This font was designed by blocks, square glyphs. Terminals/crossbars of some glyphs can be extended in a way that you can customize the text of your design by using the selection bars in "variable font" button. That button will appear in the text editor of your program, if such option is available, like in recente illustrator and photoshop.

Regio Mono is a monospaced typeface designed with industrial-strength, sturdy columns and tidy layouts. contrasting geometric shapes and sharp terminals. Whether used in design or in a code editor, Design proposal, Ads, Packaging and more. Regio Mono comes in six weights, from Ultra Light to Bold, and with a character set that covers over 200 Latin languages.

The result of a study into the Paris Metro system; Metro Sans is a Grotesk typeface with personality. It bridges the gap between the stern terminals of a Swiss Neo-Grotesk, and the smooth curves of a modern day Geo-Grotesk. The two combine to give a versatile typeface that works well in both body and display weights.

Brenda Script is a beautiful formal script, contemporary typeface with classic roots and an elegant touch. It can be used for various purposes.such as logos, wedding invitations, headings, t-shirts, letterhead, signage, lable, news, posters, badges etc. Brenda Script features 405+ glyphs and 160 alternate characters. including initial and terminal letters, swashes, alternates, ligatures and multiple language support.

Chopsee Softee is the marshmallowy version of our 2017 release Chopsee. It's fun and curvaceous and comes in 8 weights with matching italics. Just like Chopsee the soft version maintains the fluidity and movement with the accentuated curves and terminals, but with added fun and freedom. Chopsee Softee is perfect font for packaging to branding and everything in between.

Carolinea is a hand lettered script fonts, using brush & ink combines a style brush calligraphy, irregular baseline, a rough edges, bold and organic. Including initial and terminal letters, ornament, ligatures and multiple language support. Can be used for various purposes such as posters, logos, t-shirt, signage, businnes card, magazines, book cover, wedding invitation, greeting cards etc.

Romantina is Font Calligraphy Script, designed in modern style so that this font is beautiful and nice to see. very good to use for brand, t-shirts, packaging brand, greeting card, invitation card etc. The features of this font is: • STANDARD UPERCASE • STANDARD LOWERCASE • SWITH ALTERNATIVES UPERCASE • STYLISTIC ALTERNATIVES LOWERCASE • NITIAL & TERMINAL ALTERNATIVE • STANDARD LIGATURES • DISCRETIONARY LIGATUR

Bombshell Pro is a passionate hand-calligraphy font that includes long connections between letters so you can create beautiful headings or signature looks. Open-type version features 800+ glyphs including initial and terminal letters, alternates, roman numerals (III & IV), and "run-on" letter connections. So you can create realistic hand-calligraphy on all of your creations!

Based on hand lettering from a January 26, 1930 ad for the 1930 Fox Studios film "Let's Go Places", the lettering is an ultra bold serif design with numerous ball terminals throughout the character set. The typeface is both formal, yet casual and playful in appearance. Going Places JNL is available in both regular and oblique versions.

Welcome to the Bologna Script font is a modern, casual, and beautiful calligraphic typeface with a swash. It can be used for many purposes. such as titles, signatures, logos, wedding invitations, letterheads, nameplates, labels, newsletters, posters, badges, etc. Bologna Script Features Open type, including initial and terminal letters, alternatives, binders, and International support for most Western languages included.

Phenorush is an abbreviation of Phenomenon Brush, This font building based on hand brush calligraphy. This font is very suitable for any design project, you can make logo design, apparel design, mockup design, or easy to use to your content in your media social. There are some features including the font like terminal forms, ligatures, and alternates.

Meteoric is a new playful three-weight typefamily, featuring a soft and rounded sans serif. The semi-stencil style gives it a distinct futuristic look and modern feeling, that is great for logo design, headlines and branding purposes. This monoline typeface, with soft terminals, is a lovely, sweet and perfect typeface for a multitude of typographic applications.

Introblues Script is a modern brush font, organic, dynamic and energetic style. It can be used for various purposes. such as for titles, signatures, logos, correspondence, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Introblues Script features 228 Glyphs, 118 alternate characters, including initial and terminal letters, alternates, ligatures and International support for most Western Languages is included.

