Condell Bio is part of the bigger Condell family: a project that involves series of typographies and whose early conception and development began in 2006. Unlike its Poster version , with its excessive and eccentric forms, Condell Bio tries to adapt itself to a monolinear shape, but conserving at the same time the organic character of its forms and endings. In this way Condell Bio is able to expanse its typographical use fields to a vaster scale. Condell’s endings and organic strokes haven’t been conceived in a structural way but stylistically. This means that Condell’s high readability doesn’t change and its original personality and idiosyncrasy as well. Condell can be said the ideal typography for connoting the corporation and brand identity, because of its high readability; especially its “eatable” forms, who collects images of food, are easily adaptable to food industry. Condell is highly recommended for the following products groups: cleansers, dish soaps, toothpastes, all sorts of personal hygiene products (shampoos, soaps,..), industrial cleanser products and also for products which refer to its softness, volatility and smoothness. Condell’s soft forms and nice endings, inspired through spontaneous brush strokes, give to the typography a very peculiar pleasant connotation. Its Italic (10 degrees inclination) has been produced singularly and not automatically calculated by the software. Condell Bio is composed of 16 fonts: from thin to black, whose weights are in regular and italic. Each singular weight has 600 characters and is composed of 206 languages.

Here’s a warm, casual text font based on an early twentieth century work by lettering artist Elizabeth Colwell, released by American Type Founders in 1923. For this update, all four fonts have been completely redrawn, and many new characters have been added. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

Leisoll Reef is an elegant modern calligraphy script created mostly for feminine designs - branding projects, social media, wedding invitation, labels, greeting cards, packaging, logo design, news, titling, headlines, posters, signboards and more. It features multi language support (for most of Western Europe), contains 256 glyphs with some Open Type features - standard ligatures, alternates for low case letters (beginning and ending swashes).

AriergardRondo is supplemental to Ariergard by the same author. It differs with sharp geometrical letterforms and with circular shapes of round letters. The face includes antique Cyrillic letter shapes: N has diagonal stroke, uppercase Y and Ч are equilateral. Both lc г and т have ascenders. For use in advertising and display typography.

The most notable characteristic of this typeface is that it has a compact and regular shape that is slightly condensed but fluidly connected. Its glyphs emulate the look of handwritten, inked characters. Their exuberant graphic strokes and sharp edges maintain the influences of printed types produced by mechanical processes. Unlike most of the italic type of today, the capital letters are as high as the ascending lower-case letters. The brush script style (Originally designed in 1942 by Robert E. Smith for the ATF) inspired many contemporary and beautiful typefaces, such as Wisdom Script, Mission Script, Marketing Script, Motion Picture, Thirsty Script, Lauren Script, Deftone Stylus and many others. This font has more than 700 glyphs, Central European languages support, including Open Type features, swashes, and contextual stylistic alternates. It also includes old-style figures, discretional and standard ligatures, is case-sensitive and has a set of tails and ornaments.

This font was created with math teachers in mind. It is hard to represent fractions in a way that can print easily in black and white on worksheets or tests. The extra outlines on these shapes are created just for that purpose- so your student can easily identify how many parts are shaded in the image. Blanks are also included so students can color in parts of a whole.

Introducing Reggy A unique and attractive display font that consists of 5 weights from thin to black and variable format. Sharp corners combined with rounded dynamic curves create a fun and happy impression. Reggy is suitable for packaging design, logos, header text and branding, creative, entertaining design themes to instantly grab the audience's attention. The stylistic alternates allow various shapes to give your lettering idea a well-looking look.

Causten is a geometric sans serif font family with maintains rationality in designing each form. With use the sharpness of the eyes, and remain logical, so that balance is maintained in each form. So, it will get a clean, neat, and perfect shape. Causten comes with 9 weights and matching oblique, making it 18 styles. It makes perfect for all creative projects. Also, some alternative glyphs will be an attractive choice.

