The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

Italian type designer Maurizio Osti and American type designer Jane Patterson created this display FontFont in 2003. The family contains 4 weights and is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Folk provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates.The font was based on the original alphabet created by Ben Shahn in 1940. It comes with proportional lining and tabular lining figures.

Nachel Victoria is a simple, yet aesthetically beautiful typeface. It has a modern script look which can be used for business cards, logos, packaging, branding, magazines, quotes, and much more! What's included: 1. Nachel Victoria (OTF) 2. Style in this font include: Regular, Bold, Italic, and Bold italic 3. Works on Mac & PC 4. Simple installations 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡

Introducing MONDERA, our newest san serif font. We created this font by paying close attention to the harmony between each letter, resulting in a lovely blend of words when viewed or read. If you use this font for all of your projects, both official and informal, everything will look the same. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Hi, peaches! Glad to introduce to you our latest “Romes” font duo that combines classy serif and cute script fonts. The exquisite curves of the serif font and natural beautiful flow of the script font can give your projects a voguish and elegant touch! Romes Script is a lovely and at the same time clear and easy-to-read handwriting font. Romes is a moderately bold font that blends traditional influences into a contemporary aesthetic. This font duo works well for branding, weddings, social media, product design, stationery, advertising, and many more.

The master of the dancing brush, Angel Koziupa, and the node-obsessed perfectionist, Alejandro Paul, offer up another bucket of fun with Malambo. This time Koziupa allows his brush to jitter one whole millimeter, and Paul digitizes with two eyes instead of his usual three. Follow your heart, but consume an ounce of peroxide first. Full of energy and cheeky mischief, Malambo tells the eye amusing stories of mirrorless shaving accidents, wine mistakenly poured over the morning cereal, and someone who trips over his own shadow on the dance floor, yet keeps on dancing. And dancing is what this typeface is all about. Malambo is a traditional Argentine dance performed by the gauchos (the Argentine equivalent of 19th century North American cowboys?). The gauchos are still around in the less than touristic areas of Argentina. And although they dance quite passionately and make the heartiest parrillas, most of them probably don't know what a font is. But you know, and we know. And that's something. Malambo was selected as the Best in show display font at the Biennial Letras Latinas.

Kirshaw is not your grandfather's sans serif from the 1950s and 1960s. All those old classics like Helvetica, Futura, Franklin Gothic, and Univers are showing their age like an old Elvis Presley song. Kirshaw is a clean, rounded design with sharp contrasting edges. Like those classics, Kirshaw is easy to read in small body copy and captions, plus it's delightfully modern and stylish for headlines and logos. I designed Kirshaw and Kirkly while undergoing cancer treatment at Stanford Medical Center. Font design was always in the back of my mind and now I had extra time. Kirshaw is a distinctive, modern, easy-to-read sans serif family consists of 14 weights (including italics). It’s an Adobe Latin 3 Character Set containing 350 glyphs per style (including special characters).

Geometric sans serif is one of my favorite fonts because it's so, simple, clean and modern, and a long time I've been dreaming of making this type, inspired by many media and especially "Futura, 1927" ( by Early Bauer) I created "Magnify" Geometric sans. The structure and element shape of Magnify is not really perfectly circle, but slightly oval it can be seen in the uppercase letters O, G, C, Q and in the lowercase letters o, a, c, e. Magnify has 8 weights, - from Hairline to Bold and Matching Oblique. Magnify also has special alternate characters in letters a, g, y and o. it is to give a different look to a paragraph, headline or your display design. thanks, hope you would like and accept "Magnify" as part of your family. thank you in advance

Citizen Kern is a modern, geometrical grotesk typeface. It comes in 5 different styles and opentype features for a better use of typography: it’s good for both headlines and body copy. It was made from the simplest geometrical shapes for a universal appearance, with enhanced overlaps to ensure an offbeat look. Citizen Kern is meant to work for any graphic project. You can use it for branding, editorial design, signage or even motion design : its simple shapes make it super easy to animate. Do you love the classic sans serif fonts? We all do. But what if you could add some singularity to your projects? Then Citizen Kern is the ideal pick for you. It will never be as perfect as the classics but will definitely offer an alternative, and freshness to your work.

