2,154 search results (0.017 seconds)
  1. Accord by Soneri Type, $39.00
    The main difference between Accord Alternate and Accord is in the way curved strokes join with vertical stems in letters such as "bpn".
  2. Cabriolet V8 by JVB Fonts, $35.50
    Cabriolet V8 is a vertical version of the Cabriolet family, a geometric script fontface re-interpretation inspired by old chromed emblems of 1950s.
  3. Kerb by Lebbad Design, $24.95
    Kerb is a contemporary sans serif font created with wide letterforms and subtle bowed vertical strokes. Fantastic font for logotype and headline use.
  4. ITC Bette by ITC, $29.99
    ITC Bette is a particularly elegant calligraphic design from the hand of Patty King. Refined and friendly, this vertical script appears to be drawn with a brush held delicately at a right angle to the page. The unconnected letters and flared ascenders create a feeling of spontaneity, while the design's vertical stress produces a calming counterpoint. Many capital letters drop comfortably below the baseline, and terminals echo a flick of the wrist.
  5. Bookish by Hackberry Font Foundry, $24.95
    This all started with a love for Jenson. I know there're hundreds of variations on that theme. But, that is where I began, several years ago. How far it came, as usual as I wandered through the vagaries of font design, is not unusual. If you've read any of my font design books, you know my design processes are quite loose and spontaneous. I wanted the general feel of a favorite old font, but softer, easier, and more comfortable. I built these on the same vertical metrics as my Librum Publishing Group. However, this family is not part of that group. I used the metrics because that shows my current taste in fonts. This family does work with the Librum group—but to be honest, I haven't experimented enough to come up with a good companion. I suspect I'll need to make another companion family. I may need make a non-modulated bold version also. But, that remains to be seen. I'm pleased with this.
  6. Double Line Deco JNL by Jeff Levine, $29.00
    Take a classic hand lettered Art Deco alphabet, add in a treatment of dual straight vertical lines and the resulting typeface is Double Line Deco JNL.
  7. Mol by Josh Grzybowski, $19.99
    Mol is a slightly condensed feminine serif font recommended for use as a display typeface. It features hairline serifs, strong vertical stress and heavy ball terminals.
  8. M Ellan HK by Monotype HK, $523.99
    M Ellan HK is a soft yet robust typeface that strikes an appropriate balance between vertical and horizontal strokes (豎、橫). Finials of strokes are sharp but gentle, alluding to the appeal of calligraphy. It is elegant as well as contemporary. M Ellan Light features similar thickness in vertical and horizontal strokes (豎、橫) that together make it lucid and appealing, while thickness of strokes in M Ellan Bold are accordingly adjusted to maintain its friendly and graceful character.
  9. M Ellan PRC by Monotype HK, $523.99
    M Ellan HK is a soft yet robust typeface that strikes an appropriate balance between vertical and horizontal strokes (豎、橫). Finials of strokes are sharp but gentle, alluding to the appeal of calligraphy. It is elegant as well as contemporary. M Ellan Light features similar thickness in vertical and horizontal strokes (豎、橫) that together make it lucid and appealing, while thickness of strokes in M Ellan Bold are accordingly adjusted to maintain its friendly and graceful character.
  10. Onyon by Ingrimayne Type, $9.00
    Onyon is a bizarre typeface with vertical stems that thicken in the middle and narrow at the ends. It was created as an experiment to see what a typeface would look like if the vertical stems were diamond or rhombus shaped. The letters are angular with unusual triangular serifs and they have no curves. It is a harsh, cruel typeface that will make your eyes water if you use it at small point sizes for text.
  11. Odisean One - Personal use only
  12. Odisean Tech - Personal use only
  13. Sincerely by Canada Type, $24.95
    Whether with pen on paper, or in digital, realistically connecting vertical handwriting is never an easy task to accomplish. After working with many handwriting fonts, and after intently dissecting so many different handwritings, one tends to expect such things to be quirky, disconnected, and almost never upright. In fact, in spite of vertical handwriting’s academically-sung virtues of rationality, efficiency, clarity and logic, very few people manage to deviate from the natural slant when writing. Even fewer manage to make the vertical handwriting connect and keep its natural flow. Calligraphy and upright cursive aside, it is almost impossible to make a vertical letters connect and maintain a real handwriting appearance. This is where the genius of this design comes in to bridge the gap between upright handwriting and calligraphy. Sincerely is based on one of the most fascinating handwriting designs to ever come out of Germany: Karlgeorg Hoefer’s 1968 Elegance for the Ludwig & Mayer foundry. It is a handwriting with the full meaning of the word, yet it possesses the rare, very commanding and appealing trait of being both vertical and connected while managing to remain realistic. It is the ultimate branding iron of handwriting fonts. When set and printed, Sincerely simply cannot be ignored. Ideal for humanity-asserting poster designs, lettering of short wording with plenty of space, poetry, notes, greeting cards, craft literature, book covers, history-related designs, and a whole range of other applications.
