Vadelma is a script type family of four fonts. It is inspired by brush lettering and has soft and friendly looks. Vadelma can be used for branding, packaging and where ever you need a legible and smooth script font. Vadelma has lots of ligatures, swashes and alternative characters that will make your design unique and beautiful. You can also buy Vadelma as Variable Font and adjust the weight of Vadelma smoothly between Light and Bold weights. Notice that you need design software that supports Variable Fonts.

PiS VinoZupa is based on a logo found on an old Serbian bottle of brandy. The vintage 1971 plum fuel burns down your throat and blinds your eyes, the serifs you draw grow bigger and bigger with every sip you take. A Western-style slab serif font, coming from the finest distilleries in an Eastern European village. Features heavy caps with a few alternating glyphs in the lowercase letters and all the nice diacritics you need for super-drunk Serbian babble.

Distinctively Americana with a touch of Arts & Crafts, Amberosa is a typographic gem from the late nineteenth century, this undulating and organic typeface is a versatile and refreshing alternative to many of the font designs on the market today. Recapture the elegance of traditional flourished sign writing and make and provide ideal lettering for period inspired design work such as posters, signage, labels and book covers. You’ll find ligatures, 400+ stylistic alternates in keeping with the spirit of this pretty, old-fashioned typeface.

Solaris is a sans serif or a grotesque as we still call it where I come from. (it is an old term which means strange compared with Roman which was the normal font) The face is an open sans, which means that the round signs take the air into the form, minuscule d is drawn kind of backwards like in Gill Sans, which sets off on minuskel a. Here is the Regular version, with a slightly difference between stems and hairlines.

Nieanana is a display font whose design is inspired by the distinctive style of 8-bit computers. It exudes a varied and extravagant style, reminiscent of the retro aesthetic of games and graphics from that era. Its distinctive and daring letters are perfect for creative projects such as posters, invitations or branding materials. Nieanana blends in with the atmosphere of nostalgia, adding a unique touch to projects that reminds us of the old days of computer entertainment. Remastered in 2023.

Golemi Display is a reverse-contrast fat face font inspired by the Caslon Italian specimen from 1821. It is intentionally designed to keep its wood type feel—the overall chunky body with rounded junctures to imitate the old look. However, compared to its prototype, Golemi is redrawn to have smoother shapes with a modern look. Golemi Display is suitable for large applications, such as headlines for editorial design, branding, webpages, and environmental design. It is currently a single styled typeface disposed for extension.

Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most script fonts. Although Youngblood looks back to traditional copperplate scripts for inspiration, there is a new and exciting spirit to the design. Youngblood includes OpenType ending swashes, ornaments, ligatures, discretionary ligatures for most common ascender pairs and old style figures.

HWT Bernice is an ornament font system designed by Marian Bantjes. The basic shapes were designed by Bantjes for the Hamilton Wood Type Museum's border stamping machine as a contemporary application for this 150 year old machine, which punches shapes into end grain wood to form continuous border patterns. The digital version expands a bit beyond the punch machine and allows designers to assemble a multitude of options using flipped and rotated variations of these 6 basic shape sets using simple keystrokes.

Playing with old rub-on letters led to this alphabet. On the Letraset sheets (the older ones still remember...) there were always letters left over that were never or rarely used. I sometimes let interns play with it. To explain, I first rubbed an example myself. Two y's from a Helvetica made a pretty shape. Looking closely, you see a contoured, italic N. I developed the HGB Ypsilon font from this N. A purely decorative typeface – it could be interesting for some logo.

Lewis F. Day, in his Alphabets Old and New, presented these letters as examples of rustic Roman lettering of the first through third centuries, AD. An uppercase-only typeface, most of the lowercase positions are occupied by letterform variants. It should be noted that the name does not refer to a savory dish made from a nocturnal American marsupial; it’s Latin for “I can dance”. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Monotype Caslon Titling was made available for hot metal casting in 1932. The capital Monotype Caslon Titling letters were based on types from the Stephenson Blake Foundry, previously the Caslon Foundry. Originally designed by William Caslon in the eighteenth century, Caslon is considered an old face although it has characteristics which were later found in the transitional typefaces. The Monotype Caslon Titling font has a distinctive style, generous width and strong color, ideal for use in advertising, magazines and on book jackets.

Vladimir Script is a brush-style font, similar to the kind of lettering found on old hand-painted department store signs during the 1950s. The letters have a steep slant, and the uppercase letters and the numbers are rather informal. Many of the letters' strokes end in looped terminals, some with dynamic amounts of contrast. Vladimir Script is best used in larger point sizes, where its subtle details can dance across the page. The typeface looks fabulous on signs and cards.

