Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

The Twicker font comes in playful sketch, textured, and grunge-shaded styles. Detail glyph appears with bubble shape. With its unique hand-drawn look, it's very appealing. A variety of alternate glyphs and ligatures give you lots of options to fit your project. This is perfect for any branding project or packaging that needs a playful feel.

The Bipolar family of fonts is a synthetic blend of digital grid and historical blackletter forms, combining readability and ornamentation into a single modern interpretation. If you feel like you recognize this font style, you may have seen it as the menu font in the popular RockBand series of games. This trendy neo-medieval revival is hot!

Now, more than ever, the world needs BenderHead. Why? – Because... it just does. Don't ask why, just take our word for it. BenderHead has its thicks and thins all mixed up. For you typographic aficionados, stroke weights and hairline weights aren't consistent, and many rules of typographic design were broken to make this font. We're sure there's a use for it... we've used it on CD covers and posters - and have seen it on a poster for the Zelda video game at Babbages. It's offered here for the first time through Altered Ego Fonts. I don't think we need to explain its history, its inspiration, or its historical reference to you... (we're not certain there is any.) Just accept it as it is, and use it profusely. Benderhead AEF features a full character set, including the Euro. It supports the following codepages: -Latin 1 -Latin 2 (Eastern Europe) -Western Baltic -Turkish AEF highly recommends the OpenType version for compatibility with future Macintosh and Windows operating systems. Not to mention they work better in Adobe InDesign.

Introducing a new vintage bold script called Vintage Queens. It is inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. With a total of 534 glyphs with 359 alternate, you can make letter combinations for lettering with a lot of options. Includes OpenType feature with many alternates and swashes, helping you to make great lettering. Vintage Queens best uses for Logotype, heading, cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more. This font is also support multi-language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

Hello I'm really excited to introduce Pinkponk designed to become a groovy and vintage, this font has the potential to bring each of your creative ideas to the highest level. Combine with ligatures and special alternative glyphs so you can create a lots with layouts and compositions. Pinkponk brings a touch of 80's and 90's era bespoke custom typography to logos, websites, social media quotes, wedding branding, and more. Whats Included ? Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Thank you so much for checking out my shop, and please get in touch if you have any questions! at: dedukvic@gmail.com find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en

Slip into something a little more sophisticated with Belluga - A stylish, fresh new handwritten brush script. Oozing with Opentype Features, this script comes to life as if you are hand-brushing it yourself. Belluga Script was created to look as close to a natural handwritten script as possible by including over 80 natural-looking opentype ligatures, and a full set of lowercase alternates. From the Glyph Palette you’ll also find 11 swashes that can be used as underlines and for emphasis. Perfect for bold statements and sophisticated branding , Belluga helps set your designs apart by adding a custom-lettered look. A smooth , solid version of the font is also available for those who require a less textured look.

Ghost Terror is a captivating display font that will haunt your designs with an eerie allure. Designed in uppercase and bold, this typeface commands attention and exudes an aura of fear. Each letter is meticulously crafted with a rounded shape, and some have sharp edges, adding a sense of unpredictability and suspense. The haunting brush details on each letter further enhance the font's chilling theme, immersing your audience in a world of ghostly terror. With its bold weight and rounded shape, this font brings a sense of familiarity while maintaining an air of otherworldly mystery. The mix of rounded shapes and sharp edges in this font adds a dynamic contrast, giving the font an unsettling and unpredictable appearance. The letters seem to dance between the realms of the living and the undead, capturing the essence of ghostly entities that lurk in the shadows. The brush details in Ghost Terror lend a haunting and handcrafted touch, as if the letters were inscribed by spectral beings. These eerie details add a sense of craftsmanship and an element of horror, creating an atmosphere of supernatural presence. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Ghost Terror fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any horror-themed project. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The Boston Type Foundry called the pattern for this elegant typeface "Moslem," suggesting the exotic appeal of faraway lands. The face succeeds in fulfilling its promise, with remarkably little extraneous fussiness. The font's name suggests that it's a wise choice for headlines which tout the lure of distant charms. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Urmeba JNL has an odd history. Originally conceived a few years back as a... well... ‘barf’ font, this limited-character type design was revised by Jeff Levine into a less-offensive idea... that of friendly little amoebas (such as you'd find in a glass of water).