A modern, geometric sans serif display font with a hint of the future and the alien. The familiar letter-shapes are reimagined, with key stokes being placed in unusual positions without impacting the readability. The 'Solid' variants have certain counters filled in, creating a bold and unusual rhythm that is very effective in shorter settings. The different versions can be mixed for effect, while letterspacing adds a sharp, clean sophistication.

TT Geekette is an experimental variable* serif with friendly and flexible character of shapes. In this project, we wanted to get away from simplifications and dry geometry and to experiment with the smoothness, softness and plasticity of forms. And in order to make the project a little more stylish and serious, we decided to make the font monospaced. When creating TT Geekette, we did not rely on traditional writing techniques or on the influence of pen movement on the font pattern. Despite the fact that judging by certain characters TT Geekette is a serif, the font is specifically “built” and “drawn”. There are several systemic techniques in font design, such as “loops” which set the plastic rhythm for the entire typeface. Variability in TT Geekette is influenced by contrast buildup in the font—moving the slider to adjust the variability axis, you gradually move from a completely non-contrast monolinear serif font to a font with a pronounced reverse contrast. In addition, with the help of the variability slider, you can remove serifs from the monolinear essence of the font. The TT Geekette family consists of 3 styles: the TT Geekette Bones—monolinear font, the TT Geekette Muscles—reverse contrast serif, and the TT Geekette Variable font. Each style contains over 450 glyphs. And yes, technically the typeface can be used in programming, at least you are guaranteed to get your share of bright emotions. *An important clarification regarding variable fonts. At the moment, not all graphic editors, programs and browsers support variable fonts. You can check the status of support for the variability of your software here: v-fonts.com/support/

A sans-serif face in which the circular elements have become almost square, NewNerdish resembles a number of typefaces which have become associated with a modernistic, computer look. There is little or no variation in the weight of horizontals, diagonals, and verticals. It comes in two widths each with five weights and each weight has an oblique version, which has the same letter shapes as the upright version. The ShadowedInside style is designed to be used in a layer with the Shadowed style.

Scholarly Ambition is a cute and fun display font perfect for adding a playful element to your next craft or design project. It is compatible with cutting machines such as Cricut and Silhouette.

A pixelated typeface with asymmetrical serifs intended to depict emojis in coarse mosaic shapes and represented in two styles that perfectly complement each other – Mono (casual font) and Mosaic (color font). The main font feature is a large set of pictograms, which are activated using the Stylistic Set and typed right in a text with a keywords like :smile: :happy: :sad: :pear: :rose: :horse: :bike: :house: and so on. Read more about Depicto font family concept, features, pictograms, color font, emoji skin tone, how to use it, and the applications support: https://michaelrafailyk.com/depicto See the complete list of 600+ pictograms: https://michaelrafailyk.com/typeface/specimen/Depicto.pdf Scripts: Latin, Greek, Cyrillic, Hebrew Languages: 480+ The promo image “Serpant Mosaics” used a photo of Nick Verlice from Pexels

Arcus OpenType is a geometrically constructed font. The grounding principle is the round curve. The homogeneous character of this font is guaranteed by using this principle not only in drawings of particular letters but in the shaping of diacritical signs, too. The scope of the typeface weight is from Extra Light to Extra Bold while the complete font family includes 6 weights and their respective, well turned italics. This font contains a wide range of alternative signs, small capitals, lining and oldstyle numerals, fractions, superiors, inferiors, ligatures and discretionary ligatures; all this is within the frame of OpenType functions. This font type is not made for the typography of extensive texts. Best it can be used for headline display typeface or in creating logotypes and corporate identities.

April font was initially designed with a different style compared to other Arabic typefaces

A set of vintage wood type printing blocks yielded the alphabet which was to become Chamfer Serif JNL. With its heavy vertical serifs and interesting character shapes, the design is unique when compared to the more familiar wood type offerings of the past.