Queulat is a hybrid typeface that combines two different styles, reflecting charm, freshness and, especially, a strong personality. The font is inspired by Modern and Grotesk styles. The former is shown in some characteristic features such as teardrop terminals, which give the typeface an attractive unique look, making it an ideal choice for logotypes and labelling. The latter, with its rationality, makes Queulat a stable and strong face for headings and subheadings. The combination of styles can be clearly seen by comparing the regular with the alt version. The regular version is more simple than the alt one. Differently, the alternative version possesses more features of the Modern style, like teardrop terminals in ‘k’ and ‘v’. Queulat also comes with a Unicase version, in which a higher number of shapes can be found, resulting in a unique colourful display.

Eirene Sans is a sans serif type family inspired by grotesque typefaces with some humanistic characteristics. Simple, modern, and functional are the principal features of this type family; the uppercase glyphs present a sophisticated personality. There are 5 weights available and matching italics. It is a bit more condensed than normal width and the difference between thin and thick stems and the unique terminals make the type family have this humanistic personality. It has rounded forms in some letterforms and special characters (i, j, ., :, etc.), humanistic terminals, and very thin ink traps. Eirene Sans is perfect for digital and non-digital designs; it can be used in magazine titles, logo designs, packaging designs, and web designs. Features: 5 weights and matching italics Opentype features Arrow set Stylistic alternates (ft) Stylistic changes in italics Fractions Subscripts Inferior and superior numbers Language support (Latin extended)

The font is the soft version of the Queulat basic and condensed families, but keeping the same features as the original typeface. Queulat Soft is a hybrid font that combines different styles, reflecting charm, freshness and, especially, a strong personality. The font is inspired by Modern and Grotesk styles. The former is shown in some characteristic features such as teardrop terminals, which give the typeface an attractive unique look, making it an ideal choice for logotypes and labelling. The latter, with its rationality, makes Queulat Soft a stable and strong face for headings and subheadings. The combination of styles can be clearly seen by comparing the Regular with the Alt version. The Regular version is more simple than the Alt one. Differently, the alternative version possesses more features of the Modern style, like teardrop terminals in ‘k’ and ‘v’.

Mimeograph Lettering JNL is based on one of the numerous plastic lettering templates once manufactured by the A.B. Dick Company of Chicago and is available in both regular and oblique versions. The mimeograph utilized a porous drum which inked the backside of a waxed stencil sheet. Unlike traditional stencils which have cut out areas that are directly inked or painted, a mimeo stencil has the area to be printed scratched away by removing the wax coating with a stylus. The resulting image allows the ink from the drum to seep through the sheet and transfer to the blank paper. As with a companion font (Mimeograph Template JNL), the character shapes follow the routed letters of the template, complete with rounded terminals. A previous font release [designed with flat terminals and some alternate characters] is available as Interoffice Memo JNL.

Martoni font has two styles, namely clean and rough. It's a work that is purely a result of handwriting and has natural characteristics. It is perfect for invitations, signatures, blogs, social media, business cards, product brands. Martoni has Stylistic standard, Stylistic Initial, Stylistic Terminal and ligatures, and includes uppercase and lowercase letters, numbers and punctuation marks. Accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. - Ligatures: st nt ult ot ul th at ff el fl ut ll al sl et nl ct cl rt rl tt ft of ss an rr on mm - Swash: A B C D E - Initial and terminal: a b c d e f g h i j k l m n o p q r s t u v w x y z

Less is More. This stencilled version takes away some of Didonesque’s structure while adding another level of distinguished style and supreme elegance. The Elegante fonts epitomise the style required for high-end fashion and beauty applications with their crisp curves combined with tapered serifs and terminals – instantly creating a polished and fashionable aesthetic. Didonesque Stencil was designed for large display purposes, branding, corporate identities, headlines, advertising, wedding invitations and the like. Of particular note are the minimal ball terminals which are available by activating Stylistic Set 2 – they’re perfect for adding that extra bit of magic to your typographic designs. Key Features: • 4 Stencil weights in Roman and Italic styles • 4 Stencil Elegante weights in Roman and Italic styles • 4 weights in Condensed style • Small Caps, Petite Caps, Alternates, Ligatures and Contextual Alternates • Full European character set (Latin only) • 780 glyphs per font.

