Here in the heart of Santa Monica, in the disused 1940s aircraft hangar we like to call the Comicraft Studios, we know that times are tough. As we were driving to “work” in the back of our chauffeur driven Humvee limo, sipping martinis out of the navels of Playboy bunnies and wondering what font we should release next, we decided it was time to reach out to the poor people. Yes, we felt it was time to create a font for the huddled masses yearning to breathe free, for the wretched refuse of our teeming shores. A font, if you will, for the tempest-tossed. It’s a little skinny and might be described as pinched and starved, but it’s guaranteed to see you through this current economic crisis as only the 26 letters of the alphabet can. It was a tall order, but Jazzy JG Roshell created this one while he was in line at the bank, waiting for his personal bailout. Meticulously crafted using one of those ballpoint pens attached to the cashier’s station by elastic, Credit Crunch is the Hamburger Helper of comic book fonts. It’s kind of a hybrid -- just like the Priuses our trophy wives drive to their personal plastic surgeons -- and it’s solar powered and also comes with a tank full of good old fashioned Biro ink. The Recession, Climate Change AND Global Hunger will probably end mere minutes after you crack open your life’s savings to buy this font. How can you afford NOT to...? See the families related to Credit Crunch: Credit Extension.

The aviation world contains loads of stylish logotypes, from handwritten scripts to geometric styles and so on. The Avionic Condensed family finds its origins of inspiration in the Air China company logotype, and from there has been expanded upon to create a large stylistic family of 40 fonts. Avionic celebrates the geometric sans serif styling of the original logotype, evolving beyond the condensed all capital set logo to include a lowercase designed in parity with the original design style, as well as many weights and widths to offer a fresh diversity. Each subfamily includes a full standard character set with expansive international support of latin based languages, and 5 weights jumping from book to black, along with 5 accompanying obliques. This family is ready to chart a course for your design destination, whatever it may be. Here's what's included with the Avionic Family bundle: 370 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. 5 weights in each subfamily: Book, Regular, Bold, Heavy, & Black. • 4 widths in the collection: Condensed, Regular, Wide, and Extra Wide. Accompanying Obliques with each weight/width style. Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Avionic Collection is for you: You're in need of a dynamic geometric font with a variety of weights and widths for your designs You're an aviation junkie and have to have anything inspired by Air China You love the style of Bank Gothic, but really want something just a little different You are looking for a pseudo-techno style font family with versatility You just like to collect quality fonts to add to your design arsenal

Retail Stencil JNL was modeled from a set of 2 inch lettering stencils manufactured during the 1980s. Although similar in design to Excess Baggage JNL, there are a number of character differences as to where the "breaks" (or division of the stencil parts of the character) are located.

Released by the Monotype Corporation around 1932, Inflex Bold is a Scotch Roman fat face design similar to many others popular in the nineteenth century. A high-contrast bold roman, Inflex Bold is good for informal display work when used sparingly.

The POINTIFAX family is a typographic flashback to computing of the early 1980s. POINTIFAX is based on a matrix of dots and looks like the output on an old computer screen. Each is built out of dots, horizontal and vertical lines.

Introducing Quick Letter - Authentic Handwritten Ligature Script is a Quality script that is written casually and quickly has many alternative letters, with a front and back tail that adds to a more attractive appearance. Quick Letter is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

The Hanscum font family is a playful geometry and nature-inspired display family sporting plenty of distressed and letterpress style textures. With an authentic vintage look and a variety of styles, Hanscum comes with many playful faces and is packed with ligatures. Also included in this family is a sister subtitle small caps font that compliments the rest of the heavier display styles, also packed with opentype features. And last but not least, Hanscum comes with extras to play with including stylized catchwords, symbols, and swashes to accompany your layouts.

Sturdy is designed to be as black as possible yet still legible. As an OpenType Pro font it has my normal complement of around 500 characters. New to this font I have added what I call ordinals: first through tenth in addition to Caps, lowercase, small caps, lining, oldstyle, and small caps figures, ligatures, and so on.

