Blackhawk is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, Blackhawk is guaranteed to deliver an unapologetically loud & fast-paced message; ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost. Blackhawk Consists of; Blackhawk ~ A hand-made, all-capitals brush font which has a complete set of alternate A-Z characters. Simply switch between upper & lower case to access the alternates. (Tip: Try mixing up both upper and lowercase characters in a word to achieve the best text layout). Blackhawk Italic ~ A slanted version of the regular font, creating faster movement in the characters. Blackhawk Swashes ~ A bonus set of 11 swashes and 4 paint-splatters. Simply select this font and type any A-O character to create one of the bonus elements.

Andovine is a strong and powerful display font with a vintage feel. Fall in love with its raw authenticity. Andovine is a handbrush font with authentic style. This font is made with a brush pen with very careful techniques, so the results are charismatic and have enchanting characteristics.

Zirkle is a monoline font in which the upper-case letters were designed from circles or bits of circles, with interior straight lines. It was the first font I designed in Fontographer when Fontographer was still in version 2 and the most advanced Macintosh was the Macintosh II. I have heard from people who like it, but it was designed not to meet some need but to play with the geometry of circle-based letters. ZirkStressed is a “squared” version that was the result of playing with a font distortion program, which in this case produced a result that seemed interesting.

Sensual Initials JNL is a revamped and cleaned-up version of an old freeware font by Jeff Levine. Redrawn, and now utilizing the typeface French Art Initials JNL

Butter Paste is a handwritten font that blends perfectly and is perfect for your project. You can use it for logos, branding, greeting cards, t-shirts, cases, posters, and more.

'dog heaven' is a sweet font featuring lower case, symbols, numerals & diacritics. channel your e. e. cummings and forgo those cumbersome caps! perfect for any occasion where fun is required.

When did it start. One day I was designing some stuff for a fast food café. By style the Café was made as an old Soviet canteen. So I had to do a special accent on this in menu, advertising posters and other print products. I decided to do this by interesting old school font. There are many cool retro fonts on the Internet, but not one of them satisfied me on 100%. The next step was to look at the old posters and find some inspiration. So I found some cool pictures with exact letters that I needed, but there were no typefaces to buy so that I can print some text with this exact letters. That's why I decided to do such typeface for my own. You can use this typeface in the field of nutrition, and it also will suit for cinema posters.

Metropolis was designed by W. Schwerdtner and released in 1928. The tapered strokes give the impression of height. The Metropolis font family shares an attractive, informal headline design.

Poster Paint is a fun shocard alphabet which came about from Jim Rimmer’s admiration of Goudy Stout, a design he liked in spite of the fact that Goudy himself claimed to detest it. Extremely eye-catching and humourous to a fault, Poster Paint is an ideal fit for fun environments like theme parks, concession stands, cofee and juice bars, and in print design for children books and fun food packaging. Poster Paint was updated and remastered for the latest technologies in 2012. It comes with a glyphset of over 375 characters, and supports the majority of Latin-based languges. 20% of this font’s revenues will be donated to a GDC scholarship fund, supporting higher typography education in Canada.

Lunanic is a geometric novelty typeface family with a touch of graffiti. The letters are formed from a circle with a notch or nick taken out, a shape that reminds me of a partial lunar eclipse. Half of the family have the nick on the left and half on the right. The faces are monospaced and so tightly spaced that there is no space between most of the letters so the filled styles cannot be used alone without tweaking. There are several ways to tweak them to make them readable: adjacent letters can be colored differently, the characters spacing can be increased, or an outlined style can be layered on top of the filled letters. The family does not have a true lower case. Most of the characters in the lower-case slots are alternates for those on the upper-case keys and they can be mixed in whatever way the user finds best. The family has twelve members: two orientations with three weights each and each of these six has an outline style to go with it. Lunanic is fun, bizarre, weird, and obviously a decorative display font.

In 2007-8, Carolyn Puzzovio developed this OpenType typeface: Lagoon which is based on an Armenian model from the Mechitarist monastery, Venice, 1810. This project was supported by a grant from the AHRC (Arts & Humanities Research Council, UK) and won a first prize in the Granshan 08 type design competition. Oſten, Armenian digital types are designed to match the forms of Latin type characters and ‘Latinized’, by uprighting the forms; truncating ascenders and descenders and raising the x-height – but in this case the Latin characters in the OpenType font have been designed to blend in with the traditional Armenian proportions which are based on cursive forms – also incorporating some of the quirky shapes from the original model. Faithfully following the original created difficulties of ‘clashing’ characters, particularly those with long descenders, so the font contains over 100 alternative characters in the Armenian part, which will normally substitute automatically where necessary. The sloping lower case characters and upright capitals are traditional in Armenian – capitals are used less in the Armenian language. Three new characters for the Armenian unicode range are included: the Armenian dram (currency) symbol; the eternity symbol; and the index number symbol. This font which will be one of the first OpenType fonts to incorporate these newly unicoded characters.

