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  1. AZ Rough Fart by Artist of Design, $20.00
    AZ Rough Fart font was created out of a need for a typeface that would compliment a rough outlined Tee-Shirt design. For use as a headline or subhead in your design.
  2. Olazy by PizzaDude.dk, $20.00
    Slightly curly and very romantic! Olazy can be used for anything that needs a twist of elegance or romance - or would fit perfectly for children's toys! Contains both fi and fl ligature!
  3. Edessa JNL by Jeff Levine, $29.00
    Edessa JNL is a Greek-styled alphabet found in an old book used by sign painters. Its simple, angular lines and clean approach add a taste of the past to your work.
  4. FM Aloysius by FontMeister, $24.95
    Art Nouveau typeface ‘Aloysius’ draws inspiration from Wiener Secession Movement. You can use this font to create posters, greeting cards, scrapbooks, CD labels, T-shirts, coffee mugs, digital videos websites and banners.
  5. Aura by Monotype, $29.99
    Aura was designed by Jackson Burke for the Linotype foundry in 1960. Aura is a sans serif display font, very similar to Helvetica Inserat. Use the Aura font for headlines and posters.
  6. Willgive by ZetDesign, $15.00
    willgive is a font with a firm and pointed tip which is perfect for writing with a strong impression, this font has 4 families that can be used according to your wishes.
  7. Banana and Sun by Justyna Sokolowska, $15.00
    Banana and Sun is light handwritten font. It’s very suitable for the fashion industry and culinary. This font is crazy but readable, so it can be used for large amounts of text.
  8. Hakigai Heart Font by IbeyDesign, $17.00
    Hakigai Heart Font that inspires friendliness and elegance. It is perfect to use for any of your wonderful creations such as branding projects, logos, brochures, business cards, wedding invitations, and many others.
  9. Predators Cuspid by Gleb Guralnyk, $14.00
    A vintage angry looking typeface named "Predators Cuspid". It has a grunge scratched texture effect. Protruding "fangs" can be achieved by using a capital letters. Thank you and have a nice day!
  10. Toon In JNL by Jeff Levine, $29.00
    Lettering in the credits of classic animated cartoons was the inspiration for Toon In JNL, a fun and lighthearted typeface. Use this font anywhere a relaxed, informal or playful message is displayed.
  11. Bernhard by ParaType, $30.00
    The typeface was designed at ParaType (ParaGraph) in 1993 (by Tatiana Lyskova). Based on Bernhard Condensed typeface of the Bauer company, 1912 by Lucian Bernhard). For use in advertising and display typography.
  12. Western Brushes by Soft Creative, $14.00
    Western Brushes is a modern, organic, dynamic, and energetic brush font. Can be used for various purposes. such as titles, signatures, logos, correspondence, wedding invitations, letterhead, signage, labels, bulletins, posters, badges, etc.
  13. Ongunkan Latin Runic by Runic World Tamgacı, $45.00
    Medieval (Latinised) Futhark After the arrival of Christianity in Scandinavia, the Runic alphabet was Latinised and was used occasionally, mainly for decoration, until 1850. This version is the latin runic script version.
  14. Display Brutal by Gerald Gallo, $20.00
    Display Brutal is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Brutal has an uppercase alphabet, numbers, and punctuation.
  15. Blackflower by TypeFaith Fonts, $6.00
    Blackflower Typeface is a handdrawn brush font. It's brutal, rough and messy, with ligatures to avoid twice the same glyph. You can use it for labeling, clothing, books, magazines and album covers.
  16. Casual Stencil JNL by Jeff Levine, $29.00
    Casual Stencil JNL was modeled from a set of stencils used for store display work that are reminiscent of brush style casual lettering made popular by sign painters and show card artists.
  17. Silver Rocky by Illushvara, $15.00
    Silver Rocky is a unique and flowing handwritten font, designed with the help of a brush pen. Fall in love with its incredibly versatile style and use it to create spectacular designs!
  18. Sandwich sans by 4RM Font, $12.00
    Is a unique font, Sanwich sans is made with a messy character arrangement and an expanded width to get a silly and playful impression, suitable for use in casual themed graphic designs.
