Introducing Seribu Bulan - Arabic Type, created by ikiiko. Seribu Bulan is inspired by term in the Islamic world about the night of Lailatul Qadr in the month of Ramadan. Seribu Bulan is a display type adapted from the form of a slab serif style. This typeface has a wide selection of alternative styles to choose from. From hooked letters, to the typical symbols of arabic letters, you can play around by using various stylistic sets to form the character you want. This typeface is perfect for an logo, magazine layout, header & headline design, food & beverages product, packaging, poster, quotes, or simply as a stylish text overlay to any background image that need an a middle east vibes. What's included? Uppercase & Lowercase Number & Punctuation Complete Stylistic Set Complete Alternates Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

The Algerian designer Taouffik Semmad created the fonts in 1997. Taouffik Semmad grew up speaking Algerian-Arabic dialect and French, studied Russian, and is now living in Montreal. This could perhaps explain his current passion, to "find a universal writing", which he admits is a Utopian idea. Created with brush and Chinese ink, the characters of ITC Atmosphere came from Semmad's hand but only after they were fully formed in his mind's eye.

Mamshooq is a Bilingual Contemporary Typeface designed by Kholoud Khaled Essawy. It is classified as a script typeface, that is inspired by handwriting. It is characterized by having a monolinear stroke thickness, and the skeleton of the Arabic font is based on Naskhi calligraphic manuscripts. It is familiar, soft, heartfelt and romantic looking typeface that has an honest voice that brings trust to the words and makes it comfortable for continuous reading.

This is the Latin+Hebrew version of poster/display font Pivnaya designed and published by Roman Type. It works for Afrikaans, Arabic, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Farsi, Finnish, French, German, Hebrew, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Urdu, Vietnamese, Zulu. Equipped with wider coverage of the International Phonetic Alphabet (IPA), Pivnaya-Hebrew is fit for all kinds of purposes.

Historical Background Old South Arabian Script (OSA) was used before the Islamic era not only in the southwest corner of the Arabian Peninsula, but actually in the entire Peninsula. In addition, samples of OSA have been found as far as Uruk in Mesopotamia, Delos in Greece, and Giza in Egypt. Archaeological finds show that as far back as the 8th century BCE, OSA was used in trade, religious writing, and in civil records. Following the spread of Islam in Yemen, the decline of OSA began in the 7th century CE as it was gradually supplanted by Arabic script. OSA was typically known by the name of the then-dominant peoples in the Southern Peninsula. At various times, it was known as Sabaean, Qatabani, or Hadramite, among others. Although it was used for a variety of languages, OSA is most strongly associated with Sabaean. Many Peninsular languages borrowed OSA before introducing further changes of their own. Prime examples are the Thamudic, Safaitic, and Lihyanite scripts which eventually developed into independent scripts. The westward migration of the Sabaean people into the Horn of Africa introduced the South Arabian consonantal alphabet into the region. The transplanted script formed the roots of the Geez script of Ethiopia, which, in time and under presumably external influences, developed into a rich syllabary unlike any other Semitic script in history. Even a cursory examination of the letter forms of Modern Ethiopic writing reveal a striking similarity to South Arabian Script. OSA inscriptions typically reveal a dominant right-to-left directionality, although there are also many cases of alternating directions, known as boustrophedon writing. Figure 1 is a fine example of this style of writing. OSA inscriptions were discovered early in the 19th century. Soon thereafter, two orientalists, Gesenius and Rödiger, made great strides towards deciphering the script. Styles of Writing Old South Arabian inscriptions have survived primarily on stone, ceramic, and metallic surfaces. Hundreds of artifacts have been found and, to this day, continue to be discovered. Some of the best examples number of inscriptions on softer materials, such as wood and leather, have also been discovered. Although there is a significant difference between the styles of letters on the hard surfaces and those on the soft. Old South Arabian (Musnad) is composed of 29 letters , that is one letter more than the Arabic alphabet, which is between “S” and “Sh”, and names “Samekh”. Aspects of difference between Musnad and the present Arabic writing is that Musnad is written in separate letters, and the shape of the letters do not change according to its place in the word. However, some letters change according to the beginning of the writing. Musnad is either prominent, or deep. Prominent writings are for important writings and deep writings are for ordinary. The material on which the Musnad was written were stones, rocks, wood, and metal. In the course of its development the Musnad use appeared in the “Lehyanite’, “Thamudic”, “Safaitic”, pen to which many changes and amendments were made. And from it “Habashi’ writing was born. As regards his place among the Arabs of the Peninsula , when we look at the internet and its role in cultural dialogue , the Arabs of the Peninsula considered Musnad inscription which was indisputably their national writing until the dawn of Islam. It was used by people in all parts of Arabia in their homeland and abroad . It was their means of chronology and record of their glories and history.2- Features of Musnad Script: 1. It is written from right to left and vice versa. 2. Its letters are not joined. 3. Shape of letters are uniform despite their positions in the word. 4. Words are separated by vertical lines. 5. A letter is doubled in case of assertion. 6. No points and punctuations. 7. Easy to be learned by beginners. My OSA Musnad Font My design and technical work is only a treatment of the OSA Musnad as a symbol of writing. And it is possible to use in computer.. My design is not aimed at demonstrating the linguistic and intellectual structure of the Old South Arabian (Musnad). It is so simple that it could be easy to learn by learners and those who are interested in the OSA Musnad letters in computer. The basis of such importance is that it spares a lot of time and effort for researchers and students in this field. Formerly they used to write the Musnad texts either by handwriting or scan them , But now they can easily write its texts in OSA Musnad by using keyboard directly, so that they can change , amend and fulfill easily and accurately . So, we made use of speed, easiness and accuracy. And anyone interested in the South Arabian history in any part of the world can due to this design read and write OSA Musnad letters most easily. This design will also be used by historians and archeologists. , as well as specialist linguistics . The design also demonstrates the aesthetics of the Himyarit writing. About this font family Old South Arabian is An Arabic, Old South Arabian and Latin typeface for desktop applications ,for websites, and for digital ads. Old South Arabian font family contains two types: Old South Arabian and Old South Arabian serif. The font includes a design that supports Arabic, Old South Arabian and Latin languages. Old South Arabian typeface comes with many opentype features.