In June of 2004, Canada Type released Crucifix, a condensed three-tiers typeface that tried to bridge the gap between traditional blackletter forms and the traditional European gothics. The main goal of Crucifix was to have as many as 4 different variations on each letter form, so the original release consisted of three fonts: a main font with a standard character set, a small caps set, and a unicase variation. Now Canada Type presents the next generation of this typeface: Crucifix 2.0 and Crucifix Pro. This new version takes advantage of both Unicode and OpenType technologies to make Crucifix as versatile as ever. The PostScript Type 1 and the True Type version boast extended Latin character set support, including Western, Eastern and Central European, Turkish and Baltic, as well as two non-Latin scripts: Cryillic and Greek. The OpenType version, Crucifix Pro, goes even further by including all of above in one font, along with proper automation to accommodate on-the-fly ligatures, small caps, numerators, denominators, some fractions and a ton of stylistic and contextual alternates - all programmed to work with the latest OpenType-enabled programs. Unique, stark, and with more than 900 characters, Crucifix has that clinical sharpness and special dramatic wonder to make it perfect for mystery, gothic, and horror design settings.

Aloha! Veteran Sign Painter Pierre Tardif and Lettering Artist Charles Borges de Oliveria have teamed up to bring you these fun to use brush fonts. Aloha Script comes in two flavors: Aloha Script and Aloha Script Casual. Both fonts contain the same lowercase, alternates, and ligatures – the difference is in the capitals. By mixing both fonts you can create a variety of unique logos. Aloha Scripts Casual can be set in all caps for greater emphasis on captions. Both fonts contains over 100 alternate characters, as well as an assortment of ligatures, swashes and underlines. With over a year and a half in development, Aloha is bound to please. Great for logo design, signs, posters, culinary food packaging and so much more. Aloha!

Mantika Book expands the Mantika super family: a contemporary serif font with a soft, yet robust character and a classic lookMantika Book, an Antiqua, is the third member of the Mantika super family, which consists of the Mantika Sans and Mantika Informal. Designer Jürgen Weltin has gone back to the roots of his font, which he had originally derived from a Renaissance Antiqua. These origins are recognizable in the first member of the Mantika family, Mantika Sans, in the form of carefully suggested line use and a contrast in the weights that recalls the Antiqua. This solid sans serif, optimized for use in text, also has a particularly energetic and dynamically designed italic. Mantika Informal also brings to mind a cursive font at first glance; ultimately, however, it is not easily categorized. Its light, organic shapes combine the informally flowing style of cursive handwriting with the open and airy form and contrast of a humanist sans serif. The shapes in the serif Mantika Book are also based on the Renaissance Antiqua, just like the other members of the Mantika super family. However, the contrast in the weights is somewhat stronger than is conventional for this genre, and the serifs are characteristically asymmetrical, with slanted ends. Lightly grooved stems with an implied curvature in the lower-case letters as well as dots whose shape flirts with a fountain pen lend the Mantika Book a dynamic and particularly friendly character. Details like the open "g" or the contoured foot of the "k" emphasize this dynamism. The letters of Mantika Book have the same large x-height as the other members of the super family, but are equipped with somewhat longer ascenders and descenders.

Hillary - Beauty and Lovely Font is a script font created with love, sincerity, and patience. Can be used to make invitation writing, lettering, and all graphic design needs. This font is only equipped with one stylistic sets, but it will still look beautiful; and some alternative characters that will make your design look more attractive and beautiful. I highly recommend using a program that supports OpenType featuresand Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access toall additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. I hope you enjoy the font, thank you.

