Grabag is a bold vintage display font that comes with four styles. It will look great for headlines, branding, magazines, logos, and more. Grabag will add a masculine and firm impression in every design you make.

Rossaline Handwritten is a lovely script font of which characteristics are the connections between letters to look like a naturally connected handwriting that leaves the impression of this font being organically, spontaneously written in order to add a firm personal touch. This font has various line thicknesses to show high letter contrasts to strengthen the font’s firm, clear impressions. Besides, the letters’ height variety, meaning that some of the letters are higher than the others, makes Rossaline Handwritten more interesting and dynamic. However, the connected letters can cause difficulty to read in small text sizes, so that you need to be more careful to use this font by adjusting it to your needs. In addition, you may enjoy the available features here as well. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Rossaline Handwritten fits best for various design projects, such as brandings, quotes, invitations, name cards, greeting cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Isn’t it interesting to create a design in a stylish, firm font made of mixture of style and authenticity? This is the Gray Asphalt. Gray Asphalt is a racing-themed script font to give you steady, firm, solid impressions for word or message emphases. Its thick display is suitable to apply on bigger-sized texts. The font features you can enjoy are as follows. Features: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Gray Asphalt fits best for various designs, such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and more. Find out more ways to use this font by taking a look at the font preview. Enjoy your experience with this font and feel free to contact us for further product information or trouble complaints. Thank you and wish you good luck with your designs,

Proudly present, Artes groovy layered display font. Inspired by bubble letters in graffiti art and retro style design, it produces a display font with a fun style that is perfect for the design needs of posters, flyers, covers, titles, logos, packaging, t-shirts, branding and various needs that require a unique display font. Activate the Contextual Alternates feature so that the shape of the character changes according to the shape of the character in front of it, and Activate the Stylistic Alternates feature to change the number characters into bubbles that you can use as additional elements in your design.

Presenting the FRODUST typeface from alitdesign. The FRODUST font is designed with the concept of a slightly distorted display font in its body shape. This font has a modern serif style combined with elegant script-style letters that make the FRODUST font look different and unique from the fonts you have on your computer collection. FRODUST is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with unique and modern concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "FORIDUST"contains 620 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

Hellebore is a font inspired by the logo and the game Mortal Shell itself. The font conveys the medieval era, the spirit of cutting weapons and dark fantasy. It is sinister, dark, dark, Gothic, rough and sharp. Perfect for logos, headlines, posters, banners. The font is named after the plant of the same name. The name conveys the font's mood.

Rotundus is an elegant sans serif typeface based on geometric shapes. Precise lines and accurate curves with sharp corners are the main characteristics of this fresh and modern font family. While unconventional letterforms give Rotundus its distinctive appearance, a tall x-height and a condensed width provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Rotundus is suitable for almost any type of analogue and digital application. A rounded sibling of Rotundus is available as Rotundus Rounded. The Rotundus font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Rotundus comes in six weights with matching italics.

About Product Cristal Bendilar, Display Typography with Variable Weight and Width. Cristal Bendilar is an elegant modern variable font. It's basically Sans with a touch of serif to each letter. A Simplicity yet very legible with various widths and weights that you can explore, combine, create and help you design things. Font Styles on OTF files or even more if you use Single File Variables, you can shift weight and width in the sweetest places in Cristal Bendilar. What you get: Language Support: English, French, German, Indonesia, Ireland, Italy, Low German, Norwegian, Portuguese, Swedish, Swiss German. Thank You.

36 expertly-crafted and unique panels from Golden Era Studios. Typing each letter generates a different design. Special Note: Due to the large file size of these fonts, they will not convert for use in Gerber Omega. Instead, Omega users may wish to use an alternate program to type the characters and import them into Omega as .eps files. CorelDraw users should use the "Weld" command rather than "Convert to Curves" command to convert these fonts to vector outlines. Otherwise, the program may crash due to the sheer number of points in some of the panels.