Sildetas is an elegant high-contrast script face. Sildetas was conceived as non-connected, high-contrast and ultra heavy script, as best exemplified by the Black weight. However, it was too much of a temptation to design a hairline variant, and this exploration gave the family’s lighter weights an elegant, graceful feel. The script was modified further to use connected letterforms as the primary glyphs. With its unique swirled ball terminals, this versatile script draws immediate attention. The face glides and flows across the page and the swirling ball terminals provide an interesting diversion to the flow. The lighter weights have an almost spencerian look. Sildetas includes six weights and is a very unique script face. Lighter weights can be used for elegant invitiations. Sildetas can get the job done for many unique design tasks. Sildetas includes many useful OpenType features, including a set of non-connecting and titling alternates, ligatures, and two types of end swashes. Opentype features include simplified swashed stylistic alternates without ball terminals, swash endings, ending contextual alternates, discretionary ligatures, ligatures and five different stylistic sets filled with alternates. In total, there are over 60 alternate letterforms. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages.

About Product Crash Demons, Display Typography is an elegant modern variable font. It's basically Sans with a touch of serif to each letter. A Simplicity yet very legible with various widths and weights that you can explore, combine, create and help you design things. Language Support: English, French, German, Indonesian, Irish, Italian, Low German, Norwegian, Portuguese, Swedish, Swiss German. Thank you.

Schoolblock is the typeface German schoolchildren learn to imitate when they are taught the printed letters. I just had to do this one for use in a German schoolbook. Your education-designer, Gert Wiescher

Floro is a typographic family with 3 members designed by Carlos Fabian Camargo. Its idea combines medieval ideas, grotesque, stencil and grunge for T-shirts, stickers, advertising material design. More specifically the concept of Floro join several DNAís coordinating X height, ascendant, descendant and wide, in which proportions and adaptive optics were determined to inject great visual impact when composing titles. Its forms and counter forms have imperfections controlled with vitality and consistency. Floro is useful for ranking words and phrases with corroded edges and creases between the lines of his letters. In that vein, Floro refers to improvised design, deletion and copying. For that reason, its determinants seem stencil patterns that attract the attention of the reader. Its inaccurate decisions were planned that way, in which the type of contrast seems made with a flat tip and the amount of contrast between thick and thin is medium. Its sizes, regular and italic shine by their systematic wear and terminations sometimes in pointed forms resembling medieval darkness. In short, we can say that Floro comes from the miscegenation of Gothic calligraphy texture, foundational calligraphy and some refinements of gothic writings with italic sans-serif ideas of late 19th century. Even with the blur appearance, floro has ideal proportions to pile for horizontal and vertical areas when composing titles with striking looks and robust. And finally, floro dingbats are related shields and stamps, to accompany the written resulting useful at the level of visual support and hierarchical.

Garris is a monoline script font with awesome opentype features such as ligatures, stylistic alternates, swashes, stylistic set, initial and terminal form as well as multilingual support with 360+ glyphs. This monoline script font comes with multiple alternates that will make your words look like a custom lettering. Available in light and regular versions as an option for your typographic design creations.

Mahameru Arabic is sibling of Mahameru with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. With still gives a firm and soft character, with the terminal point on straight and curved strokes. The family has 9 weights ranging from Thin to Black and offers a lot of features flexibility that will help you find the best typographic color for your project.

Bageurville is a modern serif inspired by a transitional style. Built with curved characters and rounded shapes on the ears and terminals that are formed based on circles, making them have kindness and historical touch. Bageurville has more than 250 glyphs, basic ligatures, and support multilingual. Nicely suitable for title or body purposes such as books, editorials, invitations, greeting cards, and branding.