Paralex is a complete typeface family of 12 fonts with geometric-slab style. The edges of shapes are rounded to give a smoother appearance. It contains several OpenType functionality, such as initial and final decorative forms, old style numerals and an extensive set of geometric style ornaments. The character set supports Central and Eastern European as well as Western European languages. Despite the robustness of its forms has a warm appearance, and good readability that make it useful for a variety of situations.

First cut by Lanston Monotype, the Goudy Modern font family was based on designs used by French engravers during the eighteenth century. Although called a modern it possesses a number of old style characteristics. Capitals are much shorter than the ascenders, serifs are fully bracketed and round shapes have a slight stress. The overall weight of Monotype Goudy Modern is on the heavy side, giving good emphasis in display sizes but it is not too heavy for use in text.

On the very northern edge of South Tucson lies an Old Pueblo institution, Le Caves Bakery, Home of the Vegetable Donut. That’s what they were called when Le Caves opened; now you’d say Vegan Donut, or No Animal Products Used. Radical concept in the Brave New World of 1935. I started with the letters from their sign and extrapolated the rest of the font from those. Deco Donut Fat is extrapolated from Deco Donut. If you want a donut, type a 0 (zero).

Valentia is an elegant font, casual and readable, this new script typeface is based on Copperplate style. Valentia has been drawn with spontaneous strokes and slightly contrasting thicknesses.The capital letters are full of expressiveness, with very dynamic "ductus" and linked ends, which allow to decorating with subtle and finishing touch. Contains small caps and titling. Decoration variables with its own terminal forms and initial forms. You can use Standard and discretionary ligatures, swashes, stylistic and contextual alternate, old style figures, CE languages andornaments.

Trinculo is a cursive font which combines traditional letter forms with ridiculously ornate embellishments and flourishes. It's rather like what an 18th century clerk might have done with his lettering if he was bored to distraction with writing the same old letters again and again. The upper case characters are more complex with simpler versions of the same characters in the lower case. Trinculo is a lot of fun, though if you use it too much it may become overwhelming.

Type Maestro is an exquisite ligature serif font that exudes creativity and elegance. With over 100 meticulously crafted ligatures, this font is the perfect choice for designers looking to elevate their projects to new heights. One of the key features of Type Maestro is its extensive language support, boasting compatibility with 87 different languages. This makes it an incredibly versatile font that can be used for a wide range of projects, no matter where your audience is located. But what truly sets Type Maestro apart are its alternate glyphs. These unique characters add a touch of individuality and personality to your text, allowing you to create truly one-of-a-kind designs. Whether you're designing a logo, a website, or a social media post, Type Maestro has the flexibility and style to help you stand out from the crowd. Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu Ligatures : IS, FO, OD, FA, TY, EX, NN, EY, SS, LL, FU, US, UT, AS, AN, AM, CI, LO, ES, RO, ET, TE, CK, OH, OO, OE, OC, KO, KE, KC, CH, SE, EA, UR, RS, KS, TH, TU, TT, TK, TL, HE, RG, EP, ER, RE, RC, LE, ND, ED, OF, HA, EN, CT, ST, NT, ON, ME, MO, NG, NC, UG, UC, OU, GH, OR, OP, EE, YO, VE, IT, WE, TI, VO, WO, SA, MA, OL, VA, YP, YR, OX, XO, BA, OT, TO, BE, RU, KU, TW, EN, NT, FAS, FAST, CKS, OOD, FOOD, FOO, TEE, TOR, TOP, TWE, NTY, TYP, OUT, UST, URS, WAS, THE, WES, EST, EEN, ERS, EAS, LES, ENT, FOR, OUG, ERE, TER, YOU, VER, HER, THER, THA, AND, ITH, THI, MENT, WERE, WER, ROM, THE, ERG, ERE, ERC, ERU, ERO, NTH, FOU, HRO, HRE, HRC, HRU, TWO, GHT, OUR, OUP, STO, VEN, ORT, MEN How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Mock ups and backgrounds used are not included. Thank you! Enjoy!

Croma Sans, created in 2016, is a linear sans with a controlled and distinct graphic flavour. The Croma Sans family consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Sagebrush John, your bank robbin' days are over. I'm throwin' you in the hoosegow! Hoosegow JNL isn't a small town jailhouse, but it is Jeff Levine's take on a classic wood type that brings out the Old West in any design layout. The beauty of many of these vintage wood type alphabets is their "imperfect" letter forms - giving your work a touch of the old days of letterpress printing.

Foro Rounded is the softer sister of the succesful Foro family. Distinct in appearance, with pleasant haptic, objective, and with graphic appeal. Foro comes in 16 styles and in OpenType format. All weights contain standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows. Foro supports Western European, Central and Eastern European languages.

Zahar type family is based on the lettering developed by the famous Ukrainian graphic artist Georgi Yakutovich and designed for Ivan Franko's book Zakhar Berkut. It is good for the design of children's books, folk tales, songs, etc. Zahar is easy to read in short texts. It supports Extended Latin and Cyrillic (including Old Church Slavonic). A special OT-feature is added to support the Old Church Slavonic alphabetic numeral system.