HS Almidad has been started in coincidence with my designing logotypes consisting of triangle geometric, looking shape and overall structure. After designing several words, I thought of using the design concept of this logo to develop a geometric Kufi font. All letters of this typeface family were conceived with suitable and coordinated dimensions to create five weights: Thin, Light, Regular, Medium and Bold: They support Arabic, Persian, Urdu and Kurdish languages. With a triangle look, this font is a simple and creative addition, which can be useful for book titles and variety of other geometrical constructions projects. It brings new design concept to enhance beauty and harmony and enrich our previous geometrical font contributions, which started with the release of HS Alhandasi , HS Almohandis and HS Alfaris from HibaStuido.

Reywak is an impactful new font that merges the clean look of sans-serif fonts with the powerful symbolism of Arabic characters. Its readability makes it the perfect choice for headlines and long reads, while the unique allure of its arabesque design lends itself beautifully to posters and greetings. Reywak: use it to make your content a cut above the rest. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Harpagan is an experimental type family characterized by scalable construction from mono linear grotesk to display bold. I’ve designed this typeface after my trip to Kyrgyzstan, Uzbekistan and Kazachstan, where i’ve been impressed by the impact of arabic script in Asian style Cyrillics. The Harpagan type Family consist of 5 futuristic styles.

Manchette Fine is the high contrast cut of Manchette typeface, which was inspired by the hand-written Naskh newspaper headlines during the 60s-70s era in the Arab world. The word "manchette" is a french word, that means headline. It was used mainly by the Egyptian calligraphers and designers. The typeface presents sharp and contemporary details, while taking into consideration the original Naskh rules to echo the elegancy of the hand-written titles. Featuring many opentype features, such as contextual alternates, ligatures, and a small set of stylistic alternates. The typeface also features a dynamic Kashida that can be controlled through the variable fonts technology in the Variable GX file which contains all the weights as well.

Introducing Khodijah, brand new display font in Arabic style. Designed with a digital flat-pen and gothic typography technique which gives the elegant looks of the letters. This font also adopted from the Hijaiyah letters that highly usable for any Islamic or Mid-east content. Perfect for Book covers, poster, flyer, banner, t-shirt, logo, branding, and other advertising needs. Khodijah has OpenType features such as alternates, swashes, and ligatures that you can access them from the software which has an open-type panel. Happy designing! Ramz.

