Monotype Caslon Titling was made available for hot metal casting in 1932. The capital Monotype Caslon Titling letters were based on types from the Stephenson Blake Foundry, previously the Caslon Foundry. Originally designed by William Caslon in the eighteenth century, Caslon is considered an old face although it has characteristics which were later found in the transitional typefaces. The Monotype Caslon Titling font has a distinctive style, generous width and strong color, ideal for use in advertising, magazines and on book jackets.

Road Picture JNL was modeled after the hand lettered title and credits for the 1940 Bob Hope-Bing Crosby semi-musical comedy “Road to Singapore”, and is available in both regular and oblique versions. Although the lettering design doesn’t resemble anything that was probably used in Singapore at the time, its faux “exotic” look still makes for an interesting revival. Bob Hope and Bing Crosby made a total of seven “road” pictures, hence the homage in the name of this type font.

Liaison is a beautiful non-connecting handwritten script for headlines and display typesetting, e.g. for perfumes, reports of the glamour world, magazines about gardening and recipes, covers for romance novels and alike.

Franklin Gothic was designed by Morris Fuller Benton for the American Type Founders Company in 1903-1912. Early types without serifs were known by the misnomer "gothic" in America ("grotesque" in Britain and "grotesk" in Germany). There were already many gothics in America in the early 1900s, but Benton was probably influenced by the popular German grotesks: Basic Commercial and Reform from D. Stempel AG. Franklin Gothic may have been named for Benjamin Franklin, though the design has no historical relationship to that famous early American printer and statesman. Benton was a prolific designer, and he designed several other sans serif fonts, including Alternate Gothic, Lightline Gothic and News Gothic. Recognizable aspects of Franklin Gothic include the two-story a and g, subtle stroke contrast, and the thinning of round strokes as they merge into stems. The type appears dark and monotone overall, giving it a robustly modern look. Franklin Gothic is still one of the most widely used sans serifs; it's a suitable choice for newspapers, advertising and posters.

RAWLES is a Playful Handdrawn Font. Rawles is a bold and playful display font. Add this vintage style font to your creation. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. RAWLES also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

The Kensington Runestone is a rune-covered slab of brownstone that was claimed to have been discovered in central Minnesota in the United States in 1898. Olof Öhman, a Swedish immigrant, reported that he dug it out of a field in the largely rural town of Solem in Douglas County. It was then named after the nearest settlement, Kensington. The inscription claims to be a record left behind by Scandinavian explorers in the 14th century (internally dated to 1362). There has been a long-standing debate as to the stone's authenticity, but since the first scientific review in 1910, scientific consensus has classified it as a 19th-century hoax, and some critics have directly accused Öhman of fabricating it. there is community.

In December 2013 two new weights - Thin & Ultra (with Italics) were added to the set, Small Caps included! The intention was to make a technical-looking sans with a warmer feel to it, balanced between hard geometric shapes and friendly curves with slightly narrower endings. It should be useful in a wide range of tasks, whether combining the eight weights with distinct italics for editorial design, setting multiple pages of text, making financial reports, or using the highly contrasted lights and blacks for display and packaging design. Argumentum has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family. Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super. The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.

Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family. Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super. The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.

Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family. Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super. The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.

In 1992, Red Rooster Typefounders created Block Gothic Extra Condensed based on the TP Collection Block Gothic. In 1994, the company created and produced Block Gothic Condensed loosely based on the Extra Condensed; the weight range is markedly different than the earlier release.

Vocalist JNL is a bit of a novelty Art Deco typeface based on hand lettering from some 1940s sheet music. Using the classic "thick and thin" style of the day, a number of letters and numbers have wedges cut out of their designs.

A 1940s Australian song folio featuring tunes performed by singer-actress Deanna Durbin had her name hand lettered in an interesting Art Deco style sans. This became the basis for Song Folio JNL, capturing all the nuances of the original in digital form.

The poster for a 1947 film entitled “The Unfaithful” was hand lettered in an extra-bold spurred serif design emulating a stencil typeface. This served as the working model for Matinee Stencil JNL, which is available in both regular and oblique versions.

Uptown JNL was found amidst the pages of a 1944 edition of the vintage lettering design book entitled "Sixty Alphabets". This lovely Art Deco typeface has slight curvature to the straight lines of the letter forms and a wonderful hand-lettered look.

The 1946 foreign publication entitled "100 Alphabets Publicitaires" ("100 Advertising Alphabets") collects a number of interesting and attractive lettering samples for design inspiration. One such example is Asian-inspired and was re-drawn as the digital type face now named Martial Arts JNL.

The hand lettered title on the 1940 sheet music for "Pledge to the Flag" is a stencil design with wider rounded letters (such as the C, G and O). It is now available as Stencil Product JNL in both regular and oblique versions.

The hand lettered screen credits for the 1940 film “The Proud Valley” feature a bold, hand lettered sans serif type design with strong Art Deco influences. This is now available as Paducah JNL, which is available in both regular and oblique versions.

Monument is a titling version of Manuskript Antiqua, originally designed by Oldrich Menhart in 1952. Ralph M. Unger, who also redesigned Menhart's Manuskript Antiqua, redrew, completed and digitally remastered Monument for profonts. Monument is also available as part of URW's Manuskript Antiqua volume.

