The Saxo family is based on the typefaces of the twenties and thirties, where through the Art Deco and Futurism were built the foundations of the modern movement. Designed from basic geometric shapes (triangle, circle and square). This font transmits his solid character and modern spirit, through 470 glyphs, including Opentype features like ligatures, stylistic alternates and borders based on the geometry of the typeface. All Saxo fonts come with CE languages support.

Selebor is a slab serif font. Selebor inspired by the 80s and 90s vibe font. The font is perfect for you that want to create a project that have a retro feeling but not to old. it perfect for designing stickers, t-shirt, a food logo and design that used a smiley themed or vintage cartoon on it. Selebor can be used as a fun or a formal kind of project. It support multilingual language. It can easily be matched to your projects, and good for communicating your brands.

When you go traveling you always fall in love with something… At this time, it is the inscription of Holland America Line which is sparkling on ‘New York Hotel’, Rotterdam-Holland. Based on the letters I had at my disposal from the Holland America Line inscription at ‘Hotel New York,’ I started to complete the alphabet in the same style as the original text. Eventually, I digitized everything in order to acquire a usable and modern font to be able to use it for all graphic purposes. The font is ideal for head text, posters, logos, editorial, branding, signage, web applications, modern design, etc... Don't hesitate to use this unique historical font! It will give your work that glamour that you will find in this extraordinary font. Enjoy the New York Line. The Holland America Line was founded in 1873 as the Dutch-America Steamship, a shipping, and passenger line. Because it was headquartered in Rotterdam and provided service to the Americas, it became known as Holland America Line (HAL). From 1901 the iconic building on the Kop van Zuid shines. It previously housed the Holland America Line; now it houses the hotel-restaurant, Hotel New York. A building with a great history. Hotel New York has a beautiful history. Built in 1901, many ships sailing away and opened in 1993 as a hotel and restaurant. The New York Line Font comes with uppercase, lowercase, numerals, punctuations so you can use it to customize all your designs. Perfect for Logos, Letterhead, Poster, Apparel Design, Package design, Label design etc. The New York Line Font is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry. Enjoy your journey with the New york Line!

Neva Regular with Italic was created by Moscow book and type designer Pavel Kuzanyan (1901-1992) at Polygrafmash in 1970 for slugcasting and display composition. Based on simple strict letterforms of Russian classical typefaces. Neva typeface was rewarded on the Gutenberg international type design contest in 1971 (Leipzig). The typeface is useful in text and display composition, in fiction and art books. The digital version and bold styles were designed for ParaType in 2002 by Lyubov Kuznetsova.

Hennigar is a Neo Grotesque sans serif especially useful for display text and headlines. Many of the rounded letters are based on the appearance of the letter O with very little variation in width. Because of it's condensed nature the apertures are narrow with extenders that dip well below the base line. Similarly many of the lowercase characters are based on the lowercase o. Terminals and tails always point east/west giving the entire alphabet a very uniform appearance. Basic Latin, extended Latin, diacritics, punctuation, math symbols, symbols,Greek, Cyrillic, ligatures, fractions, alternates, and kerning are included. Kerning support for Macedonian and Serbian is included via alternate substitutions along with proper italics for Russian. Use Hennigar for a poster, web graphics, or book title.