Los Angeles’ distinctive “shotgun” style street signs were last produced over sixty years ago, but these durable porcelain and steel signs are still in use all over the city, by both humans and birds, who like to build their nests between the panels. The street names were drawn at wildly different widths to fit on panels which were manufactured in only one size. Beachwood faithfully re-creates the extreme range of widths & weights on these vintage signs, and adds a new matching lowercase. Use the Beachwood Variable font file to access any width, weight or italic angle between the presets — a technology 20th Century sign painters could only dream of! Each weight of Beachwood includes numbers based on the street signs, plus four alternate number sets based on the jerseys of Los Angeles' pro football teams. Beachwood is named for Beachwood Drive, the street which leads to the famous HOLLYWOOD sign, so we just had to include a bouncy HOLLYWOOD mode! FAMILY FEATURES: Five widths (from XTall to XWide), with eight Weights (from ExtraLight to UltraBold), each with matching italics Variable font to access any width, weight or italic slant EACH WEIGHT INCLUDES: 584 glyphs to support 223 languages in Western Europe, Central Europe, Vietnam and Oceania, plus Cyrillics Five styles of numbers, plus Tabular Lining for screen display Ordinals, Fractions and Arrows Hollywood mode!

النبض - the Pulse Pulse JP ME is a constructivist text and display font that differs from comparable fonts due to its special sharpness and harmonious balance. Its technical and constructed form creates a somewhat artificial impression of particular appeal. It is ideal for display on the screen and can be used in many projects. Pulse JP ME is a super family consisting of 48 fonts from compressed to expanded in six weights each. This opens up a wide designspace with the possibility of combining typefaces of the same character in a wide variety of variants and being able to adapt them to very different conditions. The details of the individual fonts are coordinated with each other with great precision and perfectly implemented in terms of craftsmanship. In all variants, this leads to a very balanced design with particular sharpness. The very extensive character set supports 120 Latin + 7 Arabic languages + Hebrew. The Arabic characters were designed in close collaboration with the Iranian designer Prof. Raafat Negarandeh. Here the constructivist approach is repeated within Arabic proportions. This leads to a very reduced and clear design with high legibility. Additional typographical adjustments can be made in the variable font, which is also available. There all variants are stored in a single font and can be continuously fine-tuned between them.

A tessellation is a shape that can be used to completely fill the plane without gaps or overlaps—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. TessieSomeMore has two family members, a solid style that must have different colors to be useful and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. Most of the shapes in TessieSomeMore are Escher-like. Over half are either bug-like and bird-like shapes. There are also a few animal and other object shapes as well as some geometric or abstract shapes that have visual appeal.

Halfroy is our answer to generic geometric sans trends exploding nowadays who creates sameness. Halfroy brings new sans perspectives by combining rounded and sharp edges to create delicate sans fonts. See the difference by looking at counter-shapes compared to outline, insides counter shapes you will sees a sharp edges while round but not geometrical on outlines. Halfroy gives your project unique visual impact whatever your design project is, but we recommend using thin, semibold to Fat as display then light and regular. Halfroy taken inspirations not from looking at other sans typeface, but its design inspirations comes from observing a land contour and geographical statistics in our city, Kota Batu. We found that our city geographic consist of steep slope like waves with sharp peaks and surrounded by small and third highest mountains peak on our country. From then on we begin visualize and applied on few letters. Take a look on our 'O', 'f', 's' letters, its like a stone carved letters. Its hard edges and soft edges outline clearly draws from our inspiration source. Even Halfroy looks stony, hard as individual letters, we treat this type with humanist approach in mind. Therefore you can sense a friendly yet casuals of typical sans serif fonts when it grouped together to form a words or sentences. We hope Halfroy will gives your design project a unique on its own.

NT1972 is a display font from the future. Font in the era of cyborgs and cyberpunk. This is a sharp, brutal font with futuristic shapes. It combines style and functionality, so the font will look great in your futuristic design in any environment, be it a logo or a merchandize. The angle of inclination in each glyph is 50 degrees, all glyphs also have the same stem sizes to create a good font system. All this is done to get a good futuristic cyberpunk font that will give style to your design, be it a logo, poster, banner, merchandize, title, packaging or product design. In addition to all this, there is support for many languages and alternative characters. In case of any questions, problems or suggestions, please email: bunineugene@gmail.com

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Subhanahu Wa Ta'ala" because we have added "Subhanahu Wa Ta'ala" to each and every name. The first "Alef" has a "hamzit wasel", this indicates that the name can be pronounced both as "AR-RAHMAAN" or "R-RAHMAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The calligraphy is rectangular shaped, and the "fatha" is big and covers almost the entire name, in most of the names. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Ta, Kaf & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran.