Lisboa Swash is a display humanist sans-serif typeface and it was designed for big sizes purposes. The uppercase letterforms are much more decorative than the lowercase, but both contain hook-head terminals and few contrast. This typeface family contain stylish alternates characters which are more calligraphic than the main version. This typeface family has different encoding languages (Latin, Central Europe and Baltic).

Mahameru is the name of the peak of Mount Semeru, mean "The Great Mountain" in Sanskrit. This font gives a firm and soft character, with the terminal point on straight and curved strokes. The family has 9 weights ranging from Thin to Black and offers a lot of features flexibility that will help you find the best typographic color for your project.

Bitsream version of Baker Signet typeface designed by well-known calligrapher Arthur Baker in 1965 for Visual Graphic Corporation (VGC). A design on classical lines with subtle but effective calligraphic touches and flare stroke terminals. For use in advertising and display typography as well as for headlines and small texts. Cyrillic version was developed by Eugene Sadko and released by ParaType in 2008.

Originally inspired by manufacturer badges on old laboratory equipment, Centrifuge sports soft geometric shapes, wedge serifs, and sharply-angled terminals. Quirky but versatile, Centrifuge can appear anywhere from formal and elegant to funky and chunky depending on how it’s set. Centrifuge is suitable for short-form text and headlines but really sings in an all-caps setting with generous tracking.

A captivating and futuristic font inspired by the iconic worlds of The Matrix, Terminator, and Blade Runner. Embrace the enigmatic allure of the future as each character pulsates with neon energy, unleashing possibilities for cybernetic titles, gaming interfaces, logos, and more. Step into the neon-laden realms of ND Raster Neon and ignite your designs with a touch of cybernetic mystique.

Pony Tale Pro is a handwritten unconnected script face in eight styles: Light, Regular, Bold and Outline with Italics and Small-Caps. Very suitable for Packaging, Greeting cards, Magazines, Posters and Advertising Ads. A space after any lower-case glyph will produce the word terminal, invoking the OpenType/CONTEXTUAL ALTERNATIVE variant. (Opentype variants may only be accessible via Opentype-Aware applications.)

Estampa Script is a 5-weight script typeface, designed by Sofia Mohr, with high contrast between thick and thin strokes, and teardrop terminals that remind us of Didone typefaces. These elements are the main feature of the font and give it a very strong character. Estampa Script is well-suited for clothing, interior design, branding, packaging, advertising and publishing design.

This handy family takes its design cues from Beton, a slab serif designed by Heinrich Jost for Bauersche Gießerei in 1931. A number of characters have been softened by the addition of ball terminals, commonly seen on manual typewriter type in the 1950s. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

Bolshy is a stroppy font whose x-height has got ideas above its station, it’s ended up being equal to the cap height. Bolshy doesn’t go completely Bauhaus, and although the boundaries are somewhat blurred, the distinction between upper and lower case just about remains intact. There is something slightly Cyrillic about Bolshy’s bulbous terminals, exotic shapes and condensed curvature.

Fragilers is a bold sans display with high contrast, making it a versatile and elegant typeface. Fragilers contrast lines and smooth terminals give a sleek and elegant look to logos, holiday cards, wedding invitations, quotes, advertisements, and more. Fragilers is a versatile typeface full of character to enrich your designs. And of course multilingual support. Create awesome layouts of your designs with Fragilers.

This ‘pear-shaped’ typeface literally defines its original design inspiration in the first capital letter. The clean-cut lines and uniquely curved letterforms, combined with a thoughtful mix of squared & rounded terminals, all help make Avocado Sans such a stylish and legible font, very easy on the eye. Available in two practical weights, Light & Regular, each offering alternate style options.

LongShine Script is a fluid handwritten calligraphy fonts, combining calligraphy typefaces with a free flowing and moving baseline. It has a casual, yet elegant touch. Features 275 glyphs. Including initial and terminal letters, alternates, ligatures and multiple language support. Can be used for various purposes. such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. Very bold stems. Pointed Apexes. Bars and some of the terminals which designed as a ball are very eye-catching. These features make a strong impact with nostalgic feel.