Originally released as Éclair by the French foundry Deberny, Peignot & Cie., this face is pure Art Deco in motion. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Honey Cages is a lovely display serif font in thick weights to show friendly, expressive, motional, balanced nuances between functionality and creativity. Generally, the letter shapes are round with consistent heights and wide spaces. There are also curved wipes on some of the letters’ edges to add decorative styles. Use Honey Cages for big-sized texts for a legibility reason. This font comes with some lovely features for you to enjoy. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Honey Cages font fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Supria Sans™ and Supria Sans Condensed is an extended family of 36 fonts designed by Hannes von Döhren. It contains two widths, six weights and three styles, including the curvy, feminine Italic as well as the more conventional Oblique. Although it is inspired by the utilitarian clarity of Swiss type design, subtle curves and fine detailing impart a more playful character to the whole Supria Sans family. Supria Sans™ is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages. Supria Sans™ received the “Certificate of Excellence in Type Design” at the TDC2 (2011).

Eco Coding is a sans-serif monospaced font, especially designed for programmers. This font is optimized for programming (coding) environment. Eco Coding's neutral and open shapes will make your eyes comfortable to read any source codes and text on screen. The appearance of Eco Coding is neutral, but it has distinctive shapes enhance legibility and readability on screen.

Liam is a quirky hand-drawn serif font that bounces playfully around the baseline. Named after my young nephew, Liam’s cute cowlick curls and varying slants add childlike charm while retaining legibility, making it ideal for use in storybooks, toys, and other kids stuff. It includes 130 alternates and 52 adorable illustrations. See what’s included! http://bit.ly/2ci2MN0 *NOTE* Basic versions DO NOT include swashes, alternates or ornaments This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Tomato is the digitization and quite elaborate expansion of an early 1970s Franklin Photolettering film type called Viola Flare. This typeface is an obvious child of funk, the audio-visual revolution that swept America and put an end to the art nouveau period we now associate with the hippy era. Funk is of course little more than jazz with a chorus and an emphatic beat. Nevertheless, it became the definition of cool in the 1970s, thanks to blaxploitation movies with excellent soundtracks like Shaft and Superfly. Funk began as a commercial audio experience, then later expanded its signature to cover everything, from design to fashion to the later birth of disco, which is really a further simplification of funk. Funk had very strong and unique typographical elements, particularly a kind of titling with an essentially western, wooden core that suddenly changed and flared in unexpected areas until a very individual brand was achieved. Everything that can be tacked on to the alphabet was used towards that individuality. Things like curls, swirls, swashes, ligatures were always plentiful in funk, sometimes giving the titling a specific gender, sometimes bulging, sometimes speeding, sometimes fading in the distance, sometimes doing nothing but crazily aligning with other design elements, but the result was always a fascinating creature that seemed to invariably want to dance and have fun. Tomato was built in exactly that spirit. The original film type certainly had enough swashes and curls to be an unmistakable funk font in itself, but our further expansion of it cements it and makes it the definite font for the genre. With as many as 12 different possibilities for some letters, the designer's choices for a titling set in Tomato are virtually limitless. The Postscript and True Type versions of Tomato come in five fonts, including two fonts for alternates, one font for ligatures, and one font for swashes. These are split into two affordable packages. The entire family package is also available at an even more affordable price, and includes complimentary Cyrillic, Greek, Turkish, and Central European versions of Tomato. A Tomato Pro OpenType version is also available. It is a single font that includes over 650 characters, glued together with extensive programming for convenience of use in OpenType-friendly applications, where you can watch the letters morph and dance as you push the buttons and change the options of your OT palette. Now you know which font will come to mind when someone says the word "funky".

Legibility. Flexibility. Personality. No need to pick two; Novaletra Serif CF has it all. Liven up body text, captions, and headlines with Novaletra’s smooth, low-contrast design set across seven weights with italics. Versatile and easy to read at any size, Novaletra includes useful features like wide language support across Latin and Cyrillic scripts, international currency symbols, fractions, tabular numbers, and more. Includes lifetime updates, technical support and feature additions.

