Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

A clean, symmetrical and modern typeface. The font (previously named "Heimat Grotesk") was developed by Florian Klauer for display and body copy application. What stands out about this font is it's large x-height and constant line-weight. Nearly all letters bend with a continuous unfaltering style, giving the impression all letters are cast from the same mold. Florin Sans comes with two weights plus matching italics with 268 glyphs each, and is available as TrueType and OpenType font.

Valentine is another brand-new profonts script typeface family with versions in light, light italic, medium and medium italic, supplied in the new OpenType Pro font format. Valentine contains about 1.100 glyphs for every weight, covering the complete Latin character set (West, East, Baltic, Turkish, Romanian), and a huge number of handmade ligatures, character combinations and alternates to make it a perfect OpenType Pro connecting script. Valentine is a very distinguished, elegant and versatile script font.

Gearing is a typeface that is widely associated with the extreme music genre of death metal. It is characterized by its dark and aggressive appearance, evoking a sense of brutality and chaos. The font is typically designed with sharp edges, bold and angular letterforms, and intricate or distorted shapes. The death metal font typically features strong upper and lowercase letter variations, often with sharp, exaggerated serifs or thorn-like spikes. These embellishments contribute to its menacing and threatening aesthetic. The letters may also have broken or damaged elements, giving them a weathered or decayed look. Though death metal fonts come in various styles and variations, they often prioritize legibility and impact over ease of reading. This means that certain parts of the letters may be missing or disconnected, making them appear jagged or incomplete. Ligatures, which are unique letter combinations, are sometimes included in the font to add a sense of continuity or artwork to the overall design. In terms of color, death metal fonts are commonly depicted in monochromatic shades such as black, grey, or dark red to maintain their sinister appearance. The color contrast often enhances the sharpness and intensity of the font, making it more visually striking. Due to its association with the underground music scene, the death metal font has become an essential element in album covers, band logos, posters, and merchandise. It effectively conveys the aggressive and rebellious spirit of the genre, becoming instantly recognizable to fans and enthusiasts.

Based on the Medium weight of Ludlow Tempo.

Ador Hairline is the high contrast version of Ador . A humanist sans serif that falls in the “evil serif” genre, especially designed for contemporary typography and comes up with 7 weights from extralight to black plus true italics and 293 ligatures and initial letters. A large x-height not only creates space in the letters for extra-bold styles, but also lends Ador Hairline an open and generous character in the more narrow and semi-bold versions. The nice balance between sharp ink trapped and soft, dynamic shapes helps to work in small sizes. Diagonal stress, angled finials and the 4 degree true italic styles give Ador Hairline a dynamic look. The font contains 1,026 glyphs and a wide range of flexibility for Latin language support for every typographical need. Ador Hairline is a contemporary sans serif typeface, special for logotypes, brands, magazines, editorial, and advertising uses. Ador Hairline was on the shortlist of Communication Arts 2020.

New Millennium is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium Sans and New Millennium Linear; all three work well together.) New Millennium is a serif face of what some might describe as a "modern style." But although it has flat serifs, it differs markedly from, say, Bodoni or Didot -- especially in the italic, which is a radical departure from tradition. (The bold styles are in fact sans-serif, identical to those of New Millennium Sans.) There's also a nice, dark Headline style for display text. New Millennium is a distinctive, legible, accessible text face that might be well suited to, say, scientific documentation.

Bebel is a straight forward font. A modern geometric typeface influenced by architectural reproduction drawings such as blueprints and dyelines. It's medium weight makes it very legible, even in small sizes. You can use this font to create posters, greeting cards, scrapbooks, CD labels, T-shirts, coffee mugs, digital videos websites and banners.

Wafterby is a handsome sans serif typeface family. It comes in eight weights which have a minimal and clean feel. Its design is based on circle and line geometric shapes. It can be used as a cute minimal-style header display or as a stylish text for magazine, blog, corporate branding, packaging, wedding invitation project, etc.