Gleamore is a decorative display font, looks stylish. The bold shape combined with the unique curve shape makes this font easy to read and looks beautiful. - Font feature Uppercase, Lowercase, Numerals & Punctuations, Stylistic Alt, Swash Ligature, Multilanguage

Kugelhopf is a calligraphic style font with an old-world Blackletter feel to it. Full of charm and flair, this friendly script font will lend a sense of childlike magic to any design. Perfect for themes relating to holidays, fairy tales, storybooks and even Renaissance designs, Kugelhopf was inspired by a hand-lettered sample in an old book about sign painting. It can also be used for cards, invitations and scrapbooking as well! ‘Kugelhopf’ is a German & Austrian holiday yeast cake from which our modern western Bundt cake was derived. It has a particular shape that is said to be inspired by Turkish turbans. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Aaaaand here it comes! New sans serif typeface NORTH STAR. Pure geometric forms – this is what makes these fonts look so special. Ad materials, logos, posters and so on so on. The font comes in Regular and Bold, both are Latin multilingual and have uppercase letters, lowercase letters, numbers and basic punctuations. Thanks to its geometric shape you can also make an additional effect with combining different colors in the one letter and adding shades. Its easily done in AI after you convert your text to outlines.

Hello! Presenting a calligraphic handcrafted font named "Limber". It has 26 alternate glyphs, 12 ligatures and multilingual support.

The idea was to create a typeface with a high black ratio that would work well in a compact style. The five styles of Vivala Black share similar metrics, so they can be easily substituted for each other in a body of text. OpenType features include ligatures, fractions, ordinals, numerators, denominators and stylistic alternates. Fields of application are posters, magazines, packaging, books, and corporate design.

Nationale is inspired by the lettering of early 20th century share certificates and bonds. It includes a complete set of stylistic alternates for all letter forms, and two sizes of numerals. National speaks of the steam age, and the age of traditional design and engineering, when aesthetic concerns mattered just as much as function. Bring a touch of the elegant past to your work with Nationale.

Stolzl Display is an original font family designed for headlines, titles and subtitles. Based on the combination of contrasting shapes, the harmony of form and rhythm is fundamental to the design. Inspired by Bauhaus, Stolzl represents, not just the significant influence of this “crucible of modernism”, but aims at capturing its original idealism, commitment to creativity and experiment driven philosophy. Details include six weights, Cyrillic, 480 characters, alternative glyphs, manually edited kerning and Opentype features. Named after Gunta Stölzl, the Bauhaus’s only female master, Stolzl Display is the first subfamily of the Stolzl font collection to be released this year.

Strictly geometrically constructed character forms with an even stroke width The idea behind it: to construct letters according to geometric principles — without correcting the inevitable optical imbalances and unsightly thickening. The round shapes are really circular too. The main feature of the Constroke is the constant stroke width. Another typical feature of almost all geometric fonts is the round small a. Many characters are also available as stylistic alternates. This gives the font a completely different look. A total of 7 style sets and unusual ligatures invite you to play with alternate forms. Constroke also includes tabular figures, circled numerals and directional arrows.

This typeface was designed to be used as the page heading font for MyFonts. Originally only the letters needed to make up the required phrases were drawn. Then amazingly enough, people started asking where they could get the font, so I decided to complete the character set, and named it Softie. This name was chosen because the round and rather bulbous shapes that make up the letters reminded me of marshmallows. Softie, almost good enough to eat. The Bold version, called Softie Bloated, was added in late 2003. Rumor has it that the name came to Steve after Thanksgiving dinner.

Future Bugler Upright is a non-slanted version of Future Bugler, a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie Sky Captain and the World of Tomorrow. It also communicates the idea of high performance, or extreme sports, without the grunge. Digitized by John Bomparte.

A new modern calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Sarisha Script features 420+ glyphs and 256 alternate characters. It comes with a handy set of opentype stylistic, use the beautiful ligatures, alternates and swashes. You need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, Microsoft Word 2010. It is perfect for logo, greetings, branding, quotes, prints, invitations and crafting. All lowercase letters include alternates, beginning & end swashes, that makes the font look fabulous! These are all coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks and have a wonderful day :)

KnewFontWaisted is a informal font that was produced by distorting the handwritten font KnewFont. It is more concave and compacted than the original.

This cute, neat handwriting font is perfect for a variety of uses. The font features genuine handwritten flair while still maintaining complete readability.