A serif that we created special for elegant branding needs, with extra ligature and alternates in unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more classy and modern. And specially for Calista font, We prepared any ligatures, and any alternate characters to help you create unlimited variations for your creative needs. Calista sans serif font ready with: Any options to get creative variations (combination of Alternate and Ligatures) Ready 4 Weights (Regular, Bold, Italic, Bold Italic) Preview as a inspirations that you can do with Calista font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

A serif that we created special for elegant branding needs, with extra ligature and alternates in unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more classy and modern. And specially for Calista font, We prepared any ligatures, and any alternate characters to help you create unlimited variations for your creative needs. Calisia sans serif font ready with: Any options to get creative variations (combination of Alternate and Ligatures) Ready 3 Weights (Light, Regular, and Bold) Preview as a inspirations that you can do with Calisia font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Introducing Maglony typeface The Maglony Serif typeface is an elegantly themed font that has a dynamic serif style. The details of the shape of the "Maglony Serif Elegant typeface" are very smooth and flow to create unique and beautiful curves. Elegant Serif typefaces such as “Maglony Serif Elegant typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Maglony Serif Elegant typeface contains 577 glyphs with many unique and interesting alternative options. Plus, there's a cool serif font family for header and description text from Thin to Heavy. In the poster preview all the letters are in the Maglony Serif Elegant typeface.

Introducing Mobilla Serif Elegant typeface The Mobilla Serif typeface is an elegantly themed font that has a dynamic serif style. The details of the shape of the "Mobilla Serif Elegant typeface" are very smooth and flow to create unique and beautiful curves. Elegant Serif typefaces such as “Mobilla Serif Elegant typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Mobilla Serif Elegant typeface contains 785 glyphs with many unique and interesting alternative options. Plus, there's a cool serif font family for header and description text from Thin to Heavy. In the poster preview all the letters are in the Mobilla Serif Elegant typeface.

Introducing Nilota Serif Elegant typeface The Nilota Serif typeface is an elegantly themed font that has a dynamic serif style. The details of the shape of the "Nilota Serif Elegant typeface" are very smooth and flow to create unique and beautiful curves. Elegant Serif typefaces such as “Nilota Serif Elegant typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Nilota Serif Elegant typeface contains 618 glyphs with many unique and interesting alternative options. Plus, there's a cool serif font family for header and description text from Thin to Heavy. In the poster preview all the letters are in the Nilota Serif Elegant typeface.

SK Clarke is a font designed in memory of the famous inventor and science fiction writer Arthur C. Clarke. Clarke is a geometric sans serif font family. It offers full support for the Latin, Greek and Cyrillic alphabets and supports many different languages. This font family includes a total of 20 fonts and 17,820 glyphs, so it contains all the typographic materials you will need in your designs.

Oh Honey is a handmade, feminine, new retro serif font made in 2021 by an artist who wanted to create an organic font to stand out in a world of rigid letterforms. Use Oh Honey for logos, headings, packaging, weddings, self help and fiction book covers and anywhere where you want to stand out with artsy sophistication. According to one font enthusiast, "This font is the typographic zeitgeist!"

Presenting Dena Font, a forward-thinking typeface that straddles the boundaries of future aesthetics and modern design. Designed for the cutting edge designer, Dena Font is more than simply a letterform—it's a design language, a representation of sophisticated elegance influenced by cyberculture, sci-fi movies, and innovative video games. Dena Font is a tool that gives designers the ability to push the frontiers of creativity and reshape the visual world. Elevate your projects with Dena Font's futuristic appeal, which combines typography with creativity. Every letterform in Dena Font has a vibrant, futuristic feel to it. The deftly drawn characters blend together to create a visual rhythm that mirrors the quick-paced, constantly-changing nature of contemporary design. Modern Futuristic style: With futuristic style, Dena Font is at the vanguard of modern design. It is the perfect option for forward-thinking design projects because every curve and shape is painstakingly created to communicate a sense of innovation and advancement. Ligature-Enhanced Creativity: Dena Font's rich ligature set enables designers to smoothly combine characters to create a flowing and melodic typographic expression. These artistically elegant ligatures provide a touch of refinement to your designs and are ideal for creating distinctive logo types and brand identities. Overcoming linguistic obstacles, Dena Font provides extensive assistance for the Latin Western Europe character set. This makes your creative vision a flexible instrument for international design projects by guaranteeing successful communication across linguistic environments.

The two great technical constraints a type designer can tackle are low resolution, which limits detail and dictates proportions between negative and positive shapes, and uniform width, which restricts each letter to a fixed horizontal space. Wrestle with both at once, and each letter becomes a black-and-white chessboard that challenges every design decision. Sometimes battling these constraints gets in the way of a good idea, but other times, tinkering with fewer options can make the job irresistibly easy and lead straight to a grid addiction. Gridlite, an experiment with a modular negative space, is the side effect of such an addiction. It’s simplified, monospaced, and variable: foreground and background alike are ready to be animated, typed, scaled up, scaled down, rounded, or otherwise deformed. Gridlite is primarily a variable font with axes that control the size of the elements, their shape, and the background (one for the rectangular field and one for the compact envelope around the letters). The fonts cover Cyrillic, Greek, and Latin scripts. Small caps are included, for no apparent reason ... and there is a monospaced elephant, too.