Probably as a reaction to the pragmatism of modernist design, the seventies saw an explosion of buoyant, vivacious typography. Psychedelia fueled a return to the melting, lush shapes of Art Nouveau while Pop culture embraced the usage of funky, joyful lettering for advertising, product design and tv titling. New low-cost technologies like photo-lettering and rub-on transfer required new fonts to be expressive rather than legible, pushing designers to produce, bubbly, high-spirited masterpieces, where geometric excess and calligraphic inventions melted joyfully. Freitag is Cosimo Lorenzo Pancini's homage to this era and its typography. His starting point was the design of a heavy sans serif with humanist condensed proportions, flared stems and reverse contrast, that generated both the main family, and a variant display subfamily. The main typeface family slowly builds the tension and design exuberance along the weight axis - a bit like our desire for the weekend increases during the week. In Light and Medium weights the font shows a more controlled, medium-contrast design, tightly spaced for maximum display effect. The Book weight follows the same design but uses a more relaxed letter spacing to allow usage in smaller sizes and short body copy. As weight increases in the Bold weight the style becomes more expressive, with a visible reverse contrast building up and culminating in the Heavy weight with his clearly visible "bell bottoms" feel. In the display sub-family the design is pushed further by introducing variant letterforms that have a stronger connection to calligraphy and lettering. Also, the weight range becomes a optical one, with weights marked as Medium, Large, XLarge, as bringing the contrast and the boldness to the extreme creates smaller counterspaces that require bigger usage sizes. Another important addition of the display sub-family is the connected italics that sport swash capitals and cursive letterforms, developed with logo design and ultra-expressive editorial design in mind. To balance the extreme contrast in the XL weight, contrast of punctuation is reduced, creating a rich, highly-dynamic texture wherever diacritics and marks are used in the text. The full family includes 16 styles + 4 variable fonts, allowing full control of the design over its tree-hugging design space. All 20 fonts share an extended latin charset with open type features including case sensitive forms, single and double story variants and alternate glyphs. According to its creator, "Freitag is the typeface that sounds like an imaginary Woodstock where on the stage with Jimi Hendrix with Novarese, Motter, Excoffon and Benguiat playing onstage with Jimi Hendrix". Jeepers creepers!

Divina Proportione is based from the original studies from Luca Pacioli. Luca Pacioli was born in 1446 or 1447 in Sansepolcro (Tuscany) where he received an abbaco education. Luca Pacioli was born in 1446 or 1447 in Sansepolcro (Tuscany) where he received an abbaco education. [This was education in the vernacular (i.e. the local tongue) rather than Latin and focused on the knowledge required of merchants.] He moved to Venice around 1464 where he continued his own education while working as a tutor to the three sons of a merchant. It was during this period that he wrote his first book -- a treatise on arithmetic for the three boys he was tutoring. Between 1472 and 1475, he became a Franciscan friar. In 1475, he started teaching in Perugia and wrote a comprehensive abbaco textbook in the vernacular for his students during 1477 and 1478. It is thought that he then started teaching university mathematics (rather than abbaco) and he did so in a number of Italian universities, including Perugia, holding the first chair in mathematics in two of them. He also continued to work as a private abbaco tutor of mathematics and was, in fact, instructed to stop teaching at this level in Sansepolcro in 1491. In 1494, his first book to be printed, Summa de arithmetica, geometria, proportioni et proportionalita, was published in Venice. In 1497, he accepted an invitation from Lodovico Sforza ("Il Moro") to work in Milan. There he met, collaborated with, lived with, and taught mathematics to Leonardo da Vinci. In 1499, Pacioli and Leonardo were forced to flee Milan when Louis XII of France seized the city and drove their patron out. Their paths appear to have finally separated around 1506. Pacioli died aged 70 in 1517, most likely in Sansepolcro where it is thought he had spent much of his final years. De divina proportione (written in Milan in 1496–98, published in Venice in 1509). Two versions of the original manuscript are extant, one in the Biblioteca Ambrosiana in Milan, the other in the Bibliothèque Publique et Universitaire in Geneva. The subject was mathematical and artistic proportion, especially the mathematics of the golden ratio and its application in architecture. Leonardo da Vinci drew the illustrations of the regular solids in De divina proportione while he lived with and took mathematics lessons from Pacioli. Leonardo's drawings are probably the first illustrations of skeletonic solids, an easy distinction between front and back. The work also discusses the use of perspective by painters such as Piero della Francesca, Melozzo da Forlì, and Marco Palmezzano. As a side note, the "M" logo used by the Metropolitan Museum of Art in New York City is taken from De divina proportione. “ The Ancients, having taken into consideration the rigorous construction of the human body, elaborated all their works, as especially their holy temples, according to these proportions; for they found here the two principal figures without which no project is possible: the perfection of the circle, the principle of all regular bodies, and the equilateral square. ” —De divina proportione

INTRODUCE ! Motting script - a new modern calligraphy font, fresh, cute, eye-catching, with a joyful heart. Great for greeting cards, branding materials, business cards, quotes, posters and more! Motting script too - includes lots of alternate characters. Encoded with Unicode PUA, which allows full access to all additional characters without any special design software. Mac users can use Font Book. Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor. For people with opentype-enabled software: Alternate can be accessed by turning on the "Alternate Styles" and "Ligature" buttons on Photoshop's Character panel, or through any software with a glyph panel, e.g. Adobe Illustrator, Photoshop CC, Inkscape. Files include: - Motting script. OTF - Motting script. TTF Thank you for buying!