VASARELY has famous roots, its name is related to optical arts own Victor Vasarely. Dropping the field of Op-Art, you already know where we have been aiming at. The REGULAR and LIGHT cuts of VASARELY are quite ordinary, rectangular, but legible typefaces, but with the BOLD and EXTRABOLD versions you will be able to build diverse illusive type illustrations and layouts. Being build on a strict grid with same dimensions, the eye-affecting black-and-white contrast should trigger different optical effects. As an extra we build an EXTRUDED version as well. Have fun!

Towards Minimalis Stencil Our latest product inspired by the famous logo is simple but classy, made with precision and measured. very good for combining your design work with a clear line and a circle with several different weights that are very comfortable in the design area you are easy to read and as a title on a blog or magazine page Towards Elegant Sans Family has symbols and punctuation and unique alternative letters perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, stationery, wedding designs,label ,product packaging.

Sava is a calligraphic capitals and small capitals design by Jovica Veljović. Available in six weights--light, regular, medium, semibold, bold and black--it includes support for most western and central European languages, as well as for Greek and many Cyrillic languages. Typographic features include a series of non-standard ligatures and a large collection of specialized Byzantine ornaments. Influenced by the forms of medieval calligraphy, Sava is named after St. Sava, the first Archbishop of Serbia, who was famous as a peacemaker, and for his educational and charitable works.

LORENZA Elegant Sans Family Our latest product inspired by the famous logo is simple but classy, made with precision and measured. very good for combining your design work with a clear line and a circle with several different weights that are very comfortable in the design area you are easy to read and as a title on a blog or magazine page LORENZA Elegant Sans Family has symbols and punctuation and unique alternative letters perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, stationery, wedding designs,label , and product packaging.

Deloire Modern & Luxury Sans Family Our latest product inspired by the famous logo is simple but classy, made with precision and measured. very good for combining your design work with a clear line and a circle with several different weights that are very comfortable in the design area you are easy to read and as a title on a blog or magazine page. Deloire has symbols and punctuation and unique alternative letters perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, stationery, wedding designs,label ,product packaging.

A 1942 photograph showing the exterior of the famous Hollywood restaurant Sardi’s and it’s unusually lettered sign was the inspiration for Fine Food JNL. Classically Art Deco, the Sardi’s sign had an ‘S’ looking like an inverted ‘J’ with a flat tail, a traditional ‘A’ replaced by a triangle and the ‘R’ composed of a ‘D’ with a diagonal extension. These elements were balanced against more traditional [but complementary] characters to retain the novel charm of the original signage. Fine Food JNL is available in both regular and oblique versions.

Kate Greenaway was a very famous British (1846-1901) author and illustrator of childrens books. Her books were an outstanding success in English publishing during the Victorian period. Recently I found these sweet Mignonettes in an old foundry specimen book. Mignonettes is derived from the French word "mignon" which stands for lovely, charming, sweet, delightful, pleasant and that does exactly describe these little drawings. I already published a Kate Greenaway's Alphabet a couple of years ago. So here is my second installment. Yours, Kate Greenaway fan Gert Wiescher

Henri Abraham Chatelain was a cartographer and publisher of the famous Atlas Historique, ou Nouvelle Introduction a L'Histoire, a world atlas released between 1705 and 1732 in Amsterdam. A few years ago, at an antique book shop in London, I bought a page from Chatelain's atlas—a page covering the Near East, India, the Indian Ocean—that had a particularly alluring, oblique handlettering style. The text is in French, which gave me plenty of samples of diacritics and accented characters. The overall effect is neat and legible, with a distinctly historical flair.

Alejandro Lo Celso’s tribute to Bodoni takes the form of a humorous fat face for display use, in both solid and engraved forms. Four years after Bodoni’s death, Margherita, Giambattista’s widow, published the two volumes of the famous Manuale Tipografico, a significant catalogue even today. Margarita’s curves are extremely sensual, it should be set only at huge sizes. The typeface includes several ligatures both standard and discretionary, and a set of contemporary ornaments to set nice frames and patterns. We hope you enjoy working with this fancy type. See more at PampaType.com.

Designer Notes Pro solves a design problem. When you are looking for that ‘handwritten’ look? Now you can typeset your handwritten notes using Designer Notes Pro. This font matches the look of a handwritten note, a diary entry, post-it note or sketchbook comment. The letter shapes are based on handwriting created using a Pilot Precise V5RTpen. There’s something special about how it puts ink on paper. This font falls in the script/handwriting font style. Designer Notes Pro Includes 4 versions: regular, italic, bold and bold italic. 4 font family includes Designer Notes Pro regular, italic, bold and bold italic -Mac & Win TrueType (.ttf) -Classification - script/handwriting -Each member of the this font family is a full Latin set of 228 characters/glyphs -Letters A-Z and a-z -Numerals 0-9 -Complete punctuation -Latin language glyphs -Mathematical symbols -Careful spacing and kerning

Road Stencil is a font based on painted street markings. The letters are stretched roughly six times their normal height so that when viewed from an angle, the text is seen as proportional. If you're looking to Photoshop a street scene, this is your font. This is an all caps font, but the letters were copied to lower-case for convenience. In these forms, I've preferred to use horizontal and diagonal dividers instead of verticals which can weaken the fonts readability. This font embodies a pleasant aesthetic while maintaining a coherent and believable feel. Check out the 'Rough' version of this font, which has more of a 'drawn on asphalt' look. The rough version's lower case letters have eroded alternates.