  19. The Soulty by Forberas Club, $16.00
    The Soulty made for something interesting and excited, or you can make your wedding invitation with this beautiful font and you can use this font for your party or cute moment. Cheers
  20. Simplemind by Balpirick, $15.00
    Simplemind is a modern handwritten font. Simplemind is perfect for product packaging, branding project, magazines, social media, weddings, or just used to express words above the background. It includes multi-lingual support.
  21. Grateful Everyday by Crumphand, $12.00
    Hello, Introducing Bold and Cute Fonts Grateful Everyday. this font rounded good for your Graphic. Frendly use, Easy to Read. What's Character Included ? Uppercase Lowercase Symbols Numerals Multilingual Support Thank You, Regards.
  22. Gostyk by Saxofont, $18.00
    Gostyk is a bold and stylish font. Perfect for use in a variety of purposes, such as writing articles, magazines, branding projects or simply as stylish text to display on your screenshots.
  23. Alya Hand by Konst.ru, $19.00
    Handwritten font for a romantic and lovely messages, funny texts and happy postcards. This font is based on the Alya's handwriting for friendly messages. Also maybe use for menu, headlines, logos etc.
  24. Safina Bralyn by Arendxstudio, $21.00
    Safina Bralyn is a handwritten signature font which is very elegant and modern for you to use and your design interests be it for logos, branding names, posters, podcasts and so on.
  25. GHEA Zartonk by Edik Ghabuzyan, $40.00
    This Typeface family include 6 Uprights and 6 Italics. This font family can be used as Display as well as text font. The font family includes Armenian, Cyrillic and Latin alphabet systems.
  26. Design District JNL by Jeff Levine, $29.00
    Decorative elements with a decidedly Art Deco flair make up the twenty-six images found in Design District JNL by Jeff Levine. Use these images as embellishments to your next design project.
  27. Illusion by ParaType, $30.00
    Illusion™ is an original calligraphic script by Natalia Vasilyeva. The variety of alternates and ligatures makes Illusion especially suitable for use in advertising and display typography. Published by Paratype in 2019.
  28. Cutie Biscuit by Balpirick, $15.00
    Cutie Biscuit is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. This font includes TTF, Cutie Biscuit also has multilingual support.
  29. Adulatory by Ali Hamidi, $12.00
    Adulatory is a classy, elegant, and flowing calligraphy script font perfect for your favorite projects. Fall in love with its incredibly distinct and timeless style, and use it to create spectacular designs!
  30. Carlingtown by Red Rooster Collection, $60.00
    This old victorian typeface was originally called Constantia. Since that name was already in use, we decided on a the new name of Carlingtown. Digitally engineered by Steve Jackaman and Ashley Muir.
  31. Nindia by Phoenix Group, $13.00
    Nindia font is a font that was created based on the idea of beauty and elegance, with a modern and millimistic form, making Nindia font suitable for use in feminine design types.
  32. Hannover Modern by Type-Ø-Tones, $40.00
    Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal style.
  33. AZ Clouds by Artist of Design, $20.00
    AZ Clouds was inspired from a need to develop a sans serif typeface with center accents for a t-shirt design. This font was designed for use as a fun bold headline.
  34. Serifa by Linotype, $29.99
    This slab serif font of Adrian Frutiger is extremely legible and robust, making it suitable for most any use. Based on the forms of Univers, Serifa makes a harmonious and timeless impression.
  35. Classical by Elemeno, $10.00
    Classical has the look and feel of a simplified old English Swash font, but it's much more legible. It was created for use as drop caps and has a limited character set.
  36. Baby Boss by Nirmalagraphics, $14.00
    Baby Boss was inspired by the writing style of my brother who focused on learning to write and read. This font works well for children themed uses and has multi-lingual support.