Ligione is a multi function font family, consist of uppercase and lowercase with 4 weight and 4 width option making it a big 8 styles in total. This typeface is a modern display sans serif packed with a geometric modular assembly in mind, combine the regular and expanded style for a unique touch on your design. This font is perfect for a big size display, title, body text and even logo.

“Chalkís” or “Chalkida” was the capital of the Euboea island in old Greece. The name derived from the Greek and it means copper - bronze. Colonist from this area founded several important cities in the Magna Graecia, such as Cumae (coastal area of Southern Italy), where our alphabet come from. At the beginning, first scribes draw the signs in mono-line, but later on, the influence of materials, tools and the skill of calligraphers, developed the refinement of the lettering. “Calcis” is a family of sans serif fonts, characterized by its austere, functional and clear style, emerged from straight lines and primary shapes; but enriched by the contribution of countless anonymous calligraphers who have polished and embellished their forms over the years. “Calcis” is presented in five weights and italic style. It has good legibility in small sizes, elegance and strong visual impact in headlines as well. Each font of the family contain 377 glyphs with accurate kerning pairs careful controlled, and advanced typographical support with OpenType features such as: old style numerals, ligatures, discretional ligatures and case-sensitive forms. It also contain diacritics for Central European languages.

Abdo Logo is an Arabic display and text typeface. It is useful for headlines, books covers, logos design, slogans, advertisement and other graphic projects. The font is based on the simple lines of free style calligraphy. The font supports Arabic language and I may extended to cover additional scripts.

The concept of this font are Inspired by stories of space travel, interstellar war. social life in the galaxy. So we chose the name Chronosfer, which was said to be similar to Chromosphere. The chromosphere is the second most outer layer of the Sun. Several thousand kilometres thick, it resides above the photosphere and beneath the corona. Due to its low density, it is relatively transparent, resulting in the photosphere being regarded as the visual surface of the Sun. What Featured on this font? Glyphs count is 281 glyphs each style. Have some alternate characters International Language Support Best to use on Hi-Tech Style design Space or cosmos theme design

The box cover of “Drawing Stencils No. 3 for Use on Slate or Paper” [a children’s drawing set produced by Montgomery, Ward & Company of Chicago circa the 1890s] had its title in an elegant spurred Roman type face. Working from the few letters available, a complete character set was created that resulted in Antique Packaging JNL, which is available in both regular and oblique versions. To note, this is the 1500th font release from Jeff Levine Fonts since its inception in January of 2006.

Looking for a fun and versatile font to captivate your audience, clients, or guests? Trying to create the perfect contrast between your titles/headings and body copy? Maybe you’re a Beauty Influencer, Interior Designer, or run a Cooking YouTube channel - looking for a way to stand out from your competition. Maybe you feel like your birthday e-cards are missing that “something”. If you can say “yes” to any of these then hold on to your seats and get ready for a modern, fun, and delightful experience! Introducing Topsy-Turvy - A Modern Calligraphy Font. This gorgeous, fun, and elegant font can be used for a host of different content needs and projects. Use it for your headings, logos, business cards, printed quotes, invitations, packaging, resumes, and even your website or social media branding. Delight your audience, clients, or guests with this versatile, elegant font. What you’ll get: - Multilingual & Ligature Support - Full sets of Punctuation and Numerals Compatible with: - Adobe Suite - Microsoft Office - KeyNote - Pages

Boldye Font Inspired by the Reebok Logo and Sport typeface style. Boldye are strong on the curves and sharp on the edges of some of the letters suitable for logo projects, branding, posters with sports themes. Easily creates your own logo type with fonts. Boldye has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Boldye can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Introducing Kagok Blackletter font Kagok is typography designed with a classic blackletter font style, resulting in a bold and unique anatomical shape. Kagok is a strong and vintage font inspired by the classic Victorian typeface style combined with a strong style so that it looks bold in your projects. This font is perfect for use on projects that need a futuristic, vintage, and elegant style.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Maria is bold and heavy sans serif font with happy and sweet touch. It is certainly chubby, but in some ways it is also pointed. So PAG Maria is polished and friendly font.