Ramadan Letter is a striking display font that draws its inspiration from the intricate beauty of Arabic calligraphy. Ramadan Letter is more than just a font; it's a symbol of heritage and visual artistry. It's the perfect choice for projects that require a touch of cultural sophistication and a bold presence. The characters in Ramadan Letter are meticulously designed with a substantial weight that exudes a sense of boldness and presence. The elegant line ornaments add intricate details, enhancing the font's beauty and cultural significance. The low contrast between letters ensures legibility and a harmonious visual flow. In addition, you can also enjoy the features here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Ramadan Letter fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing

Abdo Egypt is a geometrical style. This is an OpenType Font supporting Arabic, Persian and Urdu and is compatible with the various operation systems and modern software. The combination of modern Kufi and Geometrical styles and the variation between straight and curved parts made it a beautiful typeface appropriate to titles and text and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

Abdo Master is a geometrical style. This is an OpenType Font supporting Arabic, Persian, Urdu, and English. The combination of modern Kufi and Geometrical styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual. it comes in fourteen weights from Thin to Black and Outline style.

Sultan-Mabsut, designed by Sultan Maqtari in 2018, is an Arabic typeface in the style of Maghribi (Moroccan Mabsut). This style, which originated in western North Africa, is characterized by a strong baseline and long, fluid, and curvaceous curves. It can be used in headlines or in text and gives a very fresh and calligraphic look. The font combines two methods of writing at one time (writing oriental and writing Moroccan). It also includes lots of Stylistic Alternates.

Qisharon is a contrast sans serif font, consisting of four styles (light, book, regular, bold) and including 5 writing systems such as Latin (supporting all European languages and Turkish), Cyrillic, Greek, Hebrew, and Arabic. It is based on classic calligraphic rules and respects the traditions of every script. There are plenty of ligatures, that will draw attention to your design. Qisharon with it's formal and elegant nature is a perfect fit for logos, visit cards and magazine headings.

Abdo Misr is a geometrical style. This is an OpenType Font supporting Arabic, Persian, Urdu, abd English to and compatible with the various operation systems and modern software. The combination of modern Kufi and Geometrical styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and slogans, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

Ninova is the capital of the Assyrian Kingdom. This place is also known as the city where Prophet Jonah was sent. Ninova font family consists of fonts with aesthetic forms. Ninova font will more than meet the needs and expectations in terms of the glyphs it contains, the weights it has and the number of styles. This font includes two font families: Ninova: A family of fonts containing only the Latin scrips Ninova Pro: A family of fonts including Latin and Arabic scripts The Ninova font can be used for multiple purposes. It can be used easily in the internet environment, operating systems and all digital environments together with printing areas.

Thulth font (Thulth Tharwat Emara Golden) distinguished by beautiful artistic structures and ready-made sentences to help you design the designer designs and paintings easily. It also retains the beauty of its original Arabic calligraphy. This font can be used in titles of books, magazines and Quranic verses. Also specialized in printing on clothes, Najaf and antiques. It is the first font that you can write complete sentences and Ayat of Quran by beautiful artistic structure like as those written by the calligrapher. It also simulates the handwriting and no need to calligraphy it when you have this font.

Introducing "Eighty Miles" font's thick and attention-grabbing characters ensure that your message takes center stage. While "Eighty Miles" embraces wild shapes, it never compromises on readability. Each character is carefully crafted to ensure that your audience can enjoy the whimsy without missing a beat. It's a font that's as fun to read as it is to look at.

Hello, now I tell you. its time for "Kelphyn". Yes you heard right. Kelphyn is a serif font family that allows you to try out new, innovative designs that suit your taste. Created to support all forms of design, art and ideas. especially for modern magazine designs, website layouts and supporting branding layouts. Grab it fast here Free updates

Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam and Shalom to the font family name. Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.

Introducing Koriyah, a stunning Arabic font that combines elegance with modernity. With its captivating design and exquisite details, Koriyah is sure to make a lasting impression on your audience. An Original typeface that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Modern Sweet Retro that contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Azqad is an elegant Arabic-style font that combines traditional elements with a touch of modernity, with its graceful curves and intricate details. An Original typeface that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Modern Sweet Retro that contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Nestapha is an elegant Arabic-style font that is perfect for a variety of design applications, for example those related to Ramadan. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Armatura — a bold, sporty font with a modern and futuristic alphabet design. Elevate your design projects to new heights with Armatura's cutting-edge typography, perfect for branding, headings, technology, digital media, movie titles, invitations, signatures, logos, labels, and much more! This modernist capital font is tailor-made for eye-catching headlines and captivating titles. Armatura boasts an extensive character set, including Latin, Cyrillic, and Arabic numerals, making it versatile and adaptable for diverse linguistic and cultural contexts. Key Features: Sporting Boldness: Armatura exudes energy and daring style, capturing attention and infusing dynamic flair into your designs. Versatility at its Best: This font seamlessly fits various projects, from large-scale advertising banners to petite cards. Embrace Technological Edge: Armatura effortlessly integrates with modern technology, ideal for digital and interactive media ventures. Multilingual Support: With Latin and Cyrillic alphabets, plus Arabic numerals, Armatura accommodates a multitude of languages and regions. Expressive Appeal: Its geometric forms and audacious details bring character and distinctiveness to every design element. Unleash the power of Armatura to make your projects stand out, commanding attention with a contemporary touch of uniqueness. This font is a must-have for ambitious and forward-thinking designers seeking to create something exceptional and truly captivating.

