This font can be used as a play'n learn tool to teach the meaning of these modern day communication symbols. Each alphabetical character can be printed with or without the corresponding roman symbols. NOTE: comes with an interpretation guide in pdf format.

A partial set of antique brass stencils inspired Old Spur Stencil JNL, which is available in both regular and oblique versions. The lettering is based on a traditional Roman stencil design with Western-style spurs added to the approximate centers of each character.

Kareemah is humanist typography, composed of roman and italics with 16 styles and 8 weights (800 glyphs) including ligatures, alternates, small caps,old style figures, fractions, superiors, inferiors and more. Perfectly legible and clean for long, simple texts in headlines. "Specimen Kareemah PDF"

The 1897 specimen book from Barnhart Brothers and Spindler showed a enchanting little face called Dotted Roman. Here's a faithful revival, ready to warm up the 21st century. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Larque is a slab serif text typeface. The tall x-height and the open counters makes the font very legible at small sizes. Larque includes extended latin characters, ligatures, oldstyle figures and Open Type features. It is available in roman and medium weight.

This font can be used as a play'n learn tool to teach the meaning of these modern day communication symbols. Each alphabetical character can be printed with or without the corresponding roman symbols. NOTE: comes with an interpretation guide in pdf format.

This humanist slab-serif style is an extension from Gazeta font family, the letterform are more sharp, racional and mechanical. Italics are having small differences from roman letterforms, the characters are slightly more narrow (weight) and the proportions are less open (width).

Bramble is a lively organic font that draws reference from Roman characters rather than Italic forms. Use Regular for small point-size setting to retain legibility. For invigorating display settings try combining Regular and Wild. Warning: you may become attached to Bramble!

Simeon is well suited for setting an short and medium amount of text with an historic impression. OpenType features: - over 650 glyphs - Central European faces - stylistic alternates and historical forms - ornaments, signs, zodiac, symbols - proportional & mediaeval numerals - numerators, denominators and fractions - Roman numerals

Citation was designed by British lettering artist Trevor Loane. It is a solemn, all caps roman alphabet whose coolly elegant letters look as though they were etched in stone. Citation is perfect for any work which should have a stately and expensive appearance.

This font can be used as a play'n learn tool to teach the meaning of these modern day communication symbols. Each alphabetical character can be printed with or without the corresponding roman symbols. NOTE: comes with an interpretation guide in pdf format.

The capitals of the Triplett font bare a strong resemblance to Roman inscriptions, while the lowercase alphabet has been drawn with a rounded hand, inspired by the cursive uncial handwriting. Serifs are very small, giving a clean modern look to texts and headings.

FDI Triumph revives Albert Auspurg’s “Triumph” typeface originally released in 1929 by the type foundry Ludwig Wagner in Leipzig. The forgotten design was carefully digitized from the original wood type font and extended to cover the Western codepages Win 1252 and Mac Roman.

This font can be used as a play'n learn tool to teach the meaning of these modern day communication symbols. Each alphabetical character can be printed with or without the corresponding roman symbols. NOTE: comes with an interpretation guide in pdf format.

Constantine - an exquisite display modern serif, inspired by classic roman arts and vintage cars aesthetics. Specially designed for luxury, clean, high-end projects, perfectly suitable for creating elegant, classy design such as magazine, social media, and more. The font features standard ligatures.

ShadyCharacters is an all-caps font with a ziggy, hollow top and a solid bottom. With lots of imagination, you might see the letters as tree-like, hence its name. The ShadyCharactersInside font can be layered over letters of ShadyCharacters to fill in the tops with color.

A crunchy, yet romantic font. Another word that could describe the font is “delicate”.

Alurea is a feminine and girly font with delicate serifs that add a touch of elegance . Unique ligatures the graceful lines and curves evoke a sense of beauty and romance. This is a font for love letters, cover novel, magazine, coffee shop, wedding invitations, and feminine branding. It whispers sweet nothings in your ear with its delicate and intimate forms. The sensual contours beckon with a coy wink and a bashful smile. Like a graceful ballerina effortlessly dancing across the page, this font brings a soft, romantic air to any design. Use it to make a statement with its delicate femininity and inner poise. This is a font that celebrates the beauty, charm, and tenderness Features : Character Set A-Z Numerals & Punctuations (OpenType Standard) Disrectionary Ligatures Accents (Multilingual characters) Thank You

Acris Serif is the rich and gracefull font designed in two weights for expressive and luxury projects. If it's had gender, it would be a woman — beautiful but with character like rose with thorns. Acris Serif is very good looking in Big Tittles, Magazine design, Branding, Logotypes, Posters, Wedding invitations, romantic cards and others. This typeface comes with special features like Stylistic Alternates and Discretionary Ligatures. The easiest way you can get Alternates is to add for example number 2, 3 or 4 after character. For this option be sure that bottom named Standard Ligatures is activated in Opentype panel. Multilingual Support Acris support Western European characters and works with following languages: English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish.