The Rock is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, The Rock is ideal for logos, apparel,T-shirts, Hoodie, quotes, product packaging, or anything which needs a typographic turbo-boost. The Rock Regular is the standard version of the font. Perfect for titles and logos. The Rock Swash is if you need a cool underline under your text or a splash of paint. This font set has you covered. Type any letter a-z using this font, and you'll get a unique swash to accompany the font. Language Support - We've added in a great deal of extra characters to support many different languages. Commercial/Extended License - This is in your design arsenal for life! Use on end products for sale is permitted with the standard license. Ligatures - Even though this is a capital letter, it is equipped with Ligatures.

Say hello to Bodywork! A modern blackletter with groovy touch! Bodywork - A black letter font in a groovy modern style with flower petal-inspired curves and modern style. This font is equipped with several OpenType features such as Ligatures, Alternative Character / Stylistic Sets, and multi-language support. Bodywork - has 2 regular and outline styles that complement your design needs, and this font is designed to be able to combine with other fonts. This font is perfect for branding, logo design, cover design, books, magazines, apparel designs, headlines, etc. Features: Bodywork Regular and Outline Instructions ( Access special characters, even in Cricut Design ) Have many alternate and ligatures Unique letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. Get ready to unleash your creativity with BODYWORK! Enjoy Designing! Dharmas Studio

ALERT: Comicraft's Mad Font Scientist John Roshell and Lead Lab Assistant Drewes McFarling have applied an Unstoppable Force to our Immovable Font ULTIMATUM, successfully splitting it into a family of three fonts! Here’s the secret formula: ULTIMATUM MASS retains the dynamic details of the original with flat, angled corners; ULTIMATUM FORCE cooperates with your demands for a vertical slice of the action; and ULTIMATUM VELOCITY got tired of waiting for a compromise and cut across its horizontals. The complete family features three styles of eight weights for a total of 24 fonts, each with support for 221 languages including Western & Central Europe, Vietnamese & Cyrillic. Three Variable Fonts provide precise control of Weight & Italic slant. ULTIMATUM MASS FORCE VELOCITY is ideal for high performance car & truck branding, sports uniforms, video game graphics, college & university apparel, and any time you want to convey industrial strength and technological innovation.

Godwit is an experimental high-contrast serif font. The piece screams creative freedom and exploration, as the color literally breaks through the boundaries of the original type. The final piece is really fluid as each letter links smoothly into the next and you can feel the real natural ink paths. This is a benefit of Godwit and the most powerful-distinguishable feature, as most standard fonts wouldn’t allow for this fluidity, especially a serif font. The Aphorism: The main idea comes from being fluent and smooth-spoken natural ink shapes. As we go into the details, the organic shape of the body makes the font a unique piece. The collection lends itself to the design, packaging, and advertising of everything with a romantic feel like liquid love potion; weddings, greetings, cosmetics, lingerie, book covers, and too many more to mention! This font is a great place to begin getting that tone.

Disento Sensual Ligature Sans Serif Typeface . Sexy & elegant sans serif font is ideal for creating logon and Brand Identities. With large variations of original ligatures and a lot of sophisticated Alternates It works perfect for creating stylish logos, striking editorials, invitations, graphic quotes, and more. Uppercase Characters Lowercase Characters Discretionary Ligatures Multilingual support for various languages HOW TO GET ACCESS TO ALTERNATE CHARACTERS & LIGATURES Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type – glyphs Microsoft Windows apps -generally propose a Font menu by right-clicking on a selected text. This Font menu lets you setup several font features, in particular ligatures. "In Word 2010 or newer for Windows, press Control-D to open the Font dialog box, and select the Advanced tab. Check the option to “Use Contextual Alternates,” then set Ligatures to “All,” and click OK." Follow me by Instagram: @labfcreations

Core Deco is font family inspired by Art Deco posters from 1920s, '30s, and '40s. The font family is anchored by two fonts: Core Deco, an elegant monolinear update of Art Deco lettering, and Core Deco C1, a vivacious weighted counterpart. Both channel the era's affinity for geometry and are accompanied by a host of alternate styles. Three variants of Core Deco (A1–A3) offer drop-shadow options on the monolinear style. Eight variants of C1 (B1–B6 and C2–C3) offer contemporary takes on Art Deco outlining and shading of weighted strokes. One variant (C4) offers a drop-shadow only option that may be layered with any of the weighted fonts. The Core Deco family supports complete Latin 1252, Central European 1250, and Turkish 1254 character sets. If you are looking for an Art Deco–style style font which is modern and immediately usable in various artworks, get this family!

