In Hammered all the letters are made up of hammers and an occasional nail. It is caps only, but the characters on the lower-case keys differ from those on the upper-case keys. It has a large set of accented characters. It is not often that one needs a typeface made of hammers and nails, but if one does, there is a font for that. For related, tool-based typefaces, see Screwged, NailsNStaples, and WrenchedLetters.

Salto was developed by Karlgeorg Hoefer and introduced in 1952 by the foundry Gebr. Klingspor in Offenbach. The capital letters were drawn with a brush, the lower case with a broad-tipped pen developed by Hoefer especially for the task. Salto reflects the Zeitgeist of the 1950s, appearing frequently in advertisements during the years of the Wirtschaftswunder. The font’s extravagance and dynamic quality arise from the contrast between the strong, zestful capitals and the more reserved lower case letters.

Varhalla is our new script and handwritten font. We created it with love and care. Varhalla is perfect for signatures, posters, branding, logos, fashion, typography, and more.

Bake Bunny is an exuberant refulgent handwritten mix cased typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

A revival of one of the popular wooden type fonts of the 19th century, regular, slab serifs, a very useful design for display, upper and lower case.

The term "podunk" usually refers to a small, insignificant town. In this case, Podunk JNL refers to a bold and brash font that resembles cut-paper characters.

This simulated font is based on the characteristic Hindi calligraphy and includes upper and lower case alphabets, numerals, and a collection of Indian symbols and border components.

Vunderscript is a calligraphic script with upper-case letters that have blackletter touches. It is available in two weights, plain and bold, each with an obilque style.

Xan is a very expressive script, that was written with a brush on rough Japanese paper and then digitized taking care not to destroy that Japanese touch.

Old style handwriting, inspired by 1800-1900's letters. Contains hundreds of alternate glyphs; each lower case letter has four variations, accessible through contextual and standard alternates.

Originally developed as a logotype proposal for the Metropolitan Hotel in Park Lane, London. Available in upper case only, Metropolitan is a pure, streamlined, contemporary display typeface.

As with Nocturne, Dusk til Dawn recalls the romantic, sophisticated Zeitgeist of the early 20th century, that nostalgic time "between the wars". It as a number of attractive ligatures and upper-case alternates. I have used Nocturne as a basis for Dusk til Dawn, given the font really bold down-strokes, reduced the width of some upper case characters and changed the shape of many lower case characters. Dusk til Dawn comes in two styles: Dusk til Dawn Regular, which uses the Art Deco convention of small x height, and long ascenders. This Display style is perfect for headers, posters, labels etc. Dusk til Dawn Book, which, with its higher x-height and slightly wider characters, is extremely legible and suitable for longer passages of smaller size text.

Eterea is a formal font inspired in the monumental inscriptions of classic Rome, but not strictly sticking to the ancient roman typographic characteristics. Its unique look is the result of mixing diverse typographic styles, but mostly having traces from the 16th century transitional style. It bears a big difference of proportion between upper and lower case, additionally to the upper case having much more ornamental traces. Eterea has four different flavors of capitals which change very slightly in the cursive versions. In the italic versions, the lower case (actually small capitals) changes substantially its characters to make its reading more flowing and is not simply an inclined version of the letters. Eterea is a very expressive font, ideal for titles and short texts of sober and elegant appearance.

Dalle was designed in 2012 by Stawix Ruecha, and has been continued to develop over the last two years in order to keep pace with the changing trends and to apply for different uses.  Dalle comes with a large font family and is ideally suited for body texts and also display. This typeface has OpenType features including multi-ligatures support and tabular figures. Add Dalle (Sans) in your font menu and spice up your layouts with this new flavour!

Tiffanky is a Classic Cursive monoline font casual and clean stoke font includes alternate lowercase and opentype features Ligatures inspired by the late 80's sign board. It support multilingual more than 100+ language. This font is suitable for logo design and any awesome project you create. Make stunning work with Tiffanky Monoline font. Give your designs an authentic handcrafted feel. "Tiffanky Monoline Cursive Font" is perfectly suited to stationery, logos and much more. Thanks for Download, Maulana Creative

An extremely versatile, intelligently restrained design by Robin Nicholas for Monotype in 1980. It works very well at small sizes thanks to its large x-height, sturdy serifs, and lack of ornament; yet it is not characterless. Nimrod has been used successfully in national newspapers and books. (The Guardian, London, from its late-1980s redesign until it was replaced by a Carter interpretation of Miller in 1998; the Concise Oxford English Dictionary in the typographically unsurpassed 1990 edition.)