Albion’s Marker No.1, as the name suggests is the first in a series of ‘Marker Pen’ typefaces- merging good type design practice with deliberately casual and hand-drawn letter forms. Inspired by the great classic typefaces such as Bembo and Caslon, the design of Marker No.1 offers a unique blend of legibility and relaxed randomness.

It’s surprising - it can take more time and effort to make something deliberately and artfully imperfect than it does to make a more conventional design. We certainly found this to be the case when designing ‘SpeedSketch’. Perhaps a more accurate name would have been ‘SlowDraw’ but that wouldn’t really capture the essence of the finished design.

Kitchen Disaster is a wordplay, and not really a disaster! I deliberately made the lines a bit off here and there, to mimic bad poster design. In order to make your text even more natural, I added 5 different versions of each letter - and they automatically cycle as you type! Besides that, Kitchen Disaster comes with multilingual support!

A precise rounded typeface with a clean and linear appearance. The simple compact nature of the design allows for great economy of space across layouts. Also deliberate consideration has been paid to inner corners to ensure no dark areas are produced within texts. Details include 6 weights, an extended European character set, manually edited kerning and Euro symbol.

Mulhouse is a city in Northern France. It has a nice historical center and a car museum. Mulhouse font is a ‘movie poster font’: it was modeled after old movie posters from the 50’s. It comes with swashes for the upper case glyphs and a generous sprinkling of diacritics.

Florid Renaissance is digital revival of a classic and ornate historical alphabet. The font face is dressed in a repeating diamond-pattern faÁade, and the edges are adorned with grape leaves, flowing scrolls, and flourishes, evoking the apex of Italian Renaissance design. The font includes a full set of accented characters.

With Albafire, Jürgen Ellenberger has played with flames that come out of the exhausts from Michael Schumachers Ferrari, or the hot rod cars in America or at the tractor pulling contests. This gives this sans serif face a speedy and wavy flavour. It fits ideally for speedy headlines like for bikers couriers.

With Linotype Albatross, Hans-Jürgen Ellenberger has played with flames that come out of the exhausts from Michael Schumacher's Ferrari, or the hot rod cars in America, or at tractor pulling contests. This gives this sans serif face a speedy and wavy flavour. It fits ideally for speedy headlines like for bikers couriers.

Star Castle is a sophisticated serif font. It's a versatile tool that allows you to infuse your projects with a sense of elegance and modernity. The deliberate use of high contrast ensures not only readability but also adds a touch of modern elegance to this timeless typeface. The characters in Star Castle are meticulously crafted, each possessing an elongated and rectangular form that contributes to the font's unique visual identity. The thin weight offers a delicate touch, allowing the tall letter design to stand out while maintaining an overall sense of grace. Enjoy the features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Star Castle fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Raguel is Classy Elegant Luxury Font with Sharp shape make your design look classy and elegant A new Serif Font that we created special for Headline, Title and more stand out typography needs, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Raguel is Classy Elegant Luxury Font ready with: Any options to get creative variations Preview as a inspirations that you can do with Raguel font Ready with All characters Wish you enjoy our font. :)

Aceh is a geometric sans serif font family, we make it in sharp and soft shapes, in the form of Upright with matching Oblique. Aceh consists of 9 weight, Black is the most appear strong and powerful, while thin looks more clean and modern. Aside from being a text font, we also intend this font for branding purposes, appearing more elegantly dynamic and reflecting a dynamic lifestyle. Modern, Clean, Readable and powerful are the basic concepts of this font. With a choice of 36 fonts, we believe your brand will stand out

All that remains from this once so proud and glorious antiqua are steel skeletons. Destroyed. Distorted. Ruins. The main focus and usage of LamentaX are headlines, posters for event graphics and music/media/game packaging. Lamenta X was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics!

Planca is a sans serif typeface with medium contrast and distorted rhythm of the line. Spaced and mastered for optimal readability. All lines are of equal thickness. Its morphology is based on the study of traditional writing with a wide tip stick. It comes in 4 different weights (Light, Regular, Bold and Black) and provide multilingual support.

ConcavexCaps is a whimsical bold display typeface family in three styles that are designed to used in layers. It is caps-only, with the upper-case and lower-case keys differing for the BCGKRS characters. Horizontal elements of the letters are straight and vertical elements are curved, flaring either in or out. ConcaveWarp is a distorted form of ConcavexCaps.