Rayid (رائد): Pioneer. “What if we remove the curves?” This was the whole idea. Rayid could be used at its best for names, titles, headings and other large size contexts. It has the ability to catch the eyes of the target. It is a modern font which respects the traditions by futurism. *Arabic marks (Tashkeel) are included but if your design needs them, first check if they work properly for you.* Please DO NOT HESTITATE to tell me if you saw any bugs.

Zanzabar is an exotic display font with a distinctive Middle Eastern flair. Its characters loosely mimic the Arabic script with lowercase letters being much smaller than uppercase. Special emphasis was given to the wispy, brush-like appearance of its characters for a suggestion of authenticity. This works best from far away or at small sizes. Although decorative by nature, the entire character set is relatively easy to read. Use Zanzabar for a restaurant logo, children’s book, or a movie poster.

Lovely Rose Romantic calligraphy script font inspired by lovely valentines themes. This font is suitable for greeting card, wedding invitation, instagram post, quotes and so on. Feel free to follow, like and share. Thanks so much for checking out my shop!

Yazan is a New Arabic display typeface for desktop applications, inspired by oriental kufi and Qairawani kufi . Designed and developed by Sultan M. Saeed, Yazan has updated proportions and details, and is distinguished by its traditional serenity, modern aesthetics, This makes it suitable for large display sizes, especially in the area of advertising, while still functioning well as a text face.

Sado is a traditional, modern typeface that create a truly captivating visual experience. with a family of 6 weights, it supports languages that use the Arabic script, such as Persian and Urdu, as well as the Latin alphabet. Sado opens up a world of creative possibilities, inviting designers to explore new horizons and create designs that leave a lasting impression.

Yalla PRO was inspired during a trip Mateusz Machalski took to Cairo (Egypt). The vast array of strong Arabic headline type, geometric forms working in interesting ways and contrasting with smooth, calligraphic details fed the design. Due to the same proportions and heights, Yalla works great together with Afronaut. Yalla was extended in 2024 by Mateusz Machalski & Małgorzata Bartosik with new weights.

Introducing Ameda: A modern, stylish sans-serif font with high contrast that radiates sophistication. Elevate your designs with Ameda's attention-grabbing style, infusing an exhilarating flair into your creative projects. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The Ancient South Arabian script (Old South Arabian 𐩣𐩯𐩬𐩵 ms3nd; modern Arabic: الْمُسْنَد musnad) branched from the Proto-Sinaitic script in about the 9th century BCE. It was used for writing the Old South Arabian languages Sabaic, Qatabanic, Hadramautic, Minaean, and Hasaitic, and the Ethiopic language Ge'ez in Dʿmt. The earliest inscriptions in the script date to the 9th century BCE in Yemen. There are no letters for vowels, which are marked by matres lectionis. Its mature form was reached around 800 BCE, and its use continued until the 6th century CE, including Ancient North Arabian inscriptions in variants of the alphabet, when it was displaced by the Arabic alphabet In Ethiopia and Eritrea, it evolved later into the Ge'ez script, which, with added symbols throughout the centuries, has been used to write Amharic, Tigrinya and Tigre, as well as other languages (including various Semitic, Cushitic, and Nilo-Saharan languages).

Introducing Rahma, display font in Arabic style. Designed with a digital flat-pen and gothic typography technique which gives the elegant looks of the letters. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Almirab Script is a classic Script font inspired by Arabic classic handwriting that uses a flat pen (or signature pen) and is written in the low height of letterforms. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

"Blamtastic" is a 3D display font designed with a comic theme and sharp characters. This font offers three distinct styles: solid, inner shadow, and outline. Fonts with multiple styles like this are ideal for creating depth and visual interest in text. The solid style provides a bold and straightforward appearance, while the inner shadow style adds depth by giving the characters a three-dimensional effect. The outline style outlines the characters, emphasizing their shape against the background. With its comic-inspired theme, sharp characters, and various styles, "Blamtastic" is suitable for a wide range of design projects that require a playful and attention-grabbing typographic style. It can be used effectively in comic books, posters, titles, or any design where a bold, dynamic, and multi-dimensional font is needed to create an impactful visual presence.