  37. Kelvingrove by Typodermic, $11.95
    Welcome to the world of typography where every letter counts! Today we’d like to introduce you to our charming small-cap typeface—Kelvingrove. Inspired by the elegant Copperplate style, Kelvingrove is designed to add a touch of sophistication to any project. What makes this typeface truly special is its legibility, thanks to its eye-catching slab serif design. One of the unique features of Kelvingrove is the alternate K, Q, R, and small ampersand that can be accessed via OpenType stylistic alternates in applications that support them. This allows for endless creative possibilities and adds an element of personalization to your designs. Not only is this font aesthetically pleasing, but it’s also incredibly practical. The numerals are properly balanced for use with both caps and small caps, making it an excellent choice for headings, captions, and body text. When you need a typeface that exudes elegance and solemnity, but with a more distinct, captivating flavor, Kelvingrove is the way to go. With its unique blend of style and legibility, your designs are sure to stand out. In summary, Kelvingrove is the perfect choice for designers who want to add a touch of sophistication to their work without sacrificing legibility. Try it out for yourself and see the difference it makes! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.
  38. Lust Text by Positype, $29.00
    Yes, finally. This one took the most time and the most restarting. Years went into imagining what Lust Text should look like and how it should structurally behave in order to truly improve upon a setting that includes any of the Lust typefaces. I approached it as much from the side of the type designer, as I did a potential user. The flow, the warmth, the personality needed to be there, but all of the excess had to be removed responsibly. In the process, and in need of inspiration, I looked backward to historical artifacts and precedent. In each early Lust Text approach, the solution was lackluster and/or vanilla and not actually a ‘Lust’ typeface. The exercise was not in vain though. By exploring past examples, I found my footing drawing for media now and how it might be used later—all the while, producing seamless, elegant curves and restrained indulgence (that sounds almost silly to say, but I like it). The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.
  39. Zerbydoo by Typodermic, $11.95
    Welcome to the world of Zerbydoo! A pixel-perfect typeface that will transport you back to the golden age of video games. With its simulated bitmap design, your messages will have an authentic retro feel that is sure to grab everyone’s attention. Zerbydoo’s thick, bold letters are inspired by classic arcade game fonts. This typeface is perfect for those looking to add a touch of nostalgia to their designs. But don’t be fooled by its vintage look, Zerbydoo is a modern and versatile typeface that can be used for a variety of projects. One of the most exciting features of Zerbydoo is its variable pixel gaps, adding to the overall playful and dynamic vibe of the typeface. And to maintain the authenticity of the pixel-font look, kerning is limited to full pixel increments. Whether you’re designing a logo for your retro-inspired game, creating graphics for your Twitch stream, or just want to add some personality to your social media posts, Zerbydoo is the perfect typeface for you. So grab your joystick and get ready to level up your designs with Zerbydoo! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.
  40. Trevor by TypeTogether, $36.80
    Teo Tuominen’s Trevor took its first breath as a revival of an 18th century antiqua, but culminated in an entirely new and good-natured family. Trevor is an affable slab serif in nature: both heavy and kind. Known for their familiarity and their dark colour, the terminals of slab serifs put additional weight along the line to maintain an inky presence. Their clunky forms reveal slight immaturity and arouse the reader’s sympathy for the subject at hand. Trevor connects with others by consciously riding the line between being personal and commanding. One goal with Trevor was to pair the robust nature of a low contrast slab serif with more sophisticated elements, such as the ball terminals. So wherever one looks in Trevor, rounded corners rule the day, softening the overall appearance by mimicking ink spread made by old metal type. The easygoing look is tempered by very few inktraps and sharp corners, mostly to the inside of characters and in acute angles. Whatever Trevor is paired with, it has an altruistic outlook in that it sees the best in others. It’s the neighbourly type family
 — the neighbour you actually want. Trevor’s almost monolinear weight and high x-height give it a typewriter look in the extralight and light weights, but the whole family was made to work with many other font styles, design work, and information structures. It certainly finds its home in packaging and advertising, its sturdy verticality and narrowness fit the needs of headlines and intro text, and its seven weights are primed for plays and involved text needing many layers of distinction. The black weight is treated like a separate display style with altered ball terminals and serifs to capitalise on the added heft. Trevor’s seven roman weights cover the Latin A Extended glyph set to bring its kindly and commanding outlook to your projects. Along with alternate version of the ‘R’ in the black weight, its OpenType features include both tabular and proportional lining and oldstyle figures, ligatures, and fractions. The complete Trevor family, along with our entire catalogue, has been optimised for today’s varied screen uses.
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