Brrrrr is supposed to represent snow-covered letters, though it could also be letters covered with frosting. The lower case letters are identical to the upper-case letters. Buried in the font is another set of letters on Christmas tree ornaments. (They are on unicode characters in the 2400 block, circled digits and letters. See here.) The OpenType Stylistic Sets feature makes accessing these letters easier than using unicode, and another font, InsideLetters-Christmas, develops them further. The Brrrrr-Icing style can be used in a layer over Brrrrr to give the snowcap any color, not just the background color.

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose. Anyway, Zapf finished his designs and URW produced both families. Zapf’s intention for the two typefaces was to design two highly legible, open and classical fonts that could be used for any kind of typography, especially books, newspapers, magazines, etc. However, we realized later on, that URW Grotesk is very well suited for multi media applications on screen.

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose. Anyway, Zapf finished his designs and URW produced both families. Zapf's intention for the two typefaces was to design two highly legible, open and classical fonts that could be used for any kind of typography, especially books, newspapers, magazines, etc. However, we realized later on, that URW Grotesk is very well suited for multi media applications on screen.

Without serifs and without exaggeration. A project that seeks simplicity, with focus on reading and coverage in many languages. Arche has 5 weights and its italics. 10 fonts ranging from Light to Black. It also has a set of styles, old and modern numbers, arrows and ornaments. Excellent alternative to standards such as Akzidenz Grotesk or Helvetica, with a contemporary look, focus on legibility and with Latin American freshness. For more information visit our website Contrafonts.cl

A light sans serif designed for Susanna Lakner’s 22 Days mail art project. The characters were drawn on each of 22 evenings throughout November 2004. In December the drawings were scanned to create the Susanna font.

The Kyouking design is basically the structural century blend with a modern feel approach to make it a flexible and epic, effective font for the creation of ambitious poster headlines, Book covers, logos and so on.

Junior Clerk JNL is the plain sans serif version of the lettering found on the cover of the sheet music for 1919's "The World is Waiting for the Sunrise". The song title was originally set in a decorative sans serif with an engraved line adorning each character. This version of the more fanciful design is available as the companion font Legal Eagle JNL. Junior Clerk JNL is available in both regular and oblique versions.

Advertising Gothic is based on a style of fonts from the 1920s which was commonly used in advertising and poster design. The style is clearly influenced by the Art Deco movement. It combines deco style decorated initials with dramatic capital letters. The font comes in two different versions. Advertising Gothic Plain features initials which do not have the deco decorations and less fancy letter forms. Advertising Gothic Deo features deco embellishments on the initials and more elaborate versions of the main letter forms.

Hawker is a beautiful modern display font family. Hawker carries a powerful, unique, cute, artistic, and social character line with a premium finish, giving a new impression. Hawker is perfectly crafted for logos, magazines, advertisements, websites, headlines, titles, captions, UIs, games, apps, films, apparel and more.

This font is mainly inspired from the engraved characters of a German Map depicting Germany's roads and parts of surrounding lands, edited in Berlin probably in the end of 1700's. The engraver was Carl Jaeck or Jaek (1763-1808). The Map was bought by the French napoleonic general Louis Pierre Delosme (1768-1828) probably during the Napolenic campaign against Germany, circa 1805 or at least 1806, his sole staying in Germany. The font (with two styles, Normal and Italic)is containing standard ligatures and a few alternative characters. It is a "small eye" or "Small x-eight" font, as the Maps' characters are most often very small (some Italic lower cases of the map are 1mm hight, upper cases 2mm) The standard English characters set is completed with accented or specific characters for Western (Including Celtic) and Central European, Baltic, Eastern Europe and Turkish languages.

Kross Neue Grotesk is a minimalist sans-serif typeface family of 16 fonts featuring the finest design made with attention to every detail. Created with a special focus on minimalism and simplicity in typography, this typeface can transform your design projects to another level of visual appeal. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 268 glyphs are included. Kross Neue Grotesk is a perfect choice for graphic design, text presentation, web design, print and display use. The typeface can be an amazing option for beautiful branding, logo / logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the Caps will make this font perfect for minimal headlines and logotypes as shown in promo images here. Kross Neue Grotesk typeface family comes with a total of 12 fonts having 6 weights (Thin / Light / Book / Regular / Bold / Heavy) as well as Italic versions of all weights.