Torus Pro is a rounded monoline typeface. As its name suggests, this is a more professional version of my original Torus family released in 2017. Each glyph has been scrutinised and redrawn where necessary. In addition, there are now italics, small caps, old style figures, and numerous other improvements. Torus Pro includes many new decorative alternates and ligatures that will add distinctive flourishes to your typographic compositions. With up to nine alternates for some glyphs, these additional styles include stencilled, simple dots, looped and smooth swashes, plus a more aggressive angled option for those looking for something a little different. When used subtly, these alternates and glyph combinations will add flair and personality to your own creations. Perfect for titling and branding, Torus Pro also packs a punch without these features activated, as well as being a comfortable read in long runs of text. There are 12 fonts altogether, ranging from Thin to Heavy weights in both roman and italic. The variable font versions of the family allow you to define the weight exactly to your liking. Torus Pro has an extensive character set that covers all Latin European languages. Key features: 6 weights in both roman and italic Variable fonts included with full family 212 Alternates 20 Ligatures Small Caps Full European character set (Latin only) 1450+ glyphs per font.

OMG! I never thought I'd finish this font! Actually, the idea came to me in the late 1990-ies, but the sketches lied at the bottom of the "fonts I will complete one day In the future" pile ... also called "fonts I most likely won't complete...EVER" pile! :) Anyway, I started up with letters for both upper and lowercase, no numbers or punctuation. I figured if people ever purchased this font, all they would need were upper- or lowercase letters. But the rest of the glyphs seemed to miss out, so I made the numbers and some punctuation. But I still found the font incomplete...therefore I redid all the punctuation (from "standard" punctuation to "picturish" punctuation) and added two additional sets of letters. Meaning that there is 4 different versions of letters to choose from: 2 different lowercase, and 2 different lowercase. I had a lot of fun drawing this font, and some fun doing the detective work finding out how the MANY lettershapes should look! I hop you too have fun using this font! :)

Altheria Font is a script font with an exquisite handwriting style. Designed with meticulous attention to detail, Altheria offers various alternate characters that allow you to create unique, captivating, and embellishing letterforms in your designs. With its diverse character collection, Altheria provides numerous options to add a personal touch to your design works. The ability to choose from different letter variations grants unlimited flexibility and creativity, making it perfect for crafting attractive and distinctive visuals. One of Altheria's main features is its abundance of ligatures, which enhance the font's appeal and aesthetic quality. Ligatures are specially designed character combinations that produce a smoother, more harmonious impression in writing. Thus, Altheria offers not only beautiful letter shapes but also provides exceptional visual balance among interconnected characters. Furthermore, Altheria supports multiple languages, allowing you to utilize this font in various multilingual projects. This makes it an incredibly versatile option for design purposes that aspire to exude a luxurious and elegant impression. Altheria is highly suitable for a wide range of design projects, including but not limited to book covers, fashion magazines, business cards, wedding invitations, and much more. The font imparts a unique luxury and elegant appeal to every applied design. With Altheria, you can create attention-grabbing works that elevate the aesthetic value of each design project you undertake.

The two great technical constraints a type designer can tackle are low resolution, which limits detail and dictates proportions between negative and positive shapes, and uniform width, which restricts each letter to a fixed horizontal space. Wrestle with both at once, and each letter becomes a black-and-white chessboard that challenges every design decision. Sometimes battling these constraints gets in the way of a good idea, but other times, tinkering with fewer options can make the job irresistibly easy and lead straight to a grid addiction. Gridlite, an experiment with a modular negative space, is the side effect of such an addiction. It’s simplified, monospaced, and variable: foreground and background alike are ready to be animated, typed, scaled up, scaled down, rounded, or otherwise deformed. Gridlite is primarily a variable font with axes that control the size of the elements, their shape, and the background (one for the rectangular field and one for the compact envelope around the letters). The fonts cover Cyrillic, Greek, and Latin scripts. Small caps are included, for no apparent reason ... and there is a monospaced elephant, too.

AriergardRondo is supplemental to Ariergard by the same author. It differs with sharp geometrical letterforms and with circular shapes of round letters. The face includes antique Cyrillic letter shapes: N has diagonal stroke, uppercase Y and Ч are equilateral. Both lc г and т have ascenders. For use in advertising and display typography.

Display Magazine is a bold, distinct and assertive serif font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch.

Legible and dynamic shape, tons of OpenType options, different scripts – that’s Mato Sans. Difficult small size, long text in Vietnamese, huge heading in Russian or table full of figures to create? It’s not a problem with this family. There are over 2000 glyphs in every weight with such features: superscript and subscript characters, tabular lining and old style figures, small caps, fractions, arrows or even case sensitive parenthesis. Mato Sans was designed for use in Latin as well as in Cyrillic script. Every font contains an extended set of Cyrillic characters including special, local glyphs for Bulgarian, Macedonian and Serbian.

