally, Comicraft’s John Roshell has dusted off those old letterforms and Elektrakuted a font based on those designs, a font we HAD to call ELEKTRAKUTION! As for Elektra; she’s dead, Frank. Features: Ten weights (Light, Regular, Bold; Rough Light, Regular & Bold; Inline, Inline Rough, Outline & Outline Rough) with upper & lowercase characters, Western & Central European accents and Greek characters.