A font based on the Germanic rune divination system dating back to medieval times NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Jemgonza is a Sans-serif font started on January 26, 2022. This font with hyper-extended character sets allow for usage for billboard signs, logos, and even professional documents and essays. It contains localized forms for certain languages that write them differently. For example: Л and л shaped like upside-down V's, д shaped like a lowercase g, и shaped like a lowercase u, and more for Bulgarian; б shaped like the Greek lowercase letter delta for Macedonian and Serbian. There are two non-standard variation sequences for the light and dark shades for when they are used vertically. If it bothers you, you can add Variation Selector-14 after each one of those This font also contains 256 braille patterns for the blind people. Note that each pattern is not tied to any specific letter since multiple scripts have a braille system

Getman is a light Gothic typeface. It made all the rules and traditions of classic Gothic typeface, but it has lightweight shapes, making it easy to read and understood. Getman is based on the works of type masters 1910s. This font has all 104 European alphabets, all Slavic alphabets, OpenType features (ligatures, oldstyle numerals, fistorical forms, localized forms, fractions, ordinals and others). Getman has an historic beauty of the medieval Germanic national script. Glory to the Germans!

Marca is a futuristic sans serif font family with calculations to develop your designs and products. By utilizing geometric calculations, and remain logical, so as to maintain balance in each shape. So that you will get a clean, neat, and perfect shape. Marca comes in 9 weights and italics to match, making it 14 styles. It makes it perfect for all your creative projects. ArimaType@gmail.com #1266576

Glence family is a geometric sans-serif type family with 9 weights, from thin to black,with corresponding italics. Glence is designed based on geometric shapes that looks simple and clean. Each font includes opentype features such as Stylistic Alternates, Proportional Figures, Tabular Figures, Numerator, Superscript, Subscript, Case-Sensitive, Denominators, Scientific Inferiors, Ordinals, Ligatures and Fractions. Glence will make your artworks better with its simple & clean shapes.

Chizcake. Do you love random shape thick font? This font is cuteness overload. It is for everyone, for various design purpose. This font is suitable for happy theme, cute, party, holiday, kids and many more. It is also suitable for Logo, Cards, Branding, Social Media, Youtube Thumbnail, Advertisement, Posters, any many others. Features: – Standard Characters (Uppercase and Lowercase) – Numerals – Punctuation – International Characters

D Hanna Soft is a sans serif type family of 9 weights plus matching italics. It is inspired by the geometric style sans serif faces with a mix of rounded shapes and a little bit of black in some corners. The medium weights serve very well in body text, while the thinner and bolder styles make an excellent choice for headlines . D Hanna Soft is equipped with a complete set of opentype features including alternative glyphs, fractions, ligatures and many more. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising, logotypes, etc.

Ravensara Sans — fashionable, high-contrast humanist sans. Ravensara family was born from the idea of taking the concept of Didone to weight extremes. Ravensara Sans is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold and Black. Depending on weight, Ravensara Sans, like the other members of this font family, show quite different behavior. Heavy weights function above all as display fonts and work particularly great in all-caps. Medium weights of Ravensara Sans represent humanist grotesque, descended from the pages of fashion magazines. Thin weight perfectly complements the others if you need an especially wide choice of weights. Also, all the weights work great in all-caps. Ravensara Sans is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Serif and Ravensara Stencil. If you need to achieve classic Haute Couture look — Ravensara Sans is a great choice. It’s a perfect choice for fashion logos, headlines, short texts, magazines, due to its simplicity looks great in oversize typography, branding, identity, website design, album art, covers, posters, advertising, etc. Ravensara Sans extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Jogler is a modern sans serif font. With bold sharp stroke, fun character. To give you an extra creative work. Jogler font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script typeface. Make a stunning work with Jogler font. Cheers, Maulana Creative

Voltura is a handwritten display font. With sharp bold stroke, fun character. To give you an extra creative work. Voltura font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Voltura font. Cheers, Maulana Creative

Gumpops is a cute handwritten display font. With bold sharp stroke, fun character. To give you an extra creative work. Gumpops font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Gumpops font. Cheers, Maulana Creative

Fonton is a contemporary and modern bigger display font, inspired on bigger ton barrel shape, designed as posters font, with very soft curves drawing each stroke, The project regards 2 weight sizes, regular & small. Is useful in poster but also in covers and headings, letterhead, magazines, POP & Graphic culture, hip-hop topics, urban representations, and big sizes prints, Volumetric 3D shapes, etc. Now decorative ligatures, alternates and figures as the same graphic style as Fonton all powered by OTF technology.

psCampen is a contemporary font with a medieval experience. The font can be used as a display variant in addition to the font psKampen. It is also useful for short texts.