Meet Bjorn. A super usable, digital-device ready type design, refreshingly unburdened by today’s pre-conceived notions of ‘digital neutrality’. This is a typeface driven by the notion that today’s ‘digital’ shouldn’t automatically mean the devolution of typographic personality, Bjorn brings a softer-side to the idea of pixel perfect brand comms. Solid digital typography can also convey a warm tone of voice, radiate a softness, a human emotive charm whilst still maintaining all of the functional on-screen requirements of crisp easy reading fonts across viewports. Bjorn is a distinctive type design that combines a unique blend of flattened round stems (to take the edge-off), levelled inner terminals (pixel friendly) and pointed ears and feet (creating an distinct rhythm and dynamic with bowled letters). Bjorn is not a typeface following a tried and tested pattern, it’s a typeface designed to make digital brands feel special, enabling speech in a voice that brings viewers closer to their words. Bjorn is warm, yet clinical, flat and curved, elliptical and pointy. The font’s strong sense of ‘straightness’, the letter proportions and features build up its versatility across digital environments, not too wide, not too narrow, not too pointy, not too round — just right. Bjorn is available in 4 Roman styles — Light, Regular, Medium and Bold.

Tiny Love is a chic, playful and fun display font. It will look gorgeous on a variety of design ideas. It will add a joyful and romantic touch to each of your projects! This romantic font is PUA encoded which means you can access all of the glyphs and swashes with ease!

ITC Blaze was designed by Patty King in 1995. It is a typeface which looks as though it were written by hand with a broad tipped pen on rough paper. The pointed ends of the characters and the leaning to the right give the font a dynamic, energetic feel. Blaze shows the influence of the late 1940s and is best suited for headlines and short to middle length texts.

Linotype Gavotte was designed by Rudo Spemann in 1940. His style was unmistakable, marked by original ideas and completely new forms. His tendency toward the unusual and adventurous resulted in unique, decorative characters. When he wrote, the tip of his pen flew across the page, leaving behind rows of letters which displayed an almost unbelievable regularity of form and flow. Gavotte is a perfect example of the best of Spemann’s calligraphy.

This slinky number will seduce you with its linking letters and special ligatures. Brimley's strokes are tight and sharp, and its characters are tied together with slender, whispy hooks. Although its elegance is timeless, this is a style that typifies lettering of last century's late '50s and early '60s. Chank Co. intern Tim Drabandt created Brimley with inspiration from antique type books. He named the font after Wilford Brimley. You know... the chubby old guy who tells you to check your blood sugar and eat your Grape Nuts and Quaker Oats. Haven't you ever seen Cocoon?

A lovely script face remastered from found drawings, great for antique, vintage and romantic designs.

Here is you next choice of the desired romantic greeting font you were looking for.

Simple yet romantic handwriting, curly, rounded and legible - perfect for love letters or children books.

Here is FG Swan who is a more artistic and egocentric young woman or male.

Golden Ticket is a digitization of hand-drawn poster lettering by Otto Heim from 1925. The regular style is meant to be used on its own, but the other three styles are meant to be used one on top of another in three different colors to create a 3D effect. For best results, put the base style on the bottom, with the fill style directly on top of that in a different color, and the highlight style directly on top of that in a third color.

Based on Transitional Roman forms, this tasteful and well crafted Humanist display face exudes an air of authority along with a subtle playfulness. Narrow proportions allow for space conservation. Alternate letterforms & ligatures give this caps-only font expanded possibilities for any given text setting.

Sweetpea is a new OpenType font by Andrew Harper that includes a ton of features: contextual alternates, stylistic variations, regular/discretionary ligatures, fractions, ordinals, and swashes. Over 600 glyphs to choose from, including fractions, Greek symbols, music accidentals, Roman numerals, arrows, and mathematical notation.

Although a sans serif, Colosseum owes its style to the original Trajan Roman form. Borrowing some characteristics from Friz Quadrata, in its san serif form it is more adaptable to text usage whilst still having a modern and original look which works well in headlines.

The origin of Grimm was to create a typeface in the spirit of Elliott Peter Earls' Subluxation, but somewhere in the process things shifted to a blackletter influenced uppercase while the lowercase became more roman. The end result is a quirky little blackletter display typeface.

Bertolessi is a Roman face made fun, with a healthy dose of filigree curves thrown into the mix. It's an ideal compliment to our extensive Bertoni family, but can be used anywhere a bit of humour and flair is required. Get with the curls!

The range of subtle differences in the many different sized lettering stencils of the 1940s and 1950s allows for a wonderful library of authentic-looking stencil fonts. Storage JNL is another Roman (serif) type design by Jeff Levine and modeled from a 1950s stencil set.

Artane, Tony Fahy's first typeface for Bitstream Inc., has a specific philosophy at the core of it's creation. He decided he would try to create a Roman sans that would have the elegance of a serifed italic, such as Stempel Garamond, Bembo, or Baskerville.

"Baker’s Showcard Book" (1916) was an early 20th Century instructional book on sign lettering. One of the sample alphabets entitled “Decorative Roman” was a spurred serif, Art Nouveau design that has been recreated digitally as Elegant Showcard JNL in both regular and oblique versions.

Alinea is a typeface in 3 styles (Sans, Incise, and Serif) conceived for being mixed in the same document. Alinea sans, with its neutral shapes, can be used everywhere. Like many recent sans serifs, its italic is a true italic and not a sloped roman.