Ventella is a beautifully nostalgic upper and lowercase typeface that works best as a focal display text (think logos, headers, pretty quotes, calls to action, etc.). Featuring an elegant upright serif, light and clean italic, this duo brings a splendid, clean visage to websites, logos, brand identities, quotes, and anything else you can think of! Ventella serif is a versatile font that gives your projects a modern and minimalist look. Ventella is a classy and supremely legible font that stands out in both large and small designs be it a display or body text. Ventella comes with adorable 89 quirky ligatures and alternates for a custom typography look. All duo fonts provide a full set of uppercase and lowercase letters, numerals, and punctuation.

In this font from graphic arts veteran Tracy Sabin, his trademark whimsy and playfulness are exhibited in spades. Sabin takes a multitude of influences, from mid-century art nouveau to today’s pleasant dream-pop doodles, and mixes them up into a sweet and animated alphabet that oozes energy, enthusiasm and honest innocence. Alongside the chromatic and colour-play possibilities that come with two layerable fonts, the jumpy, rough and curly elements that make up Schneeberger’s construct make this face a unique and essential tool for display and packaging aimed at catching the eyes of kids and teens. Use it for fantasy flicks, sugar-fix wrapping, and the elaborate backyard birthday party invite where the program is just as appealing for the adults as it is for the children. P22 Schneeberger comes in solid (Black) and outline (Regular) variants, each of which containing more than 400 characters, some very cool built-in stylistic alternates, a bunch of ligatures, and support for the majority of Latin languages.

Hello Everyone, introduce our new product Finabilla It Is Handwritten Script Font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. You can activate 15 Ligature glyphs OpenType panel.

The Comic-Script by ingoFonts In the past cartoons used to be lettered by hand. Hardly anyone does this today. The reason is, because hardly anyone has nice handwriting these days, so there are practical advantages in having a special font. However the font should still look like it’s been written by hand. Well, most script fonts don’t meet this requirement. The LeDrôle Lettering is a computer font, but closely resembles genuine handwriting. The model for the LeDrôle Lettering is my personal handwriting, as can be seen on the example of the Biró Script, which is also an ingoFont. The habit of capitalization comes from the Romanic and Anglo-Saxon countries. Depending on the purpose they are designed in three significantly bolder weights. In order for the typeface to actually look handwritten, it needs to have clearly visible irregularities. These are not found only in the shapes of the individual letters. Even though LeDrôle Lettering is all in capital letters, the characters of uppercase and lowercase letters are clearly different. Additionally, many alternative shapes are used, which are automatically applied when the OpenType “Ligatures” feature is activated. Thus, there are no identical double letters or numerals, and many character combinations are defined as ligatures with alternative forms.

Are you looking for a new casual and organic script font? Please take a look at Junius! The Junius font is the perfect combination of sleek and casual that is best used in OpenType compatible software. This font contain 797 glyphs, equipped with plenty of OpenType features. Upper case letters can alternate between at least two different forms. Lowercase letters have at least six more options to avoid repetition. These effects include initial and final forms of lowercase letters.  In addition, there is a set of 65 ornaments designed to support the font (accessing the ornaments through the Glyph palette). Some of these ornaments were specially designed to be combined with the letters for a "more calligraphic" effect. Junius font can be the option used to create titles, logos and posters for brand and packaging purposes. I hope you enjoy it.

Gilam is a sans serif font with semi-condensed proportions. The typeface was based on the famous DIN but combines its popular neo-grotesque look with characteristics, such as the pointed edges in the “W” and “M” as well as the outward cut terminals, which gives a distinctive look to the modern geometric typeface. The complete set of 9 weights plus italics gives to designers the absolute freedom to create anything. Perfect layouts with blocks of text, headlines, motion graphics, logos, apps, and websites are just part of the intended usage of this versatile typeface. Features: • 765 glyphs in 18 styles; • Extended Latin, Cyrillic and Greek; • Geometric forms and low contrast; • Prominent x-height which makes it legible in a text; • Perfect for headlines and logos; • Suitable for web, print, motion graphics etc. • Semi-condensed proportion; • Advanced typographical support and OpenType features including case-sensitive forms, fractions, superscript and subscript characters, and stylistic alternates; • Complete set of figures - old style and lining figures, which come with proportional and tabular variation; Gilam means “joy of people” so that you can enjoy it!