  14. Tokyotrail by Dharma Type, $9.99
    Tokyotrail is inspired by the capital of Japan. Over 2,000 square kilometers to explore. Lines run vertically horizontal and aslant. Square and geometric form attracts notice in various scenes.
  15. Just Pixo by Latinotype, $29.00
    Inspired by the streets of Brazil, Just Pixo is a display typeface that mimics pixação, Brazilian graffiti. In his book Pixação: São Paulo Signature, François Chastanet says, “This alphabet, with its vertical inscriptions axis, is to be directly classified in the king-size, monumental category; the systematic use of capitals, meticulously aligned and justified, their extreme verticality, are symptomatic of this architectural dimension”. As such, we designed Just Pixo for monumental type sizes and vertical alignments—a family with seven weights, alternate glyphs, multiple ligatures and is provided as a Variable Font too. Unique decorative serif capitals and lowercase sans serif versions make Just Pixo the perfect option for large displays, strong headlines, urban logos, and contemporary concepts. Despite its controversial use on the streets, this often politically charged style will typeface will take your next project to the next level.
  16. Penmanshift JNL by Jeff Levine, $29.00
    Penmanshift JNL by Jeff Levine is actually a semiscript - a vertical text font with the curved lines of a script alphabet, but the look and feel of a poster letter.
  17. Alarionsa Serif by Kosinsky, $40.00
    Alarionsa - font with straight horizontal serifs, vertical serifs have a slight angle of inclination. Lowercase letters are designed with somewhat inflated x-height. Perfect for both creating headlines and regular text.
  18. BD Renaissance - Unknown license
  19. GALLAECIA - Unknown license
  20. Le Monde Livre Std by Typofonderie, $59.00
    A text face in 4 styles Before the arrival of Phototypesetting, each font size had a specific design. Le Monde Livre, designed by Jean François Porchez, along with Le Monde Journal re-establishes this practice. When Le Monde Journal was developed specifically for use at small point sizes (below 10 points.) Le Monde Livre works beautifully for book typography, magazine settings. In comparison to the italics in Le Monde Journal, Le Monde Livre’s italics are of a totally different design, closer to the models of the Renaissance. The families match well together on the same page, Le Monde Journal for small sizes settings, Le Monde Livre for large settings. The verticals metrics and proportions of Le Monde Livre are calibrated to match perfectly others Typofonderie families.
  21. Jason Uncial by URW Type Foundry, $49.99
    Jason Uncial, a unicase font, was created by Dutch designer Coen Hofmann. Uncial hand writing began to spread in Europe at the time of the late Roman Empire (200 A.D.). It influenced both the Carolingian Minuscule as well as our present lower case letter forms. Uncial fonts are still very much in use. It is used for headlines, display, titles, certificates, and not surprisingly, very much in Ireland or for anything with a Gaelic/Irish or Celtic touch.
  22. Whitehall JNL by Jeff Levine, $29.00
    Whitehall JNL is the serif counterpart to Jeff Levine's Wingate JNL - both are strongly influenced by the Art Deco stylings of such condensed typefaces as Huxley Vertical and other narrow titling fonts.
  23. Zart by DSType, $40.00
    Zart is a heavy yet delicately sensitive display typeface filled with character, a free interpretation of the classical French styles from the late eighteenth century, reimagined for modern use. While it’s vertical strokes carry the typical weight of this style, the thinness of the horizontal strokes is further extended into the characters with the introduction of large vertical ink traps. This allowed us to design slightly narrower letters which, coupled with shorter serifs, result in a overall darker expression, creating really impactful headlines. Zart is available in three versions: Regular, Italic and Script.
  24. Saturknight by Echopraxium, $13.50
    Saturnight Regular is a proportional and kerned typeface. The name is a variation of Saturnight, which is itself the anagram of Unstraight. This is because vertical lines are Unstraight sticks. It's a consequence of the Design rule * Glyphs are built from segments on a triangular tessellation (cf. poster 1) Note 1: Unstraight lines depend from the chosen tesselation orientation (here the tesselation has horizontal lines and thus Unstraight verticals). Note 2: The encoding is Windows Latin 'ANSI', which includes Icelandic characters (as illustrated by poster 3).
  25. Sasparillo by Greater Albion Typefounders, $16.00
    Sasparillo is an "extreme" Tuscan face, with reversed emphasis, by which we mean the horizontals are far heavier than the verticals. Recreate the spirit of the "Wild West" with a sense of fun!
  26. Qeuliner by BaronWNM, $14.00
    Qeuliner is a font with a modern, sporty, and futuristic design. Carrying the form of oblique blocks separated by vertical lines. Very suitable for use on sports-themed displays, racing, games, space, etc.
  27. Western Sans JNL by Jeff Levine, $29.00
    Take a classic Western wood type where the horizontals are thicker than the verticals and remove the slab serifs… The result is Western Sans JNL, which is available in both regular and oblique versions.