Kubera was designed to be a display and text face. It has six weights with same height. Kubera Serif is modernized letterform. It has square serif, high contrast stress, with large x height. Serifs are given soft corners, rather than pointy ones. Kubera Serif font family is designed by Gunjan Panchal based in India.

Honey Splash is a stylish display font to express unique, fun impressions focusing on various line style combinations in friendly curves. Furthermore, the different shapes and heights makes the font visually unique. In addition, Honey Splash gives you a special bonus called the clipart. Use this font for big text sizes for a legibility reason and make use of the available interesting features to beautify your designs as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Honey Splash fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

The Qewek Font Face Family created according to the 20th Century's famous fonts structure adopted and recreated to use for today's platforms. The Font Family Supporting European Languages such as Spanish, French, German, Swedish, and Turkish. The Qewek family could be using postmodern, modern, surreal, and many design styles. Also, Qewek has a so unique and sweet look with a functional shape that is completely awesome for use in print base media and also digital base magazines and newspapers. Just imagine you reading a magazine with a font that is at the same time completely new and also has a classic shape.

This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible, pan-european multilingual (Latin, Greek and Cyrillic), well shaped. Bandera Pro has six weights with original italics, alternatives, small capitals and three sets of digits. It catches attention in headlines of posters and magazines or makes reading comfortable in plain texts. Bandera Pro shares main proportions with sans serif Osnova Pro typefamily so ideally can pair it. Bandera is Spanish for ‘flag’. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Amity Signature is a stylish and versatile font family featuring four distinct weights: Light, Regular, Medium, and Bold. This collection offers an elegant impression and flexibility for all design needs, such as logos, branding, signatures, posters, labels, product packaging, invitation designs, and more.

Evening Sans is a slightly more formal, upright version of sibling font Morning Sans, most effectively used in small-to-medium sizes for print material. Its semi-condensed width and large x-height add to its legibility, particularly in long blocks of text.

Krupkrop is a font that uses straight lines as the main structure of the font design. Rotate a little bit vertical line, give a feeling Informal, hard, crisp, fun, lively, suitable for headlines on various media such as billboards, packages. There are 9 weights and italics of each weight total, 18 styles. - ฟอนต์ กรุบกรอบ แบบอักษรที่ใช้เส้นตรงเป็นหลักในการออกแบบโครงสร้างอักษร มีการเอียงเส้นแนวตั้งเล็กน้อย ให้ความรู้สึกไม่เป็นทางการ แข็งกรอบ สนุกสนาน มีชีวิตชีวา เหมาะกับผาดหัวบนสื่อต่างๆ เช่น ป้ายโฆษณา แพ็คเกจ มีทั้งหมด 9 น้ำหนัก และตัวเอียงของแต่ละน้ำหนัก รวม 18 สไตล์

MOXTAS by Holyline, MOXTAS is a retro serif font family, This font very elegant and unique comes in seven weight with italic. It's very unique, playful, elegant and very easy to combine with your design style. MOXTAS perfect for headline, sub headline ,custom logo,packaging, quote, invitations, watermark,social media posts, label, anything for your creativity and MOXTAS is perfect font if you want something new with your project, you can play the 14 font style, and you can pairing this font with the weight, its very satisfy. Happy creating!

Spooky Season is a bewitching and delightful Halloween Display font that brings a playful and cute twist to the spookiest time of the year. With its charming and quirky design, this font captures the essence of Halloween with friendly ghosts, adorable pumpkins, and mischievous bats. Whether youre creating party invitations, spooky decorations, or fun social media graphics, Spooky Season will add a touch of enchantment to your designs. Embrace the magic of Halloween with this cute and versatile font thats perfect for all your ghoulishly delightful projects.

Some scribbles on a bar napkin, a note from a cute girl passed in history class, what is there to say but why not a typeface? Actually it's that late night, �let's get this typeface done� madness that causes these flights of fancy. Anything to relieve the boredom of doing all those kerning pairs. Or maybe it's sunspots? Ms Kitty is all uppercase letterforms so there are two versions of each letter, one in the cap position, another in the lowercase position. Besides the regular weight and bold, there�s a bolder and much bolder in the works. And perhaps there will be a "too bold to be believed" version. Depends on the sunspots.