Sequel Rounded is a post-Max Bill font, developed in close cooperation with the Max Bill Georges Vantongerloo foundation in Switzerland. MAX BILL Last universal scholar, most important design teacher of the 20th century: There are superlatives, always very enthusiastic, when the importance of Max Bill is discussed. The trained silversmith studied at the Bauhaus, with personalities such as Josef Albers, Paul Klee and Oskar Schlemmer. He worked as an architect, later as sculptor and designer.

In 1966 and 1967 a series of weird events spooked Point Pleasant, a small town in West Virginia. Townspeople described a creature that looked like a man, with red eyes and moth-like wings, which appeared at several locations around town. The Mothman myth was born. Mothman font is spooky as well. It is a very scratched and distorted typeface, completely hand drawn, using ink and various sharp utensils. Mothman font will surely leave a lasting impression!

A vintage rubber stamp alphabet and star printing set had a package header with Art Deco-inspired lettering describing the product. Sold by a company called Elvin [circa late 50's-early 1960s], these Japanese-made sets were one of many distributed by independent toy importers and made in various configurations including [at times] tiny animal stamps. The type design on this particular item was the model for Retro Packaging JNL, available in both regular and oblique versions.

We Love Nature Summer Flowers is a picture font inspired by a late summer visit to an organic flower farm in the south of England. The farm specializes in growing local seasonal flowers for lovely bouquets and arrangements. This picture font features 52 hand-drawn illustrations inspired by these flowers. The contemporary flower illustrations can used on their own or in combination with the other illustrations in the We Love Nature font collection to create striking designs.

The letterforms are based on Inserat Cursive, a bold script popular in the late nineteenth century; the treatment was suggested by cover artwork for Graphic Styles from Victorian to Post-Modern, written by Stephen Heller and designed by Seymour Chwast. Included in the font are several handy ink blots (section mark and superior numbers positions), a stylish tailpiece (florin position), and a couple of ink bottles patterned after those on the bookcover (bar and broken bar).

Jugendstil Kunsthand is based on a sample of late 19th century lettering in a style often associated with artists of the Jugendstil Art Nouveau movement in Germany. The characters are done in heavy outline with a rough-hand drawn look. The style is interesting because it shows the influence of the Arts and Crafts movement on Art Nouveau with many of the characters featuring alternate versions that nest together in a manner typical of Arts & Crafts lettering.

Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 four new Italic fonts were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

Galdana font family is a Roman serifs typeface, whose most relevant characteristic is the slanted angle of its true italic, at seventeen degrees. Its design was inspired by one of the most prominent American calligraphers of the last century, the book designer Oscar Ogg. Galdana contains 18 styles: starting from thin to ending in a fat typeface. This family is completed with multilingual support and a set of OpenType features such as stylistic alternates, swashes, and ligatures.

This font, as indicated by its namesake, was designed and started by the late Bob Alonso. It represents the first of his unfinished work to be completed by friend and colleague John Bomparte, following Bob's passing in December of 2007. It is a font that speaks with a distinctively robust voice; and would be a great choice for a wide variety of uses. Central European languages are supported through OpenType, and Windows/Mac OSX TrueType versions.

Horndon is a decorative revival of late art nouveau style typefaces. The robust, high waist forms of these letters lend a unique, early 20th Century feeling of optimism to text designed with them. The letterforms themselves have adapted a three dimensional appearance: they each sport an individual drop shadow. Horndon is an all caps typeface, which was originally designed in 1984 by Martin Wait for Letraset. A similar art nouveau typeface, Galadriel, is also available from Linotype."

The object of Grover was to join two distinctive typeface designs: the basic European gothic of the late nineteenth century and the ‘rounded’ style found in 1960s America. The result is a clear, friendly face with subtle yet unforgettable features. Named after Grover Washington, Jr., the jazz saxophone player, Grover is geometrically constructed and yet very human in appearance. Sans and slab serif variations, true italic weights, as well as small caps afford Grover versatility and unique display characteristics.