Victorixel is a pixel font that incorporates the Victorian wood-type style. In order to organically combine these two styles, I abandon the exaggerated and ornate shape, yet the essence of the wood type was retained, such as the forked serif at the beginning and end of the letter stem. Victorixel family has over 800 glyphs (including emojis) and it supports lots of Latin-alphabet-based languages. It is suitable for the title, poster, etc. *EASTER EGG* Turn on the ligature OpenType features and input MBTI+emoji will output the MBTI emojis. For instance: ENTPemoji Enjoy!

Ringtown is handwritten font with a signature style. perfect for branding projects, homeware designs, product packaging or simply as a stylish text overlay to any background image. Ringtown has an entire 2 alternate font set and marker style font. This is accessible simply by their own separate font file - just install this as normal and select Ringtown Alt 1, Ringtown Alt 2, Ringtown Marker and Ringtown Swash in your text-tool Fonts are provided in .otf formats Ringtown incudes 6 Font files: Ringtown -- A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. Ringtown Alt 1– the second version of Ringtown, with a completely new set of both lower and uppercase characters. Ringtown Alt 2– the thirth version of Ringtown, with a completely new set of both lower and uppercase characters. Ringtown Swash -- A set of 36 hand-drawn swashes, with cool touch to underline you’re Ringtown text. Need help? If you need help or advice, please contact me by e-mail "fargunstudio@gmail.com" Thank you for your purchase!

Before 1959, in pre-Castro Havana, Cuba, the preeminent nightclub was the Tropicana. During the regime of Fulgencio Batista, Cuba was resplendent with nightclubs and gambling casinos catering to [mostly] the North American tourists; which brought it the title of the Monte Carlo of the Americas. Although Cuba (and the world as a whole) has changed vastly over the decades, the hand-lettered logo of the Tropicana Night Club has survived, and has been reproduced as a complete digital font called Tropicano JNL (a slight twist to the club's name). At first the font seems to be awkward, crude and amateurish, but in taking a second look, there's a playful charm to it. Additionally, this font can double as a "spooky" font for the Halloween season, monster parties and in other similar themes.

The Rundeck perfectly represents crafted stuff of serif display. This project was inspired by a beautiful retro music poster. The product includes 4 styles (regular, smooth, rough and texture). This matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, and more custom design. Rundeck includes : 4 style typefaces (regular, smooth, rough and texture) Uppercase, lowercase, numeral, punctuation and symbol Multilingual PUA Encoded Thank you for your support and choosing us.

Introducing PLANET ADVENTURE - SCIFI FONT. This font is inspired by techno circuit boards, combined with the scifi font type. PLANET ADVENTURE is great for any kind of display purpose from logos, Tshirt, apparel, product packaging, tittle header, poster, merchandise, social media, labels, branding. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Glass Light was designed in 1912 by Franz Paul Glass for the Genzsch & Heyse foundry. The font is stylewise related to the "Lo types" of the same period. Glass designed a lot of decorative elements to go along with the font. I added Swashes, endletters and smallcaps to the set to make it complete. Since this type of font will probably not be used by many professionals, I did not put all the letters into one big OTF-version since most people don't have OTF-savy software. These fonts can and should be mixed for optimal results. Your decorative designer Gert Wiescher