  28. Border PI 1515-9 by Monotype, $29.00
    This font consists of individual pieces that can be combined to make a wide variety of borders. For each border design, the pieces generally include four corners, a vertical section, and a horizontal section.
  29. ArgonType by Vic Fieger, $26.99
    ArgonType is the first commercial font produced by Vic Fieger. It features thick vertical strokes, soft curves, and incomplete loops. It was designed to be used as an alternative for serif fonts where appropriate.
  30. Zeno by Device, $39.00
    Bold, graphic and with a strong vertical emphasis. Built from simple geometric shapes, Zeno is similar to some of Joseph Albers’ Bauhaus experiments, though with attention paid to normalising the lettershapes to improve readability.
  31. Woodblock by Monotype, $29.99
    The Woodblock font is a heavy face with angled counters and wedge serifs. The angles of the terminals and non-vertical strokes have been carefully drawn to add emphasis to the shapes of the letters.
  32. Bullhorn by Illuminaut Designs, $10.00
    Broad, tightly-spaced verticals make Bullhorn hard to ignore. Perfect for headlines and product names, this font is designed to fill space. Two weights and loads of variable characters give Bullhorn incredible versatility and charm.
  33. Anderson Supercar - Unknown license
  34. Hadrian LP by LetterPerfect, $39.00
    Hadrian Bold pushes the limits for an extra-condensed titling face. Though remaining in the tradition of the 20th-century 'grotesque' designs, its heavy verticality and tight spacing demand attention for headlines at virtually any size.
  35. Dining Room JNL by Jeff Levine, $29.00
    Inspired by the basic letter concept of Walter Huxley's 1935 gem Huxley Vertical, Dining Room JNL is a completely re-drawn typeface, adding even more of an Art Deco feel to an already classic Deco-era letter form consisting of condensed, rounded letters. Thick vertical lines balance against lighter weight ones, giving a dramatic contrast so typical of the Streamline Era of design concepts. This font marks another milestone in the Jeff Levine library of retro-inspired type faces. Beginning in 2006 with only ten designs, the collection has grown steadily with Dining Room JNL being the 750th font in the library.
  36. M Zhi Hei HK by Monotype HK, $523.99
    M Zhi Hei's design concept comes from M Stiff Hei , where horizontal and vertical strokes (橫、豎) are direct, dots (點) are short but forceful, downstrokes(撇、捺) are straight and sharp - everything bold and straightforward. One big difference between M Zhi Hei and M Stiff Hei, is the similar thickness of horizontal strokes (橫) across all font styles, so that there would be a strong contrast formed by the thin horizontal and thick vertical strokes (橫、豎) in the bold face. Still, remains bright, neat and beautifully crafted, it is a multi-purpose typeface that convince audiences and cater for different needs.
  37. M Zhi Hei PRC by Monotype HK, $523.99
    M Zhi Hei's design concept comes from M Stiff Hei , where horizontal and vertical strokes (橫、豎) are direct, dots (點) are short but forceful, downstrokes(撇、捺) are straight and sharp - everything bold and straightforward. One big difference between M Zhi Hei and M Stiff Hei, is the similar thickness of horizontal strokes (橫) across all font styles, so that there would be a strong contrast formed by the thin horizontal and thick vertical strokes (橫、豎) in the bold face. Still, remains bright, neat and beautifully crafted, it is a multi-purpose typeface that convince audiences and cater for different needs.
  38. Monotype Bodoni by Monotype, $40.99
    Bodoni expresses the beginning of the Industrial Revolution; its serifs are flat, think and unbracketed, while the stress is always on the mathematically vertical strokes. Bodoni believed in plenty of white space and therefore descenders are long. The M is rather narrow; in the Q the tail at first descends vertically and the R has a curled tail. The italic, like most continental modern faces, has roman serifs. Monotype Bodoni provides a clear-cut effect due to its simplicity. It reproduces well, particularly in sizes over 12pt. This font is slightly darker than Bauer Bodoni. The contrast makes Monotype Bodoni appear more condensed.
  39. Varisse Variable by AVP, $79.00
    Varisse spans over two centuries of type design and draws its inspiration from well-loved classics that are as fresh today as they were when they were created. The range stretches from a quintessential 18th century transitional serif to an uncompromising 20th century sans. Think Baskerville, think Gill. The idea was to create a family that shared similar forms and the same vertical metrics, allowing them to be mixed to provide impact and readability as required. With a generous x-height and a host of options, Varisse Variable is ideally suited to branding, packaging, magazines and editorial. It also provides a wealth of opportunity in website presentation. The variable axes of weight and serif allow selection of styles from sans light to serif heavy with all the options in between.
  40. Cut Sans Serif by Aksharasarovara, $25.00
    The thought behind this font was not to join vertical, horizontal and diagonal stems. Each stem is designed separately and arranged in a good manner to create glyphs. Something different from tradition; liberal, but in the limit.
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