Behiner is a font created to offer your varied design projects a classic art deco flair. This font is sleek and modern, with simple yet appealing letterforms. The ligature function and its equivalents offer design freedom in character choices. You may use Behiner to provide a retro feel to your commercials, posters, brochures, business cards, and other creative projects. Behiner also supports several languages, allowing you to use it in multilingual projects. Get Behiner now and join a legendary art deco saga with the current and exquisite touch that this font offers! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Gerhard is an early 1900’s Victorian style typeface that has been carefully refined for today. It was inspired from delicately hand painted lettering on a century-old vintage piano. This typeface has an bold and elegant natural aesthetic that can work for eye-catching headlines yet work gracefully enough for wedding invitations. Small caps have been designed for sub headings and allow a visual difference. Put it to use on your next branding, signage or publication project. A number of glyphs and diacritics included make this typeface usable for a wide number of languages. Alternate letters and forms have been included to create some versatility with your design.

Inspired by 1920's Art Deco, Artisual Deco is a 2020's celebration dedicated to the hundred-year-old history of geometric design. This retro typeface will be the perfect fit for your logo designs or graphic project. Drawn, created and published in 2021, the typeface has vintage letterforms with a classy personality. Artisual Deco contains ten high-quality styles: Thin, Light, Regular, Bold and Black with each weight provided as Upright and Italic. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Handcrafted signs line the stoned walkways of old Italy. Some a century old, these often forgotten works of unknown artists remain etched across cities and villages. But now, they make their inviting impressions once again as the inspiration for insigne design’s Gineso Soft typeface. Gineso Soft absorbs the personality of northern Italian posters, headlines and logotypes, providing a type especially nice for signs and titling with its condensed qualities. The font contains matching italics for the the eight weights and three widths. We’ve also included small features along with fractions and superior / inferior characters to broaden your options. Even more, Gineso Soft is ready for all applications and features a large character set for the languages ​​and literature of Europe. So add a soft touch the next time you’re in a tight spot. Add Gineso Soft and make your project a work to be remembered.

Introducing Desmo Reversed Contrast Slab Serif Font Unique Design Meet Desmo Reversed Contrast Slab Serif Font. Its reversed contrast sets it apart. Thick horizontal lines and thin verticals create a striking look. This design choice grabs attention, perfect for impactful displays Versatile Display Font Desmo shines in display settings. Whether for headlines, posters, or advertising, it stands out. Its bold features ensure readability from a distance. Moreover, its unique style makes every design engaging. Engaging Typography Desmo’s typography is designed to captivate. Its slab serifs add a touch of elegance. The font’s balanced spacing ensures clarity in every word. Therefore, it’s ideal for brands aiming to make a statement. Accessibility and Ease of Use This font is accessible to a wide range of users. Its simplicity avoids complex vocabulary. Easy to install and use, Desmo suits various design projects. Additionally, its compatibility with multiple software enhances its versatility.

This bold, sharp and geometrically designed font exudes elegance and sophistication that will bring any design project to life. With its strong lines and shapes, it evokes memories of the glamorous era of art deco, making it perfect for theatre posters or hotel branding. A display font suitable for both print and digital media, adding an extra touch of class wherever it appears.

Shabwa is An Arabic typeface for Print And screen. this font family is from Kufi style and contains 3 weights: Regular, Medium and bold. Shabwa is simple and a little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.

Creatify – Font is a bold script font. It’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web design, etc. Features : Creatify ( Uppercase, Lowercase ) Contextual alternates Stylistic alternate Ligatures Multilingual Support If you have any questions please don’t hesitate to contact me. follow my Instagram: fkryall Thank you Fikryal Studio

FebDei is neat, meticulous hand printing in two weights, plain and bold, each with italics. It has little contrast and appears as if it was written with a pencil or ball-point pen. Unlike many other hand-printing fonts, it has tiny serifs. FebDrei was created in the process of making the fonts AllSmiles and BringInTheFrowns and can be used with them.

This font is about fleeting vision, touch of moments. some letters may be illegible, but their shapes arouses emotions. sometimes in design emotions are more important. our brain can uncode the letter shapes.It includes full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. The font has bold texture. Thanks and have a great day, Haksen Studio

Chrome Balance is an experimental bitmap font created by photographing hand-modeled play dough and adding a chrome effect. It has a unique and dynamic look and is designed to accompany bold and simple designs such as album covers, posters etc.. The vector version of the same form has also been converted to the vector format, font named Amorphic. IG: algzl

Chutz is an audacious slanted typeface with horizontal contrast and horizontally oriented strokes developed for Jewish brand Chutzpah of the Feisty Foods company based in Brooklyn, New York. Scripts: Latin, Greek, Cyrillic, Hebrew Languages: 480+ Hinting: TrueType autohint for static fonts. Variable font is unhinted. The promo images used photos of Ola Rafailyk, and photos of Marta Dzedyshko, Josh Sorenson from Pexels.