DARK LIGHT is a graffiti-style display font with individuality in each letter. Use this font to create a unique style that will pique the interest of many people. Not only that, but your project will look more attractive and natural if you use it. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Wooden Alphabet is a peculiar wood texture and shape-inspiring display font having unique, attractive letter designs in prominent uppercases along with wood textures to express natural nuances. All of the font letters are very carefully, smoothly designed in detail as if they were made of real wood. In fact, wood textures on the letters leave the impressions of warmth and nature on the designs. Wooden Alphabet excels at the ability to create natural impressions and warm nuances in order to make your designs look interestingly different for increasing the product’s attractiveness. Such a wood-themed font is a perfect match for any nature, environment, or organic related products. To be greatly legible, you can use it for big text sizes. Wooden Alphabet provides a clipart in accordance with the font theme as a bonus and features you can enjoy. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Wooden Alphabet fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Biloner is a font in simple, clean sans serif base forms. Its letters have no ornaments and serifs making them look modern and simple. The firm, straight letter shapes look strong and evident. This font shows enlarged capital letters to create a brave, prominent look enabling it to be the center design and to make an explicit message. Despite its original sans serif font base form, Biloner adds detailed brush touches to the letters to give extra rough textures on the letter lines. The brush scratches are on the edge or certain parts of the letters adding dimensions and attractive visuals. Fortunately, this font is applicable for any text sizes thanks to its great legibility, and you may also enjoy the available features here.) Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Biloner’s flexibility enables it to adapt to any design styles, either the modern and contemporary, or brave and creative ones. It surely fits for any design contexts such as titles, posters, book covers, and brandings. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Anaphora is a contemporary serif typeface designed by Francesco Canovaro with Cosimo Lorenzo Pancini and Andrea Tartarelli. It features a wedge serif design with nine weights from thin to fat, each with true italics style, for a full range of editorial and advertising uses. Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display sizes. Four additional stencil weights provide options for fancy titling and logo creation. Anaphora features an extended character set that covers over forty languages using the latin alphabet, as well as Greek and Russian Cyrillic. Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

Teip, designed by Alex Jacque in 2014, is a layerable geometric typeface system. Teip developed as a typographic exploration of overlapping tape where a over/under, foreground/background interplay would be a stylistic motif throughout. For the most part, the uppercase characters have a vertical stress in the foreground, while lowercase have the horizontal stressed in the foreground. Because this is a unicase typeface, upper and lower case glyphs can be mixed for a more random feel in the shape of individual words and the flow of sentences. In Teip, glyph widths and kerning are the same across all styles and weights. This opens up the ability to easily layer one style on top of another to create a large number of color and stylistic combinations.

Bourton Text is a modern sans-serif typeface family perfect for both text type settings and display purposes. While it’s not a layering type family like its brother, Bourton, it come packed with features, extras and over 2,000 characters that make it stand on its own. HISTORY Bourton Text is a new take of the Bourton family that was one of the best-selling and favorite fonts of 2016. After countless requests for lowercase alphabet, or suggestions for a font pairing with Bourton, this new text setting family is based on the original shapes of Bourton. DESIGN & CREATION In taking Bourton Base was the starting point as they narrowest width and boldest weight. From there, lowercase shapes were designed that matched the aesthetic and details of the popular capitals. As Bourton was a heavy display font, some small tweaks were done to make it more fitting for smaller text settings, including reducing the letter-spacing and reworking some counters. Some areas needed complete reconstruction, such as the figures. The design of those began anew with a style that worked with the capitals and lowercase but also as a standalone set. Currency shapes were updated to match the numerals. Punctuation was also reimagined to work better in smaller type settings. Diacritics and extended language support was also updated and expanded to include full Latin plus language support for 219 latin based language spoken in 212 countries. Once the basic alphabet for Bourton Text Bold Narrow was formed, the font was expanded in both weight and width. Taking the weight from Bold down to Hairline, it allowed for more range in use. The typeface needed to be expanded in order to reach better as a book weight and width, in addition to a regular width, a wider version was create as well. FEATURES Once the extremes were set in place, small capital forms were designed for text and display purposes. These also allow for nested capital letters, lifted small caps and other display features offered in the typeface. One of the most popular fonts in the Bourton layering font family is Bourton Line. This led to an experimentation with rounded Bourton Text completely and thus a complete set of duplicated characters with rounded terminals. By using the Opentype Panel, a rounded font is a single click away. Every feature has been carefully thought out and updated across the entire font. In total, Bourton boasts over 2,300 glyphs, 42 font files with 3 widths and 7 weights in upright and italic.

Fleurons are embellishments and here is my fourth round. I found some nice old ones and made some new. These go very well with my scripts Nadine and Ellida!!! Yours once more in a beautiful mood, Gert Wiescher