The name and design inspiration for Theater Bar JNL comes from an image of an old bar with an overhead neon sign in very stylized sans serif lettering (most likely from the 1940s) and is available in both regular and oblique versions.

Monument is a titling version of Manuskript Antiqua, originally designed by Oldrich Menhart in 1952. Ralph M. Unger, who also redesigned Menhart's Manuskript Antiqua, redrew, completed and digitally remastered Monument for profonts. Monument is also available as part of URW's Manuskript Antiqua volume.

Vario is a bold brush-based design. Created by the renowned type designer and calligrapher, Hermann Zapf, Vario offers superb emphasis for use in headlines and displays. It is availble in both regular and italic styles. Vario was first produced in 1982.

Informal is the work of lettering designer Martin Wait and is reminiscent of the late 1940s and early 1950s. Informal is worthy of its name and perfect for anything with a look of the mid-20th century or simply a casual, spontaneous appearance.

Coen Hofmann revives an original design by Germany type foundry Schriftguss from 1940: His digital Admira is expanded with an extensive open type character set and even provides full Cyrillic. The face is set to best use at point sizes above 24.

Glamour was originally released by Lanston Monotype in 1948. It is based on Corvinus designed by Imre Reiner. P22 Designer Colin Kahn has added some unusual variants to this family illustrating that Glamour can be taken too far and have somewhat unglamorous results.

The hand lettered title on the cover of the 1932 sheet music for “I Wish We Could Dance Forever” was the inspiration for Dance Routine JNL. This bold Art Deco sans serif design is now available in both regular and oblique versions.

Ocean Beach is a fun, retro, all-caps Nautical Art Deco headline font. It sports geometric letterforms, perfect circles and highly stylized crossbars with waves on several letters—think the beach, flags rippling in the breeze and Fred and Ginger tap-dancing merrily on the deck of a ship! The inspiration for this font are the many whimsical nautical-themed buildings still to be found dotting the landscapes of America, from South Beach in Miami to hidden gems tucked away in industrial areas of southern California. I was fascinated by some of them when I was growing up, and in doing research on Art Deco styles I found many images of these wonderful buildings sporting portholes, streamlined moderne details and even faux rivets. Ocean Beach is created with a 3-stroke detail, and the complexity of the design will be appreciated better in larger sizes of type (36 pts or larger). Use this font for any application that needs a bold, decorative or Art Deco look; great for signage, magazine layout, illustration, posters and packaging.

Grosball is a display font devoted to sports design. This font is devoted primarily to football design. Grosball fonts can also be used to design logos, posters, magazines, jerseys, t-shirts, and others.

A font is a crucial element of a design, but it can be a complicated challenge to choose a proper font for your project. An improper design will likely damage your whole designs and make your hard work useless. That is why Big Mock is the perfect font for you. Big Mock is a display font with strong characters and unique styles to assist you to pop up your messages easily. It exists in uppercases and thick weights to show bold, prominent displays. The similar letters’ proportions and the low contrasts will affect the legibility rates. You can use such a font for big text sizes to be greatly legible. Big Mock gives you an extra clipart as a bonus. You can also make use of the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Big Mock fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

It could be such frustrating work to find an attractive display font in accordance with your design project. Moreover, a wrong display font will only result in the failure of your design leaving your customers uninterested. However, you should feel no worry as we have the best answer to your problems. Blessed Dreams is a visually attractive display font with soft, gentle nuances caused by the swinging end of the wipes and curves. Each of the letters is interconnected as in the cursive font and the proportions are relatively similar for a legibility reason. Furthermore, you can apply this font, which also provides you with a clipart as a bonus, for big text sizes to be legible. In addition, you may make use of the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Blessed Dreams fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Inspired by the old Stephenson Blake Caps only font Algerian from 1908, this version, named Algerian Mesa, has been freshened up with a new matching lowercase. The original Algerian, on page 142 of the 1908 Stephenson Blake specimen book, was a small caps to a more decorative lining caps and the plain black version, without the shadow line, was named Gloria. Also on page 142 of the 1908 Stephenson Blake specimen book is a shaded Latin font that gave me the idea for the Alt version of Algerian Mesa. The Alt version works well at smaller point sizes combined with the regular Algerian Mesa font on the same page. New for 2016 were Opentype features including original alternates, oldstyle numerals and case sensitive forms, also new is a fully usable Alt version. New for 2022 are the higher x-height, 90% small caps, 80% small caps and all new italic versions. Also new for 2022 are straight sided accent marks replacing the flared or curved accents. While Algerian Mesa includes some alternates our related Tavern font will still remain the version with more alternates and more weights.

Borgson font is a sans serif display font that includes capitals and small capitals. The font includes basic Latin characters (128 characters). The font is great for vintage and hipster themes as well as sports related themes.

Love Rabbit is a stylish and free-flowing script font. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

An open, lightweight font of classical Roman proportions, designed for text or display setting. The serifs are slightly hooked, giving the face a liveliness on the baseline.