Balega is stencil-like display font, created by German designer Jürgen Weltin in 2002. Balega's letters are very bold, and have a slight italic slant. While some of the uppercase forms appear somewhat sharp, the lowercase is definitively round and friendly. Text set in Balega has a very forward moving motion, as the slant makes all of the letters seem to be lunging toward the right. This gives the typeface a very dynamic feel. Because the counterforms in and between the letters are very narrow, we recommend using Balega in posters and other larger displays, where its design may be truly appreciated. Balega is part of the Take Type 5 collection, from Linotype GmbH."

Darcy is bold and exuberant. As an all-cap family (exception “i”), every letter has an artsy, handmade alternate. For the most joyful bounce, choose all lower or mix up the cases. For a more even baseline, go with all uppercase. Darcy Prints has gestural, organic motifs and patterns, including leaves, grasses, flowers and abstract shapes. Each playful letter has two options with different looks easily available in upper/lower places. Darcy Designs is a cheerful picture font adapted from 26 of the hand-drawings in Darcy Prints. Darcy family is based on hand-lettered cards the designer makes for friends. Darcy family lends itself to products that celebrate warmth, creativity, and a zest for humor and fun!

Kapra Neue was the #1 bestselling Grotesque Sans released in 2017 on MyFonts. Kapra Neue is a younger brother of Kapra. This new family has refreshed proportions, rounded corners, and a new shape of glyphs. It is characterised by a wide range of instances – 24 new weights, from Thin Condensed to Black Expanded, allowing use of the family in complex ways, depending on the user’s needs. Every instance comes with its italic version. The font has a glyph set for latin script and old-style figures. Kapra Neue is inspired by a “You And Me Monthly” magazine, published by National Magazines Publisher RSW "Prasa” in Poland, from May 1960 till December 1973.

jpAlva is a technical and functional sans-serif that consists of 40 typefaces, divided in 2 font families jpAlva and jpAlva Extended. A universal family of typefaces that fits pretty much any purpose. It illustrates a precise balance of modern geometrics, with a functional yet sparing style that effectively communicates without distraction. A straightforward, unadorned appearance with efficient construction. Simple, clean with a technical note and a wide range of styles it is perfectly suitable for a wide range of applications, from identity systems to editorial design, from signage systems to software applications. Designed with powerful OpenType features (e.g. figure sets, fractions, ligatures, case sensitive forms) and extended language support, it is easy and enjoyable to use.

jpAlva is a technical and functional sans-serif that consists of 40 typefaces, divided in 2 font families jpAlva and jpAlva Extended. A universal family of typefaces that fits pretty much any purpose. It illustrates a precise balance of modern geometrics, with a functional yet sparing style that effectively communicates without distraction. A straightforward, unadorned appearance with efficient construction. Simple, clean with a technical note and a wide range of styles it is perfectly suitable for a wide range of applications, from identity systems to editorial design, from signage systems to software applications. Designed with powerful OpenType features (e.g. figure sets, fractions, ligatures, case sensitive forms) and extended language support, it is easy and enjoyable to use.

A single weight rounded font, similar to the popular Futura font with several new twists. Usage recommendations include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.

A truly organized storage section is only complete with properly and neatly organized labels. This font is perfect for that. It is legible and professional enough to use in an office setting. It is also perfect for use in the home for example organizing a home or a pantry.