With two styles available for each type - Regular and Script, KNEEHOLE is your ideal choice for crafting logos, signboards, or elegant wordmarks. This font draws inspiration from the iconic typography trends of the late 60s and throughout the 70s, adding a touch of nostalgic flair to your creative projects. Features: Kneehole Main File Has 2 Families: Regular and Script Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Enjoy Designing! Dharmas Studio

This family was created inspired from the two sets of rough initials fonts used by the famous William Caxton in Westminster (GB) in the late 1400’s. As it was normal for the time, there were not any differences between I and J, U and V. It is not a mistake. We have reconstructed the few other missing characters. This font was conceived as a supplement for our 1479 Caxton but may be used with all our Blackletters fonts.

It Had to Happen! Here Comes The World's Greatest Comic Book Font! It's A Collector's Item Classic! It's One of Comicraft's Greatest! You Wanted Our Silver Age Style Font -- last seen in the Pulse Pounding Pages of DC's SUPERBOY and Marvel's FLASHBACK titles -- and Now You've Got It! Three Thrilling Feature-Length Fonts! They're the Strangest Sans Serif Fonts of All! Proof Yet Again That This is Indeed the Comicraft Age of Comics! Etcetera, etcetera, etcetera, Blah Blah Blah...

Introducing Enchant, the modern serif font that will elevate your designs to new heights. With its modern and sophisticated style, Enchant is the perfect choice for any project that demands elegance and class. Whether you're creating a website, presentation, or marketing materials, Enchant's unique blend of classic and contemporary design will leave a lasting impression on your audience. So why settle for ordinary fonts when you can have Enchant's timeless beauty? Upgrade your designs today with Enchant.

The Enjoying Typeface - Modern Display Font is a bold and contemporary font with a unique twist, offering two distinctive versions for added versatility. Its bold and playful characters make it an excellent choice for logos, quotes, posters, titles, headlines, magazines, business branding, product names, stickers, and invitation cards. With its thick, distinctive design, this font is sure to stand out and leave a lasting impression, making it quickly recognizable and perfect for a wide range of creative projects.

Fitz Sans SRF was contributed to the Stella Roberts Fonts project by graphic designer Matt Yow after receiving word of the project from Ray Larabie of Typodermic Fonts. A light, attractive text face, Fitz Sans SRF also lends itself well to headlines and titles. The font is available in both regular and oblique versions. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Get ready to make a bold statement with our revolutionary font that combines various styles into one. This eclectic, rebellious font is perfect for anyone looking to add an unpredictable touch to their designs. Whether you're creating posters, templates, or any other type of design, this font will help your work stand out and leave a lasting impression. Don't settle for ordinary, upgrade to this bold and daring font today and let your designs do the talking.

Rootsy is a Modern Retro Script Font. Rootsy has more than 553 Glyphs, It was very inspired from the modern retro typography designs in late 80's untill 90's. This font template contains Modern Retro, Retro, Cool, Readable, Stylish, catchy and easy to use. FEATURES - Ligatures - Stylistic Alternates - Stylistic Set - Extra end Swash - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation Hope you like it. thanks. HIRO.std

Terrorista is a homage to everyone who fought against the Millitary Regime in Brazil from 1964 to 1985. The Terrorista Marighella features generous inktraps, fits perfect for small sizes. Terrorista Dilma has the same design as the Marighella, but without inktraps, made for display. The last typeface from the package is Terrorista Lamarca, stencil version, all three weights have the same metrics, making it easier to use them together. Have a look at the Terrorista Specimen.

Safety is influenced by works from the Machine Age which had its greatest period between the two world wars and celebrated the triumphs of the late Industrial Age including mass production, skyscrapers, radio & phonographs, hydroelectric power and streamlined styling in industrial design. It is based on an Art Deco display style lettering known most popularly as Broadway or Manhattan but, having existed in a multitude of incarnations from showcard lettering to neon signs for a century.

This family began with Berkshire Swash Pro, an alluring semi-sweet typestyle with a bold yet feminine flair to it. This was always meant to be a trio family, complete with Regular, Loops, and Swash Pro styles. See the last graphics for a comprehensive character map preview. Opentype features include: A collection of ligatures. Smallcaps. Full set of Inferiors and Superiors for limitless fractions. Tabular, Proportional figures for Berkshire Pro, and Oldstyle figure sets for Loops & Swash Pro.