“Luxury in simplicity”. A Family of Luxury Fonts called Fulgate. A Hype of summer themed bring us to expressing a thirsty of creating a product that can help you to choosing a fonts to your creations. Like as we are on the preview above, how the fonts can "stands" within your design. Since Fulgate are created on a 6 weight from Thin, Light, Regular, Medium, Semibold, Bold. You won’t be worried which one to fit to your creative design. Also, You can Mix it up all of it without worrying design collision. Fulgate also comes with opentype features. The one was stand out was Capital Swash, it’s replacing the First letter that typed on Capital. even if you are type with all caps, it still stand out. If you think that all caps are not quite fit, write on with lowercase and turn on the features of Small Caps, a shape of capital but with lower heights. Lowercase also have a few make up with Alternate Characters, just to be noted, not all lowercase characters have an alternates, to keep a luxury feel and avoiding messy. The last are a feature on the numerical, Ordinals, Subscript, Superscript, and Fraction.

Underground Pro expands on the historical design by Edward Johnston, licensed exclusively to P22 from the London Transport Museum. The overall design of Underground Pro is kept as intended by Johnston and remains within his system of proportions. Additional OpenType features, such as Small Caps and Petite Caps, are included in all 6 weights. A Titling option that mimics London Transport signage is offered in the medium weight. The addition of many Unicode ranges for unprecedented language support makes this the most expansive P22 font family ever. Each Pro font weight collectively contains over 5000 glyphs, covering most Latin based languages, with separate Greek (polytonic) and Cyrillic versions. The outlines of the original Regular and Bold have been subtly redrawn and expanded, they are now available as Medium and Heavy respectively.

Modern typefaces refer to designs that bear similarities to Bodoni and other Didone faces, which were first created during the late 1700s. Ed Benguiat developed ITC Modern No. 216 in 1982 for the International Typeface Corporation (ITC). Showing a high degree of contrast between thick and thin strokes, as well as a large x-height, this revival is more suited to advertising display purposes than the setting of long running text, or books. Many traits in Benguiat's design are worth further notice. The thick stems of the roman weights have a very stately, solid presence. Their thin serifs have been finely grafted on, a masterful solution to the challenge of bracketing presented by Modernist designs. The italic weights have a very flowing, script-like feel to them, and the letters take the form of true italics, not obliques. The ITC Modern No. 216 family contains the following font styles: Light, Light Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, and Heavy Italic.

Introducing Kovanov, a clean latin serif family with swash alternates for more fun purposes. Contains 420+ Glyphs this font also come up with 7 different weights. Our first display 'swashy' font with different weights to be honest. Because we knew in some cases sometimes need either thinner or thicker font or maybe both as companion as a whole. This font will suitable for your any projects such as branding, printing, social media, quotes and whatnot. We give you some glympse with our display preview there.

Meguro Sans has a modern-styled boxy shape that achieves clean, industrial yet friendly style lends itself well to brand building. Its mono-line oriented and very high X-height ensure that it is extremely legible and creates a strong impression. Meguro Sans is Sans serif version of Meguro Serif. The Meguro sans font family is comprised of 10 styles with 5 different weights from light to black, along with matching italics offering possibilities for use in web, print, package and sign design, all with the goal of building an established look for brands in wide range of industries.

Part of the wave of modern explorations expanding on the 50+ year-old traditions of groovy psychedelic typography, Mysterylab brings you Phaserwave. With an intriguing fusion of pillowy shapes and sharp stroke ends, this font cooks up a heady mélange of whimsical flow and high precision. We've applied our usual meticulous attention to great kerning, extensive character set, and seamless functionality, so this font's ready to rock your designs any way you might want to do it.

Bulbia is a single weight, display typeface inspired by the teardrop shape featured in some middle eastern design. With a bold stroke and high contrast, this font conveys a strong, unique voice that can be further enhanced through the use of it’s extensive Opentype features. Through Swash letters, decorative Titling forms or even a range of precomposed word marks, this single weight font expands into a complete design toolkit with multiple applications and possibilities. Bulbia includes an extended Latin character set and is available as an OTF font.

Potent, clean and classy. Meguro serif has a modern-styled boxy shape with small glyphic serifs emphasizing the edge of its vertical and horizontal strokes. Inspired by iconic fonts of the 1900s, Meguro serif incorporates the sophistication of the digital age to strike its own unique character. Its mono-line oriented, pointy serifs and very high X-height ensure that it is extremely legible and creates a strong impression. The Meguro serif font family is comprised of 10 styles with 5 different weights from light to black, along with matching italics offering possibilities for use in web, print, package and sign design, all with the goal of building an established look for brands in wide range of industries.