The 1928 logotype for Sertal Toiletries consisted of a stylized woman's head, a very snaky S, and five fine, fat deco caps spelling out the rest of the brand name. From these five clues, designer Nick Curtis divined the rules" of the typeface and drew a complete alphabet, including a lower case. The result: ITC Scram Gravy. The finished product could be described as Bodoni on steroids. Tight curls in characters like the 'm,' 'r' and 'y' soften the lower case and give the design a light-hearted flavor. ITC Scram Gravy takes its name from one of many running gags in the screwball comic strip "Smokey Stover," which had folks alternately splitting their sides and scratching their heads from 1935 to 1973. Those familiar with Bill Holman's strip will recall Smokey's car, the Foomobile, and one of his famous nonsense declarations: "No foo-ling, that scram gravy ain't wavy.""

ITC Lubalin Graph® was initially designed by Herb Lubalin and drawn to fit the requirements of typographic reproduction by Tony DiSpigna and Joe Sundwall in 1974. Its underlying forms are those of Lubalin's previously released ITC Avant Garde Gothic, but its shapes were modified to accommodate large slab serifs. Its condensed weights, which include small caps and oldstyle figures, were later additions by Helga Jörgenson and Sigrid Engelmann in 1992. The family, with its generous x-height and overall tight fit has come to represent the typographic style of American graphic design in the 1970s. The typeface is at home when paired with mid-century modern design and spare sanses or more traditional text faces from the period. ITC Lubalin Graph covers four weights in its condensed width from Book to Bold, and five weights in its normal width.

Wu is a font that flows through the page like waves in the sea. The font is based on the shape of an Ancistrus fish swimming through water. The shapes of the letters flow into each other and move out again in perfect harmony. Purchase this font and come see it swim.

Introducing Magedo Vintage – Fluid Font Looking for a font that’s both fluid and exudes vintage charm? Look no further than Magedo Vintage – Fluid Font. This versatile typeface offers a blend of modern fluidity and classic vintage aesthetics display that will elevate your designs to the next level. Fluid Elegance Magedo Vintage boasts a fluidity that adds a touch of sophistication to your projects. Its smooth curves and flowing lines make it perfect for logos, headings, and invitations, creating a sense of dynamic movement that captures attention. Rustic Hand-Drawn Appeal Embrace the hand-drawn trend with Magedo Vintage. Its rustic, imperfect strokes give your text a unique character and a cozy, artisanal feel. Whether you’re designing a rustic wedding invitation or a quaint cafe menu, this font adds that charming touch. Timeless Stamp Effect Magedo Vintage also offers a stamp-like effect, reminiscent of classic imprints. This effect adds a sense of authenticity and nostalgia to your designs, making it ideal for vintage-themed posters, packaging, and labels.

My uncle has a real fine handwriting. Especially the long ascender and descenders are very characteristic. It is dynamic and a good legibility. Try the font in a dark blue color (C90, M15, Y0, K60) and 22pt.

Nord is a capital letter font made for display use. The 4 styles can either stand alone or be used for effects by adding different colors to each stackable style. Check the PDF-FILE for more informations.

MISQOT, with beefy proportions and fine details is a titling font with lots of extras: lowercase, international accents and special characters. The 1.1 release features improved inter-weight metrics, additional characters and 9 newly added essential symbols.

SysFalso™ is the calligraphic version of the font family Sys™ Designed to be part of the corporate image of YU SpA, an insurance brokerage firm, in order to archieve a more casual and fun communication.

Fazeta Sans is a perfect companion to serif typeface Fazeta. Two light weights were added, so the complete typeface consist of 14 fonts (7 weights + matching italics). The fine gradation lets you choose perfect weight for any type of project. Every font have 1140 glyphs – just like the serif version and contains the same features, so use and combining of whole typeface is very comfortable. Also fixed kerning allows better comfort for eyes by reading and shortens the length of the text. I tried to preserve sharp and cold impression from serif version, but some straight lines had to be curved due to the natural limitation of sans typefaces (for example the upper arch of “f” is shaped more smooth). However it keeps extremely open form. A little playfulness was left at the end of letters “k, K, and R”, but if you want, this can be eliminated by using a rigorous SS01 feature. Serifs were here transformed into a small yaw from main stroke and so enlive the monotony of sans kind of types. Also slight cutting the top of the letters helping to surprisingly vivid final impression. Fazeta Sans is therefore suitable for wide range of type sizes – from small marginalies to huge poster sizes. To see more please check the PDF specimen.