“Ending story” is experimental vintage font style that to speak instant nostalgic and retro sensation, it was inspired by the inscription on the shop/hotel/vehicle in the 90's era. “Ending story” will help you to create special and touching typographical design for your vintage and oldschool projects.Perfect when you place them into magazines, book cover, cafe product, newspaper titles, poster, and many more. It is really universal and modern font. The owner of endless possibilities!

Nouveau Crayon is based on Crayon Crumble, a font I made a long time ago. I changed a lot of glyphs and added a whole bunch of new ones. It has become quite a good looking font to be honest: oodles of crayon goodness, heaps of crumbling bits and a lot of expression. Use it for cafe websites, restaurant menus, children’s books, art fair posters and whatever else you fancy. Nouveau Crayon comes with abundant language support.

Caros Soft is the rounded version of Caros. Caros Soft Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with geometric shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Caros Soft is a versatile type family of 18 fonts. Caros Soft family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Artico Soft is the rounded version of Artico. Artico Soft Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Artico Soft is versatile type family of 18 fonts. Artico family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Artico Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Artico is versatile type family of 72 fonts. Artico family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) and 4 widths (Extra Condensed, Condensed, Normal & Expanded) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Kotomi Display is a high contrast all-caps serif font with an elegant calligraphic touch. Inspired by didones, it features thin bracketed serifs, sleek lines, proportioned curves, angled axis...all, with a sense of fashion. Designed for high end branding, Kotomi Display is intended for large titles and big headers where its sharp and refined finish is particularly appreciated. The font is equipped with beautiful alternates and countless ligature variations that flows in harmoniously to achieve a well balanced combination and a legible composition. With a set of 1414 glyphs, Kotomi Display can serve a wide range of projects from editorial to branding, logos, posters, magazines, blog titles, packaging, wedding invitations, social media and more. Included case sensitive punctuation, numerals, symbols and multilingual support for western, central and south east European languages. Caps Only Fonts.

Jiho Soft Family is a modern & soft sans-serif typeface that is clean, simple and highly readable. It is the rounded version of Jiho Family. Letters in this type family are designed with minimal & modern shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Jiho Soft is versatile type family of 18 fonts. Jiho Soft family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features. We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Saveur Sans Round is the softer, friendlier cousin of Saveur Sans, a font family inspired by art deco and French cafes. This display family has clean, simple letterforms that feel modern but at the same time have a retro, art-deco styling. This family can add a sophistication to any layout whether it be print or online. Saveur Sans Round is a great selection for headlines, logotypes and branding. it is an all-caps display family with some neat alternatives including an alternative O and E that instantly give your copy that retro-deco look. The promos have been inspired by French food and design. This family is perfect for use in packaging and branding of food products as well as menus and restaurant or cafe branding.

Lemonglory is a modern font inspired by the shape of a leaf, with a unique shape this font is suitable for displays, logos, headlines, posters etc. Lemonglory is equipped with uppercase, lowercase, symbols and multilingual

I don’t have a sweet tooth myself, but I do like toffee! One of my favourite desserts is English Sticky Toffee Pudding, so I really had to name a font after this delicacy. Sticky Toffee is a bold display font. It’s all caps (in case you might have missed that), but upper and lower case differ and can be used together to create a more ‘natural’ look. Sticky Toffee comes in two great styles: Regular and Sprinkles, and has all the diacritics you’ll need.

Fiesole was inspired by calligraphic models; it is a bookface font family to be used for text, display and caption. Fiesole has three different lengths of items (ascenders-descenders). Old style figures have been included in the fonts. Spacing of Small Caps has been adjusted to obtain good legibility and integrity with Capitals and lower cases. Fiesole Text: Two weights. Fiesole Display: Two weights. Fiesole Caption: Five weights. They include also CE languages, swashes, small caps, ligatures, discretionary ligatures, alternates, old style figures and case sensitive forms.

Introducing Choco Candy Font Choco Candy is sweety font. It can be used for branding, invitations, watermarks, advertisements, product designs, labels, product packaging, book content, quotes and more. It came with number & punctuation, multilingual support, and PUA encode Hope you like this product.

Cabragio is a free-flowing informal font, very curvy and quite heavy. The free-flowing effect is especially apparent in the lower case letters, and this font is definitely something a bit different -- yet is highly readable and attractive. Original and distinctive!

"Hamirez" is a sans serif font that is unique, modern, and elegant. This font is equipped with upper- and lower-case letters, numerals, punctuation, and multilingual support. It is suitable for banners, branding, logos, posters, stickers, business branding, social media, and others.

Inspired by 'Neon Sign' lettering, Holo is a modern, modular, mechanical & industrial display font constructed entirely with polygonal shapes. Holo is suitable for large display settings like sports jerseys, shop fronts, billboards and neon signs.