Introducing a fancy serif font with italics. Radilen Aveline is a series of elegant serif fonts that give traditional design elements a modern feel with their clean lines, smooth curves and sharp details making them suitable for a variety of your design projects making them ideal for titles, headlines, editorial designs, monograms, branding, logos, poster designs, and more. The regular Radilen Aveline has 47 Ligatures and 28 Alternatives. WHAT'S INCLUDED: Radilen Aveline Regular Radilen Aveline Italic We highly recommend using a program that supports OpenType features and Glyphs panels like Adobe apps and Corel Draw, so you can see and access all Glyph variations. This type of family has become the work of true love, making it as easy and fun as possible.I really hope you enjoy it! Thank you Enjoy the font and go get creative :)

S.A.M (Super Active Matrix) combines the big, bright and bold with the microscopic and mathematically precise. Inspired by old science fiction films and new technologies, S.A.M merges the rigid constraints of display mechanics with the free-flowing curves of neon signs. This font is great for a classic sci-fi look – perfect for headlines/logotype. S.A.M also works for blocks of text, unlike some other display fonts. The matrix exists to bring order to an idea – it tames the free-flowing curves of neon signage into a repeatable structure while maintaining a retro aesthetic. Each character, glyph or symbol is drawn on a bitmap grid, merged with a dot matrix to round off the edges.

Daily Magnolines is a sophisticated and modern monoline typeface with a charmingly rough version, adding an artistic touch to your designs. This versatile font is designed to capture attention and bring a touch of elegance to any project. Whether used for branding, headlines, invitations, packaging, or social media graphics, this font effortlessly blends classic and contemporary aesthetics, making it a perfect choice for both print and digital projects. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Twentieth Century was designed and drawn by Sol Hess in the Lanston Monotype drawing office between 1936 and 1947. The first weights were added to the Monotype typeface library in 1959. Twentieth Century is based on geometric shapes which originated in Germany in the early 1920's and became an integral part of the Bauhaus movement of that time. Form and function became the key words, unnecessary decoration was scorned. This clean cut, sans serif with geometric shapes was most appropriate. The lighter weights of the Twentieth Century font family can be used for text setting; the Twentieth Century bold and condensed fonts are suitable for display in headlines and advertising. Commonly spelled 20th Century.

For our latest Master of Comic Book Art, Roarin' Rick Veitch, we've created a Brat Pack of fonts worthy of a Maximortal! This is The One! This will make your Heartburst! If you Can't Get No Rick Veitch between 1941 and 1963, wipe that Swamp Thing off America's Best Greyshirt, because this font is nothing short of A Miracle, Man! It's Epic! Abraxas and the Earthman and your Army @ Love recommend it.

Civane Serif maintains the epic grandeur of Civane with a text-friendly typeface. Inspired by the great tales of old, the grandeur of Civane is refined into a serif font with sharp serifs. Civane Serif is a contemporary sans-serif typeface with a robust character set. The Civane Serif family of typefaces supports 48 Latin-based Western, Central, and Eastern European languages, as well as the Baltic States and Turkey. Ligatures, small caps, embellishments, and a wide range of numerals are all accessible in OpenType, including proportional and tabular-width numbers, old style figures, fractions, inferiors, and superiors. Civane Serif is one of the finest choices for serif text setting. The italic or bold weights, as well as the roman set in titling caps, will impart a feeling of serene dignity on posters and webpages. Civane Serif's craftsmanship shines through with its higher contrast modern design, perfect for high-end premium goods and services.

Wu is a font that flows through the page like waves in the sea. The font is based on the shape of an Ancistrus fish swimming through water. The shapes of the letters flow into each other and move out again in perfect harmony. Purchase this font and come see it swim.

Statistics Prove. Near and Far. That Folks Who Drive Like Crazy. Are! Burma-Shave. In the days before the Interstate Highway system, you were likely to encounter a series of signs like this, somewhere in the backwoods between the large and small towns connected by the U.S. Highway system. The fonts in this series are based on the typefaces used on U.S. Highway signs from the 1930s to the 1950s. Included in each font are a sign shield in the backslash position, and a Burma-Shave logo in the section mark position. The Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus Central European (Unicode 1250) languages as well.

MD-Type Rounded is a modern, stylish font family. The family consists of five fonts (Regular, Bold, Light, Block, Black) which are formed by all capital letters. The strong and accented letters were rounded on the corners and therefore softened. The font family supports Turkish language as well.