Sullaty is a classy sans serif typeface that suitable for strong and modern looks on your works. Sulatty has two style and ending swashes for chracter j, g & y. Combine this alternate to make a gorgeous typeface for your design! Two style Font: Regular & Outlined Sulatty is perfect for sport product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Ligatures - Ending Swashes - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features. --- Hope you enjoy with our font! Attype Studio

Konya is a signature script-style font with a very luxurious look. It can look very soft and very firm in an elegant frame, high but not too towering, and flat but not too low. Its appearing with a balance like dervish whirling around in ‘Konya town’ with two hands stretched, one hand facing to the sky and the other hand facing to the earth. This font is perfect for branding, as we equipped it with a number of alternatives that allow you to make it a feminine and masculine logo, and some swash to add to the firmness of signature. This font also has ligatures to present a natural handwritten impression.

Chelsea Queen was built with OpenType features and includes numbers, punctuation, alternates, ligatures, swash and icon sign and it also supports other languages. Chelsea Queen is a very unique font, because there are 85 sets of ligatures that will make writing natural and elegant. This is very suitable for use Logo, Wedding, Fashion, Poster, Menu, Invitation and there is still much that can be done with this font. Chelsea Queen File Downloaded: - 85 set of LIGATURES (make your natural handwriting) - Both OTF and TTF file formats (Regular, Italic, and swash and sign) - UPPERCASE and lowercase - Swash and sign font ( A-Z and a-z ) - Panctuation and numeral - extended Latin characters for language support.

Dotum™ features plain strokes similar to sans serif designs with proportional Latin characters, and works well for on-screen display such as user interfaces. This Dotum font file is 5.2 MB in size. Dotum is a trademark of Microsoft Corporation. Dotum font Character Set: Latin 1, Korean code page 949

French Marble – Handwritten Font, this font Is perfect for product packaging, product designs, label, photography, watermark, special events, or anything. Features: File OTF, TTF, WOFF Uppercase and lowercase letters Multilingual, numerals, and punctuation If you have any questions feel free to drop me a message Follow Instagram: @sronstudio Thank You!

MS Gothic™ Japanese font features plain strokes similar to sans serif designs, and works well for on-screen display such as user interfaces. This file is 4.4 MB in size. MS Gothic is a trademark of Microsoft Corporation. MS Gothic font Character Set: Latin-1, Japanese (Code Page 932)

Charles Beeler Jr. designed this in 1895 for Mackellar, Smiths and Jordan, which was part of the American Type Founders combine. The font had a short life because five years later ATF began an "off with the old, on with the new" program, and this font was an early victim.

Chunky Chicken is a fat, weird, funny and unique font. It was named in honor of my five chickens, who, despite the snow and freezing temperatures, keep laying eggs every day. Chunky Chicken is a headline font, ideal for books and posters and comes with a full range of diacritics.

Brunches is a sans serif font family with five different styles. Basically this font is designed with geometric principles. There are several possibilities of styles to choose from as needed. Suitable for all creative project. Brunches will make each project easier and more colorful because it has several different styles.

Hello, Introducing a vintage font "Antic Mosaic". It's a decorative typeface made of hundreds of mosaic tiles. Five included font variations will help to create different color combinations. Antic Mosaic supports most of the west european languages and also includes ukrainian cyrillic characters (check out the screenshot with all available glyphs).

Sweet azalea is an all rounder font, very easy to adjust following your needs, it can be used as signature, branding, web design and of course used as casual script font to add a handwriting touch, all is available in just one file. Plus featured with ligatures and swash alternates.

Electrasonic is a neon linking script in fine, X fine and XX fine weights that whispers slyly of louche backstreet glamour and medicinally strong day-glo cocktails. Use with a cosmopolitan to hand and Suede on the ipod.

Inspired by an old house font of an anthroposophical hospital in Germany, this font was created: coarse, irregular, with corners and edges. In nature there are no right angles, no symmetries, no evenness: and so is this font. Tis is not a fine font, Like a woodcut this font roars: Look at me, I am here! Ideal for posters, leaflets, posters, billboards. Designed by Joachim Frank (Germany) in 2021

Brushin is an handwritten display font inspired by the straightforward rigidness of Grotesque sans-serif fonts. It features two stylistic sets for every glyphs in font so it gives you the choice to not repeat the same glyph design in big titles and/or small statements. The font was designed on paper with a brush and then scanned, vectorised through Photoshop and finally compiled in Glyphs as and OTF font file.

Hey, friends! How often do you share your social media posts? Modern man is already so used to them that he shares his emotions and feelings in them without hiding anything. We have begun to trust them. How to show a good mood? Of course, with a photo with a smile and a signature. This font is great for expressing your emotions. Good luck and love to you!