Revista is a typographic system that brings together all the features to undertake any fashion magazine-oriented project. The font harmoniously blends different styles into a single big family, which consists of a Didone uppercase and small caps family—including 4 variants ranging from a monolinear Thin to Black with matching italics—and an Inline Black variant that works as a decorative alternative to the Didone fonts. Revista Stencil, one of its versions, comes with the same number of variants. Revista also comes with a Script Family that includes 5 weights, ranging from Thin (monolinear) to Black, contrasting in a tidily untidy way with many ligatures and alternates. You can choose between using stylistic alternates—if you want to give your designs a different untidy look, in the style of the modern calligraphy—or switching between different options if you are looking for a hand-written style. We highly recommend using the default contextual alternates and discretionary ligatures in order to take more advantage of this great font family. Revista includes 2 sets of dingbats, varying from zodiac signs symbols to technology symbols, and complementary ornaments in 3 different weights: Thin (monolinear), Regular and Black. All these features make Revista an ideal typeface for users to design to their liking! Photo by Fervent-adepte-de-la-mode

Indoxine is a scribbled font, simulating hasty written letters with occasional inkblobs. Comes with ligatures for both double upper/lower letters and numbers, in regular and black versions! You will need to use OpenType supporting applications to use the autoligatures.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuMifu provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuMathieu provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuTurner provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuGauguin provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

English designer David Quay created the Agincourt font in 1983. Drawn after the Old English style of type, Agincourt features intricate capitals, which complement the more reserved, slightly condensed lowercase. Agincourt is perfect for use on certificates, greeting cards, or anything that should have an historical appearance.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuChirico provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

The design of Bramber was inspired by Allied propaganda posters of the second World war, especially Russian posters. It has a distinctive solid, geometric appearance. 
Bramber also has a feel of mid 1980s design. Bramber is ideal for use as a distinctive headline or display font.

Canadian designer Anthony De Meester created the font in 1989. Vienna Extended is a light, elegant sans serif. Simplicity is the hallmark of Vienna and it can be used most effectively where a look of regal elegance is desired. Vienna is a trademark of International Typeface Corporation.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuDuchamp provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Tekton font is based on the hand lettering of West Coast architect Frank Ching, who wrote out the text for his books. It is an Adobe Originals typeface designed by David Siegel in 1989. Tekton is ideal for architectural drawing/design software, to match the feel of the type with the designer�s plans, or to give the page an architectural or informal handwritten flavor. Tekton multiple master, released in 1993, has increased the usefulness of the design by adding weight and width axes and making the font more usable for signage and display work, as well as informal correspondence.

The distressed letterforms hark back to early printing process using hand carved wood cut letters. The typeface is available in 6 weight with both Rough & Solid variations.

Buster is a shadowed typeface that Tony Wenman designed in 1972 for Letraset transfer sheets.

These Oksana Text Swash Cyrillic fonts have swashed initials and ampersand for Oksana Text italics in six weights from Thin to Black. They support basic Latin and European Cyrillic. For all-in-one fonts please look at that OpenType version of Oksana Text.

Ribelano is a serif display font that represents clear, contrast, and sharpness. The font comes in 6 different weight styles from Light to Black and it comes with 300+ glyphs. Perfectly suited for display needs such as heading, branding, logos, poster, etc.

Krom Mono is a modular monospaced font built with pixel shapes. Designed for headlines, posters, and small size body text. This family consist of 9 weights from thin to black plus variable font with a character set that covers over 90 languages.

Carlgine is a unique and modern family of serif fonts. Carlgine has 18 families Regular and italic font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Carltine is a unique and modern family of Sans serif fonts. Simply Conception has 18 families Regular and italic font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites.

This font was originally meant to be my last creation of 2022, but as it turned out, it was the first font of 2023 instead! Why? Well, because it took me a lot of time to complete the 150 different swahes letter combinations, the 182 different letters (not counting numbers, accented characters etc) the small caps, the subscript and the multilingual support! Anyway, it was worth the work - the Frequent font works great as a display font, or whatever you have in mind. Play around with the different versions (Regular, Solid and Inside) for great results.

Brookshire was inspired by the lettering seen on the Almanac ephemera paper when I visited the flea market in France. The result is a lovely piece of neo-Victorian fun that brings back the joy of 19th-century shop signs and flamboyant design ethos. Brookshire is ideal for poster work and signage, or anywhere that you want to bring back the joy of high Victorian design ethos.

Fitzgerald was inspired by the carved and gilded lettering seen over the entrance of a bar in Dublin. The result is a lovely piece of neo-Victorian fun that brings back the joy of 19th century shop-signs and flamboyant design ethos. Fitzgerald is ideal for poster work and signage, or anywhere that you want to bring back the joy of high Victorian design ethos.