Teramo™ is daring, sharp and dynamic. Its personality is derived from asymmetry and movement. It is a contemporary serif family full of modern design elements playing with proportions of works of XV and XVI century masters such as Francesco Griffo or Claude Garamond. The family features four optical sizes. Display sizes feature extreme stroke contrast and are intended for fashion, lifestyle, cosmetics, magazine, business, hi-tech and advertising use. Text styles are created for all kinds of body copy — long and short paragraphs, books and websites in any modern design context. They are crafted to be elegant and legible, featuring more generous spacing and scrupulous kerning. Display weights are designed as modern, extraordinary variations on didone style. Teramo’s letterforms are merging classical proportions and precise, contemporary details such as asymmetric serifs, sharp edges and unconventional glyph shapes. Another important factor constituating Teramo’s personality is an angled axis, unusual for didone families and giving the typeface much more organic and dynamic feel. Teramo features a lively true italics strongly related to cursive handwriting. The italic styles imply movement, energy and fluency, introducing a new color to paragraph text, as well as being a powerful and interesting standalone display type. The family introduces additional titling letter variations for headlines and display uses, such as sharp and modern lowercase “y” or uppercase alternates for better all caps typography. Teramo consists of 56 fonts in 4 optical sizes - 28 uprights and their corresponding true italics + 2 variable fonts. It has extended language support as well as broad number of OpenType features, such as case sensitive forms, standard and discretionary ligatures, titling alternates, contextual alternates, lining, oldstyle figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Faktum is an exploration into the geometric sans genre, inspired by Mid-century modern architecture and interior design. Especially the combination of clear lines, organic curves and geometric shapes, highly popular among designers and architects of the second third of the 20th century, gave the impetus for a design with clear modernist roots and a strong contemporary finish. The family comes in 8 weights plus matching italics, featuring a wide range of alternate characters and opentype features like discretionary ligatures, case sensitive shapes, different number sets and many more. Due to its clean lines and slightly organic structure, Faktum functions great in many sizes and surroundings, working either as a restrained supporting font in long paragraphs, or as a main actor in powerful headlines.

Fairweather is a fresh air. Clear, transparent, and lucid as if it is the spring and autumn sky. By designed condensed, legible and perspicuous, Fairweather is perfect for titles and captions. But "Title and Captions" are the just examples. Very neutral and plain letter forms make the font versatile. The condensed forms can be very effective for body text in narrow space and the clean and clear letterform doesn't intrude your art works. Consists of nine weights and their matching italics. Supporting almost all latin languages.

Slatterine is a retro-futuristic family, inspired by the second streamline era of the 1950s It's ideal for any design work that needs to suggest bygone visions of the future, or to have a retro-space-age effect. Slatterine's horizontally shaded glyphs give a strong sense of motion, whether coupled with the regular form's sharply leaning oblique angle, the perpendicular form, or the reverse leaning 'Lefty'.

I am First Contact, a super ultra condensed all caps font with support for over 90 languages and over 540 ligatures. I am a cutting-edge font that is both cool and chic, yet still personal. I am perfect for a wide range of design projects, from logos and branding to headlines and posters. I am the future of your typography. I am the font that will take your designs to the next level. I am bold, I am confident, and I am here to make a statement. I am not like other fonts. I am not afraid to be different. I am unapologetically myself. I am First Contact, and I am here to shake things up. I am the perfect font for anyone who wants to stand out from the crowd. I am the font for the bold, the brave, and the innovative. I am First Contact, and I am the font for the cool kids. I am the font for the trendsetters. I am the font for the people who want to be ahead of the curve. I am First Contact, and I am here to help you create something truly unique. I am more than just a font. I am a movement. I am a call to action. I am a challenge to be different. So what are you waiting for? Use me today!

Contralto is a high contrast sans-serif font family, crafted to look elegant but contemporary thanks to soft humanist shapes mixed with sharp geometric details. Contralto comes in 40 styles: 5 weights × italics × 4 optical sizes, to help optimizing contrast and readability. However, you can also use them to fine tune the mood of your graphical composition. Contralto’s generous character set and Opentype features let you meet the most demanding layout needs and lets your creativity fly!

My Lovely is a beautiful script font made with many swashes in start and ending character, offering beautiful love swashes. This font includes a full set of swash heart lowercase letters, numerals, and punctuation. It also includes opentype Ligatures and Stylistic Setuntil 10 option. This is so perfect for invitations, monograms, wedding, fashion, branding, labels or logotype.

The "Loyola Soft" typeface is a highly versatile and attractive option, as it presents a wide variety of 14 variants, making it a font with great potential for various projects and applications. By having support for the Cyrillic alphabet, this font becomes even more useful, allowing its use in multiple languages and regions where this writing system is used.

Notes Is a handwritten-Italic font style, casual and fresh. Our recipe for this project is a perfect blend of typography and handwriting. Works well in small sizes and has several ligatures. Notes Family has many cuts, Pen, Pencil, Marker and Felt Tip. This font family can be used for many purposes like publishing, quick notes, adding captions, signage.

Kakadu is a squarish sans serif, designed to work equally well on paper and on screen. The angular curves in this typeface create a firm and dependable appearance. The square-like forms also provide an inward openness and allow large and open letterforms, adapting perfectly to the orthogonal pixel grid of the monitor. Kakadu works well in small sizes while, it appears strong and distinguished in larger ones. Play the classic snake game and see the Kakadu fonts in action here.